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Various Artists
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5099908784421 is the Universal Product Code (UPC barcode) for the release “Klassische Musik für Dummies” by Various Artists, released 2011-10-10. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 147 tracks, each with its own ISRC. Tracks include ES5089900641, GBAYC0801458, GBAYC9001691.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Puer natus in Bethlehem: Ritmo (Modo I) | Francisco Lara, Coro de monjes del Monasterio Benedictino de Santo Domingo de Silos | — | |
| 2 | Missa Papae Marcelli : Sanctus (Extr.) | King’s College Choir, Sir David Willcocks | — | |
| 3 | Hor che'l ciel: "Hor che'l ciel, e la terra, e'l vento tace" | Anthony Rooley, The Consort of Musicke | — | |
| 4 | Le Bourgeois gentilhomme : Marche pour la cérémonie des Turcs | Lajos Rovatkay, Capella Agostino Steffani | — | |
| 5 | Te Deum H.146: II. Prélude | Les Arts Florissants, William Christie | — | |
| 6 | Le Tic-toc-choc ou Les Maillotins | Georges Cziffra | — | |
| 7 | La poule (Nouvelles suites, 1728) | Georges Cziffra | — | |
| 8 | Canon in D | Taverner Players, Andrew Parrott | T-041.726.043-5 | |
| 9 | Music for a while | David Daniels, Craig Ogden | T-031.734.775-3 | |
| 10 | Gloria, RV589 : Gloria in excelsis Deo | New Philharmonia Chorus, New Philharmonia Orchestra, Riccardo Muti | T-905.452.179-8 | |
| 11 | Mandolin Concerto in C major, RV 425: I. Allegro | Fabio Biondi, Ernesto Braucher, Robert Brown, Sergio Ciomei, Lorenzo Colitto, Luca Giardini, Stefano Marcocchi, Carla Marotta, Diego Mecca, Francisco Montero, Maurizio Naddeo, Ugo Nastrucci, Raffaello Negri, Giangiacomo Pinardi, Andrea Rognoni, Giovanni Scaramuzzino, Renata Spotti, Europa Galante | T-917.932.997-6 | |
| 12 | The Four Seasons, Violin Concerto in E major, op. 8 no. 1, RV 269 "Spring": I. Allegro | Fabio Biondi, Europa Galante | T-070.248.077-0 | |
| 13 | Concerto, RV 315 “L’estate”: III. Presto | Fabio Biondi, Europa Galante | — | |
| 14 | Jesu bleibet meine Freude BWV 147 (arr. Hess) | Dinu Lipatti | — | |
| 15 | Passion selon St Jean, BWV245 : Chœur d'entrée. Herr unser Herrscher (excerpt) | Taverner Consort, Taverner Players, Andrew Parrott | — | |
| 16 | Le Clavier bien tempéré : Livre I, Prélude en ut majeur, BWV846 | Christian Zacharias | T-910.415.372-2 | |
| 17 | Cello Suite no. 1 in G major, BWV 1007: I. Prélude | Mstislav Rostropovich | — | |
| 18 | Concerto brandebourgeois no.2 en fa majeur, BWV1047 : Allegro (extr.) | Orchestra of the Age of Enlightenment | — | |
| 19 | Keyboard Concerto in F minor, BWV 1056: II. Adagio | David Fray, Deutsche Kammerphilharmonie Bremen | — | |
| 20 | Toccata in D minor, BWV 565 | Lionel Rogg | — | |
| 21 | Orchestral Suite no. 3 in D major, BWV 1068: II. Air | English Chamber Orchestra, Philip Ledger | T-914.248.874-2 | |
| 22 | Adriano in Siria : Tutti nemeci, e rei | Philippe Jaroussky, Le Cercle de l'Harmonie, Jérémie Rhorer | — | |
| 23 | Sonate pour clavier en fa mineur, Kk.519 | Mikhail Pletnev | — | |
| 24 | Messiah: Part II: Hallelujah! | Taverner Choir, Taverner Players, Andrew Parrott | — | |
| 25 | Keyboard Suite no. 4 in D minor, HWV 437: III. Sarabande | Academy of St Martin in the Fields, Alexander Briger | — | |
| 26 | Music for the Royal Fireworks, HWV 351: IV. La Rejouissance (Allegro) | Menuhin Festival Orchestra, Yehudi Menuhin | — | |
| 27 | Zadok the Priest (Coronation Anthem) | Royal Choral Society, London Philharmonic Orchestra, Sir Andrew Davis | T-900.138.712-8 | |
| 28 | Stabat Mater: I: Stabat Mater dolorosa environ | David Daniels, Dorothea Röschmann, Europa Galante, Fabio Biondi | T-905.680.072-7 | |
| 2-1 | Trumpet Concerto: III. Allegro | Maurice André, Gordon Hunt, Christopher Warren-Green, Philharmonia Orchestra, Riccardo Muti | — | |
| 2-2 | Piano Sonata no. 62 in E-flat major, Hob. XVI:52: III. Finale: Presto | Mikhail Pletnev | — | |
| 2-3 | String Quintet in E, op. 13 no. 5: III. Minuetto | Europa Galante | — | |
| 2-4 | Klavierkonzert Nr. 21 C-dur, KV 467: II. Andante | Christian Zacharias, Symphonieorchester des Bayerischen Rundfunks, David Zinman | T-010.194.871-3 | |
| 2-5 | Klavierkonzert No. 23 A-Dur, KV 488: II. Adagio | Christian Zacharias, Staatskapelle Dresden, David Zinman | T-915.711.586-1 | |
| 2-6 | Sonata for Piano no. 11 in A major, K. 300i/331 "Alla Turca": III. Rondo alla Turca. Allegretto | Daniel Barenboim | — | |
| 2-7 | Requiem in D minor, K. 626 (Süßmayr completion): IIIa. Sequenz: "Dies irae" | Philharmonia Chorus, Philharmonia Orchestra, Carlo Maria Giulini | — | |
| 2-8 | Requiem in D minor, K. 626 (Süßmayr completion): IIIf. Sequenz: "Lacrimosa" | Philharmonia Chorus, Philharmonia Orchestra, Carlo Maria Giulini | — | |
| 2-9 | Serenade in G, K. 525 "Eine kleine Nachtmusik": I. Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-10 | Symphony no. 25 in G minor, K. 183: I. Allegro con brio | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-11 | Symphony no. 40 in G minor, K. 550: I. Allegro molto | Academy of St Martin in the Fields, Sir Neville Marriner | T-312.542.381-2 | |
| 2-12 | Piano Sonata No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto | Stephen Kovacevich | — | |
| 2-13 | Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile | Stephen Kovacevich | — | |
| 2-14 | Symphonie no.5 en ut mineur, op.67 : Allegro con brio | [unknown] | — | |
| 2-15 | Symphony No. 7 in A, Op. 92: II. Allegretto | Wiener Philharmoniker, Sir Simon Rattle | T-314.638.300-4 | |
| 2-16 | Symphonie no. 9 en ré mineur, op. 125 : Ode à la joie (extrait) | Wiener Philharmoniker | — | |
| 2-17 | Piano Concerto no. 5 "Emperor": II. Adagio un poco mosso (excerpt) | Christian Zacharias, Staatskapelle Dresden, Hans Vonk | — | |
| 3-1 | Der Freischütz: Ouvertüre (Ausschn.) | — | ||
| 3-2 | La gazza ladra (The Thieving Magpie): Overture | Philharmonia Orchestra, Carlo Maria Giulini | — | |
| 3-3 | Guillaume Tell: Ouverture (extr.) | Philharmonia Orchestra, Carlo Maria Giulini | T-927.705.421-4 | |
| 3-4 | Piano Trio no. 2 in E-flat major, D. 929: II. Andante con moto | Frank Braley, Renaud Capuçon, Gautier Capuçon | T-918.982.163-4 | |
| 3-5 | Moment musical for piano in F minor ("Air russe"), D. 780/3 (Op. 94/3) | Stephen Kovacevich | — | |
| 3-6 | Symphonie No. 5 en si bémol majeur, D. 485: Allegro (extr.) | Royal Philharmonic Orchestra, Sir Thomas Beecham | — | |
| 3-7 | Schubert: String Quartet No. 14 in D Minor, D. 810 "Death and the Maiden": II. Andante con moto | Franz Schubert | — | |
| 3-8 | Sonate pour piano no. 20 en la majeur D.959 : Andantino (extr.) | Christian Zacharias | T-304.361.655-9 | |
| 3-9 | Quintette pour piano, violon, alto, violoncelle et contrebasse en la majeur, D.667 "La Truite" : Thème (andante) | Mitglieder des Amadeus Quartett, Hephzibah Menuhin, James Edward Merrett | — | |
| 3-10 | Erlkönig, D. 328 | Elisabeth Schwarzkopf, Geoffrey Parsons | — | |
| 3-11 | A Midsummer Night's Dream, op. 61: Wedding March | Rotterdam Philharmonic Orchestra, Jeffrey Tate | T-801.353.603-4 | |
| 3-12 | Concerto pour violon et orchestre en mi mineur, op. 64 : Allegro molto appassionato (extr.) | Renaud Capuçon, Mahler Chamber Orchestra, Daniel Harding | — | |
| 3-13 | Lieder ohne Worte: Frühlingslied | — | ||
| 3-14 | Étude en mi majeur, op. 10 no. 3 "Tristesse" | Samson François | — | |
| 3-15 | Sonate pour piano no. 2 en si bémol mineur, op. 35: Marche funèbre (extr.) | Leif Ove Andsnes | T-915.712.196-5 | |
| 3-16 | Valse en ré bémol majeur, op. 64 no. 1 "Minute" | [unknown] | — | |
| 3-17 | Valse en ut dièse mineur, op. 64 no. 2 | Ingrid Fliter | T-321.873.365-0 | |
| 3-18 | Prélude en mi mineur, op. 28 no. 4 | Mikhail Rudy | T-921.530.967-4 | |
| 3-19 | Nocturne no. 5 en fa dièse majeur, op. 15 no. 2 | Samson François | — | |
| 3-20 | 24 Caprices for Solo Violin, op. 1: No. 1 in E major | Michael Rabin | — | |
| 3-21 | La Ronde des lutins | [unknown] | — | |
| 3-22 | Rhapsodie hongroise no. 2 (extr.) | [unknown] | — | |
| 3-23 | Les jeux d'eau à la Villa d'Este | Georges Cziffra | — | |
| 3-24 | Liebestraum | — | ||
| 4-1 | Lohengrin: Prélude de L'Acte | Berliner Philharmoniker, Herbert von Karajan | — | |
| 4-2 | Die Walküre: Act 3: Ride of the Valkyries | Oslo Philharmonic Orchestra, Mariss Jansons | T-070.257.887-7 | |
| 4-3 | Lohengrin: Choeur des fiançailles (extr.) | Chor der Bayerischen Staatsoper München, Bayerisches Staatsorchester, Robert Heger | T-309.669.540-4 | |
| 4-4 | Siegfried Idyll | Orchestre philharmonique de Radio France, Marek Janowski | T-306.482.955-2 | |
| 4-5 | Symphony no. 4 in E-flat major "Romantic": IV. Finale. Bewegt, doch nicht zu schnell | Philharmonia Orchestra, Otto Klemperer | — | |
| 4-6 | Le Beau Danube bleu (extr.) | Wiener Johann Strauss Orchester, Willi Boskovsky | — | |
| 4-7 | Kinderszenen, op. 15: No. 7. Träumerei | Martha Argerich | — | |
| 4-8 | Piano Concerto: I. Allegro affettuoso [excerpt] | Leif Ove Andsnes, Berliner Philharmoniker, Mariss Jansons | T-909.264.262-1 | |
| 4-9 | Carnaval de Vienne : Intermezzo | Georges Cziffra | — | |
| 4-10 | Symphony no. 3 in F major, op. 90: III. Poco allegretto | Deutsche Kammerphilharmonie, Daniel Harding | — | |
| 4-11 | Quatuor avec piano no.1 en sol mineur, op.25 : Rondo alla Zingarese (extr.) | Nicholas Angelich, Gautier Capuçon, Renaud Capuçon, Gérard Caussé | — | |
| 4-12 | Intermezzo en ut majeur, op.119 no.3 | Nicholas Angelich | T-329.458.041-5 | |
| 4-13 | Concerto pour violon et orchestre en ré majeur, Op. 77: III. Allegro giocoso (extr.) | Frank Peter Zimmermann, Berliner Philharmoniker, Wolfgang Sawallisch | — | |
| 4-14 | Symphonie no.5 en ut dièse mineur : Adagietto (extr.) | Berliner Philharmoniker, Simon Rattle | T-800.652.468-2 | |
| 4-15 | Má Vlast, JB 1/112: II. Die Moldau | Royal Liverpool Philharmonic Orchestra, Libor Pešek | T-902.653.600-5 | |
| 4-16 | Slavonic Dances, op. 72: no. 2 in E minor (Dumka) | Berliner Philharmoniker, Lorin Maazel | — | |
| 4-17 | Symphonie no. 9 en mi mineur "du Nouveau Monde" op.95 : Allegro con fuoco | Philharmonia Orchestra, Carlo Maria Giulini | — | |
| 4-18 | Peer Gynt, op. 23: Act 4: No. 13. Prelude. Morning Mood | Eesti Riiklik Sümfooniaorkester, Paavo Järvi | — | |
| 4-19 | Holberg Suite, op. 40: I. Preludium | Estonian National Symphony Orchestra, Paavo Järvi | — | |
| 4-20 | Requiem in D minor, K. 626 (Süßmayr completion): IIIa. Sequenz: "Dies irae" | Philharmonia Chorus, Philharmonia Orchestra, Carlo Maria Giulini | — | |
| 4-21 | Nabucco: Act 3: "Va, pensiero, sull'ali dorate" (Chorus) | Ambrosian Singers, Philharmonia Orchestra, Riccardo Muti | — | |
| 4-22 | Messa di Gloria: III. Credo. Et incarnatus est | Roberto Alagna, London Symphony Chorus, London Symphony Orchestra, Antonio Pappano | T-915.866.113-3 | |
| 5-1 | Le Prince Igor : Danse Polovtsienne no 4 | Royal Liverpool Philharmonic Choir, Royal Liverpool Philharmonic Orchestra, Sir Charles Mackerras | — | |
| 5-2 | Shéhérazade, Op. 35: III. Le jeune Prince et la jeune Princesse | Orchestre de la Suisse Romande, Armin Jordan | — | |
| 5-3 | Tableau d'une exposition : La Grande Porte de Kiev | Berliner Philharmoniker, Simon Rattle | T-061.792.492-1 | |
| 5-4 | Concerto pour piano No. 1 en si bémol mineur, Op. 23: I. Allegro non troppo | Mikhail Pletnev, Philharmonia Orchestra, Vladimir Fedoseyev | — | |
| 5-5 | Swan Lake, op. 20: Act II: No. 10. Scène. Moderato | London Symphony Orchestra, André Previn | — | |
| 5-6 | Casse-Noisette : Valse des fleurs | London Symphony Orchestra, André Previn | T-011.792.441-0 | |
| 5-7 | 12 Études, op. 8: No. 12 in D-sharp minor | Dame Moura Lympany | — | |
| 5-8 | Marche Hongroise | [unknown] | — | |
| 5-9 | Symphonie fantastique : Un bal (extr.) | Orchestre du Capitole de Toulouse, Michel Plasson | — | |
| 5-10 | La Gaîté parisienne : Can-can | Orchestre Philharmonique de Monte Carlo, Manuel Rosenthal | — | |
| 5-11 | Symphonie en ré mineur : Lento (extr.) | Philadelphia Orchestra, Riccardo Muti | T-900.967.586-9 | |
| 5-12 | Symphonie espagnole in D minor, op. 21: III. Intermezzo (Allegro non troppo) | Anne-Sophie Mutter, Orchestre national de France, Seiji Ozawa | — | |
| 5-13 | Le carnaval des animaux: VII. Aquarium | Nash Ensemble, Libor Pešek | — | |
| 5-14 | L'Arlésienne : Prélude (extr.) | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 5-15 | Espana | Orchestre du Capitole de Toulouse, Michel Plasson | — | |
| 5-16 | Méditaion de Thais (excerpt) | Renaud Capuçon, Deutsche Kammerphilharmonie Bremen, Daniel Harding | T-306.705.438-6 | |
| 5-17 | Pavane, Op. 50 | Edinburgh Festival Chorus, Brad Smith, Orchestre de Paris, Daniel Barenboim | T-909.340.218-7 | |
| 5-18 | Requiem, op. 48: VII. In Paradisum | Sheila Armstrong, Edinburgh Festival Chorus, Dietrich Fischer-Dieskau, Orchestre de Paris, Daniel Barenboim | T-924.489.944-3 | |
| 5-19 | Children's Corner: Golliwogg's Cakewalk | Samson François | — | |
| 5-20 | Suite bergamasque: Claire de lune | Samson François | — | |
| 5-21 | Asturias (arr. Ségovia) (extr.) | Julian Byzantine | — | |
| 5-22 | Goyescas : La jeune fille et le rossignol (extr.) | Aldo Ciccolini | — | |
| 6-1 | Ainsi parlait Zarathoustra: Lever Du Jour | Staatskapelle Dresden, Rudolf Kempe | — | |
| 6-2 | Carmina Burana: O Fortuna | — | ||
| 6-3 | 5 Pomp and Circumstance Marches, op. 39: No. 1 in D major (excerpt) | Royal Philharmonic Orchestra, Sir Yehudi Menuhin | T-902.390.548-8 | |
| 6-4 | Fantaisie sur "Greensleeves" | Northern Sinfonia, Richard Hickox | — | |
| 6-5 | Les Planètes: Jupiter (extract) | Philharmonia Orchestra, Simon Rattle | T-300.816.249-6 | |
| 6-6 | Simple Symphony for Strings, op. 4: II. Playful Pizzicato | London Chamber Orchestra, Christopher Warren-Green | — | |
| 6-7 | L'Apprenti Sorcier | Oslo Philharmonic Orchestra, Mariss Jansons | T-003.005.584-5 | |
| 6-8 | Gymnopédie N°1 | Aldo Ciccolini | T-920.980.498-8 | |
| 6-9 | Le Festin de l'araignée: Danse de l'éphémère | Orchestre national de France, Georges Prêtre | — | |
| 6-10 | Boléro | City of Birmingham Symphony Orchestra, Simon Rattle | T-928.092.358-2 | |
| 6-11 | Le Bœuf sur le toit, op. 58 | Orchestre National de France, Leonard Bernstein | — | |
| 6-12 | Concerto Pour Deux Pianos: Larghetto | Jean-Bernard Pommier, Anne Queffélec, City of London Sinfonia, Richard Hickox | T-003.007.871-7 | |
| 6-13 | La Nuit Transfigurée | Nash Ensemble | T-922.054.272-3 | |
| 6-14 | 6 Orchesterstücke, op. 6: III. Mässig | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 6-15 | Douze Notations Pour Le Piano | David Fray | — | |
| 6-16 | Sinfonietta, op. 60: I. Allegretto | Philharmonia Orchestra, Simon Rattle | T-312.685.492-6 | |
| 6-17 | Dances Populaires Roumaines 1-3 | Michel Béroff | — | |
| 6-18 | Violin Concerto in D minor, op. 47: I. Allegro moderato | Vilde Frang, WDR Sinfonieorchester Köln, Thomas Søndergård | — | |
| 6-19 | La vida breve, Act 2 Scene 1: Danza | Manuel de Falla | T-041.489.074-6 | |
| 6-20 | Concierto De Aranjuez: Adagio | Sharon Isbin, Orchestre de Chambre de Lausanne, Lawrence Foster | T-041.489.061-1 | |
| 6-21 | Bachianas Brasileiras N°5: Cantilena | Mady Mesplé, Ensemble de violoncelles de L'Orchestre de Paris | T-905.380.384-2 | |
| 6-22 | Rhapsody in Blue | André Previn, London Symphony Orchestra | T-010.244.926-2 | |
| 6-23 | Adagio for Strings, op. 11 (extract) | London Symphony Orchestra, Michael Tilson Thomas | T-070.000.199-5 | |
| 6-24 | Danses Symphoniques De West Side Story: Prologue | City of Birmingham Symphony Orchestra, Paavo Järvi | T-070.139.164-1 | |
| 6-25 | Concerto Pour Piano Et Orchestre N°2 En Ut Mineur | Jean-Bernard Pommier, Hallé Orchestra, Lawrence Foster | T-003.007.883-1 | |
| 6-26 | Roméo Et Juliette: Danse Des Chevaliers | Royal Liverpool Philharmonic Orchestra, Libor Pešek | — | |
| 6-27 | Pierre Et Le Loup: Thème De Pierre | Academy of London, Richard Stamp | T-917.805.753-9 | |
| 6-28 | Le sacre du printemps, première partie "L'Adoration de la Terre": II. Les Augures printaniers - Danse des adolsecentes | London Philharmonic Orchestra, Kent Nagano | T-070.257.887-7 | |
| 6-29 | Ganayeh: Danse Du Sabre | Orchestre Philharmonique de Radio France, Paavo Järvi | T-801.025.525-2 | |
| 6-30 | Suite de jazz n°2 : Valse | Orchestre philharmonique de Radio France, Paavo Järvi | — | |
| 6-31 | Quatuor Pour La Fin Des Temps: Danse De La Fureur Pour Les Sept Trompettes | Manuel Fischer-Dieskau, Yvonne Loriod, Wolfgang Meyer, Christoph Poppen | T-003.014.967-7 | |
| 6-32 | Au gré des ondes: Étude | Anne Queffélec | — | |
| 6-33 | Spiegel Im Spiegel | Tasmin Little, Martin Roscoe | — | |
| 6-34 | Façades | Christopher Warren-Green, London Chamber Orchestra | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Piano Concerto no. 5 "Emperor": II. Adagio un poco mosso | Christian Zacharias, Staatskapelle Dresden, Hans Vonk | — |
| Toccata in D minor, BWV 565 | Lionel Rogg | T-922.052.362-6 |
| Te Deum H.146: II. Prélude | Les Arts Florissants, William Christie | — |
| Swan Lake, op. 20: Act II: No. 10. Scène. Moderato | London Symphony Orchestra, André Previn | — |
| Swan Lake, op. 20: Act II: No. 10. Scène. Moderato | London Symphony Orchestra, André Previn | — |
| Nabucco: Act 3: "Va, pensiero, sull'ali dorate" (Chorus) | Ambrosian Singers, Philharmonia Orchestra, Riccardo Muti | T-902.574.141-7 |
| Swan Lake, op. 20: Act II: No. 10. Scène. Moderato | London Symphony Orchestra, André Previn | — |
| Swan Lake, op. 20: Act II: No. 10. Scène. Moderato | London Symphony Orchestra, André Previn | T-900.160.317-4 |
| Cello Suite no. 1 in G major, BWV 1007: I. Prélude | Mstislav Rostropovich | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
5099908784421 is a Universal Product Code (UPC) assigned to Klassische Musik für Dummies by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 147 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
5099908784421 is the Universal Product Code (UPC barcode) for the release “Klassische Musik für Dummies” by Various Artists, released 2011-10-10. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 147 tracks, each with its own ISRC. Tracks include ES5089900641, GBAYC0801458, GBAYC9001691.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Puer natus in Bethlehem: Ritmo (Modo I) | Francisco Lara, Coro de monjes del Monasterio Benedictino de Santo Domingo de Silos | — | |
| 2 | Missa Papae Marcelli : Sanctus (Extr.) | King’s College Choir, Sir David Willcocks | — | |
| 3 | Hor che'l ciel: "Hor che'l ciel, e la terra, e'l vento tace" | Anthony Rooley, The Consort of Musicke | — | |
| 4 | Le Bourgeois gentilhomme : Marche pour la cérémonie des Turcs | Lajos Rovatkay, Capella Agostino Steffani | — | |
| 5 | Te Deum H.146: II. Prélude | Les Arts Florissants, William Christie | — | |
| 6 | Le Tic-toc-choc ou Les Maillotins | Georges Cziffra | — | |
| 7 | La poule (Nouvelles suites, 1728) | Georges Cziffra | — | |
| 8 | Canon in D | Taverner Players, Andrew Parrott | T-041.726.043-5 | |
| 9 | Music for a while | David Daniels, Craig Ogden | T-031.734.775-3 | |
| 10 | Gloria, RV589 : Gloria in excelsis Deo | New Philharmonia Chorus, New Philharmonia Orchestra, Riccardo Muti | T-905.452.179-8 | |
| 11 | Mandolin Concerto in C major, RV 425: I. Allegro | Fabio Biondi, Ernesto Braucher, Robert Brown, Sergio Ciomei, Lorenzo Colitto, Luca Giardini, Stefano Marcocchi, Carla Marotta, Diego Mecca, Francisco Montero, Maurizio Naddeo, Ugo Nastrucci, Raffaello Negri, Giangiacomo Pinardi, Andrea Rognoni, Giovanni Scaramuzzino, Renata Spotti, Europa Galante | T-917.932.997-6 | |
| 12 | The Four Seasons, Violin Concerto in E major, op. 8 no. 1, RV 269 "Spring": I. Allegro | Fabio Biondi, Europa Galante | T-070.248.077-0 | |
| 13 | Concerto, RV 315 “L’estate”: III. Presto | Fabio Biondi, Europa Galante | — | |
| 14 | Jesu bleibet meine Freude BWV 147 (arr. Hess) | Dinu Lipatti | — | |
| 15 | Passion selon St Jean, BWV245 : Chœur d'entrée. Herr unser Herrscher (excerpt) | Taverner Consort, Taverner Players, Andrew Parrott | — | |
| 16 | Le Clavier bien tempéré : Livre I, Prélude en ut majeur, BWV846 | Christian Zacharias | T-910.415.372-2 | |
| 17 | Cello Suite no. 1 in G major, BWV 1007: I. Prélude | Mstislav Rostropovich | — | |
| 18 | Concerto brandebourgeois no.2 en fa majeur, BWV1047 : Allegro (extr.) | Orchestra of the Age of Enlightenment | — | |
| 19 | Keyboard Concerto in F minor, BWV 1056: II. Adagio | David Fray, Deutsche Kammerphilharmonie Bremen | — | |
| 20 | Toccata in D minor, BWV 565 | Lionel Rogg | — | |
| 21 | Orchestral Suite no. 3 in D major, BWV 1068: II. Air | English Chamber Orchestra, Philip Ledger | T-914.248.874-2 | |
| 22 | Adriano in Siria : Tutti nemeci, e rei | Philippe Jaroussky, Le Cercle de l'Harmonie, Jérémie Rhorer | — | |
| 23 | Sonate pour clavier en fa mineur, Kk.519 | Mikhail Pletnev | — | |
| 24 | Messiah: Part II: Hallelujah! | Taverner Choir, Taverner Players, Andrew Parrott | — | |
| 25 | Keyboard Suite no. 4 in D minor, HWV 437: III. Sarabande | Academy of St Martin in the Fields, Alexander Briger | — | |
| 26 | Music for the Royal Fireworks, HWV 351: IV. La Rejouissance (Allegro) | Menuhin Festival Orchestra, Yehudi Menuhin | — | |
| 27 | Zadok the Priest (Coronation Anthem) | Royal Choral Society, London Philharmonic Orchestra, Sir Andrew Davis | T-900.138.712-8 | |
| 28 | Stabat Mater: I: Stabat Mater dolorosa environ | David Daniels, Dorothea Röschmann, Europa Galante, Fabio Biondi | T-905.680.072-7 | |
| 2-1 | Trumpet Concerto: III. Allegro | Maurice André, Gordon Hunt, Christopher Warren-Green, Philharmonia Orchestra, Riccardo Muti | — | |
| 2-2 | Piano Sonata no. 62 in E-flat major, Hob. XVI:52: III. Finale: Presto | Mikhail Pletnev | — | |
| 2-3 | String Quintet in E, op. 13 no. 5: III. Minuetto | Europa Galante | — | |
| 2-4 | Klavierkonzert Nr. 21 C-dur, KV 467: II. Andante | Christian Zacharias, Symphonieorchester des Bayerischen Rundfunks, David Zinman | T-010.194.871-3 | |
| 2-5 | Klavierkonzert No. 23 A-Dur, KV 488: II. Adagio | Christian Zacharias, Staatskapelle Dresden, David Zinman | T-915.711.586-1 | |
| 2-6 | Sonata for Piano no. 11 in A major, K. 300i/331 "Alla Turca": III. Rondo alla Turca. Allegretto | Daniel Barenboim | — | |
| 2-7 | Requiem in D minor, K. 626 (Süßmayr completion): IIIa. Sequenz: "Dies irae" | Philharmonia Chorus, Philharmonia Orchestra, Carlo Maria Giulini | — | |
| 2-8 | Requiem in D minor, K. 626 (Süßmayr completion): IIIf. Sequenz: "Lacrimosa" | Philharmonia Chorus, Philharmonia Orchestra, Carlo Maria Giulini | — | |
| 2-9 | Serenade in G, K. 525 "Eine kleine Nachtmusik": I. Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-10 | Symphony no. 25 in G minor, K. 183: I. Allegro con brio | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-11 | Symphony no. 40 in G minor, K. 550: I. Allegro molto | Academy of St Martin in the Fields, Sir Neville Marriner | T-312.542.381-2 | |
| 2-12 | Piano Sonata No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto | Stephen Kovacevich | — | |
| 2-13 | Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile | Stephen Kovacevich | — | |
| 2-14 | Symphonie no.5 en ut mineur, op.67 : Allegro con brio | [unknown] | — | |
| 2-15 | Symphony No. 7 in A, Op. 92: II. Allegretto | Wiener Philharmoniker, Sir Simon Rattle | T-314.638.300-4 | |
| 2-16 | Symphonie no. 9 en ré mineur, op. 125 : Ode à la joie (extrait) | Wiener Philharmoniker | — | |
| 2-17 | Piano Concerto no. 5 "Emperor": II. Adagio un poco mosso (excerpt) | Christian Zacharias, Staatskapelle Dresden, Hans Vonk | — | |
| 3-1 | Der Freischütz: Ouvertüre (Ausschn.) | — | ||
| 3-2 | La gazza ladra (The Thieving Magpie): Overture | Philharmonia Orchestra, Carlo Maria Giulini | — | |
| 3-3 | Guillaume Tell: Ouverture (extr.) | Philharmonia Orchestra, Carlo Maria Giulini | T-927.705.421-4 | |
| 3-4 | Piano Trio no. 2 in E-flat major, D. 929: II. Andante con moto | Frank Braley, Renaud Capuçon, Gautier Capuçon | T-918.982.163-4 | |
| 3-5 | Moment musical for piano in F minor ("Air russe"), D. 780/3 (Op. 94/3) | Stephen Kovacevich | — | |
| 3-6 | Symphonie No. 5 en si bémol majeur, D. 485: Allegro (extr.) | Royal Philharmonic Orchestra, Sir Thomas Beecham | — | |
| 3-7 | Schubert: String Quartet No. 14 in D Minor, D. 810 "Death and the Maiden": II. Andante con moto | Franz Schubert | — | |
| 3-8 | Sonate pour piano no. 20 en la majeur D.959 : Andantino (extr.) | Christian Zacharias | T-304.361.655-9 | |
| 3-9 | Quintette pour piano, violon, alto, violoncelle et contrebasse en la majeur, D.667 "La Truite" : Thème (andante) | Mitglieder des Amadeus Quartett, Hephzibah Menuhin, James Edward Merrett | — | |
| 3-10 | Erlkönig, D. 328 | Elisabeth Schwarzkopf, Geoffrey Parsons | — | |
| 3-11 | A Midsummer Night's Dream, op. 61: Wedding March | Rotterdam Philharmonic Orchestra, Jeffrey Tate | T-801.353.603-4 | |
| 3-12 | Concerto pour violon et orchestre en mi mineur, op. 64 : Allegro molto appassionato (extr.) | Renaud Capuçon, Mahler Chamber Orchestra, Daniel Harding | — | |
| 3-13 | Lieder ohne Worte: Frühlingslied | — | ||
| 3-14 | Étude en mi majeur, op. 10 no. 3 "Tristesse" | Samson François | — | |
| 3-15 | Sonate pour piano no. 2 en si bémol mineur, op. 35: Marche funèbre (extr.) | Leif Ove Andsnes | T-915.712.196-5 | |
| 3-16 | Valse en ré bémol majeur, op. 64 no. 1 "Minute" | [unknown] | — | |
| 3-17 | Valse en ut dièse mineur, op. 64 no. 2 | Ingrid Fliter | T-321.873.365-0 | |
| 3-18 | Prélude en mi mineur, op. 28 no. 4 | Mikhail Rudy | T-921.530.967-4 | |
| 3-19 | Nocturne no. 5 en fa dièse majeur, op. 15 no. 2 | Samson François | — | |
| 3-20 | 24 Caprices for Solo Violin, op. 1: No. 1 in E major | Michael Rabin | — | |
| 3-21 | La Ronde des lutins | [unknown] | — | |
| 3-22 | Rhapsodie hongroise no. 2 (extr.) | [unknown] | — | |
| 3-23 | Les jeux d'eau à la Villa d'Este | Georges Cziffra | — | |
| 3-24 | Liebestraum | — | ||
| 4-1 | Lohengrin: Prélude de L'Acte | Berliner Philharmoniker, Herbert von Karajan | — | |
| 4-2 | Die Walküre: Act 3: Ride of the Valkyries | Oslo Philharmonic Orchestra, Mariss Jansons | T-070.257.887-7 | |
| 4-3 | Lohengrin: Choeur des fiançailles (extr.) | Chor der Bayerischen Staatsoper München, Bayerisches Staatsorchester, Robert Heger | T-309.669.540-4 | |
| 4-4 | Siegfried Idyll | Orchestre philharmonique de Radio France, Marek Janowski | T-306.482.955-2 | |
| 4-5 | Symphony no. 4 in E-flat major "Romantic": IV. Finale. Bewegt, doch nicht zu schnell | Philharmonia Orchestra, Otto Klemperer | — | |
| 4-6 | Le Beau Danube bleu (extr.) | Wiener Johann Strauss Orchester, Willi Boskovsky | — | |
| 4-7 | Kinderszenen, op. 15: No. 7. Träumerei | Martha Argerich | — | |
| 4-8 | Piano Concerto: I. Allegro affettuoso [excerpt] | Leif Ove Andsnes, Berliner Philharmoniker, Mariss Jansons | T-909.264.262-1 | |
| 4-9 | Carnaval de Vienne : Intermezzo | Georges Cziffra | — | |
| 4-10 | Symphony no. 3 in F major, op. 90: III. Poco allegretto | Deutsche Kammerphilharmonie, Daniel Harding | — | |
| 4-11 | Quatuor avec piano no.1 en sol mineur, op.25 : Rondo alla Zingarese (extr.) | Nicholas Angelich, Gautier Capuçon, Renaud Capuçon, Gérard Caussé | — | |
| 4-12 | Intermezzo en ut majeur, op.119 no.3 | Nicholas Angelich | T-329.458.041-5 | |
| 4-13 | Concerto pour violon et orchestre en ré majeur, Op. 77: III. Allegro giocoso (extr.) | Frank Peter Zimmermann, Berliner Philharmoniker, Wolfgang Sawallisch | — | |
| 4-14 | Symphonie no.5 en ut dièse mineur : Adagietto (extr.) | Berliner Philharmoniker, Simon Rattle | T-800.652.468-2 | |
| 4-15 | Má Vlast, JB 1/112: II. Die Moldau | Royal Liverpool Philharmonic Orchestra, Libor Pešek | T-902.653.600-5 | |
| 4-16 | Slavonic Dances, op. 72: no. 2 in E minor (Dumka) | Berliner Philharmoniker, Lorin Maazel | — | |
| 4-17 | Symphonie no. 9 en mi mineur "du Nouveau Monde" op.95 : Allegro con fuoco | Philharmonia Orchestra, Carlo Maria Giulini | — | |
| 4-18 | Peer Gynt, op. 23: Act 4: No. 13. Prelude. Morning Mood | Eesti Riiklik Sümfooniaorkester, Paavo Järvi | — | |
| 4-19 | Holberg Suite, op. 40: I. Preludium | Estonian National Symphony Orchestra, Paavo Järvi | — | |
| 4-20 | Requiem in D minor, K. 626 (Süßmayr completion): IIIa. Sequenz: "Dies irae" | Philharmonia Chorus, Philharmonia Orchestra, Carlo Maria Giulini | — | |
| 4-21 | Nabucco: Act 3: "Va, pensiero, sull'ali dorate" (Chorus) | Ambrosian Singers, Philharmonia Orchestra, Riccardo Muti | — | |
| 4-22 | Messa di Gloria: III. Credo. Et incarnatus est | Roberto Alagna, London Symphony Chorus, London Symphony Orchestra, Antonio Pappano | T-915.866.113-3 | |
| 5-1 | Le Prince Igor : Danse Polovtsienne no 4 | Royal Liverpool Philharmonic Choir, Royal Liverpool Philharmonic Orchestra, Sir Charles Mackerras | — | |
| 5-2 | Shéhérazade, Op. 35: III. Le jeune Prince et la jeune Princesse | Orchestre de la Suisse Romande, Armin Jordan | — | |
| 5-3 | Tableau d'une exposition : La Grande Porte de Kiev | Berliner Philharmoniker, Simon Rattle | T-061.792.492-1 | |
| 5-4 | Concerto pour piano No. 1 en si bémol mineur, Op. 23: I. Allegro non troppo | Mikhail Pletnev, Philharmonia Orchestra, Vladimir Fedoseyev | — | |
| 5-5 | Swan Lake, op. 20: Act II: No. 10. Scène. Moderato | London Symphony Orchestra, André Previn | — | |
| 5-6 | Casse-Noisette : Valse des fleurs | London Symphony Orchestra, André Previn | T-011.792.441-0 | |
| 5-7 | 12 Études, op. 8: No. 12 in D-sharp minor | Dame Moura Lympany | — | |
| 5-8 | Marche Hongroise | [unknown] | — | |
| 5-9 | Symphonie fantastique : Un bal (extr.) | Orchestre du Capitole de Toulouse, Michel Plasson | — | |
| 5-10 | La Gaîté parisienne : Can-can | Orchestre Philharmonique de Monte Carlo, Manuel Rosenthal | — | |
| 5-11 | Symphonie en ré mineur : Lento (extr.) | Philadelphia Orchestra, Riccardo Muti | T-900.967.586-9 | |
| 5-12 | Symphonie espagnole in D minor, op. 21: III. Intermezzo (Allegro non troppo) | Anne-Sophie Mutter, Orchestre national de France, Seiji Ozawa | — | |
| 5-13 | Le carnaval des animaux: VII. Aquarium | Nash Ensemble, Libor Pešek | — | |
| 5-14 | L'Arlésienne : Prélude (extr.) | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 5-15 | Espana | Orchestre du Capitole de Toulouse, Michel Plasson | — | |
| 5-16 | Méditaion de Thais (excerpt) | Renaud Capuçon, Deutsche Kammerphilharmonie Bremen, Daniel Harding | T-306.705.438-6 | |
| 5-17 | Pavane, Op. 50 | Edinburgh Festival Chorus, Brad Smith, Orchestre de Paris, Daniel Barenboim | T-909.340.218-7 | |
| 5-18 | Requiem, op. 48: VII. In Paradisum | Sheila Armstrong, Edinburgh Festival Chorus, Dietrich Fischer-Dieskau, Orchestre de Paris, Daniel Barenboim | T-924.489.944-3 | |
| 5-19 | Children's Corner: Golliwogg's Cakewalk | Samson François | — | |
| 5-20 | Suite bergamasque: Claire de lune | Samson François | — | |
| 5-21 | Asturias (arr. Ségovia) (extr.) | Julian Byzantine | — | |
| 5-22 | Goyescas : La jeune fille et le rossignol (extr.) | Aldo Ciccolini | — | |
| 6-1 | Ainsi parlait Zarathoustra: Lever Du Jour | Staatskapelle Dresden, Rudolf Kempe | — | |
| 6-2 | Carmina Burana: O Fortuna | — | ||
| 6-3 | 5 Pomp and Circumstance Marches, op. 39: No. 1 in D major (excerpt) | Royal Philharmonic Orchestra, Sir Yehudi Menuhin | T-902.390.548-8 | |
| 6-4 | Fantaisie sur "Greensleeves" | Northern Sinfonia, Richard Hickox | — | |
| 6-5 | Les Planètes: Jupiter (extract) | Philharmonia Orchestra, Simon Rattle | T-300.816.249-6 | |
| 6-6 | Simple Symphony for Strings, op. 4: II. Playful Pizzicato | London Chamber Orchestra, Christopher Warren-Green | — | |
| 6-7 | L'Apprenti Sorcier | Oslo Philharmonic Orchestra, Mariss Jansons | T-003.005.584-5 | |
| 6-8 | Gymnopédie N°1 | Aldo Ciccolini | T-920.980.498-8 | |
| 6-9 | Le Festin de l'araignée: Danse de l'éphémère | Orchestre national de France, Georges Prêtre | — | |
| 6-10 | Boléro | City of Birmingham Symphony Orchestra, Simon Rattle | T-928.092.358-2 | |
| 6-11 | Le Bœuf sur le toit, op. 58 | Orchestre National de France, Leonard Bernstein | — | |
| 6-12 | Concerto Pour Deux Pianos: Larghetto | Jean-Bernard Pommier, Anne Queffélec, City of London Sinfonia, Richard Hickox | T-003.007.871-7 | |
| 6-13 | La Nuit Transfigurée | Nash Ensemble | T-922.054.272-3 | |
| 6-14 | 6 Orchesterstücke, op. 6: III. Mässig | City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 6-15 | Douze Notations Pour Le Piano | David Fray | — | |
| 6-16 | Sinfonietta, op. 60: I. Allegretto | Philharmonia Orchestra, Simon Rattle | T-312.685.492-6 | |
| 6-17 | Dances Populaires Roumaines 1-3 | Michel Béroff | — | |
| 6-18 | Violin Concerto in D minor, op. 47: I. Allegro moderato | Vilde Frang, WDR Sinfonieorchester Köln, Thomas Søndergård | — | |
| 6-19 | La vida breve, Act 2 Scene 1: Danza | Manuel de Falla | T-041.489.074-6 | |
| 6-20 | Concierto De Aranjuez: Adagio | Sharon Isbin, Orchestre de Chambre de Lausanne, Lawrence Foster | T-041.489.061-1 | |
| 6-21 | Bachianas Brasileiras N°5: Cantilena | Mady Mesplé, Ensemble de violoncelles de L'Orchestre de Paris | T-905.380.384-2 | |
| 6-22 | Rhapsody in Blue | André Previn, London Symphony Orchestra | T-010.244.926-2 | |
| 6-23 | Adagio for Strings, op. 11 (extract) | London Symphony Orchestra, Michael Tilson Thomas | T-070.000.199-5 | |
| 6-24 | Danses Symphoniques De West Side Story: Prologue | City of Birmingham Symphony Orchestra, Paavo Järvi | T-070.139.164-1 | |
| 6-25 | Concerto Pour Piano Et Orchestre N°2 En Ut Mineur | Jean-Bernard Pommier, Hallé Orchestra, Lawrence Foster | T-003.007.883-1 | |
| 6-26 | Roméo Et Juliette: Danse Des Chevaliers | Royal Liverpool Philharmonic Orchestra, Libor Pešek | — | |
| 6-27 | Pierre Et Le Loup: Thème De Pierre | Academy of London, Richard Stamp | T-917.805.753-9 | |
| 6-28 | Le sacre du printemps, première partie "L'Adoration de la Terre": II. Les Augures printaniers - Danse des adolsecentes | London Philharmonic Orchestra, Kent Nagano | T-070.257.887-7 | |
| 6-29 | Ganayeh: Danse Du Sabre | Orchestre Philharmonique de Radio France, Paavo Järvi | T-801.025.525-2 | |
| 6-30 | Suite de jazz n°2 : Valse | Orchestre philharmonique de Radio France, Paavo Järvi | — | |
| 6-31 | Quatuor Pour La Fin Des Temps: Danse De La Fureur Pour Les Sept Trompettes | Manuel Fischer-Dieskau, Yvonne Loriod, Wolfgang Meyer, Christoph Poppen | T-003.014.967-7 | |
| 6-32 | Au gré des ondes: Étude | Anne Queffélec | — | |
| 6-33 | Spiegel Im Spiegel | Tasmin Little, Martin Roscoe | — | |
| 6-34 | Façades | Christopher Warren-Green, London Chamber Orchestra | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Piano Concerto no. 5 "Emperor": II. Adagio un poco mosso | Christian Zacharias, Staatskapelle Dresden, Hans Vonk | — |
| Toccata in D minor, BWV 565 | Lionel Rogg | T-922.052.362-6 |
| Te Deum H.146: II. Prélude | Les Arts Florissants, William Christie | — |
| Swan Lake, op. 20: Act II: No. 10. Scène. Moderato | London Symphony Orchestra, André Previn | — |
| Swan Lake, op. 20: Act II: No. 10. Scène. Moderato | London Symphony Orchestra, André Previn | — |
| Nabucco: Act 3: "Va, pensiero, sull'ali dorate" (Chorus) | Ambrosian Singers, Philharmonia Orchestra, Riccardo Muti | T-902.574.141-7 |
| Swan Lake, op. 20: Act II: No. 10. Scène. Moderato | London Symphony Orchestra, André Previn | — |
| Swan Lake, op. 20: Act II: No. 10. Scène. Moderato | London Symphony Orchestra, André Previn | T-900.160.317-4 |
| Cello Suite no. 1 in G major, BWV 1007: I. Prélude | Mstislav Rostropovich | — |
