UPC · Release
Martha Argerich
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5099909404427 is the Universal Product Code (UPC barcode) for the release “Martha Argerich Edition: Solos & Duos” by Martha Argerich, released 2011-01-01 on EMI Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 97 tracks, each with its own ISRC. Tracks include GBAYC9900056, GBAYC9900057, GBAYC9900058.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Piano Sonata no. 3 in B minor, op. 58: I. Allegro maestoso | Martha Argerich | T-309.554.584-5 | |
| 2 | Piano Sonata no. 3 in B minor, op. 58: II. Scherzo: Molto vivace | Martha Argerich | T-911.517.582-1 | |
| 3 | Piano Sonata no. 3 in B minor, op. 58: III. Largo | Martha Argerich | T-911.517.582-1 | |
| 4 | Piano Sonata no. 3 in B minor, op. 58: IV. Finale: Presto, non tanto | Martha Argerich | T-309.554.578-7 | |
| 5 | Mazurka no. 36 in A minor, op. 59 no. 1 | Martha Argerich | T-918.063.801-1 | |
| 6 | Mazurka no. 37 in A‐flat major, op. 59 no. 2 | Martha Argerich | — | |
| 7 | Mazurka no. 38 in F‐sharp minor, op. 59 no. 3 | Martha Argerich | T-918.063.801-1 | |
| 8 | Nocturne no. 4 in F major, op. 15 no. 1 | Martha Argerich | T-306.230.833-8 | |
| 9 | Scherzo no. 3 in C‐sharp minor, op. 39 | Martha Argerich | T-918.063.801-1 | |
| 10 | Polonaise no. 6 in A‐flat major, op. 53 | Martha Argerich | — | |
| 11 | Kinderszenen, op. 15: I. Von fremden Ländern und Menschen | Martha Argerich | T-314.629.927-2 | |
| 12 | Kinderszenen, op. 15: II. Kuriose Geschichte | Martha Argerich | — | |
| 13 | Kinderszenen, op. 15: III. Hasche-Mann | Martha Argerich | — | |
| 14 | Kinderszenen, op. 15: IV. Bittendes Kind | Martha Argerich | — | |
| 15 | Kinderszenen, op. 15: V. Glückes genug | Martha Argerich | — | |
| 16 | Kinderszenen, op. 15: VI. Wichtige Begebenheit | Martha Argerich | — | |
| 17 | Kinderszenen, op. 15: No. 7. Träumerei | Martha Argerich | — | |
| 18 | Kinderszenen, op. 15: VIII. Am Kamin | Martha Argerich | — | |
| 19 | Kinderszenen, op. 15: IX. Ritter vom Steckenpferd | Martha Argerich | — | |
| 20 | Kinderszenen, op. 15: X. Fast zu ernst | Martha Argerich | — | |
| 21 | Kinderszenen, op. 15: XI. Fürchtenmachen | Martha Argerich | — | |
| 22 | Kinderszenen, op. 15: XII. Kind im Einschlummern | Martha Argerich | — | |
| 23 | Kinderszenen, op. 15: XIII. Der Dichter spricht | Martha Argerich | — | |
| 2-1 | Andante and Variations, op. 46 | Martha Argerich, Gabriela Montero | — | |
| 2-2 | Andante and Variations in G for Piano Four Hands, K. 501 | Martha Argerich, Stephen Kovacevich | T-902.919.739-5 | |
| 2-3 | Piano Sonata in C, K545: I. Allegro | Piotr Anderszewski, Martha Argerich | — | |
| 2-4 | Piano Sonata in C, K545: II. Andante | Piotr Anderszewski, Martha Argerich | — | |
| 2-5 | Piano Sonata in C, K545: III. Rondo: Allegretto | Piotr Anderszewski, Martha Argerich | — | |
| 2-6 | Fantasie für eine Orgelwalze | Martha Argerich, Lilya Zilberstein | — | |
| 2-7 | Réminiscences de Don Juan for Two Pianos, S 656: I. Grave | Martha Argerich, Mauricio Vallina | — | |
| 2-8 | Réminiscences de Don Juan for Two Pianos, S 656: II. Duetto: Andantino | Martha Argerich, Mauricio Vallina | — | |
| 2-9 | Réminiscences de Don Juan for Two Pianos, S 656: III. Allegretto | Martha Argerich, Mauricio Vallina | — | |
| 2-10 | Réminiscences de Don Juan for Two Pianos, S 656: IV. Presto | Martha Argerich, Mauricio Vallina | — | |
| 2-11 | Concerto Pathétique in E minor, S 258 | Martha Argerich, Nelson Freire | — | |
| 3-1 | A Midsummer Night's Dream, op. 21 (Incidental Music): Overture | Martha Argerich, Cristina Marton | — | |
| 3-2 | A Midsummer Night's Dream, op. 21 (Incidental Music): Scherzo | Martha Argerich, Cristina Marton | — | |
| 3-3 | Sonata in F minor, op. 34b for Two Pianos (Transcription of Piano Quintet, op. 34): I. Allegro non troppo | Martha Argerich, Lilya Zilberstein | — | |
| 3-4 | Sonata in F minor, op. 34b for Two Pianos (Transcription of Piano Quintet, op. 34): II. Andante, un poco adagio | Martha Argerich, Lilya Zilberstein | — | |
| 3-5 | Sonata in F minor, op. 34b for Two Pianos (Transcription of Piano Quintet, op. 34): III. Scherzo: Allegro | Martha Argerich, Lilya Zilberstein | — | |
| 3-6 | Sonata in F minor, op. 34b for Two Pianos (Transcription of Piano Quintet, op. 34): IV. Finale: Poco sostenuto - Allegro non troppo - Presto non troppo | Martha Argerich, Lilya Zilberstein | — | |
| 3-7 | Variations on a Theme by Joseph Haydn, op. 56b for Two Pianos: Chorale 'St Anthony': Andante | Martha Argerich, Polina Leschenko | — | |
| 3-8 | Variations on a Theme by Joseph Haydn, op. 56b for Two Pianos: Variation I: Andante con moto | Martha Argerich, Polina Leschenko | — | |
| 3-9 | Variations on a Theme by Joseph Haydn, op. 56b for Two Pianos: Variation II: Vivace | Martha Argerich, Polina Leschenko | T-322.184.202-6 | |
| 3-10 | Variations on a Theme by Joseph Haydn, op. 56b for Two Pianos: Variation III: Con moto | Martha Argerich, Polina Leschenko | T-322.184.202-6 | |
| 3-11 | Variations on a Theme by Joseph Haydn, op. 56b for Two Pianos: Variation IV: Andante | Martha Argerich, Polina Leschenko | T-322.184.202-6 | |
| 3-12 | Variations on a Theme by Joseph Haydn, op. 56b for Two Pianos: Variation V: Poco presto | Martha Argerich, Polina Leschenko | T-322.184.202-6 | |
| 3-13 | Variations on a Theme by Joseph Haydn, op. 56b for Two Pianos: Variation VI: Vivace | Martha Argerich, Polina Leschenko | — | |
| 3-14 | Variations on a Theme by Joseph Haydn, op. 56b for Two Pianos: Variation VII: Grazioso | Martha Argerich, Polina Leschenko | — | |
| 3-15 | Variations on a Theme by Joseph Haydn, op. 56b for Two Pianos: Variation VIII: Poco presto | Martha Argerich, Polina Leschenko | — | |
| 3-16 | Variations on a Theme by Joseph Haydn, op. 56b for Two Pianos: Finale: Andante | Martha Argerich, Polina Leschenko | T-322.184.202-6 | |
| 4-1 | Suite no. 1, op. 5 for Two Pianos: I. Barcarolle | Martha Argerich, Lilya Zilberstein | — | |
| 4-2 | Suite for 2 Pianos no. 1 in G minor, op. 5: II. La nuit… l’amour | Lilya Zilberstein, Martha Argerich | — | |
| 4-3 | Suite no. 1, op. 5 for Two Pianos: III. Les Larmes | Martha Argerich, Lilya Zilberstein | — | |
| 4-4 | Suite for 2 Pianos no. 1 in G minor, op. 5: IV. Pâques | Lilya Zilberstein, Martha Argerich | — | |
| 4-5 | Suite for 2 Pianos no. 2, op. 17: I. Introduction | Martha Argerich, Gabriela Montero | — | |
| 4-6 | Suite for 2 Pianos no. 2, op. 17: II. Valse | Martha Argerich, Gabriela Montero | — | |
| 4-7 | Suite for Two Pianos No. 2 in C major, Op. 17: III. Romance (Andantino) | Martha Argerich, Gabriela Montero | — | |
| 4-8 | Suite for 2 Pianos no. 2, op. 17: IV. Tarentelle | Martha Argerich, Gabriela Montero | — | |
| 4-9 | Six Morceaux, op. 11: I. Barcarolle | Martha Argerich, Lilya Zilberstein | — | |
| 4-10 | 6 Duets, op. 11: II. Scherzo | Lilya Zilberstein, Martha Argerich | — | |
| 4-11 | Six Morceaux, op. 11: III. Thème russe | Martha Argerich, Lilya Zilberstein | — | |
| 4-12 | 6 Duets, op. 11: IV. Valse | Lilya Zilberstein, Martha Argerich | — | |
| 4-13 | Six Morceaux, op. 11: V. Romance | Martha Argerich, Lilya Zilberstein | — | |
| 4-14 | 6 Duets, op. 11: VI. Slava (Gloria) | Lilya Zilberstein, Martha Argerich | — | |
| 5-1 | Symphony no. 1 in D, op. 25 "Classical": I. Allegro | Martha Argerich, Yefim Bronfman | — | |
| 5-2 | Symphony no. 1 in D, op. 25 "Classical": II. Larghetto | Martha Argerich, Yefim Bronfman | — | |
| 5-3 | Symphony no. 1 in D, op. 25 "Classical": III. Gavotte: Non troppo allegro | Martha Argerich, Yefim Bronfman | — | |
| 5-4 | Symphony no. 1 in D, op. 25 "Classical": IV. Finale: Molto vivace | Martha Argerich, Yefim Bronfman | — | |
| 5-5 | The Nutcracker Suite, op. 71a: I. Ouverture miniature | Martha Argerich, Ana Mirabela Dina | — | |
| 5-6 | The Nutcracker Suite, op. 71a: II. Danses caractéristiques: a. Marche: Tempo di marcia viva | Martha Argerich, Ana Mirabela Dina | — | |
| 5-7 | The Nutcracker Suite, op. 71a: II. Danses caractéristiques: b. Danse fe la fée dragée: Andante non troppo | Martha Argerich, Ana Mirabela Dina | — | |
| 5-8 | The Nutcracker Suite, op. 71a: II. Danses caractéristiques: c. Danse russe - Trépak: Tempo di trepak, Molto vivace | Martha Argerich, Ana Mirabela Dina | — | |
| 5-9 | The Nutcracker Suite, op. 71a: II. Danses caractéristiques: d. Danse arabe: Allegretto | Martha Argerich, Ana Mirabela Dina | — | |
| 5-10 | The Nutcracker Suite, op. 71a: II. Danses caractéristiques: e. Danse chinoise: Allegro moderato | Martha Argerich, Ana Mirabela Dina | — | |
| 5-11 | The Nutcracker Suite, op. 71a: II. Danses caractéristiques: f. Danse des mirlitons: Moderato assai | Martha Argerich, Ana Mirabela Dina | — | |
| 5-12 | The Nutcracker Suite, op. 71a: III. Valse des fleurs | Martha Argerich, Ana Mirabela Dina | — | |
| 5-13 | Concertino in A minor, op. 94 for Two Pianos: Adagio - Allegretto - Adagio - Allegro - Adagio - Allegretto | Martha Argerich, Lilya Zilberstein | — | |
| 5-14 | Ma mère l'Oye Suite: I. Pavane de la belle au bois dormant: Lent | Martha Argerich, Alexander Mogilevsky | — | |
| 5-15 | Ma mère l'Oye Suite: II. Petit Poucet: Très modéré | Martha Argerich, Alexander Mogilevsky | — | |
| 5-16 | Ma mère l'Oye Suite: III. Laideronnette, impératrice des pagodes: Mouvement de marche | Martha Argerich, Alexander Mogilevsky | — | |
| 5-17 | Ma mère l'Oye Suite: IV. Les Entretiens de la Belle et de la Bête: Mouvement de valse modéré | Martha Argerich, Alexander Mogilevsky | — | |
| 5-18 | Ma mère l'Oye Suite: V. Le Jardin féerique: Lent et grave | Martha Argerich, Alexander Mogilevsky | — | |
| 5-19 | Variations on a Theme by Paganini | Martha Argerich, Giorgia Tomassi | — | |
| 5-20 | Variations on a Theme by Paganini | Martha Argerich, Mauricio Vallina | T-905.982.758-6 | |
| 6-1 | Visions de l'Amen: I. Amen de la Création | Martha Argerich, Alexandre Rabinovitch | T-003.018.224-1 | |
| 6-2 | Visions de l'Amen: II. Amen des étoiles, de la planète à l'anneau | Martha Argerich, Alexandre Rabinovitch | T-003.018.224-1 | |
| 6-3 | Visions de l'Amen: III. Amen de l'agonie de Jésus | Martha Argerich, Alexandre Rabinovitch | T-003.018.224-1 | |
| 6-4 | Visions de l'Amen: IV. Amen du Désir | Martha Argerich, Alexandre Rabinovitch | T-003.018.224-1 | |
| 6-5 | Visions de l'Amen: V. Amen des Anges, des Saints, du chant des oiseaux | Martha Argerich, Alexandre Rabinovitch | T-003.018.224-1 | |
| 6-6 | Visions de l'Amen: VI. Amen du Jugement | Martha Argerich, Alexandre Rabinovitch | T-003.018.224-1 | |
| 6-7 | Visions de l'Amen: VII. Amen de la Consommation | Martha Argerich, Alexandre Rabinovitch | T-003.018.224-1 | |
| 6-8 | Tres romances argentinos, op. 2: I. Las niñas de Santa Fe | Martha Argerich, Mauricio Vallina | T-037.005.703-6 | |
| 6-9 | Tres romances argentinos, op. 2: II. Muchacho jujeño | Martha Argerich, Mauricio Vallina | T-037.005.703-6 | |
| 6-10 | Tres romances argentinos, op. 2: III. Baile en Cuyo | Martha Argerich, Mauricio Vallina | — | |
| 6-11 | Three Tangos: Tres minutos con la realidad | Martha Argerich, Eduardo Hubert | T-910.262.122-7 | |
| 6-12 | Three Tangos: Oblivion | Martha Argerich, Eduardo Hubert | T-900.775.163-5 | |
| 6-13 | Three Tangos: Libertango | Martha Argerich, Eduardo Hubert | T-900.764.940-3 |
Musical Works (ISWC)
Identifier Graph
5099909404427 is a Universal Product Code (UPC) assigned to Martha Argerich Edition: Solos & Duos by Martha Argerich. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 97 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
5099909404427 is the Universal Product Code (UPC barcode) for the release “Martha Argerich Edition: Solos & Duos” by Martha Argerich, released 2011-01-01 on EMI Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 97 tracks, each with its own ISRC. Tracks include GBAYC9900056, GBAYC9900057, GBAYC9900058.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Piano Sonata no. 3 in B minor, op. 58: I. Allegro maestoso | Martha Argerich | T-309.554.584-5 | |
| 2 | Piano Sonata no. 3 in B minor, op. 58: II. Scherzo: Molto vivace | Martha Argerich | T-911.517.582-1 | |
| 3 | Piano Sonata no. 3 in B minor, op. 58: III. Largo | Martha Argerich | T-911.517.582-1 | |
| 4 | Piano Sonata no. 3 in B minor, op. 58: IV. Finale: Presto, non tanto | Martha Argerich | T-309.554.578-7 | |
| 5 | Mazurka no. 36 in A minor, op. 59 no. 1 | Martha Argerich | T-918.063.801-1 | |
| 6 | Mazurka no. 37 in A‐flat major, op. 59 no. 2 | Martha Argerich | — | |
| 7 | Mazurka no. 38 in F‐sharp minor, op. 59 no. 3 | Martha Argerich | T-918.063.801-1 | |
| 8 | Nocturne no. 4 in F major, op. 15 no. 1 | Martha Argerich | T-306.230.833-8 | |
| 9 | Scherzo no. 3 in C‐sharp minor, op. 39 | Martha Argerich | T-918.063.801-1 | |
| 10 | Polonaise no. 6 in A‐flat major, op. 53 | Martha Argerich | — | |
| 11 | Kinderszenen, op. 15: I. Von fremden Ländern und Menschen | Martha Argerich | T-314.629.927-2 | |
| 12 | Kinderszenen, op. 15: II. Kuriose Geschichte | Martha Argerich | — | |
| 13 | Kinderszenen, op. 15: III. Hasche-Mann | Martha Argerich | — | |
| 14 | Kinderszenen, op. 15: IV. Bittendes Kind | Martha Argerich | — | |
| 15 | Kinderszenen, op. 15: V. Glückes genug | Martha Argerich | — | |
| 16 | Kinderszenen, op. 15: VI. Wichtige Begebenheit | Martha Argerich | — | |
| 17 | Kinderszenen, op. 15: No. 7. Träumerei | Martha Argerich | — | |
| 18 | Kinderszenen, op. 15: VIII. Am Kamin | Martha Argerich | — | |
| 19 | Kinderszenen, op. 15: IX. Ritter vom Steckenpferd | Martha Argerich | — | |
| 20 | Kinderszenen, op. 15: X. Fast zu ernst | Martha Argerich | — | |
| 21 | Kinderszenen, op. 15: XI. Fürchtenmachen | Martha Argerich | — | |
| 22 | Kinderszenen, op. 15: XII. Kind im Einschlummern | Martha Argerich | — | |
| 23 | Kinderszenen, op. 15: XIII. Der Dichter spricht | Martha Argerich | — | |
| 2-1 | Andante and Variations, op. 46 | Martha Argerich, Gabriela Montero | — | |
| 2-2 | Andante and Variations in G for Piano Four Hands, K. 501 | Martha Argerich, Stephen Kovacevich | T-902.919.739-5 | |
| 2-3 | Piano Sonata in C, K545: I. Allegro | Piotr Anderszewski, Martha Argerich | — | |
| 2-4 | Piano Sonata in C, K545: II. Andante | Piotr Anderszewski, Martha Argerich | — | |
| 2-5 | Piano Sonata in C, K545: III. Rondo: Allegretto | Piotr Anderszewski, Martha Argerich | — | |
| 2-6 | Fantasie für eine Orgelwalze | Martha Argerich, Lilya Zilberstein | — | |
| 2-7 | Réminiscences de Don Juan for Two Pianos, S 656: I. Grave | Martha Argerich, Mauricio Vallina | — | |
| 2-8 | Réminiscences de Don Juan for Two Pianos, S 656: II. Duetto: Andantino | Martha Argerich, Mauricio Vallina | — | |
| 2-9 | Réminiscences de Don Juan for Two Pianos, S 656: III. Allegretto | Martha Argerich, Mauricio Vallina | — | |
| 2-10 | Réminiscences de Don Juan for Two Pianos, S 656: IV. Presto | Martha Argerich, Mauricio Vallina | — | |
| 2-11 | Concerto Pathétique in E minor, S 258 | Martha Argerich, Nelson Freire | — | |
| 3-1 | A Midsummer Night's Dream, op. 21 (Incidental Music): Overture | Martha Argerich, Cristina Marton | — | |
| 3-2 | A Midsummer Night's Dream, op. 21 (Incidental Music): Scherzo | Martha Argerich, Cristina Marton | — | |
| 3-3 | Sonata in F minor, op. 34b for Two Pianos (Transcription of Piano Quintet, op. 34): I. Allegro non troppo | Martha Argerich, Lilya Zilberstein | — | |
| 3-4 | Sonata in F minor, op. 34b for Two Pianos (Transcription of Piano Quintet, op. 34): II. Andante, un poco adagio | Martha Argerich, Lilya Zilberstein | — | |
| 3-5 | Sonata in F minor, op. 34b for Two Pianos (Transcription of Piano Quintet, op. 34): III. Scherzo: Allegro | Martha Argerich, Lilya Zilberstein | — | |
| 3-6 | Sonata in F minor, op. 34b for Two Pianos (Transcription of Piano Quintet, op. 34): IV. Finale: Poco sostenuto - Allegro non troppo - Presto non troppo | Martha Argerich, Lilya Zilberstein | — | |
| 3-7 | Variations on a Theme by Joseph Haydn, op. 56b for Two Pianos: Chorale 'St Anthony': Andante | Martha Argerich, Polina Leschenko | — | |
| 3-8 | Variations on a Theme by Joseph Haydn, op. 56b for Two Pianos: Variation I: Andante con moto | Martha Argerich, Polina Leschenko | — | |
| 3-9 | Variations on a Theme by Joseph Haydn, op. 56b for Two Pianos: Variation II: Vivace | Martha Argerich, Polina Leschenko | T-322.184.202-6 | |
| 3-10 | Variations on a Theme by Joseph Haydn, op. 56b for Two Pianos: Variation III: Con moto | Martha Argerich, Polina Leschenko | T-322.184.202-6 | |
| 3-11 | Variations on a Theme by Joseph Haydn, op. 56b for Two Pianos: Variation IV: Andante | Martha Argerich, Polina Leschenko | T-322.184.202-6 | |
| 3-12 | Variations on a Theme by Joseph Haydn, op. 56b for Two Pianos: Variation V: Poco presto | Martha Argerich, Polina Leschenko | T-322.184.202-6 | |
| 3-13 | Variations on a Theme by Joseph Haydn, op. 56b for Two Pianos: Variation VI: Vivace | Martha Argerich, Polina Leschenko | — | |
| 3-14 | Variations on a Theme by Joseph Haydn, op. 56b for Two Pianos: Variation VII: Grazioso | Martha Argerich, Polina Leschenko | — | |
| 3-15 | Variations on a Theme by Joseph Haydn, op. 56b for Two Pianos: Variation VIII: Poco presto | Martha Argerich, Polina Leschenko | — | |
| 3-16 | Variations on a Theme by Joseph Haydn, op. 56b for Two Pianos: Finale: Andante | Martha Argerich, Polina Leschenko | T-322.184.202-6 | |
| 4-1 | Suite no. 1, op. 5 for Two Pianos: I. Barcarolle | Martha Argerich, Lilya Zilberstein | — | |
| 4-2 | Suite for 2 Pianos no. 1 in G minor, op. 5: II. La nuit… l’amour | Lilya Zilberstein, Martha Argerich | — | |
| 4-3 | Suite no. 1, op. 5 for Two Pianos: III. Les Larmes | Martha Argerich, Lilya Zilberstein | — | |
| 4-4 | Suite for 2 Pianos no. 1 in G minor, op. 5: IV. Pâques | Lilya Zilberstein, Martha Argerich | — | |
| 4-5 | Suite for 2 Pianos no. 2, op. 17: I. Introduction | Martha Argerich, Gabriela Montero | — | |
| 4-6 | Suite for 2 Pianos no. 2, op. 17: II. Valse | Martha Argerich, Gabriela Montero | — | |
| 4-7 | Suite for Two Pianos No. 2 in C major, Op. 17: III. Romance (Andantino) | Martha Argerich, Gabriela Montero | — | |
| 4-8 | Suite for 2 Pianos no. 2, op. 17: IV. Tarentelle | Martha Argerich, Gabriela Montero | — | |
| 4-9 | Six Morceaux, op. 11: I. Barcarolle | Martha Argerich, Lilya Zilberstein | — | |
| 4-10 | 6 Duets, op. 11: II. Scherzo | Lilya Zilberstein, Martha Argerich | — | |
| 4-11 | Six Morceaux, op. 11: III. Thème russe | Martha Argerich, Lilya Zilberstein | — | |
| 4-12 | 6 Duets, op. 11: IV. Valse | Lilya Zilberstein, Martha Argerich | — | |
| 4-13 | Six Morceaux, op. 11: V. Romance | Martha Argerich, Lilya Zilberstein | — | |
| 4-14 | 6 Duets, op. 11: VI. Slava (Gloria) | Lilya Zilberstein, Martha Argerich | — | |
| 5-1 | Symphony no. 1 in D, op. 25 "Classical": I. Allegro | Martha Argerich, Yefim Bronfman | — | |
| 5-2 | Symphony no. 1 in D, op. 25 "Classical": II. Larghetto | Martha Argerich, Yefim Bronfman | — | |
| 5-3 | Symphony no. 1 in D, op. 25 "Classical": III. Gavotte: Non troppo allegro | Martha Argerich, Yefim Bronfman | — | |
| 5-4 | Symphony no. 1 in D, op. 25 "Classical": IV. Finale: Molto vivace | Martha Argerich, Yefim Bronfman | — | |
| 5-5 | The Nutcracker Suite, op. 71a: I. Ouverture miniature | Martha Argerich, Ana Mirabela Dina | — | |
| 5-6 | The Nutcracker Suite, op. 71a: II. Danses caractéristiques: a. Marche: Tempo di marcia viva | Martha Argerich, Ana Mirabela Dina | — | |
| 5-7 | The Nutcracker Suite, op. 71a: II. Danses caractéristiques: b. Danse fe la fée dragée: Andante non troppo | Martha Argerich, Ana Mirabela Dina | — | |
| 5-8 | The Nutcracker Suite, op. 71a: II. Danses caractéristiques: c. Danse russe - Trépak: Tempo di trepak, Molto vivace | Martha Argerich, Ana Mirabela Dina | — | |
| 5-9 | The Nutcracker Suite, op. 71a: II. Danses caractéristiques: d. Danse arabe: Allegretto | Martha Argerich, Ana Mirabela Dina | — | |
| 5-10 | The Nutcracker Suite, op. 71a: II. Danses caractéristiques: e. Danse chinoise: Allegro moderato | Martha Argerich, Ana Mirabela Dina | — | |
| 5-11 | The Nutcracker Suite, op. 71a: II. Danses caractéristiques: f. Danse des mirlitons: Moderato assai | Martha Argerich, Ana Mirabela Dina | — | |
| 5-12 | The Nutcracker Suite, op. 71a: III. Valse des fleurs | Martha Argerich, Ana Mirabela Dina | — | |
| 5-13 | Concertino in A minor, op. 94 for Two Pianos: Adagio - Allegretto - Adagio - Allegro - Adagio - Allegretto | Martha Argerich, Lilya Zilberstein | — | |
| 5-14 | Ma mère l'Oye Suite: I. Pavane de la belle au bois dormant: Lent | Martha Argerich, Alexander Mogilevsky | — | |
| 5-15 | Ma mère l'Oye Suite: II. Petit Poucet: Très modéré | Martha Argerich, Alexander Mogilevsky | — | |
| 5-16 | Ma mère l'Oye Suite: III. Laideronnette, impératrice des pagodes: Mouvement de marche | Martha Argerich, Alexander Mogilevsky | — | |
| 5-17 | Ma mère l'Oye Suite: IV. Les Entretiens de la Belle et de la Bête: Mouvement de valse modéré | Martha Argerich, Alexander Mogilevsky | — | |
| 5-18 | Ma mère l'Oye Suite: V. Le Jardin féerique: Lent et grave | Martha Argerich, Alexander Mogilevsky | — | |
| 5-19 | Variations on a Theme by Paganini | Martha Argerich, Giorgia Tomassi | — | |
| 5-20 | Variations on a Theme by Paganini | Martha Argerich, Mauricio Vallina | T-905.982.758-6 | |
| 6-1 | Visions de l'Amen: I. Amen de la Création | Martha Argerich, Alexandre Rabinovitch | T-003.018.224-1 | |
| 6-2 | Visions de l'Amen: II. Amen des étoiles, de la planète à l'anneau | Martha Argerich, Alexandre Rabinovitch | T-003.018.224-1 | |
| 6-3 | Visions de l'Amen: III. Amen de l'agonie de Jésus | Martha Argerich, Alexandre Rabinovitch | T-003.018.224-1 | |
| 6-4 | Visions de l'Amen: IV. Amen du Désir | Martha Argerich, Alexandre Rabinovitch | T-003.018.224-1 | |
| 6-5 | Visions de l'Amen: V. Amen des Anges, des Saints, du chant des oiseaux | Martha Argerich, Alexandre Rabinovitch | T-003.018.224-1 | |
| 6-6 | Visions de l'Amen: VI. Amen du Jugement | Martha Argerich, Alexandre Rabinovitch | T-003.018.224-1 | |
| 6-7 | Visions de l'Amen: VII. Amen de la Consommation | Martha Argerich, Alexandre Rabinovitch | T-003.018.224-1 | |
| 6-8 | Tres romances argentinos, op. 2: I. Las niñas de Santa Fe | Martha Argerich, Mauricio Vallina | T-037.005.703-6 | |
| 6-9 | Tres romances argentinos, op. 2: II. Muchacho jujeño | Martha Argerich, Mauricio Vallina | T-037.005.703-6 | |
| 6-10 | Tres romances argentinos, op. 2: III. Baile en Cuyo | Martha Argerich, Mauricio Vallina | — | |
| 6-11 | Three Tangos: Tres minutos con la realidad | Martha Argerich, Eduardo Hubert | T-910.262.122-7 | |
| 6-12 | Three Tangos: Oblivion | Martha Argerich, Eduardo Hubert | T-900.775.163-5 | |
| 6-13 | Three Tangos: Libertango | Martha Argerich, Eduardo Hubert | T-900.764.940-3 |
