UPC · Release
Villa-Lobos Conducts Villa-Lobos
Villa‐Lobos
5099902820224
56 tracksReleased 2011-01-01EMI Classics
Last verified:
5099902820224 is the Universal Product Code (UPC barcode) for the release “Villa-Lobos Conducts Villa-Lobos” by Villa‐Lobos, released 2011-01-01 on EMI Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 56 tracks, each with its own ISRC. Tracks include FRZ115601220.
Format
509GS1 prefix
9902Company prefix
82022Product
4Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCVilla-Lobos Conducts Villa-Lobos
ISRC1 recording
ISWC2 works
IPI1 songwriter
Track List (56)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Descobrimento do Brasil: suite no. 1, Introdução - Alegria | — | ||
| 2 | Descobrimento do Brasil: suite no. 2, I. Impressão moura (canção) | — | ||
| 3 | Descobrimento do Brasil: suite no. 2, II. Adágio sentimental | — | ||
| 4 | Descobrimento do Brasil: suite no. 2, III. Cascavel | — | ||
| 5 | Descobrimento do Brasil: suite no. 3, I. Impressão Ibérica | — | ||
| 6 | Descobrimento do Brasil: suite no. 3, II. Festa nas selvas | — | ||
| 7 | Descobrimento do Brasil: suite no. 3, III. Ualalocê | — | ||
| 8 | Descobrimento do Brasil: suite no. 4, I. Procissão da cruz (visão dos navegantes) | — | ||
| 9 | Descobrimento do Brasil: suite no. 4, II. Primeira missa no Brazil | — | ||
| 10 | Invocação em defesa da Patria for soprano, chorus and orchestra | — | ||
| 2-1 | Bachianas Brasileiras no. 1 for 12 cellos, I. Introduction (embolada) | — | ||
| 2-2 | Bachianas Brasileiras no. 1 for 12 cellos, II. Prélude (modinha) | — | ||
| 2-3 | Bachianas Brasileiras no. 1 for 12 cellos, III. Fugue (conversa) | — | ||
| 2-4 | Bachianas Brasileiras no. 2 for orchestra, I. Prélude (canto do capadócio) | — | ||
| 2-5 | Bachianas Brasileiras no. 2 for orchestra, II. Aria (canto da nossa terra) | — | ||
| 2-6 | Bachianas Brasileiras no. 2 for orchestra, III. Danse (lembrança do sertão) | — | ||
| 2-7 | Bachianas Brasileiras no. 2 for orchestra, IV. Toccata (o trenzinho do caipira) | Orchestre national de la Radiodiffusion française, Heitor Villa-Lobos | T-910.258.234-3 | |
| 2-8 | Bachianas Brasileiras no. 3 for piano and orchestra, I. Prélude (ponteio) | — | ||
| 2-9 | Bachianas Brasileiras no. 3 for piano and orchestra, II. Fantaisie (devaneio) | — | ||
| 2-10 | Bachianas Brasileiras no. 3 for piano and orchestra, III. Aria (modinha) | — | ||
| 2-11 | Bachianas Brasileiras no. 3 for piano and orchestra, IV. Toccata (picapau) | — | ||
| 3-1 | Bachianas Brasileiras no. 4 for orchestra, I. Prélude (introdução) | — | ||
| 3-2 | Bachianas Brasileiras no. 4 for orchestra, II. Choral (canto do sertão) | — | ||
| 3-3 | Bachianas Brasileiras no. 4 for orchestra, III. Aria (cantiga) | — | ||
| 3-4 | Bachianas Brasileiras no. 4 for orchestra, IV. Danse (miudinho) | — | ||
| 3-5 | Bachianas Brasileiras no. 5 for soprano and eight cellos, I. Aria (cantilena) | — | ||
| 3-6 | Bachianas Brasileiras no. 5 for soprano and eight cellos, II. Danse (martelo) | — | ||
| 3-7 | Bachianas Brasileiras no. 6 for flute and bassoon, I. Aria (chôro) | — | ||
| 3-8 | Bachianas Brasileiras no. 6 for flute and bassoon, II. Fantaisie | — | ||
| 3-9 | Bachianas Brasileiras no. 7 for orchestra, I. Prélude (ponteio) | — | ||
| 3-10 | Bachianas Brasileiras no. 7 for orchestra, II. Gigue (quadrilha caipira) | — | ||
| 3-11 | Bachianas Brasileiras no. 7 for orchestra, III. Toccata (desafio) | — | ||
| 3-12 | Bachianas Brasileiras no. 7 for orchestra, IV. Fugue (conversa) | — | ||
| 4-1 | Bachianas Brasileiras no. 8 for orchestra, I. Prélude | — | ||
| 4-2 | Bachianas Brasileiras no. 8 for orchestra, II. Aria (modinha) | — | ||
| 4-3 | Bachianas Brasileiras no. 8 for orchestra, III. Toccata (catira batida) | — | ||
| 4-4 | Bachianas Brasileiras no. 8 for orchestra, IV. Fugue | — | ||
| 4-5 | Bachianas Brasileiras no. 9 for string orchestra, prélude (vagaroso e mistico) et fugue (poco apressado) | — | ||
| 4-6 | Chôros no. 2 for flute and clarinet | — | ||
| 4-7 | Chôros no. 5 for piano "Alma Brasileira" | — | ||
| 4-8 | Chôros no. 10 “Rasga o coração” for chorus and orchestra | — | ||
| 4-9 | 2 chôros (bis) for violin and cello, I. Modéré | — | ||
| 4-10 | 2 chôros (bis) for violin and cello, II. Lent | — | ||
| 5-1 | Chôros no. 11 for piano and orchestra, I. Première partie | — | ||
| 5-2 | Chôros no. 11 for piano and orchestra, II. Deuxième partie | — | ||
| 5-3 | Chôros no. 11 for piano and orchestra, III. Troisième partie | — | ||
| 5-4 | Qu’est‐ce qu’un Chôros? (lecture by Villa-Lobos) | — | ||
| 6-1 | Momoprecoce | — | ||
| 6-2 | Piano concerto no. 5, I. Allegro non troppo | — | ||
| 6-3 | Piano concerto no. 5, II. Poco adagio | — | ||
| 6-4 | Piano concerto no. 5, III. Allegretto scherzando | — | ||
| 6-5 | Piano concerto no. 5, IV. Allegro | — | ||
| 6-6 | Symphonie no. 4 “A vitoria”, I. Allegro impetuoso | — | ||
| 6-7 | Symphonie no. 4 “A vitoria”, II. Andante | — | ||
| 6-8 | Symphonie no. 4 “A vitoria”, III. Lento | — | ||
| 6-9 | Symphonie no. 4 “A vitoria”, IV. Allegro (avec fanfare) | — |
Descobrimento do Brasil: suite no. 1, Introdução - Alegria
—
Descobrimento do Brasil: suite no. 2, I. Impressão moura (canção)
—
Descobrimento do Brasil: suite no. 2, II. Adágio sentimental
—
Descobrimento do Brasil: suite no. 2, III. Cascavel
—
Descobrimento do Brasil: suite no. 3, I. Impressão Ibérica
—
Descobrimento do Brasil: suite no. 3, II. Festa nas selvas
—
Descobrimento do Brasil: suite no. 3, III. Ualalocê
—
Descobrimento do Brasil: suite no. 4, I. Procissão da cruz (visão dos navegantes)
—
Descobrimento do Brasil: suite no. 4, II. Primeira missa no Brazil
—
Invocação em defesa da Patria for soprano, chorus and orchestra
—
Bachianas Brasileiras no. 1 for 12 cellos, I. Introduction (embolada)
—
Bachianas Brasileiras no. 1 for 12 cellos, II. Prélude (modinha)
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Bachianas Brasileiras no. 1 for 12 cellos, III. Fugue (conversa)
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Bachianas Brasileiras no. 2 for orchestra, I. Prélude (canto do capadócio)
—
Bachianas Brasileiras no. 2 for orchestra, II. Aria (canto da nossa terra)
—
Bachianas Brasileiras no. 2 for orchestra, III. Danse (lembrança do sertão)
—
Orchestre national de la Radiodiffusion française, Heitor Villa-Lobos
Bachianas Brasileiras no. 3 for piano and orchestra, I. Prélude (ponteio)
—
Bachianas Brasileiras no. 3 for piano and orchestra, II. Fantaisie (devaneio)
—
Bachianas Brasileiras no. 3 for piano and orchestra, III. Aria (modinha)
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Bachianas Brasileiras no. 3 for piano and orchestra, IV. Toccata (picapau)
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Bachianas Brasileiras no. 4 for orchestra, I. Prélude (introdução)
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Bachianas Brasileiras no. 4 for orchestra, II. Choral (canto do sertão)
—
Bachianas Brasileiras no. 4 for orchestra, III. Aria (cantiga)
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Bachianas Brasileiras no. 4 for orchestra, IV. Danse (miudinho)
—
Bachianas Brasileiras no. 5 for soprano and eight cellos, I. Aria (cantilena)
—
Bachianas Brasileiras no. 5 for soprano and eight cellos, II. Danse (martelo)
—
Bachianas Brasileiras no. 6 for flute and bassoon, I. Aria (chôro)
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Bachianas Brasileiras no. 6 for flute and bassoon, II. Fantaisie
—
Bachianas Brasileiras no. 7 for orchestra, I. Prélude (ponteio)
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Bachianas Brasileiras no. 7 for orchestra, II. Gigue (quadrilha caipira)
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Bachianas Brasileiras no. 7 for orchestra, III. Toccata (desafio)
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Bachianas Brasileiras no. 7 for orchestra, IV. Fugue (conversa)
—
Bachianas Brasileiras no. 8 for orchestra, I. Prélude
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Bachianas Brasileiras no. 8 for orchestra, II. Aria (modinha)
—
Bachianas Brasileiras no. 8 for orchestra, III. Toccata (catira batida)
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Bachianas Brasileiras no. 8 for orchestra, IV. Fugue
—
Bachianas Brasileiras no. 9 for string orchestra, prélude (vagaroso e mistico) et fugue (poco apressado)
—
Chôros no. 2 for flute and clarinet
—
Chôros no. 5 for piano "Alma Brasileira"
—
Chôros no. 10 “Rasga o coração” for chorus and orchestra
—
2 chôros (bis) for violin and cello, I. Modéré
—
2 chôros (bis) for violin and cello, II. Lent
—
Chôros no. 11 for piano and orchestra, I. Première partie
—
Chôros no. 11 for piano and orchestra, II. Deuxième partie
—
Chôros no. 11 for piano and orchestra, III. Troisième partie
—
Qu’est‐ce qu’un Chôros? (lecture by Villa-Lobos)
—
Momoprecoce
—
Piano concerto no. 5, I. Allegro non troppo
—
Piano concerto no. 5, II. Poco adagio
—
Piano concerto no. 5, III. Allegretto scherzando
—
Piano concerto no. 5, IV. Allegro
—
Symphonie no. 4 “A vitoria”, I. Allegro impetuoso
—
Symphonie no. 4 “A vitoria”, II. Andante
—
Symphonie no. 4 “A vitoria”, III. Lento
—
Symphonie no. 4 “A vitoria”, IV. Allegro (avec fanfare)
—
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What is UPC 5099902820224?
5099902820224 is a Universal Product Code (UPC) assigned to Villa-Lobos Conducts Villa-Lobos by Villa‐Lobos. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 56 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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