UPC · Album
The Story of The Clash, Volume 1
The Clash
5099749535121
28 tracksReleased 1999-01-01Columbia
Last verified:
5099749535121 is the Universal Product Code (UPC barcode) for the release “The Story of The Clash, Volume 1” by The Clash, released 1999-01-01 on Columbia. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 28 tracks, each with its own ISRC. Tracks include GBARL1200670, GBARL1200673, GBARL1200680.
Format
509GS1 prefix
9749Company prefix
53512Product
1Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCThe Story of The Clash, Volume 1
ISRC76 recordings
ISWC41 works
IPI1 songwriter
Track List (76)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| Should I Stay or Should I Go | The Clash | GBARL1200670 |
| Straight to Hell | The Clash | GBARL1200673 |
| London Calling | The Clash | GBARL1200680 |
| Spanish Bombs | The Clash | GBARL1200685 |
| Lost in the Supermarket | The Clash | GBARL1200687 |
| Clampdown | The Clash | GBARL1200688 |
| The Guns of Brixton | The Clash | GBARL1200689 |
| Train in Vain | The Clash | GBARL1200698 |
| Janie Jones | The Clash | GBARL1200699 |
| White Riot | The Clash | GBARL1200702 |
| London’s Burning | The Clash | GBARL1200706 |
| Career Opportunities | The Clash | GBARL1200707 |
| Police & Thieves | The Clash | GBARL1200710 |
| Safe European Home | The Clash | GBARL1200713 |
| English Civil War | The Clash | GBARL1200714 |
| Tommy Gun | The Clash | GBARL1200715 |
| Stay Free | The Clash | GBARL1200720 |
| Somebody Got Murdered | The Clash | GBARL1200732 |
| (White Man) In Hammersmith Palais | The Clash | GBARL1201013 |
| Bankrobber | The Clash | GBARL1201014 |
| Rock the Casbah | The Clash | GBARL1201015 |
| Armagideon Time | The Clash | GBARL1201016 |
| I Fought the Law | The Clash | GBARL1201017 |
| Complete Control | The Clash | GBARL1201018 |
| London’s Burning | The Clash | GBARL1202525 |
| (White Man) In Hammersmith Palais | The Clash | GBARL1202530 |
| I Fought the Law | The Clash | GBARL1202535 |
| Armagideon Time | The Clash | GBARL1202539 |
| This Is Radio Clash | The Clash | GBARL1202546 |
| Rock the Casbah | The Clash | GBARL1202549 |
| Bankrobber | The Clash | GBARL1202570 |
| I Fought the Law (live) | The Clash | GBARL1300630 |
| London Calling | The Clash | GBBBN0400804 |
| Complete Control | The Clash | GBBBN7702002 |
| White Riot | The Clash | GBBBN7702009 |
| (White Man) In Hammersmith Palais | The Clash | GBBBN7802002 |
| Tommy Gun | The Clash | GBBBN7802003 |
| English Civil War | The Clash | GBBBN7802004 |
| Clash City Rockers | The Clash | GBBBN7802034 |
| Safe European Home | The Clash | GBBBN7802035 |
| Stay Free | The Clash | GBBBN7802040 |
| The Guns of Brixton | The Clash | GBBBN7900010 |
| Clampdown | The Clash | GBBBN7900012 |
| I Fought the Law | The Clash | GBBBN7902001 |
| London Calling | The Clash | GBBBN7902002 |
| Train in Vain | The Clash | GBBBN7902003 |
| Spanish Bombs | The Clash | GBBBN7902022 |
| Lost in the Supermarket | The Clash | GBBBN7902024 |
| Bankrobber | The Clash | GBBBN8002001 |
| The Magnificent Seven | The Clash | GBBBN8002031 |
| Somebody Got Murdered | The Clash | GBBBN8002039 |
| This Is Radio Clash | The Clash | GBBBN8102001 |
| Should I Stay or Should I Go | The Clash | GBBBN8200005 |
| Straight to Hell | The Clash | GBBBN8202024 |
| Armagideon Time | The Clash | GBBBN9902142 |
| London’s Burning | The Clash | GBBBN9902144 |
| Janie Jones | The Clash | GBBBN9902145 |
| Police & Thieves | The Clash | GBBBN9902147 |
| Career Opportunities | The Clash | GBBBN9902148 |
| I Fought the Law | The Clash | GBBBN9902206 |
| Clash City Rockers | The Clash | GBBBN9902451 |
| Complete Control | The Clash | GBBBN9902453 |
| English Civil War | The Clash | GBBBN9902455 |
| The Guns of Brixton | The Clash | GBBBN9902456 |
| London Calling | The Clash | GBBBN9902460 |
| Safe European Home | The Clash | GBBBN9902466 |
| Should I Stay or Should I Go | The Clash | GBBBN9902467 |
| Stay Free | The Clash | GBBBN9902469 |
| Tommy Gun | The Clash | GBBBN9902474 |
| (White Man) In Hammersmith Palais | The Clash | GBBBN9902478 |
| I Fought the Law | The Clash | GBBBN9902483 |
| Tommy Gun | The Clash | GBBNN7802003 |
| English Civil War | The Clash | GBBNN7802004 |
| Safe European Home | The Clash | GBBNN7802035 |
| Stay Free | The Clash | GBBNN7802040 |
| Janie Jones | The Clash | USSM19920609 |
Should I Stay or Should I Go
The Clash
Straight to Hell
The Clash
London Calling
The Clash
Spanish Bombs
The Clash
Lost in the Supermarket
The Clash
Clampdown
The Clash
The Guns of Brixton
The Clash
Train in Vain
The Clash
Janie Jones
The Clash
White Riot
The Clash
London’s Burning
The Clash
Career Opportunities
The Clash
Police & Thieves
The Clash
Safe European Home
The Clash
English Civil War
The Clash
Tommy Gun
The Clash
Stay Free
The Clash
Somebody Got Murdered
The Clash
(White Man) In Hammersmith Palais
The Clash
Bankrobber
The Clash
Rock the Casbah
The Clash
Armagideon Time
The Clash
I Fought the Law
The Clash
Complete Control
The Clash
London’s Burning
The Clash
(White Man) In Hammersmith Palais
The Clash
I Fought the Law
The Clash
Armagideon Time
The Clash
This Is Radio Clash
The Clash
Rock the Casbah
The Clash
Bankrobber
The Clash
I Fought the Law (live)
The Clash
London Calling
The Clash
Complete Control
The Clash
White Riot
The Clash
(White Man) In Hammersmith Palais
The Clash
Tommy Gun
The Clash
English Civil War
The Clash
Clash City Rockers
The Clash
Safe European Home
The Clash
Stay Free
The Clash
The Guns of Brixton
The Clash
Clampdown
The Clash
I Fought the Law
The Clash
London Calling
The Clash
Train in Vain
The Clash
Spanish Bombs
The Clash
Lost in the Supermarket
The Clash
Bankrobber
The Clash
The Magnificent Seven
The Clash
Somebody Got Murdered
The Clash
This Is Radio Clash
The Clash
Should I Stay or Should I Go
The Clash
Straight to Hell
The Clash
Armagideon Time
The Clash
London’s Burning
The Clash
Janie Jones
The Clash
Police & Thieves
The Clash
Career Opportunities
The Clash
I Fought the Law
The Clash
Clash City Rockers
The Clash
Complete Control
The Clash
English Civil War
The Clash
The Guns of Brixton
The Clash
London Calling
The Clash
Safe European Home
The Clash
Should I Stay or Should I Go
The Clash
Stay Free
The Clash
Tommy Gun
The Clash
(White Man) In Hammersmith Palais
The Clash
I Fought the Law
The Clash
Tommy Gun
The Clash
English Civil War
The Clash
Safe European Home
The Clash
Stay Free
The Clash
Janie Jones
The Clash
What other identifiers does this connect to?
Musical Works (ISWC)
T-011.401.569-8T-011.401.572-3T-011.401.579-0T-011.401.600-0T-011.401.601-1T-011.401.621-5T-011.401.622-6T-011.401.623-7T-011.401.624-8T-011.401.646-4
+31 more
T-011.401.649-7T-011.401.665-7T-011401569-8T-011401572-3T-011401579-0T-011401600-0T-011401601-1T-011401621-5T-011401622-6T-011401623-7T-011401624-8T-011401646-4T-011401649-7T-011401665-7T-070.918.931-0T-070918931-0T-071.520.302-3T-071520302-3T-900.369.749-2T-900369749-2T0114015789T0114015803T0114015961T0114016011T0114016022T0114016124T0114016146T0114016157T0114016179T0114016431T0116399031
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
People also ask
SourcesMusicBrainzDiscogs2 sources
Verified on
What is UPC 5099749535121?
5099749535121 is a Universal Product Code (UPC) assigned to The Story of The Clash, Volume 1 by The Clash. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 28 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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