UPC · Release
Britten, Berkeley, Rubbra, Sir Peter Pears, Joan Cross, Nancy Evans, Sir Reginald Goodall, Benjamin Britten, Theo Olof, Sir John Barbirolli, Jacques Abram
Last verified:
The UPC for “Peter Grims (scenes) / The Rape of Lucretia / Michelangelo & John Donne Sonnets / Violin Concerto / Piano Concerto / Berkeley / Rubbra” by Britten, Berkeley, Rubbra, Sir Peter Pears, Joan Cross, Nancy Evans, Sir Reginald Goodall, Benjamin Britten, Theo Olof, Sir John Barbirolli, Jacques Abram is 5099902900629. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2011-01-01. Label: EMI Classics. This release contains 98 tracks, each with its own ISRC. Tracks include GBAYC9301883.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Peter Grimes, op. 33: Act I, Scene 1: "Whatever you say... Let her among you without fault" (Ellen) | Joan Cross, Orchestra of the Royal Opera House, Covent Garden, Sir Reginald Goodall | — | |
| 2 | Peter Grimes, op. 33: Act I, Scene 2: "Now the Great Bear and Pleiades" (Peter) | Sir Peter Pears, Orchestra of the Royal Opera House, Covent Garden, Sir Reginald Goodall | — | |
| 3 | Peter Grimes, op. 33: Act II, Scene 1: Interlude III: Sunday Morning (orchestra) | Orchestra of the Royal Opera House, Covent Garden, Sir Reginald Goodall | — | |
| 4 | Peter Grimes, op. 33: Act II, Scene 1: "Glitter of waves" (Ellen, Chorus) | Joan Cross, BBC Theatre Chorus, Orchestra of the Royal Opera House, Covent Garden, Sir Reginald Goodall | — | |
| 5 | Peter Grimes, op. 33: Act II, Scene 1: "Wherefore, I pray and beseech you" (Rector, Chorus, Ellen) | Tom Culbert, BBC Theatre Chorus, Joan Cross, Orchestra of the Royal Opera House, Covent Garden, Sir Reginald Goodall | — | |
| 6 | Peter Grimes, op. 33: Act II, Scene 1: "O all ye works of the Lord" (Chorus, Peter, Ellen) | BBC Theatre Chorus, Sir Peter Pears, Joan Cross, Orchestra of the Royal Opera House, Covent Garden, Sir Reginald Goodall | — | |
| 7 | Peter Grimes, op. 33: Act II, Scene 2: "In dreams I've built myself some kindlier home" (Peter) | Sir Peter Pears, Orchestra of the Royal Opera House, Covent Garden, Sir Reginald Goodall | — | |
| 8 | Peter Grimes, op. 33: Act III, Scene 1: "Embroider in childhood" (Ellen) | Joan Cross, Orchestra of the Royal Opera House, Covent Garden, Sir Reginald Goodall | — | |
| 9 | Peter Grimes, op. 33: Act III: Interlude VI | Orchestra of the Royal Opera House, Covent Garden, Sir Reginald Goodall | — | |
| 10 | Peter Grimes, op. 33: Act III, Scene 2: "Grimes!... Steady. There you are" (Chorus, Peter, Ellen) | BBC Theatre Chorus, Sir Peter Pears, Joan Cross, Orchestra of the Royal Opera House, Covent Garden, Sir Reginald Goodall | — | |
| 11 | Seven Sonnets of Michelangelo, op. 22: 1. Sì come nella penna | Peter Pears, Benjamin Britten | — | |
| 12 | Seven Sonnets of Michelangelo, op. 22: 2. A che più debb'io mai | Peter Pears, Benjamin Britten | — | |
| 13 | Seven Sonnets of Michelangelo, op. 22: 3. Veggio co' bei vostri occhi | Peter Pears, Benjamin Britten | — | |
| 14 | Seven Sonnets of Michelangelo, op. 22: 4. Tu sa' ch'io so | Peter Pears, Benjamin Britten | — | |
| 15 | Seven Sonnets of Michelangelo, op. 22: 5. Rendete a gli occhi miei | Peter Pears, Benjamin Britten | — | |
| 16 | Seven Sonnets of Michelangelo, op. 22: 6. S'un casto amor | Peter Pears, Benjamin Britten | — | |
| 17 | Seven Sonnets of Michelangelo, op. 22: 7. Spirto ben nato | Peter Pears, Benjamin Britten | — | |
| 18 | Holy Sonnets of John Donne, op. 35: 1. Oh My Blacke Soule | Peter Pears, Benjamin Britten | — | |
| 19 | Holy Sonnets of John Donne, op. 35: 2. Batter My Heart | Peter Pears, Benjamin Britten | — | |
| 20 | Holy Sonnets of John Donne, op. 35: 3. O Might Those Sighes and Teares | Peter Pears, Benjamin Britten | — | |
| 21 | Holy Sonnets of John Donne, op. 35: 4. Oh, to Vex Me | Peter Pears, Benjamin Britten | — | |
| 22 | Holy Sonnets of John Donne, op. 35: 5. What If This Present | Peter Pears, Benjamin Britten | — | |
| 23 | Holy Sonnets of John Donne, op. 35: 6. Since She Whom I Loved | Peter Pears, Benjamin Britten | — | |
| 24 | Holy Sonnets of John Donne, op. 35: 7. At the Round Earth's Imagined Corners | Peter Pears, Benjamin Britten | — | |
| 25 | Holy Sonnets of John Donne, op. 35: 8. Thou Hast Made Me | Peter Pears, Benjamin Britten | — | |
| 26 | Holy Sonnets of John Donne, op. 35: 9. Death, Be Not Proud | Peter Pears, Benjamin Britten | — | |
| 2-1 | The Rape of Lucretia, op. 37: Act 1, Scene 1: "Rome is now ruled by the Etruscan upstart" (Male Chorus) | Sir Peter Pears, English Opera Group Chamber Orchestra, Sir Reginald Goodall | — | |
| 2-2 | The Rape of Lucretia, op. 37: Act 1, Scene 1: "It is an axiom among kings" (Female & Male Chorus) | Sir Peter Pears, Joan Cross, English Opera Group Chamber Orchestra, Sir Reginald Goodall | — | |
| 2-3 | The Rape of Lucretia, op. 37: Act 1, Scene 1: "Here the thirsty evening" (Male Chorus, Collatinus, Junius, Tarquinius) | Sir Peter Pears, Norman Lumsden, Denis Dowling, Frederick Sharp, English Opera Group Chamber Orchestra, Sir Reginald Goodall | — | |
| 2-4 | The Rape of Lucretia, op. 37: Act 1, Scene 1: "Lucretia! Lucretia! (Junius, Male Chorus, Collatinus) | Denis Dowling, Sir Peter Pears, Norman Lumsden, English Opera Group Chamber Orchestra, Sir Reginald Goodall | — | |
| 2-5 | The Rape of Lucretia, op. 37: Act 1, Scene 1: "With you two arm in arm again" (Collatinus, Tarquinius, Junius) | Sir Peter Pears, Frederick Sharp, Denis Dowling, English Opera Group Chamber Orchestra, Sir Reginald Goodall | — | |
| 2-6 | The Rape of Lucretia, op. 37: Act 1, Scene 1: Interlude "Tarquinius does not wait" (Male Chorus) | Sir Peter Pears, English Opera Group Chamber Orchestra, Sir Reginald Goodall | — | |
| 2-7 | The Rape of Lucretia, op. 37: Act 1, Scene 2: "Their spinning-wheel unwinds" (Female Chorus, Lucretia, Bianca, Lucia) | Joan Cross, Sir Peter Pears, Flora Nielsen, Margaret Ritchie, English Opera Group Chamber Orchestra, Sir Reginald Goodall | — | |
| 2-8 | The Rape of Lucretia, op. 37: Act 1, Scene 2: "It is better to desire" (Bianca, Lucretia, Lucia, Female Chorus) | Flora Nielsen, Nancy Evans, Margaret Ritchie, Joan Cross, English Opera Group Chamber Orchestra, Sir Reginald Goodall | — | |
| 2-9 | The Rape of Lucretia, op. 37: Act 1, Scene 2: "The oatmeal slippers of sleep" (Female & Male Chorus) | Joan Cross, Sir Peter Pears, English Opera Group Chamber Orchestra, Sir Reginald Goodall | — | |
| 2-10 | The Rape of Lucretia, op. 37: Act 1, Scene 2: "None of the women move" (Female Chorus, Tarquinius, Male Chorus, Bianca, Lucia, Lucretia) | Joan Cross, Frederick Sharp, Sir Peter Pears, Flora Nielsen, Margaret Ritchie, Nancy Evans, English Opera Group Chamber Orchestra, Sir Reginald Goodall | — | |
| 2-11 | The Rape of Lucretia, op. 37: Act 2, Scene 1: "She sleeps as a rose" (Female & Male Chorus) | Joan Cross, Sir Peter Pears, English Opera Group Chamber Orchestra, Sir Reginald Goodall | — | |
| 2-12 | The Rape of Lucretia, op. 37: Act 2, Scene 1: "Lucretia!... What do you want?" (Tarquinius, Lucretia) | Frederick Sharp, Nancy Evans, English Opera Group Chamber Orchestra, Sir Reginald Goodall | — | |
| 2-13 | The Rape of Lucretia, op. 37: Act 2, Scene 1: "Go, Tarquinius!" (Female & Male Chorus, Tarquinius, Lucretia) | Joan Cross, Sir Peter Pears, Frederick Sharp, Nancy Evans, English Opera Group Chamber Orchestra, Sir Reginald Goodall | — | |
| 2-14 | The Rape of Lucretia, op. 37: Act 2, Scene 1: Interlude "Here in this scene you see" (Female & Male Chorus) | Joan Cross, Sir Peter Pears, English Opera Group Chamber Orchestra, Sir Reginald Goodall | — | |
| 2-15 | The Rape of Lucretia, op. 37: Act 2, Scene 2: "Oh! What a lovely day!" (Lucia, Bianca) | Margaret Ritchie, Flora Nielsen, English Opera Group Chamber Orchestra, Sir Reginald Goodall | — | |
| 2-16 | The Rape of Lucretia, op. 37: Act 2, Scene 2: "How hideous! Take them away!" (Lucretia, Bianca, Lucia) | Nancy Evans, Flora Nielsen, Margaret Ritchie, English Opera Group Chamber Orchestra, Sir Reginald Goodall | — | |
| 2-17 | The Rape of Lucretia, op. 37: Act 2, Scene 2: "Flowers bring to every year" (Lucretia, Bianca) | Nancy Evans, Flora Nielsen, English Opera Group Chamber Orchestra, Sir Reginald Goodall | — | |
| 2-18 | The Rape of Lucretia, op. 37: Act 2, Scene 2: "Too late, Junius" (Collatinus, Lucretia) | Norman Lumsden, Nancy Evans, English Opera Group Chamber Orchestra, Sir Reginald Goodall | — | |
| 2-19 | The Rape of Lucretia, op. 37: Act 2, Scene 2: "This dead hand lets fall" (Collatinus, Junius, Lucia, Bianca, Female & Male Chorus) | Norman Lumsden, Denis Dowling, Margaret Ritchie, Flora Nielsen, Joan Cross, Sir Peter Pears, English Opera Group Chamber Orchestra, Sir Reginald Goodall | — | |
| 2-20 | The Rape of Lucretia, op. 37: Act 2, Scene 2: "Is all this suffering and pain" (Female & Male Chorus) | Joan Cross, Sir Peter Pears, English Opera Group Chamber Orchestra, Sir Reginald Goodall | — | |
| 3-1 | Improvisations on Virginal Pieces by Giles Farnaby, op. 50: IV. Loth to Depart | Hallé Orchestra, Sir John Barbirolli | T-902.499.479-4 | |
| 3-2 | Violin Concerto, op. 15: I. Moderato con moto - Agitato (1939 Version) | Theo Olof, Hallé Orchestra, Sir John Barbirolli | — | |
| 3-3 | Violin Concerto, op. 15: II. Vivace - Cadenza (1939 Version) | Theo Olof, Hallé Orchestra, Sir John Barbirolli | — | |
| 3-4 | Violin Concerto, op. 15: III. Passacaglia. Andante lento (1939 Version) | Theo Olof, Hallé Orchestra, Sir John Barbirolli | — | |
| 3-5 | Threnody for a Soldier Killed in Action (Arr. Anthony Collins): | Michael Heming, Hallé, Royal Northern Sinfonia, Sir Neville Marriner | — | |
| 3-6 | Symphony no. 5 in B-flat major, op. 63: I. Adagio - Allegro energico | Hallé Orchestra, Sir John Barbirolli | T-010.169.664-3 | |
| 3-7 | Symphony no. 5 in B-flat major, op. 63: II. Allegro moderato | Hallé Orchestra, Sir John Barbirolli | T-010.169.664-3 | |
| 3-8 | Symphony no. 5 in B-flat major, op. 63: III. Grave | Hallé Orchestra, Sir John Barbirolli | T-010.169.664-3 | |
| 3-9 | Symphony no. 5 in B-flat major, op. 63: IV. Allegro vivo - Adagio | Hallé Orchestra, Sir John Barbirolli | T-010.169.664-3 | |
| 4-1 | Piano Concerto in G op. 55 (2001 Digital Remaster): I. Corymbus (Adagio: calmo e quasi improvvisatore - Allegretto) | Denis Matthews, BBC Symphony Orchestra, Sir Malcolm Sargent | — | |
| 4-2 | Piano Concerto in G op. 55 (2001 Digital Remaster): II. Dialogue (Lento e solenne) | Denis Matthews, BBC Symphony Orchestra, Sir Malcolm Sargent | — | |
| 4-3 | Piano Concerto in G op. 55 (2001 Digital Remaster): III. Danza alla rondo (Allegretto gioioso) | Denis Matthews, BBC Symphony Orchestra, Sir Malcolm Sargent | — | |
| 4-4 | Prelude and Fugue, op. 29: Prelude | Royal Philharmonic Orchestra, Norman Del Mar | — | |
| 4-5 | Prelude and Fugue, op. 29: Fugue | Royal Philharmonic Orchestra, Norman Del Mar | — | |
| 4-6 | Piano Concerto, op. 13: I. Toccata (1945 Version) | Jacques Abram, Philharmonia Orchestra, Herbert Menges | — | |
| 4-7 | Piano Concerto, op. 13: II. Waltz (1945 Version) | Jacques Abram, Philharmonia Orchestra, Herbert Menges | — | |
| 4-8 | Piano Concerto, op. 13: III. Impromptu (1945 Version) | Jacques Abram, Philharmonia Orchestra, Herbert Menges | — | |
| 4-9 | Piano Concerto, op. 13: IV. March (1945 Version) | Jacques Abram, Philharmonia Orchestra, Herbert Menges | — | |
| 5-1 | Trio for Violin, Horn & Piano, op. 44: I. Allegro | Dennis Brain, Colin Horsley, Manoug Parikian | — | |
| 5-2 | Trio for Violin, Horn & Piano, op. 44: II. Lento | Dennis Brain, Colin Horsley, Manoug Parikian | T-900.010.765-3 | |
| 5-3 | Trio for Violin, Horn & Piano, op. 44: III. Theme & Variations. Tema: Moderato | Dennis Brain, Colin Horsley, Manoug Parikian | — | |
| 5-4 | Trio for Violin, Horn & Piano, op. 44: III. Theme & Variations. Var. 1: Allegro Vivace | Dennis Brain, Colin Horsley, Manoug Parikian | — | |
| 5-5 | Trio for Violin, Horn & Piano, op. 44: III. Theme & Variations. Var. 2: Allegretto | Dennis Brain, Colin Horsley, Manoug Parikian | — | |
| 5-6 | Trio for Violin, Horn & Piano, op. 44: III. Theme & Variations. Var. 3: Lento | Dennis Brain, Colin Horsley, Manoug Parikian | — | |
| 5-7 | Trio for Violin, Horn & Piano, op. 44: III. Theme & Variations. Var. 4: Vivace | Dennis Brain, Colin Horsley, Manoug Parikian | — | |
| 5-8 | Trio for Violin, Horn & Piano, op. 44: III. Theme & Variations. Var. 5: Andante | Dennis Brain, Colin Horsley, Manoug Parikian | — | |
| 5-9 | Trio for Violin, Horn & Piano, op. 44: III. Theme & Variations. Var. 6: Moderato | Dennis Brain, Colin Horsley, Manoug Parikian | — | |
| 5-10 | Trio for Violin, Horn & Piano, op. 44: III. Theme & Variations. Var. 7: Adagio | Dennis Brain, Colin Horsley, Manoug Parikian | — | |
| 5-11 | Trio for Violin, Horn & Piano, op. 44: III. Theme & Variations. Var. 8: Moderato | Dennis Brain, Colin Horsley, Manoug Parikian | — | |
| 5-12 | Trio for Violin, Horn & Piano, op. 44: III. Theme & Variations. Var. 9: Allegro Vivo | Dennis Brain, Colin Horsley, Manoug Parikian | — | |
| 5-13 | Trio for Violin, Horn & Piano, op. 44: III. Theme & Variations. Var. 10: Moderato | Dennis Brain, Colin Horsley, Manoug Parikian | — | |
| 5-14 | Six Preludes op. 23: 1. Allegro | Colin Horsley | — | |
| 5-15 | Six Preludes op. 23: 2. Andante | Colin Horsley | — | |
| 5-16 | Six Preludes op. 23: 3. Allegro moderato | Colin Horsley | — | |
| 5-17 | Six Preludes op. 23: 4. Allegretto | Colin Horsley | — | |
| 5-18 | Six Preludes op. 23: 5. Allegro | Colin Horsley | — | |
| 5-19 | Six Preludes op. 23: 6. Andante | Colin Horsley | — | |
| 5-20 | Four Poems of St Teresa of Avila op. 27: 1. If, Lord, thy love for me is strong | Pamela Bowden, Collegium Musicum of London, John Minchinton | — | |
| 5-21 | Four Poems of St Teresa of Avila op. 27: 2. Shepherd, shepherd, hark that calling! | Pamela Bowden, Collegium Musicum of London, John Minchinton | — | |
| 5-22 | Four Poems of St Teresa of Avila op. 27: 3. Let mine eyes see thee | Pamela Bowden, Collegium Musicum of London, John Minchinton | — | |
| 5-23 | Four Poems of St Teresa of Avila op. 27: 4. Today a shepherd and our kin | Pamela Bowden, Collegium Musicum of London, John Minchinton | — | |
| 5-24 | Three Greek Songs op. 38: 1. Epitaph of Timas (Sappho) | Thomas Hemsley, Ernest Lush | — | |
| 5-25 | Three Greek Songs op. 38: 2. Spring Song (Antipater) | Thomas Hemsley, Ernest Lush | — | |
| 5-26 | Three Greek Songs op. 38: 3. To Aster (Plato) | Thomas Hemsley, Ernest Lush | — | |
| 5-27 | 5 Poems, op. 53: no. 1, Lauds. "Among the Leaves the Small Birds Sing" | Thomas Hemsley, Ernest Lush | — | |
| 5-28 | Five Poems by W. H. Auden op. 58 (2003 - Remaster): 2. O lurcher-loving collier, black as night | Thomas Hemsley, Ernest Lush | — | |
| 5-29 | Five Poems by W. H. Auden op. 58 (2003 - Remaster): 3. What's in your mind, my dove, my coney | Thomas Hemsley, Ernest Lush | — | |
| 5-30 | Five Poems by W. H. Auden op. 58 (2003 - Remaster): 4. Eyes look into the well | Thomas Hemsley, Ernest Lush | — | |
| 5-31 | Five Poems by W. H. Auden op. 58: 5. Carry her over the water - 2003 - Remaster | Thomas Hemsley, Ernest Lush | — | |
| 5-32 | Polka (No. 1 of [Three] Pieces op. 5 for two pianos) | Cyril Smith, Phyllis Sellick | T-926.113.818-5 | |
| 5-33 | I Sing of a Maiden | Choir of King’s College, Cambridge | T-900.010.466-5 | |
| 5-34 | The lord is my Shepherd | Thomas Rose, Choir of King’s College, Cambridge, Christopher Hughes, Stephen Cleobury | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
5099902900629 is a Universal Product Code (UPC) assigned to Peter Grims (scenes) / The Rape of Lucretia / Michelangelo & John Donne Sonnets / Violin Concerto / Piano Concerto / Berkeley / Rubbra by Britten, Berkeley, Rubbra, Sir Peter Pears, Joan Cross, Nancy Evans, Sir Reginald Goodall, Benjamin Britten, Theo Olof, Sir John Barbirolli, Jacques Abram. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 98 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Peter Grims (scenes) / The Rape of Lucretia / Michelangelo & John Donne Sonnets / Violin Concerto / Piano Concerto / Berkeley / Rubbra” by Britten, Berkeley, Rubbra, Sir Peter Pears, Joan Cross, Nancy Evans, Sir Reginald Goodall, Benjamin Britten, Theo Olof, Sir John Barbirolli, Jacques Abram is 5099902900629. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2011-01-01. Label: EMI Classics. This release contains 98 tracks, each with its own ISRC. Tracks include GBAYC9301883, GBAYC9301885, GBAYC9301886.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Peter Grimes, op. 33: Act I, Scene 1: "Whatever you say... Let her among you without fault" (Ellen) | Joan Cross, Orchestra of the Royal Opera House, Covent Garden, Sir Reginald Goodall | — | |
| 2 | Peter Grimes, op. 33: Act I, Scene 2: "Now the Great Bear and Pleiades" (Peter) | Sir Peter Pears, Orchestra of the Royal Opera House, Covent Garden, Sir Reginald Goodall | — | |
| 3 | Peter Grimes, op. 33: Act II, Scene 1: Interlude III: Sunday Morning (orchestra) | Orchestra of the Royal Opera House, Covent Garden, Sir Reginald Goodall | — | |
| 4 | Peter Grimes, op. 33: Act II, Scene 1: "Glitter of waves" (Ellen, Chorus) | Joan Cross, BBC Theatre Chorus, Orchestra of the Royal Opera House, Covent Garden, Sir Reginald Goodall | — | |
| 5 | Peter Grimes, op. 33: Act II, Scene 1: "Wherefore, I pray and beseech you" (Rector, Chorus, Ellen) | Tom Culbert, BBC Theatre Chorus, Joan Cross, Orchestra of the Royal Opera House, Covent Garden, Sir Reginald Goodall | — | |
| 6 | Peter Grimes, op. 33: Act II, Scene 1: "O all ye works of the Lord" (Chorus, Peter, Ellen) | BBC Theatre Chorus, Sir Peter Pears, Joan Cross, Orchestra of the Royal Opera House, Covent Garden, Sir Reginald Goodall | — | |
| 7 | Peter Grimes, op. 33: Act II, Scene 2: "In dreams I've built myself some kindlier home" (Peter) | Sir Peter Pears, Orchestra of the Royal Opera House, Covent Garden, Sir Reginald Goodall | — | |
| 8 | Peter Grimes, op. 33: Act III, Scene 1: "Embroider in childhood" (Ellen) | Joan Cross, Orchestra of the Royal Opera House, Covent Garden, Sir Reginald Goodall | — | |
| 9 | Peter Grimes, op. 33: Act III: Interlude VI | Orchestra of the Royal Opera House, Covent Garden, Sir Reginald Goodall | — | |
| 10 | Peter Grimes, op. 33: Act III, Scene 2: "Grimes!... Steady. There you are" (Chorus, Peter, Ellen) | BBC Theatre Chorus, Sir Peter Pears, Joan Cross, Orchestra of the Royal Opera House, Covent Garden, Sir Reginald Goodall | — | |
| 11 | Seven Sonnets of Michelangelo, op. 22: 1. Sì come nella penna | Peter Pears, Benjamin Britten | — | |
| 12 | Seven Sonnets of Michelangelo, op. 22: 2. A che più debb'io mai | Peter Pears, Benjamin Britten | — | |
| 13 | Seven Sonnets of Michelangelo, op. 22: 3. Veggio co' bei vostri occhi | Peter Pears, Benjamin Britten | — | |
| 14 | Seven Sonnets of Michelangelo, op. 22: 4. Tu sa' ch'io so | Peter Pears, Benjamin Britten | — | |
| 15 | Seven Sonnets of Michelangelo, op. 22: 5. Rendete a gli occhi miei | Peter Pears, Benjamin Britten | — | |
| 16 | Seven Sonnets of Michelangelo, op. 22: 6. S'un casto amor | Peter Pears, Benjamin Britten | — | |
| 17 | Seven Sonnets of Michelangelo, op. 22: 7. Spirto ben nato | Peter Pears, Benjamin Britten | — | |
| 18 | Holy Sonnets of John Donne, op. 35: 1. Oh My Blacke Soule | Peter Pears, Benjamin Britten | — | |
| 19 | Holy Sonnets of John Donne, op. 35: 2. Batter My Heart | Peter Pears, Benjamin Britten | — | |
| 20 | Holy Sonnets of John Donne, op. 35: 3. O Might Those Sighes and Teares | Peter Pears, Benjamin Britten | — | |
| 21 | Holy Sonnets of John Donne, op. 35: 4. Oh, to Vex Me | Peter Pears, Benjamin Britten | — | |
| 22 | Holy Sonnets of John Donne, op. 35: 5. What If This Present | Peter Pears, Benjamin Britten | — | |
| 23 | Holy Sonnets of John Donne, op. 35: 6. Since She Whom I Loved | Peter Pears, Benjamin Britten | — | |
| 24 | Holy Sonnets of John Donne, op. 35: 7. At the Round Earth's Imagined Corners | Peter Pears, Benjamin Britten | — | |
| 25 | Holy Sonnets of John Donne, op. 35: 8. Thou Hast Made Me | Peter Pears, Benjamin Britten | — | |
| 26 | Holy Sonnets of John Donne, op. 35: 9. Death, Be Not Proud | Peter Pears, Benjamin Britten | — | |
| 2-1 | The Rape of Lucretia, op. 37: Act 1, Scene 1: "Rome is now ruled by the Etruscan upstart" (Male Chorus) | Sir Peter Pears, English Opera Group Chamber Orchestra, Sir Reginald Goodall | — | |
| 2-2 | The Rape of Lucretia, op. 37: Act 1, Scene 1: "It is an axiom among kings" (Female & Male Chorus) | Sir Peter Pears, Joan Cross, English Opera Group Chamber Orchestra, Sir Reginald Goodall | — | |
| 2-3 | The Rape of Lucretia, op. 37: Act 1, Scene 1: "Here the thirsty evening" (Male Chorus, Collatinus, Junius, Tarquinius) | Sir Peter Pears, Norman Lumsden, Denis Dowling, Frederick Sharp, English Opera Group Chamber Orchestra, Sir Reginald Goodall | — | |
| 2-4 | The Rape of Lucretia, op. 37: Act 1, Scene 1: "Lucretia! Lucretia! (Junius, Male Chorus, Collatinus) | Denis Dowling, Sir Peter Pears, Norman Lumsden, English Opera Group Chamber Orchestra, Sir Reginald Goodall | — | |
| 2-5 | The Rape of Lucretia, op. 37: Act 1, Scene 1: "With you two arm in arm again" (Collatinus, Tarquinius, Junius) | Sir Peter Pears, Frederick Sharp, Denis Dowling, English Opera Group Chamber Orchestra, Sir Reginald Goodall | — | |
| 2-6 | The Rape of Lucretia, op. 37: Act 1, Scene 1: Interlude "Tarquinius does not wait" (Male Chorus) | Sir Peter Pears, English Opera Group Chamber Orchestra, Sir Reginald Goodall | — | |
| 2-7 | The Rape of Lucretia, op. 37: Act 1, Scene 2: "Their spinning-wheel unwinds" (Female Chorus, Lucretia, Bianca, Lucia) | Joan Cross, Sir Peter Pears, Flora Nielsen, Margaret Ritchie, English Opera Group Chamber Orchestra, Sir Reginald Goodall | — | |
| 2-8 | The Rape of Lucretia, op. 37: Act 1, Scene 2: "It is better to desire" (Bianca, Lucretia, Lucia, Female Chorus) | Flora Nielsen, Nancy Evans, Margaret Ritchie, Joan Cross, English Opera Group Chamber Orchestra, Sir Reginald Goodall | — | |
| 2-9 | The Rape of Lucretia, op. 37: Act 1, Scene 2: "The oatmeal slippers of sleep" (Female & Male Chorus) | Joan Cross, Sir Peter Pears, English Opera Group Chamber Orchestra, Sir Reginald Goodall | — | |
| 2-10 | The Rape of Lucretia, op. 37: Act 1, Scene 2: "None of the women move" (Female Chorus, Tarquinius, Male Chorus, Bianca, Lucia, Lucretia) | Joan Cross, Frederick Sharp, Sir Peter Pears, Flora Nielsen, Margaret Ritchie, Nancy Evans, English Opera Group Chamber Orchestra, Sir Reginald Goodall | — | |
| 2-11 | The Rape of Lucretia, op. 37: Act 2, Scene 1: "She sleeps as a rose" (Female & Male Chorus) | Joan Cross, Sir Peter Pears, English Opera Group Chamber Orchestra, Sir Reginald Goodall | — | |
| 2-12 | The Rape of Lucretia, op. 37: Act 2, Scene 1: "Lucretia!... What do you want?" (Tarquinius, Lucretia) | Frederick Sharp, Nancy Evans, English Opera Group Chamber Orchestra, Sir Reginald Goodall | — | |
| 2-13 | The Rape of Lucretia, op. 37: Act 2, Scene 1: "Go, Tarquinius!" (Female & Male Chorus, Tarquinius, Lucretia) | Joan Cross, Sir Peter Pears, Frederick Sharp, Nancy Evans, English Opera Group Chamber Orchestra, Sir Reginald Goodall | — | |
| 2-14 | The Rape of Lucretia, op. 37: Act 2, Scene 1: Interlude "Here in this scene you see" (Female & Male Chorus) | Joan Cross, Sir Peter Pears, English Opera Group Chamber Orchestra, Sir Reginald Goodall | — | |
| 2-15 | The Rape of Lucretia, op. 37: Act 2, Scene 2: "Oh! What a lovely day!" (Lucia, Bianca) | Margaret Ritchie, Flora Nielsen, English Opera Group Chamber Orchestra, Sir Reginald Goodall | — | |
| 2-16 | The Rape of Lucretia, op. 37: Act 2, Scene 2: "How hideous! Take them away!" (Lucretia, Bianca, Lucia) | Nancy Evans, Flora Nielsen, Margaret Ritchie, English Opera Group Chamber Orchestra, Sir Reginald Goodall | — | |
| 2-17 | The Rape of Lucretia, op. 37: Act 2, Scene 2: "Flowers bring to every year" (Lucretia, Bianca) | Nancy Evans, Flora Nielsen, English Opera Group Chamber Orchestra, Sir Reginald Goodall | — | |
| 2-18 | The Rape of Lucretia, op. 37: Act 2, Scene 2: "Too late, Junius" (Collatinus, Lucretia) | Norman Lumsden, Nancy Evans, English Opera Group Chamber Orchestra, Sir Reginald Goodall | — | |
| 2-19 | The Rape of Lucretia, op. 37: Act 2, Scene 2: "This dead hand lets fall" (Collatinus, Junius, Lucia, Bianca, Female & Male Chorus) | Norman Lumsden, Denis Dowling, Margaret Ritchie, Flora Nielsen, Joan Cross, Sir Peter Pears, English Opera Group Chamber Orchestra, Sir Reginald Goodall | — | |
| 2-20 | The Rape of Lucretia, op. 37: Act 2, Scene 2: "Is all this suffering and pain" (Female & Male Chorus) | Joan Cross, Sir Peter Pears, English Opera Group Chamber Orchestra, Sir Reginald Goodall | — | |
| 3-1 | Improvisations on Virginal Pieces by Giles Farnaby, op. 50: IV. Loth to Depart | Hallé Orchestra, Sir John Barbirolli | T-902.499.479-4 | |
| 3-2 | Violin Concerto, op. 15: I. Moderato con moto - Agitato (1939 Version) | Theo Olof, Hallé Orchestra, Sir John Barbirolli | — | |
| 3-3 | Violin Concerto, op. 15: II. Vivace - Cadenza (1939 Version) | Theo Olof, Hallé Orchestra, Sir John Barbirolli | — | |
| 3-4 | Violin Concerto, op. 15: III. Passacaglia. Andante lento (1939 Version) | Theo Olof, Hallé Orchestra, Sir John Barbirolli | — | |
| 3-5 | Threnody for a Soldier Killed in Action (Arr. Anthony Collins): | Michael Heming, Hallé, Royal Northern Sinfonia, Sir Neville Marriner | — | |
| 3-6 | Symphony no. 5 in B-flat major, op. 63: I. Adagio - Allegro energico | Hallé Orchestra, Sir John Barbirolli | T-010.169.664-3 | |
| 3-7 | Symphony no. 5 in B-flat major, op. 63: II. Allegro moderato | Hallé Orchestra, Sir John Barbirolli | T-010.169.664-3 | |
| 3-8 | Symphony no. 5 in B-flat major, op. 63: III. Grave | Hallé Orchestra, Sir John Barbirolli | T-010.169.664-3 | |
| 3-9 | Symphony no. 5 in B-flat major, op. 63: IV. Allegro vivo - Adagio | Hallé Orchestra, Sir John Barbirolli | T-010.169.664-3 | |
| 4-1 | Piano Concerto in G op. 55 (2001 Digital Remaster): I. Corymbus (Adagio: calmo e quasi improvvisatore - Allegretto) | Denis Matthews, BBC Symphony Orchestra, Sir Malcolm Sargent | — | |
| 4-2 | Piano Concerto in G op. 55 (2001 Digital Remaster): II. Dialogue (Lento e solenne) | Denis Matthews, BBC Symphony Orchestra, Sir Malcolm Sargent | — | |
| 4-3 | Piano Concerto in G op. 55 (2001 Digital Remaster): III. Danza alla rondo (Allegretto gioioso) | Denis Matthews, BBC Symphony Orchestra, Sir Malcolm Sargent | — | |
| 4-4 | Prelude and Fugue, op. 29: Prelude | Royal Philharmonic Orchestra, Norman Del Mar | — | |
| 4-5 | Prelude and Fugue, op. 29: Fugue | Royal Philharmonic Orchestra, Norman Del Mar | — | |
| 4-6 | Piano Concerto, op. 13: I. Toccata (1945 Version) | Jacques Abram, Philharmonia Orchestra, Herbert Menges | — | |
| 4-7 | Piano Concerto, op. 13: II. Waltz (1945 Version) | Jacques Abram, Philharmonia Orchestra, Herbert Menges | — | |
| 4-8 | Piano Concerto, op. 13: III. Impromptu (1945 Version) | Jacques Abram, Philharmonia Orchestra, Herbert Menges | — | |
| 4-9 | Piano Concerto, op. 13: IV. March (1945 Version) | Jacques Abram, Philharmonia Orchestra, Herbert Menges | — | |
| 5-1 | Trio for Violin, Horn & Piano, op. 44: I. Allegro | Dennis Brain, Colin Horsley, Manoug Parikian | — | |
| 5-2 | Trio for Violin, Horn & Piano, op. 44: II. Lento | Dennis Brain, Colin Horsley, Manoug Parikian | T-900.010.765-3 | |
| 5-3 | Trio for Violin, Horn & Piano, op. 44: III. Theme & Variations. Tema: Moderato | Dennis Brain, Colin Horsley, Manoug Parikian | — | |
| 5-4 | Trio for Violin, Horn & Piano, op. 44: III. Theme & Variations. Var. 1: Allegro Vivace | Dennis Brain, Colin Horsley, Manoug Parikian | — | |
| 5-5 | Trio for Violin, Horn & Piano, op. 44: III. Theme & Variations. Var. 2: Allegretto | Dennis Brain, Colin Horsley, Manoug Parikian | — | |
| 5-6 | Trio for Violin, Horn & Piano, op. 44: III. Theme & Variations. Var. 3: Lento | Dennis Brain, Colin Horsley, Manoug Parikian | — | |
| 5-7 | Trio for Violin, Horn & Piano, op. 44: III. Theme & Variations. Var. 4: Vivace | Dennis Brain, Colin Horsley, Manoug Parikian | — | |
| 5-8 | Trio for Violin, Horn & Piano, op. 44: III. Theme & Variations. Var. 5: Andante | Dennis Brain, Colin Horsley, Manoug Parikian | — | |
| 5-9 | Trio for Violin, Horn & Piano, op. 44: III. Theme & Variations. Var. 6: Moderato | Dennis Brain, Colin Horsley, Manoug Parikian | — | |
| 5-10 | Trio for Violin, Horn & Piano, op. 44: III. Theme & Variations. Var. 7: Adagio | Dennis Brain, Colin Horsley, Manoug Parikian | — | |
| 5-11 | Trio for Violin, Horn & Piano, op. 44: III. Theme & Variations. Var. 8: Moderato | Dennis Brain, Colin Horsley, Manoug Parikian | — | |
| 5-12 | Trio for Violin, Horn & Piano, op. 44: III. Theme & Variations. Var. 9: Allegro Vivo | Dennis Brain, Colin Horsley, Manoug Parikian | — | |
| 5-13 | Trio for Violin, Horn & Piano, op. 44: III. Theme & Variations. Var. 10: Moderato | Dennis Brain, Colin Horsley, Manoug Parikian | — | |
| 5-14 | Six Preludes op. 23: 1. Allegro | Colin Horsley | — | |
| 5-15 | Six Preludes op. 23: 2. Andante | Colin Horsley | — | |
| 5-16 | Six Preludes op. 23: 3. Allegro moderato | Colin Horsley | — | |
| 5-17 | Six Preludes op. 23: 4. Allegretto | Colin Horsley | — | |
| 5-18 | Six Preludes op. 23: 5. Allegro | Colin Horsley | — | |
| 5-19 | Six Preludes op. 23: 6. Andante | Colin Horsley | — | |
| 5-20 | Four Poems of St Teresa of Avila op. 27: 1. If, Lord, thy love for me is strong | Pamela Bowden, Collegium Musicum of London, John Minchinton | — | |
| 5-21 | Four Poems of St Teresa of Avila op. 27: 2. Shepherd, shepherd, hark that calling! | Pamela Bowden, Collegium Musicum of London, John Minchinton | — | |
| 5-22 | Four Poems of St Teresa of Avila op. 27: 3. Let mine eyes see thee | Pamela Bowden, Collegium Musicum of London, John Minchinton | — | |
| 5-23 | Four Poems of St Teresa of Avila op. 27: 4. Today a shepherd and our kin | Pamela Bowden, Collegium Musicum of London, John Minchinton | — | |
| 5-24 | Three Greek Songs op. 38: 1. Epitaph of Timas (Sappho) | Thomas Hemsley, Ernest Lush | — | |
| 5-25 | Three Greek Songs op. 38: 2. Spring Song (Antipater) | Thomas Hemsley, Ernest Lush | — | |
| 5-26 | Three Greek Songs op. 38: 3. To Aster (Plato) | Thomas Hemsley, Ernest Lush | — | |
| 5-27 | 5 Poems, op. 53: no. 1, Lauds. "Among the Leaves the Small Birds Sing" | Thomas Hemsley, Ernest Lush | — | |
| 5-28 | Five Poems by W. H. Auden op. 58 (2003 - Remaster): 2. O lurcher-loving collier, black as night | Thomas Hemsley, Ernest Lush | — | |
| 5-29 | Five Poems by W. H. Auden op. 58 (2003 - Remaster): 3. What's in your mind, my dove, my coney | Thomas Hemsley, Ernest Lush | — | |
| 5-30 | Five Poems by W. H. Auden op. 58 (2003 - Remaster): 4. Eyes look into the well | Thomas Hemsley, Ernest Lush | — | |
| 5-31 | Five Poems by W. H. Auden op. 58: 5. Carry her over the water - 2003 - Remaster | Thomas Hemsley, Ernest Lush | — | |
| 5-32 | Polka (No. 1 of [Three] Pieces op. 5 for two pianos) | Cyril Smith, Phyllis Sellick | T-926.113.818-5 | |
| 5-33 | I Sing of a Maiden | Choir of King’s College, Cambridge | T-900.010.466-5 | |
| 5-34 | The lord is my Shepherd | Thomas Rose, Choir of King’s College, Cambridge, Christopher Hughes, Stephen Cleobury | — |
