UPC · Release
Miles Davis, Gil Evans
Last verified:
5099751625025 is the Universal Product Code (UPC barcode) for the release “The Complete Columbia Studio Recordings” by Miles Davis, Gil Evans, released 2004-01-01 on Columbia. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 124 tracks, each with its own ISRC. Tracks include USSM15700005, USSM15700006, USSM15700015.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Springsville (master) | Miles Davis + 19 | T-902.293.657-8 | |
| 2 | The Maids of Cadiz (master) | Miles Davis + 19 | — | |
| 3 | The Duke (master) | Miles Davis + 19, Gil Evans | T-070.044.848-1 | |
| 4 | My Ship (master) | Miles Davis + 19 | T-070.111.363-4 | |
| 5 | Miles Ahead (master) | Miles Davis + 19, Gil Evans | T-905.297.131-0 | |
| 6 | Blues for Pablo (master) | Miles Davis + 19 | — | |
| 7 | New Rhumba (master) | Miles Davis + 19 | — | |
| 8 | The Meaning of the Blues (master) | Miles Davis + 19 | T-070.914.155-8 | |
| 9 | Lament (master) | Miles Davis + 19 | — | |
| 10 | I Don’t Wanna Be Kissed (by Anyone but You) | Miles Davis | T-070.902.727-9 | |
| 11 | Springsville (remake take 7) | Miles Davis + 19 | — | |
| 12 | The Maids of Cadiz (take 1) | Miles Davis + 19 | — | |
| 13 | The Duke (take 11) | Miles Davis + 19 | T-070.044.848-1 | |
| 14 | My Ship (take 1) | Miles Davis + 19 | T-070.111.363-4 | |
| 15 | Miles Ahead (take 4) | Miles Davis + 19 | T-905.297.131-0 | |
| 16 | Blues for Pablo (take 1) | Miles Davis + 19 | — | |
| 17 | New Rhumba (take 5) | Miles Davis + 19 | — | |
| 18 | The Meaning of the Blues (rehearsal take) | Miles Davis + 19 | T-070.914.155-8 | |
| 19 | Lament (rehearsal take) | Miles Davis + 19 | T-909.258.447-9 | |
| 20 | I Don’t Wanna Be Kissed (by Anyone but You) (take 8) | Miles Davis + 19 | T-070.902.727-9 | |
| 21 | [pause track] | Miles Davis + 19 | — | |
| 2-1 | Buzzard Song | Miles Davis | — | |
| 2-2 | Bess, You Is My Woman Now | Miles Davis | T-903.624.216-7 | |
| 2-3 | Gone | Miles Davis | T-070.024.203-0 | |
| 2-4 | Gone, Gone, Gone | Miles Davis | T-900.008.917-8 | |
| 2-5 | Summertime | Miles Davis, Gil Evans and his Orchestra | T-800.364.991-1 | |
| 2-6 | Oh Bess, Oh Where’s My Bess | Miles Davis | T-801.269.905-8 | |
| 2-7 | Prayer (Oh Doctor Jesus) | Miles Davis | T-900.015.104-2 | |
| 2-8 | Fishermen, Strawberry and Devil Crab | Miles Davis | T-070.012.937-8 | |
| 2-9 | My Man’s Gone Now | Miles Davis | T-070.111.191-2 | |
| 2-10 | It Ain’t Necessarily So | Miles Davis | T-070.907.010-9 | |
| 2-11 | Here Come de Honey Man | Miles Davis | T-070.012.937-8 | |
| 2-12 | I Loves You, Porgy | Miles Davis | T-070.908.014-7 | |
| 2-13 | There’s a Boat That’s Leaving Soon for New York | Miles Davis | T-004.025.172-6 | |
| 2-14 | Gone (take 3) | Miles Davis | T-070.064.767-1 | |
| 2-15 | Summertime (take 2) | Miles Davis | T-800.364.991-1 | |
| 2-16 | Prayer (Oh Doctor Jesus) (take 2) | Miles Davis | T-900.015.104-2 | |
| 2-18 | There’s a Boat That’s Leaving Soon for New York (take 2) | Miles Davis | T-004.025.172-6 | |
| 2-19 | Oh Bess, Oh Where’s My Bess (take 5) | Miles Davis | T-801.269.905-8 | |
| 2-20 | Gone (take 4) | Miles Davis | T-070.024.203-0 | |
| 2-21 | [pause track] | Miles Davis | — | |
| 3-1 | Concierto de Aranjuez (adagio) | Miles Davis | — | |
| 3-2 | Will O’ the Wisp | Miles Davis | — | |
| 3-3 | The Pan Piper | Miles Davis | — | |
| 3-4 | Saeta | Miles Davis | T-070.940.107-9 | |
| 3-5 | Solea | Miles Davis | T-070.243.742-0 | |
| 3-6 | Song of Our Country | Miles Davis | — | |
| 3-8 | The Pan Piper (take 1) | Miles Davis | — | |
| 3-9 | Concierto de Aranjuez (adagio) (part one, alternate take) | Miles Davis | T-041.489.061-1 | |
| 3-10 | Concierto de Aranjuez (adagio) (Part Two Ending) | Miles Davis | T-041.489.061-1 | |
| 3-11 | Song of Our Country (take 14) | Miles Davis | — | |
| 3-12 | [silence] | Miles Davis | — | |
| 4-1 | Song No. 2 | Miles Davis | T-073.092.800-3 | |
| 4-2 | Once Upon a Summertime | Miles Davis | T-070.272.530-1 | |
| 4-3 | Aos pés da cruz | Miles Davis | — | |
| 4-4 | Song No. 1 | Miles Davis | T-073.092.799-7 | |
| 4-5 | Wait Till You See Her | Miles Davis | T-070.197.224-8 | |
| 4-6 | Corcovado | Miles Davis | T-902.117.934-0 | |
| 4-7 | Blue Xmas (To Whom It May Concern) | Miles Davis | T-910.977.436-9 | |
| 4-8 | Nothing Like You | Miles Davis | T-070.153.292-4 | |
| 4-9 | Devil May Care | Miles Davis | T-070.038.885-7 | |
| 4-10 | The Time of the Barracudas | Miles Davis | T-073.092.852-5 | |
| 4-11 | Falling Water (take 4) | Miles Davis | — | |
| 4-12 | Falling Water (take 6) | Miles Davis | — | |
| 4-13 | Falling Water (take 8) | Miles Davis | — | |
| 4-14 | Falling Water (take 9) | Miles Davis | — | |
| 4-15 | Springsville (take 5) | Miles Davis | — | |
| 4-16 | The Maids of Cadiz (take 11) | Miles Davis | — | |
| 4-17 | The Maids of Cadiz (take 11, insert 1) | Miles Davis | — | |
| 4-18 | Lament (medley: take 2) | Miles Davis | — | |
| 4-19 | The Duke (take 1) | Miles Davis | T-070.044.848-1 | |
| 5-1 | Springsville (rehearsal sequence) | Miles Davis, Gil Evans | — | |
| 5-2 | Springsville (rehearsal with piano) | Miles Davis, Gil Evans | — | |
| 5-3 | The Maids of Cadiz (take 9) | Miles Davis, Gil Evans | — | |
| 5-4 | The Maids of Cadiz (take 10) | Miles Davis, Gil Evans | — | |
| 5-5 | The Maids of Cadiz (rehearsal sequence) | Miles Davis, Gil Evans | — | |
| 5-6 | Count Off for the Duke (take 3) | Miles Davis, Gil Evans | — | |
| 5-7 | The Duke (take 8) | Miles Davis, Gil Evans | T-070.044.848-1 | |
| 5-8 | The Duke (piano take 3) | Miles Davis, Gil Evans | T-070.044.848-1 | |
| 5-9 | My Ship (take 6) | Miles Davis, Gil Evans | T-070.111.363-4 | |
| 5-10 | Miles Ahead (rehearsal sequence) | Miles Davis, Gil Evans | T-905.297.131-0 | |
| 5-11 | Miles Ahead (take 12) | Miles Davis, Gil Evans | T-905.297.131-0 | |
| 5-12 | Miles Ahead (take 15) | Miles Davis, Gil Evans | T-905.297.131-0 | |
| 5-13 | [studio discussion] | Miles Davis, Gil Evans | — | |
| 5-14 | My Ship | Miles Davis, Gil Evans | T-070.111.363-4 | |
| 5-15 | Miles Ahead (piano insert—mono) | Miles Davis, Gil Evans | T-905.297.131-0 | |
| 5-16 | Blues for Pablo (rehearsal sequence) | Miles Davis, Gil Evans | — | |
| 5-17 | New Rhumba (take 2) | Miles Davis, Gil Evans | — | |
| 5-18 | Lament (take 1) | Miles Davis, Gil Evans | T-903.504.403-2 | |
| 5-19 | I Don’t Wanna Be Kissed (by Anyone but You) (rehearsal) | Miles Davis, Gil Evans | T-070.902.727-9 | |
| 5-20 | I Don’t Wanna Be Kissed (by Anyone but You) (take 5) | Miles Davis, Gil Evans | T-070.902.727-9 | |
| 5-21 | [studio discussion] | Miles Davis, Gil Evans | — | |
| 5-22 | I Don’t Wanna Be Kissed (by Anyone but You) (piano take 4) | Miles Davis, Gil Evans | T-070.902.727-9 | |
| 5-23 | [pause track] | Miles Davis, Gil Evans | — | |
| 6-1 | [studio discussion] | Miles Davis, Gil Evans | — | |
| 6-2 | Springsville (take 8 without overdubs) | Miles Davis, Gil Evans | — | |
| 6-3 | [studio discussion] | Miles Davis, Gil Evans | — | |
| 6-4 | Miles Ahead (take 11 without overdubs) | Miles Davis, Gil Evans | T-905.297.131-0 | |
| 6-5 | I Don’t Wanna Be Kissed (by Anyone but You) (take 3 without overdubs) | Miles Davis, Gil Evans | T-070.902.727-9 | |
| 6-6 | Springsville (overdub take 1) | Miles Davis, Gil Evans | — | |
| 6-7 | Springsville (overdubbed solos 4–5) | Miles Davis, Gil Evans | — | |
| 6-8 | Springsville (overdubbed solos 6–9) | Miles Davis, Gil Evans | — | |
| 6-9 | Springsville (issued overdubbed solo) | Miles Davis, Gil Evans | — | |
| 6-10 | Miles Ahead (issued overdubbed solo) | Miles Davis, Gil Evans | T-905.297.131-0 | |
| 6-11 | Miles Ahead (overdubbed solo) | Miles Davis, Gil Evans | T-905.297.131-0 | |
| 6-12 | I Don’t Wanna Be Kissed (by Anyone but You) (overdubbed solo 1) | Miles Davis, Gil Evans | T-070.902.727-9 | |
| 6-13 | I Don’t Wanna Be Kissed (by Anyone but You) (overdubbed solo 2) | Miles Davis, Gil Evans | T-070.902.727-9 | |
| 6-14 | I Don’t Wanna Be Kissed (by Anyone but You) (overdubbed solo 4) | Miles Davis, Gil Evans | T-070.902.727-9 | |
| 6-15 | I Don’t Wanna Be Kissed (by Anyone but You) (overdubbed solo 8) | Miles Davis, Gil Evans | T-070.902.727-9 | |
| 6-16 | I Don’t Wanna Be Kissed (by Anyone but You) (overdubbed solo 19 & 19C) | Miles Davis, Gil Evans | T-070.902.727-9 | |
| 6-17 | Miles Ahead | Miles Davis, Gil Evans | T-905.297.131-0 | |
| 6-18 | Gone (rehearsal sequence) | Miles Davis, Gil Evans | T-070.064.767-1 | |
| 6-19 | Gone, Gone, Gone (rehearsal sequence) | Miles Davis, Gil Evans | T-900.008.917-8 | |
| 6-20 | [studio discussion] | Miles Davis, Gil Evans | — | |
| 6-21 | Bess, You Is My Woman Now (rehearsal take) | Miles Davis, Gil Evans | T-903.624.216-7 | |
| 6-22 | It Ain’t Necessarily So (take 1) | Miles Davis, Gil Evans | T-070.907.010-9 | |
| 6-23 | Oh Bess, Oh Where’s My Bess (take 3) | Miles Davis, Gil Evans | T-801.269.905-8 | |
| 6-24 | I Loves You, Porgy (rehearsal sequence) | Miles Davis, Gil Evans | T-070.908.014-7 | |
| 6-25 | There’s a Boat That’s Leaving Soon for New York (remake) | Miles Davis, Gil Evans | T-004.025.172-6 | |
| 6-26 | My Man’s Gone Now (remake take) | Miles Davis, Gil Evans | T-070.111.191-2 | |
| 6-27 | Song of Our Country (take 9) | Miles Davis, Gil Evans | — | |
| 6-28 | Concierto de Aranjuez (adagio) (rehearsal) | Miles Davis, Gil Evans | T-041.489.061-1 | |
| 6-29 | Concierto de Aranjuez (adagio) (alternate ending) | Miles Davis, Gil Evans | T-041.489.061-1 | |
| 6-30 | [pause track] | Miles Davis, Gil Evans | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| I Loves You, Porgy (take 1, second version) | Miles Davis | T-070.908.014-7 |
| Saeta (full version of master) | Miles Davis | T-070.940.107-9 |
| I Don’t Wanna Be Kissed (by Anyone but You) (53225 issued version) | Miles Davis | T-070.902.727-9 |
| New Rhumba (take 2) | Miles Davis, Gil Evans | — |
| Springsville (master) | Miles Davis + 19 | — |
| The Maids of Cadiz | Miles Davis + 19, Gil Evans | — |
| The Duke | Miles Davis + 19 | T-070.044.848-1 |
| Blues for Pablo | Miles Davis + 19, Gil Evans | — |
| New Rhumba (master) | Miles Davis + 19 | — |
| The Meaning of the Blues | Miles Davis + 19, Gil Evans | T-070.914.155-8 |
| Lament (master) | Miles Davis + 19 | — |
| Springsville (remake take 7) | Miles Davis | — |
| Blues for Pablo (take 1) | Miles Davis + 19 | — |
| Buzzard Song | Miles Davis | — |
| Concierto de Aranjuez (adagio) | Miles Davis | T-041.489.061-1 |
| Song of Our Country | Miles Davis | — |
| Song of Our Country (take 9) | Miles Davis, Gil Evans | — |
| Will O’ the Wisp | Miles Davis | — |
| The Pan Piper | Miles Davis | — |
| Song of Our Country | Miles Davis | — |
| Aos pés da cruz | Miles Davis | — |
| Concierto de Aranjuez (adagio) | Miles Davis | T-041.489.061-1 |
| Concierto de Aranjuez (adagio) | Miles Davis | T-041.489.061-1 |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
5099751625025 is a Universal Product Code (UPC) assigned to The Complete Columbia Studio Recordings by Miles Davis, Gil Evans. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 124 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
5099751625025 is the Universal Product Code (UPC barcode) for the release “The Complete Columbia Studio Recordings” by Miles Davis, Gil Evans, released 2004-01-01 on Columbia. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 124 tracks, each with its own ISRC. Tracks include USSM15700005, USSM15700006, USSM15700015.
