UPC · Release
1.Outside: The Nathan Adler Diaries: A Hyper Cycle
David Bowie
Last verified:
5099751193494 is the Universal Product Code (UPC barcode) for the release “1.Outside: The Nathan Adler Diaries: A Hyper Cycle” by David Bowie, released 2004-01-01 on Columbia. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 19 tracks, each with its own ISRC. Tracks include USBI19500051, USBI19500052, USBI19500053.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (19)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Leon Takes Us Outside | David Bowie | — | |
| 2 | Outside | David Bowie | T-900.084.150-9 | |
| 3 | The Hearts Filthy Lesson | David Bowie | T-070.898.377-0 | |
| 4 | A Small Plot of Land | David Bowie | T-070.171.652-0 | |
| 5 | Segue – Baby Grace (A Horrid Cassette) | David Bowie | T-900.084.143-0 | |
| 6 | Hallo Spaceboy | David Bowie | T-900.084.144-1 | |
| 7 | The Motel | David Bowie | T-900.084.147-4 | |
| 8 | I Have Not Been to Oxford Town | David Bowie | T-010.878.735-4 | |
| 9 | No Control | David Bowie | T-010.878.738-7 | |
| 10 | Segue – Algeria Touchshriek | David Bowie | T-900.084.155-4 | |
| 11 | The Voyeur of Utter Destruction (As Beauty) | David Bowie | T-070.196.583-4 | |
| 12 | Segue – Ramona A. Stone / I Am With Name | David Bowie | T-912.677.420-7 | |
| 13 | Wishful Beginnings | David Bowie | T-900.084.156-5 | |
| 14 | We Prick You | David Bowie | — | |
| 15 | Segue – Nathan Adler | David Bowie | — | |
| 16 | I’m Deranged | David Bowie | T-010.878.737-6 | |
| 17 | Thru’ These Architects Eyes | David Bowie | — | |
| 18 | Segue – Nathan Adler | David Bowie | — | |
| 19 | Strangers When We Meet | David Bowie | — |
Additional database matches (19)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Get Real | David Bowie | — |
| Leon Takes Us Outside | David Bowie | T9000841429 |
| We Prick You | David Bowie | T9000841485 |
| Segue – Nathan Adler | David Bowie | T3139704299 |
| Thru’ These Architects Eyes | David Bowie | — |
| Segue – Nathan Adler | David Bowie | T3117630754 |
| Strangers When We Meet (single version) | David Bowie | — |
| Get Real | David Bowie | T0108792604 |
| The Hearts Filthy Lesson (Rubber mix) | David Bowie | T-070.898.377-0 |
| Hallo Spaceboy (12″ remix) | David Bowie | T-900.084.144-1 |
| Hallo Spaceboy (Double Click mix) | David Bowie | T-900084144-1 |
| Hallo Spaceboy (instrumental) | David Bowie | T-900.084.144-1 |
| Hallo Spaceboy (Lost in Space mix) | David Bowie | T-900.084.144-1 |
| I’m Deranged (Jungle mix) | David Bowie | T-010.878.737-6 |
| Nothing to Be Desired | David Bowie | T9108556485 |
| The Hearts Filthy Lesson (alternative mix) | David Bowie | T-070.898.377-0 |
| The Hearts Filthy Lesson (Simple Test mix) | David Bowie | T-070.898.377-0 |
| The Hearts Filthy Lesson (Filthy mix) | David Bowie | T-070.898.377-0 |
| The Hearts Filthy Lesson (Good Karma mix by Tim Simenon) | David Bowie | T-070.898.377-0 |
What other identifiers does this connect to?
Musical Works (ISWC)
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Creative Contributors (ISNI)
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People also ask
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What is UPC 5099751193494?
5099751193494 is a Universal Product Code (UPC) assigned to 1.Outside: The Nathan Adler Diaries: A Hyper Cycle by David Bowie. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 19 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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