UPC · Release
Various Artists
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5099908786951 is the Universal Product Code (UPC barcode) for the release “Oper für Dummies” by Various Artists, released 2011-11-07. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 103 tracks, each with its own ISRC. Tracks include GBAYC0302630, GBAYC8802943, GBAYC0302123.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | L'Orfeo: Toccata | Le Concert d'Astrée, Emmanuelle Haïm | T-702.928.999-6 | |
| 2 | L’incoronazione di Poppea: Atto III, scena 8. “Pur ti miro” | Arleen Augér, Della Jones, City of London Baroque Sinfonia, Richard Hickox | — | |
| 3 | Dido & Aeneas: When I Am Laid in Earth | Susan Graham, Le Concert d'Astrée, Emmanuelle Haïm | — | |
| 4 | Bajazet: Atto Secondo, Scena VII. Aria "Sposa, son disprezzata" | Vivica Genaux, Europa Galante, Fabio Biondi | — | |
| 5 | Giustino: “Vedro con mio diletto” (Anastasio) | Philippe Jaroussky, Ensemble Matheus, Jean-Christophe Spinosi | T-035.040.106-7 | |
| 6 | Rinaldo, HWV 7b, Act 2: "Lascia ch'io pianga" (Almirena) | Jane Gilchrist, Slovak Radio Orchestra, Kirk Trevor | T-902.792.775-9 | |
| 7 | Serse, HWV 40: Atto I. “Ombra mai fu” (Serse) | Gérard Lesne, Il Seminario Musicale | T-308.021.303-8 | |
| 8 | Alcina: Atto II, Scena XIII. Aria “Ombre pallide” (Alcina) | Arleen Augér, City of London Baroque Sinfonia, Richard Hickox | — | |
| 9 | La gazza ladra (The Thieving Magpie): Overture | Philharmonia Orchestra, Carlo Maria Giulini | — | |
| 10 | Il barbiere di Siviglia: Atto I. “Una voce poco fa” | Maria Callas, Philharmonia Orchestra, Alceo Galliera | — | |
| 11 | Il barbiere di Siviglia: Atto I. Aria "Largo al factotum" (Figaro) | Thomas Hampson, Orchestra della Toscana, Gianluigi Gelmetti | — | |
| 12 | La Cenerentola: “Non più mesta accanto al fuoco” | Joyce DiDonato, Orchestre de l’Opéra de Lyon, Kazushi Ono | — | |
| 13 | L’Elisir d’amore: Atto II. “Una furtiva lagrima” (Nemorino) | Rolando Villazón, Münchner Rundfunkorchester, Marcello Viotti | T-310.639.190-2 | |
| 14 | Lucia di Lammermoor, Atto I, Scena seconda: “Quando, rapito in estasi” (Lucia) | Edita Gruberová, Royal Philharmonic Orchestra, Nicola Rescigno | — | |
| 15 | Don Pasquale, Act 3 Scene 6: No. 12a, Serenata, "Com' è gentil la notte a mezzo" (Ernesto, Chorus) | Sesto Bruscantini, Philharmonia Orchestra, Riccardo Muti | — | |
| 16 | Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — | |
| 17 | Les Puritains, Acte I - Polacca d'Elvira : Son vergin vezzosa (Elvira) | June Anderson, Monte-Carlo Philharmonic Orchestra, Nicola Rescigno | — | |
| 2-1 | La traviata: “Libiamo ne’ lieti calici” (Alfredo, Violetta, Chœurs) | Alfredo Kraus, Renata Scotto, Ambrosian Opera Chorus, Philharmonia Orchestra, Riccardo Muti | — | |
| 2-2 | La traviata: Atto II. Coro: "Noi siamo zingarelle" (Zingarelle, Flora, Marchese) | Richard van Allan, Ambrosian Opera Chorus, Sarah Walker, Philharmonia Orchestra, Riccardo Muti | — | |
| 2-3 | Il Trovatore, Act II Scene One: Coro delle incudini: Vedi le fosche notturne (Coro) | Chor der Deutschen Oper Berlin, Berliner Philharmoniker, Herbert von Karajan | — | |
| 2-4 | Rigoletto, Act 1, Scene 2: Gualtier Maldè ...Caro nome | Sherrill Milnes, Philharmonia Orchestra, Julius Rudel | T-913.242.186-4 | |
| 2-5 | Rigoletto: “La Donna è mobile” (Duke of Mantua) | Alfredo Kraus, Philharmonia Orchestra, Julius Rudel | T-001.455.377-5 | |
| 2-6 | Nabucco, Act 3: "Va, pensiero, sull'ali dorate" (Chorus) | — | ||
| 2-7 | Otello: Atto IV. “Ave Maria, piena di grazia” (Desdemona) | Maria Callas, Orchestre de la Société des Concerts du Conservatoire, Nicola Rescigno | — | |
| 2-9 | Marcia trionfale | [unknown] | T-900.138.252-1 | |
| 2-10 | Gianni Schicchi: “O mio babbino caro” (Lauretta) | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | T-901.222.501-3 | |
| 2-11 | Manon Lescaut: Atto I. “Donna non vidi mai” (Des Grieux) | Plácido Domingo, New Philharmonia Orchestra, Bruno Bartoletti | T-905.040.058-3 | |
| 2-12 | La bohème: Atto I. “Che gelida manina” | Nicolai Gedda, Orchestra del Teatro dell’Opera di Roma, Thomas Schippers | — | |
| 2-13 | La bohème: Atto I. “Sì. Mi chiamano Mimì” | Mirella Freni, Orchestra del Teatro dell’Opera di Roma, Thomas Schippers | — | |
| 2-14 | La bohème: Atto I. “O soave fanciulla, o dolce viso” (Rodolfo, Marcello, Mimi) | Mirella Freni, Nicolai Gedda, Mario Sereni, Orchestra del Teatro dell’Opera di Roma, Thomas Schippers | — | |
| 2-15 | Tosca: “Vissi d'arte” (Tosca) | Maria Callas, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre | T-321.286.864-5 | |
| 2-16 | Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) | Carlo Bergonzi, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre | — | |
| 2-17 | Madama Butterfly: Atto II. “Un bel dì vedremo” (Butterfly) | Victoria de los Ángeles, Orchestra del Teatro dell’Opera di Roma, Gabriele Santini | — | |
| 2-18 | Madama Butterfly: Atto II. Coro a bocca chiusa (Humming Chorus) | Coro del Teatro dell’Opera di Roma, Orchestra del Teatro dell’Opera di Roma, Gabriele Santini | T-070.049.400-3 | |
| 2-19 | Turandot: Act 3. “Nessun dorma!” (Calaf, Chorus) | José Carreras, Chœur de l'Opéra national du Rhin, Orchestre philharmonique de Strasbourg, Alain Lombard | — | |
| 2-20 | Cavalleria rusticana: Intermezzo | Philharmonia Orchestra, Riccardo Muti | T-921.418.457-3 | |
| 2-21 | Pagliacci: Atto I. “Vesti la giubba” (Canio) | José Carreras, Philharmonia Orchestra, Riccardo Muti | — | |
| 3-1 | Hippolyte et Aricie: Prélude de l'Acte III | Les Talens Lyriques, Christophe Rousset | — | |
| 3-2 | La Dame blanche, Act 1 Scene 1: No. 1b, Air, "Ah! quel plaisir d'être soldat" (Georges Brown, Chorus) | Orchestre de chambre de Paris, Marc Minkowski | — | |
| 3-3 | L'Africaine: Pays merveilleux...O paradis (Act 4) | [unknown] | — | |
| 3-4 | Les Troyens, Acte 1 - Récit et air de Cassandre : Les Grecs ont disparu... Malheureux roi ! (Cassandre) | [unknown] | — | |
| 3-5 | Faust, Acte II : Air des bijoux : ''Ah ! Je ris de me voir si belle en ce miroir'' (Marguerite) | [unknown] | — | |
| 3-6 | Faust, CG 4, Act 3 Scene 4: No. 12, Cavatine, "Quel trouble inconnu me pénètre! … Salut! Demeure chaste et pure" (Faust) | — | ||
| 3-7 | Roméo et Juliette: Je Veux Vivre | [unknown] | — | |
| 3-8 | Carmen : Acte I. « Quand je vous aimerai ? » … « L’amour est un oiseau rebelle » (Habanera) (Carmen, Chœur) | Grace Bumbry, Chœurs du Théâtre national de l'Opéra de Paris, Orchestre du théâtre national de l'Opéra de Paris, Rafael Frühbeck de Burgos | — | |
| 3-9 | Carmen - excerpts: Votre toast, je peux vous le rendre (Escamillo/Choeur/Frasquita/Mecedes/Carmen) | [unknown] | — | |
| 3-10 | Les Pecheurs de Perles (new edition of original 1863 version: part orch. A. Hammond), Acte I: Je crois entendre encore (Nadir) | [unknown] | T-010.060.393-7 | |
| 3-11 | Manon : Adieu notre petite table (Manon) | [unknown] | — | |
| 3-12 | Werther : Acte III. « Pourquoi me réveiller » | Chœurs du Théâtre National de l'Opéra-Comique, Georges Thill, Elie Cohen, Orchestre du Théâtre National de l'Opéra-Comique | — | |
| 3-13 | Les Contes d’Hoffmann : Acte 2. « Les Oiseaux dans la charmille » (Olympia) | Natalie Dessay | — | |
| 3-14 | Les Contes d’Hoffmann : Acte IV. « Belle nuit, ô nuit d’amour » | Ann Murray, Jessye Norman, Choeurs de l’Opéra Royal de la Monnaie, Orchestre de l’Opéra National du Théâtre Royal de la Monnaie de Bruxelles, Sylvain Cambreling | T-071.153.499-4 | |
| 3-15 | Lakmé : Acte I. « Dôme épais » (Flower Duet) | Mady Mesplé, Danielle Millet, Orchestre du Théâtre National de l’Opéra-Comique, Alain Lombard | T-900.142.826-8 | |
| 3-16 | Samson et Dalila - Acte II : Mon coeur s'ouvre à ta voix comme s'ouvrent les fleurs (Dalila) | [unknown] | — | |
| 3-17 | Pelléas et Mélisande, Act I, Scene One: Interlude | Berliner Philharmoniker, Herbert von Karajan | T-003.013.803-4 | |
| 3-18 | L'Enfant et les sortilèges, M. 71: Musique d'insectes, de rainettes, etc. - "Ah! Quelle joie de te retrouver, Jardin!" (Enfant, Un arbre, Chorus) | — | ||
| 3-19 | Dialogues des Carmelites, Acte 3, Tableau 4: Salve Regina (Les Carmélites) | [unknown] | — | |
| 4-1 | Le nozze di Figaro, K. 492: Sinfonia | Wiener Philharmoniker, Riccardo Muti | — | |
| 4-2 | Le Nozze di Figaro, K. 492: "Voi che sapete" (Cherubino) | Ann Murray, Wiener Philharmoniker, Riccardo Muti | T-929.689.299-4 | |
| 4-3 | Le nozze di Figaro, K. 492: Act III, Scene VIII. No. 20 Aria "Dove sono i bei momenti" (La Contessa) | Margaret Price, Wiener Philharmoniker, Riccardo Muti | — | |
| 4-4 | Don Giovanni: Atto I. “Madamina, il catalogo è questo” | Samuel Ramey, Wiener Philharmoniker, Riccardo Muti | T-929.621.870-7 | |
| 4-5 | Don Giovanni: Atto I. “Là ci darem la mano” | Susanne Mentzer, William Shimell, Wiener Philharmoniker, Riccardo Muti | — | |
| 4-6 | Don Giovanni: Atto I. No. 11 Aria “Fin ch’han dal vino” (Don Giovanni) | William Shimell, Wiener Philharmoniker, Riccardo Muti | T-306.940.815-3 | |
| 4-7 | Don Giovanni: Atto II. No. 24 Finale “Don Giovanni, a cenar teco” (Il Commendatore, Don Giovanni, Leporello) | Wiener Philharmoniker, Riccardo Muti | — | |
| 4-8 | Così fan tutte: Atto I, scena 6: “Soave sia il vento” | Agnes Baltsa, Margaret Marshall, José van Dam, Vienna Philharmonic Orchestra, Riccardo Muti | T-902.525.648-8 | |
| 4-9 | Lucio Silla (Atto III): "Fra i pensier piu funesti di morte" (Giunia) | Barbara Hendricks, English Chamber Orchestra, Jeffrey Tate | — | |
| 4-10 | La clemenza di Tito K621, Act I, Scene 9: 9. Aria: Parto, parto, ma tu ben mio (Sesto) | Ann Murray, Scottish Chamber Orchestra, Raymond Leppard | — | |
| 4-11 | Zaide: Akt I. Arie “Ruhe sanft, mein holdes Leben” (Zaide) | Natalie Dessay, Orchestra of the Age of Enlightenment, Louis Langrée | — | |
| 4-12 | Die Entführung aus dem Serail, K. 384: "Martern aller Arten" (Konstanze) | Anneliese Rothenberger, Wiener Philharmoniker, Josef Krips | — | |
| 4-13 | Die Entführung aus dem Serail, K. 384: "Welche Wonne, welche Lust" (Blonde) | Lucia Popp, Wiener Philharmoniker, Josef Krips | — | |
| 4-14 | Die Zauberflöte: Akt I. „Der Vogelfänger bin ich ja” | Wolfgang Brendel, Chor des Bayerischen Rundfunks, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink | — | |
| 4-15 | Die Zauberflöte K620: O zitt're nicht (Act 1) | Edita Gruberová, Symphonieorchester des Bayerischen Rundfunks, Bernard Haitink | — | |
| 4-16 | Die Zauberflöte: Akt II. „O Isis und Osiris” | Roland Bracht, Chor des Bayerischen Rundfunks, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink | — | |
| 4-17 | Die Zauberflöte: Akt II. No. 14: Aria: „Der Hölle Rache kocht in meinem Herzen“ (Queen of the Night) | Edita Gruberová, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink | T-918.245.117-8 | |
| 4-18 | Die Zauberflöte: Akt II. No. 17: Aria: „Ach ich fühl's, es ist verschwunden!“ (Pamina) | Lucia Popp, Symphonieorchester des Bayerischen Rundfunks, Bernard Haitink | — | |
| 4-19 | Die Zauberflöte: Akt II. „Ein Mädchen oder Weibchen” | Wolfgang Brendel, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink | — | |
| 4-20 | Die Zauberflöte: Akt II. „Pa-pa-gena! Pa-pa-geno!” | Wolfgang Brendel, Chor des Bayerischen Rundfunks, Brigitte Linder, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink | — | |
| 5-1 | Orphée et Eurydice, Wq. 41 : Acte 2. Ballet des ombres heureuses, 1. Lent, très doux – Même mouvement – Tempo primo | Orchestre de l’Opéra de Lyon, John Eliot Gardiner | — | |
| 5-2 | Orfeo ed Euridice: “Che farò senza Euridice?” | Agnes Baltsa, Leslie Pearson, Philharmonia Orchestra, Riccardo Muti | — | |
| 5-3 | Fidelio, op. 72: Act I, no. 3. Quartet “Mir ist so wunderbar” (Marzelline, Leonore, Rocco, Jaquino) | Helen Donath, Helga Dernesch, José van Dam, Horst Laubenthal, Berliner Philharmoniker, Herbert von Karajan | — | |
| 5-4 | Der Freischütz · Oper in 3 Akten, 3. Akt: Was gleicht wohl auf Erden dem Jägervergnügen (Chor: Jägerchor) | [unknown] | — | |
| 5-5 | Lebe wohl, mein flandrisch Mädchen (Marquis von Chateauneuf, Marie, Chor, aus "Zar und Zimmermann", 2.Akt) | [unknown] | — | |
| 5-6 | Martha: „Ach so fromm” (Lyonel) | Rolando Villazón, Münchner Rundfunkorchester, Michel Plasson | — | |
| 5-7 | Lohengrin: Prelude to Act I | Berliner Philharmoniker, Klaus Tennstedt | — | |
| 5-8 | Lohengrin: Choeur des fiançailles (extr.) | Chor der Bayerischen Staatsoper München, Bayerisches Staatsorchester, Robert Heger | T-309.669.540-4 | |
| 5-9 | Die Walküre: Act 3: Ride of the Valkyries | Oslo Philharmonic Orchestra, Mariss Jansons | T-070.257.887-7 | |
| 5-10 | Siegfried, Acte I Scène 3: Scène de la forge: "Was am besten er kann" | Symphonieorchester des Bayerischen Rundfunks, Bernard Haitink | — | |
| 5-11 | Tristan und Isolde, Act III, Dritte Szene: Mild und leise wie er lächelt (Isolde) | [unknown] | — | |
| 5-12 | Der fliegende Holländer, Act 2: Ballade. “Johohoe! Traft ihr das Schiff im Meere an” (Senta, Chor) | Jessye Norman, Ambrosian Opera Chorus, London Philharmonic Orchestra, Klaus Tennstedt | — | |
| 5-14 | Die Fledermaus: Act I. Overture | Münchner Rundfunkorchester, Plácido Domingo | T-928.635.352-4 | |
| 6-1 | Der Rosenkavalier, Op. 59, TrV 227, Act 3: "Marie Theres’! … Hab mir’s gelobt … Ist ein Traum, kann nicht wirklich sein" (Octavian, Marschallin, Sophie, Faninal) | Orchestra of the Royal Opera House, Covent Garden, Antonio Pappano | — | |
| 6-2 | Salome, Op. 54, TrV 215, Scene 4: Dance of the Seven Veils (Orchestral Interlude) | Richard Strauss | — | |
| 6-3 | Wozzeck: Act III, Scene V. Ringel, Ringel, Rosenkranz, Ringelreih’n! (Kinder, Mariens Knabe) | Philharmoniker Hamburg, Ingo Metzmacher | — | |
| 6-4 | Ruslan and Lyudmila: Overture (Presto) | Михаил Иванович Глинка | T-306.482.749-8 | |
| 6-5 | Boris Godunov, Act 4 Scene 2: "Zvon! Pogrebál'ny zvon!" (Boris Godunov, The People, Fyodor, Boyars) | — | ||
| 6-6 | Eugene Onegin, Op. 24, TH 5, Act 1 Scene 2: "Puskai pogilabnu ya, no pryezhde" (Tatiana) | Пётр Ильич Чайковский | — | |
| 6-7 | The Queen of Spades, Op. 68, TH 10, Act 3 Scene 6: Arioso, "Utzh polnoch' blizitsya … Ach, istomilas ja gorem" (Liza) | Пётр Ильич Чайковский | — | |
| 6-8 | Anne Trulove’s Aria (The Rake’s Progress): "I Go, I Go to Him" | Kate Royal, Academy of St Martin in the Fields, Edward Gardner | — | |
| 6-9 | Rusalka: Song to the Moon | Lesley Garrett, Lucia Popp, Munich Radio Symphony Orchestra, Philharmonia Orchestra, Andrew Greenwood, Stefan Soltész | T-922.610.201-8 | |
| 6-10 | Bluebeard's Castle, Op. 11, Sz. 48: The Third Door, "The Treasury" (Judith, Bluebeard) | Béla Bartók | — | |
| 6-11 | Król Roger: Act III. "Słońce! Słońce! Edrisi!" | City of Birmingham Symphony Orchestra, Sir Simon Rattle | — | |
| 6-12 | La vida breve, Act 2 Scene 1: Danza | Manuel de Falla | T-041.489.074-6 | |
| 6-13 | Billy Budd: Look! Through the port comes the moon-shine astray! (Billy) | London Symphony Orchestra, Daniel Harding | — | |
| 6-14 | Summertime | Harolyn Blackwell, Glyndebourne Chorus, London Philharmonic Orchestra, Simon Rattle | T-800.364.991-1 |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Don Carlo: Atto IV, Scena I, No. 10. Introduzione e scena: "Ella giammai m'amò!" (Filippo) | Ruggero Raimondi, Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini | — |
| Beglückt darf nun (Pilgrims' Chorus) from Tannhäuser | [unknown] | — |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — |
| Die Zauberflöte: Akt II. No. 14: Aria: „Der Hölle Rache kocht in meinem Herzen“ (Queen of the Night) | Edita Gruberová, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink | — |
| Die Zauberflöte: Akt I. „Der Vogelfänger bin ich ja” | Wolfgang Brendel, Chor des Bayerischen Rundfunks, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink | — |
| Die Zauberflöte: Akt II. No. 14: Aria: „Der Hölle Rache kocht in meinem Herzen“ (Queen of the Night) | Edita Gruberová, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink | T-071.522.859-3 |
| Così fan tutte: Atto I, scena 6: “Soave sia il vento” | Agnes Baltsa, Margaret Marshall, José van Dam, Vienna Philharmonic Orchestra, Riccardo Muti | — |
| Le Nozze di Figaro, K. 492: "Voi che sapete" (Cherubino) | Ann Murray, Wiener Philharmoniker, Riccardo Muti | — |
| Le nozze di Figaro, K. 492: Act III, Scene VIII. No. 20 Aria "Dove sono i bei momenti" (La Contessa) | Margaret Price, Wiener Philharmoniker, Riccardo Muti | — |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — |
| Pagliacci: Atto I. “Vesti la giubba” (Canio) | José Carreras, Philharmonia Orchestra, Riccardo Muti | — |
| Pagliacci: Atto I. “Vesti la giubba” (Canio) | José Carreras, Philharmonia Orchestra, Riccardo Muti | — |
| Fidelio, op. 72: Act I, no. 3. Quartet “Mir ist so wunderbar” (Marzelline, Leonore, Rocco, Jaquino) | Helen Donath, Helga Dernesch, José van Dam, Horst Laubenthal, Berliner Philharmoniker, Herbert von Karajan | — |
| Nessun Dorma from 'Turandot' | José Carreras, Chœur de l'Opéra national du Rhin, Orchestre philharmonique de Strasbourg, Alain Lombard | T-900.798.623-4 |
| La bohème: Atto I. “Che gelida manina” | Nicolai Gedda, Orchestra del Teatro dell’Opera di Roma, Thomas Schippers | — |
| La bohème: Atto I. “Sì. Mi chiamano Mimì” | Mirella Freni, Orchestra del Teatro dell’Opera di Roma, Thomas Schippers | — |
| Cavalleria rusticana: Intermezzo | Philharmonia Orchestra, Riccardo Muti | — |
| Norma: Atto I, scena 1. “Costa Diva” (Norma, Oroveso, Coro) | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — |
| Tosca: “Vissi d'arte” (Tosca) | Maria Callas, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre | T-900.145.876-0 |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — |
| Orfeo ed Euridice: “Che farò senza Euridice?” | Agnes Baltsa, Leslie Pearson, Philharmonia Orchestra, Riccardo Muti | — |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | T-931.280.185-7 |
Musical Works (ISWC)
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Creative Contributors (ISNI)
Identifier Graph
5099908786951 is a Universal Product Code (UPC) assigned to Oper für Dummies by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 103 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
5099908786951 is the Universal Product Code (UPC barcode) for the release “Oper für Dummies” by Various Artists, released 2011-11-07. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 103 tracks, each with its own ISRC. Tracks include GBAYC0302630, GBAYC8802943, GBAYC0302123.
