UPC · Release
0.522
Ned’s Atomic Dustbin
Last verified:
5099747798429 is the Universal Product Code (UPC barcode) for the release “0.522” by Ned’s Atomic Dustbin, released 1994-01-01 on Sony Soho Square. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 22 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (22)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Saturday Night | — | ||
| 2 | Scrawl | — | ||
| 3 | Aim | — | ||
| 4 | Bite | — | ||
| 5 | Faceless | — | ||
| 6 | I've Never Been to Me | — | ||
| 7 | Grey Cell Green | — | ||
| 8 | Cut Up (Tartan Shoulders Mix) | — | ||
| 9 | Kill Your Remix | — | ||
| 10 | Wirey | — | ||
| 11 | Flexible Head | — | ||
| 12 | Sentence | — | ||
| 13 | Prostrate | — | ||
| 14 | Terminally Groovy | — | ||
| 15 | NAD v. NDX = intact | — | ||
| 16 | Twenty Three Hour Toothache | — | ||
| 17 | Titch | — | ||
| 18 | Plug Me In | — | ||
| 19 | That's Nice | — | ||
| 20 | NAD v. NDX | — | ||
| 21 | Perfectly Rounded | — | ||
| 22 | 45 Second Blunder | — |
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What is UPC 5099747798429?
5099747798429 is a Universal Product Code (UPC) assigned to 0.522 by Ned’s Atomic Dustbin. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 22 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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