UPC · Album
Passion / Suite / Toccata / Magnificat / Brandenburg / Goldberg / Concerto / Fugue / Invention / Partita
Bach, John Williams, Gustav Leonhardt and 1 more
5099750955321
57 tracksReleased 2002-01-01Sony Classical
Last verified:
5099750955321 is the Universal Product Code (UPC barcode) for the release “Passion / Suite / Toccata / Magnificat / Brandenburg / Goldberg / Concerto / Fugue / Invention / Partita” by Bach, John Williams, Gustav Leonhardt, Tafelmusik, released 2002-01-01 on Sony Classical. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 57 tracks, each with its own ISRC. Tracks include USSM16800879, USSM17700128, USSM17700129.
Format
509GS1 prefix
9750Company prefix
95532Product
1Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCPassion / Suite / Toccata / Magnificat / Brandenburg / Goldberg / Concerto / Fugue / Invention / Partita
ISRC54 recordings
ISWC3 works
Track List (57)
| # | Track Title | Artist(s) | ISWC |
|---|---|---|---|
| 1 | Cantata BWV 147, "Herz und Mund und Tat und Leben": Jesu, Joy of Man's Desiring | The Philadelphia Orchestra, Eugene Ormandy | — |
| 2 | Concerto No. 4 in G, BWV 1049: Allegro | Leonhardt-Consort, Gustav Leonhardt | — |
| 3 | Concerto No. 4 in G, BWV 1049: Andante | Leonhardt-Consort, Gustav Leonhardt | — |
| 4 | Concerto No. 4 in G, BWV 1049: Presto | Leonhardt-Consort, Gustav Leonhardt | — |
| 5 | Toccata und Fuga d-moll, BWV 565: I. Toccata | Gustav Leonhardt | T9320147191 |
| 6 | Toccata und Fuga d-moll, BWV 565: II. Fuga | Gustav Leonhardt | — |
| 7 | Suite in E Major, BWV 1006a: I. Präludium | John Williams | — |
| 8 | Suite in E Major, BWV 1006a: II. Loure | John Williams | — |
| 9 | Suite in E Major, BWV 1006a: III. Gavotte en Rondeau | John Williams | — |
| 10 | Suite in E Major, BWV 1006a: IV. Menuetts I & II | John Williams | — |
| 11 | Suite in E Major, BWV 1006a: V. Bourée | John Williams | — |
| 12 | Suite in E Major, BWV 1006a: VI. Gigue | John Williams | — |
| 13 | Magnificat BWV 243 in D major, 1. Magnificat | Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | — |
| 14 | Magnificat BWV 243 in D major, 6. Et misericordia | Bach-Collegium Stuttgart, Helmuth Rilling | — |
| 15 | Magnificat BWV 243 in D major, 10. Suscepit Israel | Bach-Collegium Stuttgart, Helmuth Rilling | — |
| 16 | Magnificat BWV 243 in D major, 11. Sicut locutus est | Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | — |
| 17 | Magnificat BWV 243 in D major, 12. Gloria Patri | Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | — |
| 18 | Italian Concerto in F major, BWV 971: I. | Gustav Leonhardt | — |
| 19 | Italian Concerto in F major, BWV 971: II. Andante | Gustav Leonhardt | — |
| 20 | Italian Concerto in F major, BWV 971: III. Presto | Gustav Leonhardt | — |
| 2-1 | Matthäus-Passion, BWV 244: Kommt, ihr Töchter, helft mir klagen | Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | — |
| 2-2 | The Passion of Our Lord According to St Matthew, BWV 244: no. 47 "Erbame dich" ("Have pity, Lord, on me" - Aria Alto) | — | |
| 2-3 | The Passion of Our Lord According to St Matthew, BWV 244: no. 63 "O Haupt voll Blut und Wunden" ("O Thou, with hate surrounded" - Chorale) | — | |
| 2-4 | The Passion of Our Lord According to St Matthew, BWV 244: no. 75 "Mache dich mein Herze rein" ("Make thee clean, my heart, from sin" - Aria: Bass) | — | |
| 2-5 | Matthäus-Passion, BWV 244: Wir setzen uns mit Tränen nieder | Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | — |
| 2-6 | Goldberg-Variationen, BWV 988: Aria | Charles Rosen | T9021286884 |
| 2-7 | Cello Suite no. 1 in G, BWV 1007: I. Praeludium | Anner Bylsma | — |
| 2-8 | Cello Suite no. 1 in G, BWV 1007: II. Allemande | Anner Bylsma | — |
| 2-9 | Cello Suite no. 1 in G, BWV 1007: III. Courante | Anner Bylsma | — |
| 2-10 | Cello Suite no. 1 in G, BWV 1007: IV. Sarabande | Anner Bylsma | — |
| 2-11 | Cello Suite no. 1 in G, BWV 1007: V. Menuet #1 & 2 | Anner Bylsma | — |
| 2-12 | Cello Suite no. 1 in G, BWV 1007: VI. Gigue | Anner Bylsma | — |
| 2-13 | Harpsichord Concerto no. 3 in D major, BWV 1054: I. Allegro | Igor Kipnis, The London Strings, Neville Marriner | — |
| 2-14 | Harpsichord Concerto no. 3 in D major, BWV 1054: II. Adagio e piano sempre | Igor Kipnis, The London Strings, Neville Marriner | — |
| 2-15 | Harpsichord Concerto no. 3 in D major, BWV 1054: III. Allegro | Igor Kipnis, The London Strings, Neville Marriner | — |
| 3-1 | Concerto for Two Violins in D minor ("Double"), BWV 1043: I. Vivace | Jeanne Lamon, Linda Melsted, Tafelmusik | — |
| 3-2 | Concerto for Two Violins and Orchestra in D minor, BWV 1043: II. Largo, ma non tanto | Jeanne Lamon, Linda Melsted, Tafelmusik | — |
| 3-3 | Concerto for Two Violins and Orchestra in D minor, BWV 1043: III. Allegro | Jeanne Lamon, Linda Melsted, Tafelmusik | — |
| 3-4 | Invention No. 1 in C major, BWV 772 | Gustav Leonhardt | — |
| 3-5 | Invention No. 4 in D minor, BWV 775 | Gustav Leonhardt | — |
| 3-6 | Invention No. 8 in F major, BWV 779 | Gustav Leonhardt | T9127320063 |
| 3-7 | Invention No. 10 in G major, BWV 781 | Gustav Leonhardt | — |
| 3-8 | Invention No. 13 in A minor, BWV 784 | Gustav Leonhardt | — |
| 3-9 | Invention No. 14 in B-flat major, BWV 785 | Gustav Leonhardt | — |
| 3-10 | Contrapunctus 1 | Juilliard String Quartet | — |
| 3-11 | Contrapunctus 2 | Juilliard String Quartet | — |
| 3-12 | Contrapunctus 3 | Juilliard String Quartet | — |
| 3-13 | Contrapunctus 4 | Juilliard String Quartet | — |
| 3-14 | Menuett G-Dur | Philadelphia Orchestra, Eugene Ormandy | — |
| 3-15 | Musette in D major, BWV Anh. 126 | Philadelphia Orchestra, Eugene Ormandy | — |
| 3-16 | Notenbuch der Anna Magdalena Bach: Bist du bei mir, BWV 508 | Philadelphia Orchestra, Eugene Ormandy | — |
| 3-17 | Little Suite: Marche in D major, BWV 122 | Philadelphia Orchestra, Eugene Ormandy | — |
| 3-18 | Partita No. 2 in D minor, BWV 1004: I. Allemande | Henryk Szeryng | — |
| 3-19 | Partita No. 2 in D minor, BWV 1004: II. Corrente | Henryk Szeryng | — |
| 3-20 | Partita No. 2 in D minor, BWV 1004: III. Sarabande | Henryk Szeryng | — |
| 3-21 | Partita No. 2 in D minor, BWV 1004: IV. Gigue | Henryk Szeryng | — |
| 3-22 | Partita No. 2 in D minor, BWV 1004: V. Chaconne | Henryk Szeryng | — |
Cantata BWV 147, "Herz und Mund und Tat und Leben": Jesu, Joy of Man's Desiring
The Philadelphia Orchestra, Eugene Ormandy
—
Concerto No. 4 in G, BWV 1049: Allegro
Leonhardt-Consort, Gustav Leonhardt
—
Concerto No. 4 in G, BWV 1049: Andante
Leonhardt-Consort, Gustav Leonhardt
—
Concerto No. 4 in G, BWV 1049: Presto
Leonhardt-Consort, Gustav Leonhardt
—
Gustav Leonhardt
Toccata und Fuga d-moll, BWV 565: II. Fuga
Gustav Leonhardt
—
Suite in E Major, BWV 1006a: I. Präludium
John Williams
—
Suite in E Major, BWV 1006a: II. Loure
John Williams
—
Suite in E Major, BWV 1006a: III. Gavotte en Rondeau
John Williams
—
Suite in E Major, BWV 1006a: IV. Menuetts I & II
John Williams
—
Suite in E Major, BWV 1006a: V. Bourée
John Williams
—
Suite in E Major, BWV 1006a: VI. Gigue
John Williams
—
Magnificat BWV 243 in D major, 1. Magnificat
Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling
—
Magnificat BWV 243 in D major, 6. Et misericordia
Bach-Collegium Stuttgart, Helmuth Rilling
—
Magnificat BWV 243 in D major, 10. Suscepit Israel
Bach-Collegium Stuttgart, Helmuth Rilling
—
Magnificat BWV 243 in D major, 11. Sicut locutus est
Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling
—
Magnificat BWV 243 in D major, 12. Gloria Patri
Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling
—
Italian Concerto in F major, BWV 971: I.
Gustav Leonhardt
—
Italian Concerto in F major, BWV 971: II. Andante
Gustav Leonhardt
—
Italian Concerto in F major, BWV 971: III. Presto
Gustav Leonhardt
—
Matthäus-Passion, BWV 244: Kommt, ihr Töchter, helft mir klagen
Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling
—
The Passion of Our Lord According to St Matthew, BWV 244: no. 47 "Erbame dich" ("Have pity, Lord, on me" - Aria Alto)
—
The Passion of Our Lord According to St Matthew, BWV 244: no. 63 "O Haupt voll Blut und Wunden" ("O Thou, with hate surrounded" - Chorale)
—
The Passion of Our Lord According to St Matthew, BWV 244: no. 75 "Mache dich mein Herze rein" ("Make thee clean, my heart, from sin" - Aria: Bass)
—
Matthäus-Passion, BWV 244: Wir setzen uns mit Tränen nieder
Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling
—
Charles Rosen
Cello Suite no. 1 in G, BWV 1007: I. Praeludium
Anner Bylsma
—
Cello Suite no. 1 in G, BWV 1007: II. Allemande
Anner Bylsma
—
Cello Suite no. 1 in G, BWV 1007: III. Courante
Anner Bylsma
—
Cello Suite no. 1 in G, BWV 1007: IV. Sarabande
Anner Bylsma
—
Cello Suite no. 1 in G, BWV 1007: V. Menuet #1 & 2
Anner Bylsma
—
Cello Suite no. 1 in G, BWV 1007: VI. Gigue
Anner Bylsma
—
Harpsichord Concerto no. 3 in D major, BWV 1054: I. Allegro
Igor Kipnis, The London Strings, Neville Marriner
—
Harpsichord Concerto no. 3 in D major, BWV 1054: II. Adagio e piano sempre
Igor Kipnis, The London Strings, Neville Marriner
—
Harpsichord Concerto no. 3 in D major, BWV 1054: III. Allegro
Igor Kipnis, The London Strings, Neville Marriner
—
Concerto for Two Violins in D minor ("Double"), BWV 1043: I. Vivace
Jeanne Lamon, Linda Melsted, Tafelmusik
—
Concerto for Two Violins and Orchestra in D minor, BWV 1043: II. Largo, ma non tanto
Jeanne Lamon, Linda Melsted, Tafelmusik
—
Concerto for Two Violins and Orchestra in D minor, BWV 1043: III. Allegro
Jeanne Lamon, Linda Melsted, Tafelmusik
—
Invention No. 1 in C major, BWV 772
Gustav Leonhardt
—
Invention No. 4 in D minor, BWV 775
Gustav Leonhardt
—
Gustav Leonhardt
Invention No. 10 in G major, BWV 781
Gustav Leonhardt
—
Invention No. 13 in A minor, BWV 784
Gustav Leonhardt
—
Invention No. 14 in B-flat major, BWV 785
Gustav Leonhardt
—
Contrapunctus 1
Juilliard String Quartet
—
Contrapunctus 2
Juilliard String Quartet
—
Contrapunctus 3
Juilliard String Quartet
—
Contrapunctus 4
Juilliard String Quartet
—
Menuett G-Dur
Philadelphia Orchestra, Eugene Ormandy
—
Musette in D major, BWV Anh. 126
Philadelphia Orchestra, Eugene Ormandy
—
Notenbuch der Anna Magdalena Bach: Bist du bei mir, BWV 508
Philadelphia Orchestra, Eugene Ormandy
—
Little Suite: Marche in D major, BWV 122
Philadelphia Orchestra, Eugene Ormandy
—
Partita No. 2 in D minor, BWV 1004: I. Allemande
Henryk Szeryng
—
Partita No. 2 in D minor, BWV 1004: II. Corrente
Henryk Szeryng
—
Partita No. 2 in D minor, BWV 1004: III. Sarabande
Henryk Szeryng
—
Partita No. 2 in D minor, BWV 1004: IV. Gigue
Henryk Szeryng
—
Partita No. 2 in D minor, BWV 1004: V. Chaconne
Henryk Szeryng
—
Additional database matches (13)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Suite in E Major, BWV 1006a: III. Gavotte en Rondeau | John Williams | — |
| Cello Suite no. 1 in G, BWV 1007: I. Praeludium | Anner Bylsma | — |
| Cello Suite no. 1 in G, BWV 1007: II. Allemande | Anner Bylsma | — |
| Cello Suite no. 1 in G, BWV 1007: III. Courante | Anner Bylsma | — |
| Cello Suite no. 1 in G, BWV 1007: IV. Sarabande | Anner Bylsma | — |
| Cello Suite no. 1 in G, BWV 1007: V. Menuet #1 & 2 | Anner Bylsma | — |
| Cello Suite no. 1 in G, BWV 1007: VI. Gigue | Anner Bylsma | — |
| Cantata BWV 147, "Herz und Mund und Tat und Leben": Jesu, Joy of Man's Desiring | The Philadelphia Orchestra, Eugene Ormandy | — |
| Magnificat BWV 243 in D major, 1. Magnificat | Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | — |
| Magnificat BWV 243 in D major, 6. Et misericordia | Bach-Collegium Stuttgart, Helmuth Rilling | — |
| Magnificat BWV 243 in D major, 10. Suscepit Israel | Bach-Collegium Stuttgart, Helmuth Rilling | — |
| Magnificat BWV 243 in D major, 11. Sicut locutus est | Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | — |
| Magnificat BWV 243 in D major, 12. Gloria Patri | Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | — |
Suite in E Major, BWV 1006a: III. Gavotte en Rondeau
John Williams
—
Cello Suite no. 1 in G, BWV 1007: I. Praeludium
Anner Bylsma
—
Cello Suite no. 1 in G, BWV 1007: II. Allemande
Anner Bylsma
—
Cello Suite no. 1 in G, BWV 1007: III. Courante
Anner Bylsma
—
Cello Suite no. 1 in G, BWV 1007: IV. Sarabande
Anner Bylsma
—
Cello Suite no. 1 in G, BWV 1007: V. Menuet #1 & 2
Anner Bylsma
—
Cello Suite no. 1 in G, BWV 1007: VI. Gigue
Anner Bylsma
—
Cantata BWV 147, "Herz und Mund und Tat und Leben": Jesu, Joy of Man's Desiring
The Philadelphia Orchestra, Eugene Ormandy
—
Magnificat BWV 243 in D major, 1. Magnificat
Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling
—
Magnificat BWV 243 in D major, 6. Et misericordia
Bach-Collegium Stuttgart, Helmuth Rilling
—
Magnificat BWV 243 in D major, 10. Suscepit Israel
Bach-Collegium Stuttgart, Helmuth Rilling
—
Magnificat BWV 243 in D major, 11. Sicut locutus est
Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling
—
Magnificat BWV 243 in D major, 12. Gloria Patri
Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling
—
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What is UPC 5099750955321?
5099750955321 is a Universal Product Code (UPC) assigned to Passion / Suite / Toccata / Magnificat / Brandenburg / Goldberg / Concerto / Fugue / Invention / Partita by Bach, John Williams, Gustav Leonhardt, Tafelmusik. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 57 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm