UPC · Release
Joy Denalane
Last verified:
5099750807927 is the Universal Product Code (UPC barcode) for the release “Mamani” by Joy Denalane, released 2002-01-01 on Four Music. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 18 tracks, each with its own ISRC. Tracks include DEE860200487, DEE860200488, DEE860200524.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Setho | Joy Denalane | — |
| 2 | Miscommunication | Joy Denalane | T8003219102 |
| 3 | Geh jetzt | Joy Denalane | T8003223039 |
| 4 | Bantwana (skit) | Joy Denalane | — |
| 5 | Höchste Zeit | Joy Denalane | T8003219135 |
| 6 | Vier Frauen | Joy Denalane, Sara Tavares, Chiwoniso, Déborah | T-070892689-9 |
| 7 | Sag's mir (album version) | Joy Denalane | T8017064380 |
| 8 | Ma Jimbos (skit) | Joy Denalane | T8003218972 |
| 9 | Im Ghetto von Soweto (Auntie's House) | Joy Denalane, Hugh Masekela | T8003218972 |
| 10 | Kinderlied | Joy Denalane | T8003219011 |
| 11 | Was auch immer | Joy Denalane | T-800321901-1 |
| 12 | Passenger Denalane (skit) | Joy Denalane | — |
| 13 | Mamani | Joy Denalane, Hugh Masekela | T9171838372 |
| 14 | Fragen (Ein Brief aus Lesotho) | Joy Denalane | T9171838372 |
| 15 | Wem gehört die Welt | Joy Denalane | T0709025875 |
| 16 | I Cover the Waterfront | Joy Denalane | T0709025875 |
| 17 | Outro | Joy Denalane | T8004387434 |
| 18 | Mathatha Agotlokamna (Nachruf) / [untitled] / [untitled] / Geh Jetzt (Frico rmx) | Joy Denalane, Mahotella Queens | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
5099750807927 is a Universal Product Code (UPC) assigned to Mamani by Joy Denalane. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 18 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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