UPC · Release
Υπ’ Ευθύνη Μου
Νατάσα Θεοδωρίδου
Last verified:
5099750408629 is the Universal Product Code (UPC barcode) for the release “Υπ’ Ευθύνη Μου” by Νατάσα Θεοδωρίδου, released 2001-01-01 on Columbia. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 17 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (17)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Καταζητείται (Ojos Asi) | — | ||
| 2 | Υποκρισία | — | ||
| 3 | Σου Βάζω Δύσκολα | — | ||
| 4 | Εγώ Δε Θέλω Και Πολύ | — | ||
| 5 | Τι Φταίω | — | ||
| 6 | Μονοπωλείς | — | ||
| 7 | Τώρα Το Θυμήθηκες | — | ||
| 8 | Δωρεάν | — | ||
| 9 | Τελευταία Μου Αγάπη | — | ||
| 10 | Είσαι Συνήθεια Κακιά | — | ||
| 11 | Αποτύπωμα | — | ||
| 12 | Να Γυρίσεις | — | ||
| 13 | Όσο Και Να Σ’ Αγαπάω (Υπ’ Ευθύνη Μου) | — | ||
| 14 | Ενθύμια | — | ||
| 15 | Μια Φορά Κι Εσύ Κάνε Κάτι | — | ||
| 16 | Καλώς Ήρθες Αγάπη | — | ||
| 17 | Αδιέξοδη Αγάπη | — |
What other identifiers does this connect to?
Creative Contributors (ISNI)
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People also ask
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What is UPC 5099750408629?
5099750408629 is a Universal Product Code (UPC) assigned to Υπ’ Ευθύνη Μου by Νατάσα Θεοδωρίδου. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 17 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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