UPC · Release
70s Pop: 101 Original Hits
Various Artists
Last verified:
5099908718723 is the Universal Product Code (UPC barcode) for the release “70s Pop: 101 Original Hits” by Various Artists, released 2011-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 101 tracks, each with its own ISRC. Tracks include GBAYE7400050, GBAYE7900050, GBAYE0301061.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (101)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Love Is the Drug | — | ||
| 2 | Mr. Soft | — | ||
| 3 | Touch Too Much | The Arrows | T-900.014.546-0 | |
| 4 | Heart of Stone | — | ||
| 5 | Get It Right Next Time | Gerry Rafferty | T-011.633.769-9 | |
| 6 | January | Pilot | T-010.174.878-0 | |
| 7 | Some Girls | — | ||
| 8 | If You Can’t Give Me Love | — | ||
| 9 | I Hear You Knocking | Dave Edmunds | T-070.240.614-1 | |
| 10 | She’s a Windup | — | ||
| 11 | At Home He’s a Tourist | — | ||
| 12 | Roll Over Beethoven (single version) | — | ||
| 13 | Nutbush City Limits | — | ||
| 14 | 2‐4‐6‐8 Motorway | Tom Robinson Band | T-010.178.353-2 | |
| 15 | Motor Bikin’ | Chris Spedding | T-010.175.758-7 | |
| 16 | Dyna‐Mite | — | ||
| 17 | Angel Fingers | — | ||
| 2-1 | So You Win Again | Hot Chocolate | T-010.465.780-8 | |
| 2-2 | Boogie Shoes | KC and the Sunshine Band | T-070.880.895-0 | |
| 2-3 | Moviestar | Harpo | T-000.166.794-2 | |
| 2-4 | Whodunit | — | ||
| 2-5 | Love Hit Me | — | ||
| 2-6 | Ring My Bell | — | ||
| 2-7 | On Fire (1977 Recording) | — | ||
| 2-8 | Haven’t Stopped Dancing Yet | — | ||
| 2-9 | Dancing in the City | Marshall Hain | T-010.107.485-4 | |
| 2-10 | It’s Been So Long | — | ||
| 2-11 | Mississippi | — | ||
| 2-12 | Heaven Must Be Missing an Angel | — | ||
| 2-13 | Uptown Top Ranking | — | ||
| 2-14 | Nite Klub | — | ||
| 2-15 | On My Radio | — | ||
| 2-16 | The Prince | Madness | — | |
| 2-17 | Ranking Full Stop | — | ||
| 3-1 | Denis | Blondie | T-070.233.624-0 | |
| 3-2 | Forget About You | — | ||
| 3-3 | Something That I Said | — | ||
| 3-4 | Working for the Yankee Dollar (2007 Digital Remaster) | — | ||
| 3-5 | 5 Minutes | The Stranglers | T-010.468.106-2 | |
| 3-6 | Rich Kids | Rich Kids | — | |
| 3-7 | Tokyo Joe | — | ||
| 3-8 | The Man in Black | — | ||
| 3-9 | Good Girls Don’t | — | ||
| 3-10 | I’ve Been Drinking | Jeff Beck | — | |
| 3-11 | Don’t Take No for an Answer | — | ||
| 3-12 | Outdoor Miner | Wire | T-010.469.410-1 | |
| 3-13 | What Do I Get? | — | ||
| 3-14 | Darlin’ | — | ||
| 3-15 | Don’t Let It Die | — | ||
| 3-16 | When I’m Dead and Gone | — | ||
| 3-17 | They Shoot Horses Don’t They? | — | ||
| 4-1 | Wuthering Heights (edit) | — | ||
| 4-2 | Vincent | — | ||
| 4-3 | Hello Summertime | — | ||
| 4-4 | Angie Baby (2006 Digital Remaster) | — | ||
| 4-5 | Misty Blue | — | ||
| 4-6 | I Don’t Wanna Lose You | — | ||
| 4-7 | If Not You | — | ||
| 4-8 | Talkin’ in Your Sleep | — | ||
| 4-9 | Honey Come Back | — | ||
| 4-10 | Blanket on the Ground | — | ||
| 4-11 | Tom‐Tom Turnaround | — | ||
| 4-12 | If I Had Words | Scott Fitzgerald, Yvonne Keeley | T-802.809.136-4 | |
| 4-13 | Emma | — | ||
| 4-14 | Pinball | — | ||
| 4-15 | Please Don’t Go | — | ||
| 4-16 | Dear Elaine | — | ||
| 4-17 | Dance Away | — | ||
| 5-1 | Picture This (2001 Digital Remaster) | — | ||
| 5-2 | Hypnosis | Mud | T-010.454.398-7 | |
| 5-3 | Daytona Demon | — | ||
| 5-4 | My Last Night With You | The Arrows | T-973.772.139-0 | |
| 5-5 | Julie Anne | — | ||
| 5-6 | Just A Smile | Pilot | — | |
| 5-7 | Judy Teen | — | ||
| 5-8 | Chinatown | — | ||
| 5-9 | Showdown | Electric Light Orchestra | T-070.141.990-0 | |
| 5-10 | A Hard Rain’s a Gonna Fall (edit) | — | ||
| 5-11 | Airport | The Motors | T-010.408.771-9 | |
| 5-12 | Isn’t It Time | The Babys | T-901.335.903-0 | |
| 5-13 | Rag Mama Rag | — | ||
| 5-14 | Freedom Come, Freedom Go | — | ||
| 5-15 | I Can’t Tell the Bottom From the Top | — | ||
| 5-16 | Meet Me on the Corner | Lindisfarne | T-010.328.467-8 | |
| 6-1 | Oh Boy | — | ||
| 6-2 | Here Comes the Sun | — | ||
| 6-3 | The ‘In’ Crowd (1999 Remaster) | — | ||
| 6-4 | HANGING ON THE TELEPHONE (2001 REMASTER) | BLONDIE | T-070.234.406-6 | |
| 6-5 | Madness | Madness | T-010.006.054-5 | |
| 6-6 | Too Much Pressure | — | ||
| 6-7 | Gangsters | The Special A.K.A. | T-010.470.401-9 | |
| 6-8 | Duchess | The Stranglers | T-010.474.261-1 | |
| 6-9 | (Shake, Shake, Shake) Shake Your Booty | KC and the Sunshine Band | T-071.214.654-7 | |
| 6-10 | Walking | — | ||
| 6-11 | Got My Beer in the Sideboard Here | — | ||
| 6-12 | I Am a Cider Drinker (Paloma Blanca) | — | ||
| 6-13 | Cotton Fields (The Cotton Song) (single version) | — | ||
| 6-14 | Storm in a Teacup | — | ||
| 6-15 | More Like the Movies | — | ||
| 6-16 | Brother Louie | Hot Chocolate | T-010.453.566-1 | |
| 6-17 | Wow | — |
Additional database matches (6)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| The Prince | Madness | — |
| DENIS (2001 DIGITAL REMASTER) | BLONDIE | T-070.233.624-0 |
| Hanging On the Telephone | Blondie | T-070.234.406-6 |
| HANING ON THE TELEPHONE | BLONDIE | T-070.234.406-6 |
| The Prince | Madness | — |
| I’ve Been Drinking | Jeff Beck | — |
What other identifiers does this connect to?
Musical Works (ISWC)
+67 more
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
+40 more
Identifier Graph
People also ask
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What is UPC 5099908718723?
5099908718723 is a Universal Product Code (UPC) assigned to 70s Pop: 101 Original Hits by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 101 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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