UPC · Release
Οι 80 καλύτερες μπαλάντες
Various Artists
Last verified:
5099748091826 is the Universal Product Code (UPC barcode) for the release “Οι 80 καλύτερες μπαλάντες” by Various Artists, released 1995-01-01 on Compact Disc Club. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 80 tracks, each with its own ISRC. Tracks include GBARL9300072, FRE429300890, ITB007001022.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (80)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Babe | Take That | T-010.868.235-4 | |
| 2 | Every Time | — | ||
| 3 | Je m’appelle Hélène | Hélène | T-003.086.815-5 | |
| 4 | 4/3/1943 | Lucio Dalla | T-005.000.899-5 | |
| 5 | L’heure du jazz | — | ||
| 6 | What’s Another Year | Johnny Logan | T-030.115.664-8 | |
| 7 | SEASONS IN THE SUN | Terry Jacks | T-071.657.995-1 | |
| 8 | Softly Whispering I Love You | — | ||
| 9 | The Long and Winding Road | — | ||
| 10 | Is It a Crime | Sade | T-010.643.911-5 | |
| 11 | Heal the Pain | George Michael | T-070.897.006-2 | |
| 12 | Four Letter Word | Kim Wilde | — | |
| 13 | Don’t Cry Out Loud | Melissa Manchester | T-070.247.715-3 | |
| 14 | Good Enough | — | ||
| 15 | Tears on My Pillow | Johnny Nash | T-071.602.393-6 | |
| 16 | Telephone Line | — | ||
| 17 | Hey There Lonely Girl | Eddie Holman | T-070.098.195-8 | |
| 18 | I Will Always Love You | Dolly Parton | T-070.919.097-5 | |
| 19 | How ’Bout Us | — | ||
| 2-1 | Thin Line Between Love and Hate | — | ||
| 2-2 | Amanda | — | ||
| 2-3 | Longer | Dan Fogelberg | T-070.100.692-9 | |
| 2-4 | Spanish Guitar | — | ||
| 2-5 | Born to Touch Your Feelings | — | ||
| 2-6 | Until the End of Time | — | ||
| 2-7 | Sea of Love | — | ||
| 2-8 | Mmm Mmm Mmm Mmm | — | ||
| 2-9 | Perfect Day | — | ||
| 2-10 | White Bird | — | ||
| 2-11 | Tuesday’s Gone | — | ||
| 2-12 | These Eyes | The Guess Who | T-073.201.683-9 | |
| 2-13 | Keep On Loving You | REO Speedwagon | T-070.911.197-6 | |
| 2-14 | I Love You Much Too Much | — | ||
| 2-15 | Sylvia’s Mother | — | ||
| 2-16 | Julia | Pavlov’s Dog | — | |
| 2-17 | The Power of Love | — | ||
| 2-18 | Fallen Angel | — | ||
| 2-19 | I Love the Night | — | ||
| 2-20 | European Female | — | ||
| 3-1 | Mountain Dance (main Theme From Falling in Love) | — | ||
| 3-2 | Eyes of Wonder | — | ||
| 3-3 | Even Song | — | ||
| 3-4 | Cuanto vuelva a tu lado | — | ||
| 3-5 | Coracao Vagabundo | — | ||
| 3-6 | The More I See You | — | ||
| 3-7 | Samba pa ti | — | ||
| 3-8 | Night and Day | — | ||
| 3-9 | Ligia | — | ||
| 3-10 | You Go to My Head | — | ||
| 3-11 | ’Round Midnight | — | ||
| 3-12 | Tweedle Dee | — | ||
| 3-13 | Our Day Will Come | — | ||
| 3-14 | Blue Moon | — | ||
| 3-15 | Don’t Explain (first version) | Billie Holiday, Bob Haggart and His Orchestra | T-070.233.721-0 | |
| 3-16 | Time After Time | — | ||
| 3-17 | Sometimes in Winter | Blood, Sweat & Tears | — | |
| 3-18 | My Favorite Things | — | ||
| 4-1 | Under the Boardwalk | The Drifters | T-070.247.569-1 | |
| 4-2 | I Say a Little Prayer | Aretha Franklin | T-070.079.723-4 | |
| 4-3 | I’ve Got Dreams to Remember | — | ||
| 4-4 | A Thin Line Between Love and Hate | — | ||
| 4-5 | When a Man Loves a Woman | Percy Sledge | T-011.238.602-3 | |
| 4-6 | When Something Is Wrong With My Baby | Sam & Dave | T-070.247.888-3 | |
| 4-7 | B‐A‐B‐Y | Carla Thomas | T-070.232.055-5 | |
| 4-8 | 634-5789 | — | ||
| 4-9 | (You Make Me Feel Like) A Natural Woman | Aretha Franklin | T-071.001.112-3 | |
| 4-10 | Save the Last Dance for Me | The Drifters | T-070.940.133-1 | |
| 4-11 | Stand by Me | Ben E. King | T-011.233.891-6 | |
| 4-12 | Unforgettable | Aretha Franklin | T-070.193.558-1 | |
| 4-13 | Could It Be I’m Falling in Love | The Spinners | T-070.233.479-9 | |
| 4-14 | (Sittin' on the) Dock of the Bay | Otis Redding | T-071.017.301-5 | |
| 4-15 | (Night Time Is) The Right Time | Ray Charles | T-070.242.498-3 | |
| 4-16 | Rainy Night in Georgia | — | ||
| 4-17 | Sweet Thing | Rufus, Chaka Khan | T-070.276.007-3 | |
| 4-18 | If You Asked Me | — | ||
| 4-19 | You’ll Never Find Another Love Like Mine | — | ||
| 4-20 | Kiss and Say Goodbye | — | ||
| 4-21 | Me and Mrs. Jones | — | ||
| 4-22 | That’s the Way Love Is | — | ||
| 4-23 | Fire | — |
Additional database matches (12)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Seasons in the Sun | Terry Jacks | T-071.187.664-0 |
| (Sittin’ on) The Dock of the Bay | Otis Redding | T-071.017.301-5 |
| Stand by Me (Remastered LP version) | Ben E. King | T-011.233.891-6 |
| Four Letter Word | Kim Wilde | — |
| Sometimes in Winter | Blood, Sweat & Tears | — |
| Seasons in the Sun | Terry Jacks | T-071.187.664-0 |
| (Sittin’ on) The Dock of the Bay | Otis Redding | T-071.017.301-5 |
| (Sittin’ on) The Dock of the Bay | Otis Redding | T-071.017.301-5 |
| (Sittin’ on) The Dock of the Bay | Otis Redding | T-071.017.301-5 |
| (Sittin’ on) The Dock of the Bay | Otis Redding | T-071.017.301-5 |
| (Sittin’ on) The Dock of the Bay | Otis Redding | T-071.017.301-5 |
| (Sittin’ on) The Dock of the Bay | Otis Redding | T-071.017.301-5 |
What other identifiers does this connect to?
Musical Works (ISWC)
+40 more
Songwriters/Publishers (IPI)
+40 more
Creative Contributors (ISNI)
+40 more
Identifier Graph
People also ask
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What is UPC 5099748091826?
5099748091826 is a Universal Product Code (UPC) assigned to Οι 80 καλύτερες μπαλάντες by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 80 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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