UPC · Release
Martha Argerich Edition: Solos & Duos
Martha Argerich
5099909404427
23 tracksReleased 2011-01-01EMI Classics
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5099909404427 is the Universal Product Code (UPC barcode) for the release “Martha Argerich Edition: Solos & Duos” by Martha Argerich, released 2011-01-01 on EMI Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 23 tracks, each with its own ISRC. Tracks include GBAYC9900056, GBAYC9900057, GBAYC9900058.
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509GS1 prefix
9909Company prefix
40442Product
7Check digit
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- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
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Credit Chain
UPCMartha Argerich Edition: Solos & Duos
ISRC23 recordings
ISWC16 works
Track List (23)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Piano Sonata no. 3 in B minor, op. 58: I. Allegro maestoso | Martha Argerich | T3095545845 | |
| 2 | Piano Sonata no. 3 in B minor, op. 58: II. Scherzo: Molto vivace | Martha Argerich | T9115175821 | |
| 3 | Piano Sonata no. 3 in B minor, op. 58: III. Largo | Martha Argerich | T9115175821 | |
| 4 | Piano Sonata no. 3 in B minor, op. 58: IV. Finale: Presto, non tanto | Martha Argerich | T3095545787 | |
| 5 | Mazurka no. 36 in A minor, op. 59 no. 1 | Martha Argerich | T9180638011 | |
| 6 | Mazurka no. 37 in A‐flat major, op. 59 no. 2 | Martha Argerich | — | |
| 7 | Mazurka no. 38 in F‐sharp minor, op. 59 no. 3 | Martha Argerich | T9180638011 | |
| 8 | Nocturne no. 4 in F major, op. 15 no. 1 | Martha Argerich | T-306230833-8 | |
| 9 | Scherzo no. 3 in C‐sharp minor, op. 39 | Martha Argerich | T9180638011 | |
| 10 | Polonaise no. 6 in A‐flat major, op. 53 | Martha Argerich | — | |
| 11 | Kinderszenen, op. 15: I. Von fremden Ländern und Menschen | Martha Argerich | T3146299272 | |
| 12 | Kinderszenen, op. 15: II. Kuriose Geschichte | Martha Argerich | — | |
| 13 | Kinderszenen, op. 15: III. Hasche-Mann | Martha Argerich | — | |
| 14 | Kinderszenen, op. 15: IV. Bittendes Kind | Martha Argerich | — | |
| 15 | Kinderszenen, op. 15: V. Glückes genug | Martha Argerich | — | |
| 16 | Kinderszenen, op. 15: VI. Wichtige Begebenheit | Martha Argerich | — | |
| 17 | Kinderszenen, op. 15: No. 7. Träumerei | Martha Argerich | — | |
| 18 | Kinderszenen, op. 15: VIII. Am Kamin | Martha Argerich | — | |
| 19 | Kinderszenen, op. 15: IX. Ritter vom Steckenpferd | Martha Argerich | — | |
| 20 | Kinderszenen, op. 15: X. Fast zu ernst | Martha Argerich | — | |
| 21 | Kinderszenen, op. 15: XI. Fürchtenmachen | Martha Argerich | — | |
| 22 | Kinderszenen, op. 15: XII. Kind im Einschlummern | Martha Argerich | — | |
| 23 | Kinderszenen, op. 15: XIII. Der Dichter spricht | Martha Argerich | — |
Mazurka no. 37 in A‐flat major, op. 59 no. 2
Martha Argerich
—
Polonaise no. 6 in A‐flat major, op. 53
Martha Argerich
—
Kinderszenen, op. 15: II. Kuriose Geschichte
Martha Argerich
—
Kinderszenen, op. 15: III. Hasche-Mann
Martha Argerich
—
Kinderszenen, op. 15: IV. Bittendes Kind
Martha Argerich
—
Kinderszenen, op. 15: V. Glückes genug
Martha Argerich
—
Kinderszenen, op. 15: VI. Wichtige Begebenheit
Martha Argerich
—
Kinderszenen, op. 15: No. 7. Träumerei
Martha Argerich
—
Kinderszenen, op. 15: VIII. Am Kamin
Martha Argerich
—
Kinderszenen, op. 15: IX. Ritter vom Steckenpferd
Martha Argerich
—
Kinderszenen, op. 15: X. Fast zu ernst
Martha Argerich
—
Kinderszenen, op. 15: XI. Fürchtenmachen
Martha Argerich
—
Kinderszenen, op. 15: XII. Kind im Einschlummern
Martha Argerich
—
Kinderszenen, op. 15: XIII. Der Dichter spricht
Martha Argerich
—
Additional database matches (74)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Six Morceaux, op. 11: I. Barcarolle | Martha Argerich, Lilya Zilberstein | — |
| 6 Duets, op. 11: II. Scherzo | Lilya Zilberstein, Martha Argerich | — |
| Six Morceaux, op. 11: III. Thème russe | Martha Argerich, Lilya Zilberstein | — |
| 6 Duets, op. 11: IV. Valse | Lilya Zilberstein, Martha Argerich | — |
| Six Morceaux, op. 11: V. Romance | Martha Argerich, Lilya Zilberstein | — |
| 6 Duets, op. 11: VI. Slava (Gloria) | Lilya Zilberstein, Martha Argerich | — |
| Variations on a Theme by Paganini | Martha Argerich, Giorgia Tomassi | — |
| The Nutcracker Suite, op. 71a: I. Ouverture miniature | Martha Argerich, Ana Mirabela Dina | — |
| The Nutcracker Suite, op. 71a: II. Danses caractéristiques: a. Marche: Tempo di marcia viva | Martha Argerich, Ana Mirabela Dina | — |
| The Nutcracker Suite, op. 71a: II. Danses caractéristiques: b. Danse fe la fée dragée: Andante non troppo | Martha Argerich, Ana Mirabela Dina | — |
| The Nutcracker Suite, op. 71a: II. Danses caractéristiques: c. Danse russe - Trépak: Tempo di trepak, Molto vivace | Martha Argerich, Ana Mirabela Dina | — |
| The Nutcracker Suite, op. 71a: II. Danses caractéristiques: d. Danse arabe: Allegretto | Martha Argerich, Ana Mirabela Dina | — |
| The Nutcracker Suite, op. 71a: II. Danses caractéristiques: e. Danse chinoise: Allegro moderato | Martha Argerich, Ana Mirabela Dina | — |
| The Nutcracker Suite, op. 71a: II. Danses caractéristiques: f. Danse des mirlitons: Moderato assai | Martha Argerich, Ana Mirabela Dina | — |
| The Nutcracker Suite, op. 71a: III. Valse des fleurs | Martha Argerich, Ana Mirabela Dina | — |
| Suite for 2 Pianos no. 2, op. 17: I. Introduction | Martha Argerich, Gabriela Montero | — |
| Suite for 2 Pianos no. 2, op. 17: II. Valse | Martha Argerich, Gabriela Montero | — |
| Suite for Two Pianos No. 2 in C major, Op. 17: III. Romance (Andantino) | Martha Argerich, Gabriela Montero | — |
| Suite for 2 Pianos no. 2, op. 17: IV. Tarentelle | Martha Argerich, Gabriela Montero | — |
| Symphony no. 1 in D, op. 25 "Classical": I. Allegro | Martha Argerich, Yefim Bronfman | — |
| Symphony no. 1 in D, op. 25 "Classical": II. Larghetto | Martha Argerich, Yefim Bronfman | — |
| Symphony no. 1 in D, op. 25 "Classical": III. Gavotte: Non troppo allegro | Martha Argerich, Yefim Bronfman | — |
| Symphony no. 1 in D, op. 25 "Classical": IV. Finale: Molto vivace | Martha Argerich, Yefim Bronfman | — |
| Piano Sonata in C, K545: I. Allegro | Piotr Anderszewski, Martha Argerich | — |
| Piano Sonata in C, K545: II. Andante | Piotr Anderszewski, Martha Argerich | — |
| Piano Sonata in C, K545: III. Rondo: Allegretto | Piotr Anderszewski, Martha Argerich | — |
| Variations on a Theme by Joseph Haydn, op. 56b for Two Pianos: Chorale 'St Anthony': Andante | Martha Argerich, Polina Leschenko | — |
| Variations on a Theme by Joseph Haydn, op. 56b for Two Pianos: Variation I: Andante con moto | Martha Argerich, Polina Leschenko | — |
| Variations on a Theme by Joseph Haydn, op. 56b for Two Pianos: Variation II: Vivace | Martha Argerich, Polina Leschenko | T3221842026 |
| Variations on a Theme by Joseph Haydn, op. 56b for Two Pianos: Variation III: Con moto | Martha Argerich, Polina Leschenko | T3221842026 |
| Variations on a Theme by Joseph Haydn, op. 56b for Two Pianos: Variation IV: Andante | Martha Argerich, Polina Leschenko | T3221842026 |
| Variations on a Theme by Joseph Haydn, op. 56b for Two Pianos: Variation V: Poco presto | Martha Argerich, Polina Leschenko | T3221842026 |
| Variations on a Theme by Joseph Haydn, op. 56b for Two Pianos: Variation VI: Vivace | Martha Argerich, Polina Leschenko | — |
| Variations on a Theme by Joseph Haydn, op. 56b for Two Pianos: Variation VII: Grazioso | Martha Argerich, Polina Leschenko | — |
| Variations on a Theme by Joseph Haydn, op. 56b for Two Pianos: Variation VIII: Poco presto | Martha Argerich, Polina Leschenko | — |
| Variations on a Theme by Joseph Haydn, op. 56b for Two Pianos: Finale: Andante | Martha Argerich, Polina Leschenko | T3221842026 |
| Tres romances argentinos, op. 2: I. Las niñas de Santa Fe | Martha Argerich, Mauricio Vallina | T-037005703-6 |
| Tres romances argentinos, op. 2: II. Muchacho jujeño | Martha Argerich, Mauricio Vallina | T0370057036 |
| Tres romances argentinos, op. 2: III. Baile en Cuyo | Martha Argerich, Mauricio Vallina | — |
| Concertino in A minor, op. 94 for Two Pianos: Adagio - Allegretto - Adagio - Allegro - Adagio - Allegretto | Martha Argerich, Lilya Zilberstein | — |
| Fantasie für eine Orgelwalze | Martha Argerich, Lilya Zilberstein | — |
| Andante and Variations, op. 46 | Martha Argerich, Gabriela Montero | — |
| Ma mère l'Oye Suite: I. Pavane de la belle au bois dormant: Lent | Martha Argerich, Alexander Mogilevsky | — |
| Ma mère l'Oye Suite: II. Petit Poucet: Très modéré | Martha Argerich, Alexander Mogilevsky | — |
| Ma mère l'Oye Suite: III. Laideronnette, impératrice des pagodes: Mouvement de marche | Martha Argerich, Alexander Mogilevsky | — |
| Ma mère l'Oye Suite: IV. Les Entretiens de la Belle et de la Bête: Mouvement de valse modéré | Martha Argerich, Alexander Mogilevsky | — |
| Ma mère l'Oye Suite: V. Le Jardin féerique: Lent et grave | Martha Argerich, Alexander Mogilevsky | — |
| Variations on a Theme by Paganini | Martha Argerich, Mauricio Vallina | T9059827586 |
| Andante and Variations in G for Piano Four Hands, K. 501 | Martha Argerich, Stephen Kovacevich | T-902919739-5 |
| Suite no. 1, op. 5 for Two Pianos: I. Barcarolle | Martha Argerich, Lilya Zilberstein | — |
| Suite for 2 Pianos no. 1 in G minor, op. 5: II. La nuit… l’amour | Lilya Zilberstein, Martha Argerich | — |
| Suite no. 1, op. 5 for Two Pianos: III. Les Larmes | Martha Argerich, Lilya Zilberstein | — |
| Suite for 2 Pianos no. 1 in G minor, op. 5: IV. Pâques | Lilya Zilberstein, Martha Argerich | — |
| Three Tangos: Tres minutos con la realidad | Martha Argerich, Eduardo Hubert | T9102621227 |
| Three Tangos: Oblivion | Martha Argerich, Eduardo Hubert | T-900.775.163-5 |
| Three Tangos: Libertango | Martha Argerich, Eduardo Hubert | T-900.764.940-3 |
| A Midsummer Night's Dream, op. 21 (Incidental Music): Overture | Martha Argerich, Cristina Marton | — |
| A Midsummer Night's Dream, op. 21 (Incidental Music): Scherzo | Martha Argerich, Cristina Marton | — |
| Réminiscences de Don Juan for Two Pianos, S 656: I. Grave | Martha Argerich, Mauricio Vallina | — |
| Réminiscences de Don Juan for Two Pianos, S 656: II. Duetto: Andantino | Martha Argerich, Mauricio Vallina | — |
| Réminiscences de Don Juan for Two Pianos, S 656: III. Allegretto | Martha Argerich, Mauricio Vallina | — |
| Réminiscences de Don Juan for Two Pianos, S 656: IV. Presto | Martha Argerich, Mauricio Vallina | — |
| Visions de l'Amen: I. Amen de la Création | Martha Argerich, Alexandre Rabinovitch | T0030182241 |
| Visions de l'Amen: II. Amen des étoiles, de la planète à l'anneau | Martha Argerich, Alexandre Rabinovitch | T0030182241 |
| Visions de l'Amen: III. Amen de l'agonie de Jésus | Martha Argerich, Alexandre Rabinovitch | T0030182241 |
| Visions de l'Amen: IV. Amen du Désir | Martha Argerich, Alexandre Rabinovitch | T0030182241 |
| Visions de l'Amen: V. Amen des Anges, des Saints, du chant des oiseaux | Martha Argerich, Alexandre Rabinovitch | T0030182241 |
| Visions de l'Amen: VI. Amen du Jugement | Martha Argerich, Alexandre Rabinovitch | T0030182241 |
| Visions de l'Amen: VII. Amen de la Consommation | Martha Argerich, Alexandre Rabinovitch | T0030182241 |
| Concerto Pathétique in E minor, S 258 | Martha Argerich, Nelson Freire | — |
| Sonata in F minor, op. 34b for Two Pianos (Transcription of Piano Quintet, op. 34): I. Allegro non troppo | Martha Argerich, Lilya Zilberstein | — |
| Sonata in F minor, op. 34b for Two Pianos (Transcription of Piano Quintet, op. 34): II. Andante, un poco adagio | Martha Argerich, Lilya Zilberstein | — |
| Sonata in F minor, op. 34b for Two Pianos (Transcription of Piano Quintet, op. 34): III. Scherzo: Allegro | Martha Argerich, Lilya Zilberstein | — |
| Sonata in F minor, op. 34b for Two Pianos (Transcription of Piano Quintet, op. 34): IV. Finale: Poco sostenuto - Allegro non troppo - Presto non troppo | Martha Argerich, Lilya Zilberstein | — |
Six Morceaux, op. 11: I. Barcarolle
Martha Argerich, Lilya Zilberstein
—
6 Duets, op. 11: II. Scherzo
Lilya Zilberstein, Martha Argerich
—
Six Morceaux, op. 11: III. Thème russe
Martha Argerich, Lilya Zilberstein
—
6 Duets, op. 11: IV. Valse
Lilya Zilberstein, Martha Argerich
—
Six Morceaux, op. 11: V. Romance
Martha Argerich, Lilya Zilberstein
—
6 Duets, op. 11: VI. Slava (Gloria)
Lilya Zilberstein, Martha Argerich
—
Variations on a Theme by Paganini
Martha Argerich, Giorgia Tomassi
—
The Nutcracker Suite, op. 71a: I. Ouverture miniature
Martha Argerich, Ana Mirabela Dina
—
The Nutcracker Suite, op. 71a: II. Danses caractéristiques: a. Marche: Tempo di marcia viva
Martha Argerich, Ana Mirabela Dina
—
The Nutcracker Suite, op. 71a: II. Danses caractéristiques: b. Danse fe la fée dragée: Andante non troppo
Martha Argerich, Ana Mirabela Dina
—
The Nutcracker Suite, op. 71a: II. Danses caractéristiques: c. Danse russe - Trépak: Tempo di trepak, Molto vivace
Martha Argerich, Ana Mirabela Dina
—
The Nutcracker Suite, op. 71a: II. Danses caractéristiques: d. Danse arabe: Allegretto
Martha Argerich, Ana Mirabela Dina
—
The Nutcracker Suite, op. 71a: II. Danses caractéristiques: e. Danse chinoise: Allegro moderato
Martha Argerich, Ana Mirabela Dina
—
The Nutcracker Suite, op. 71a: II. Danses caractéristiques: f. Danse des mirlitons: Moderato assai
Martha Argerich, Ana Mirabela Dina
—
The Nutcracker Suite, op. 71a: III. Valse des fleurs
Martha Argerich, Ana Mirabela Dina
—
Suite for 2 Pianos no. 2, op. 17: I. Introduction
Martha Argerich, Gabriela Montero
—
Suite for 2 Pianos no. 2, op. 17: II. Valse
Martha Argerich, Gabriela Montero
—
Suite for Two Pianos No. 2 in C major, Op. 17: III. Romance (Andantino)
Martha Argerich, Gabriela Montero
—
Suite for 2 Pianos no. 2, op. 17: IV. Tarentelle
Martha Argerich, Gabriela Montero
—
Symphony no. 1 in D, op. 25 "Classical": I. Allegro
Martha Argerich, Yefim Bronfman
—
Symphony no. 1 in D, op. 25 "Classical": II. Larghetto
Martha Argerich, Yefim Bronfman
—
Symphony no. 1 in D, op. 25 "Classical": III. Gavotte: Non troppo allegro
Martha Argerich, Yefim Bronfman
—
Symphony no. 1 in D, op. 25 "Classical": IV. Finale: Molto vivace
Martha Argerich, Yefim Bronfman
—
Piano Sonata in C, K545: I. Allegro
Piotr Anderszewski, Martha Argerich
—
Piano Sonata in C, K545: II. Andante
Piotr Anderszewski, Martha Argerich
—
Piano Sonata in C, K545: III. Rondo: Allegretto
Piotr Anderszewski, Martha Argerich
—
Variations on a Theme by Joseph Haydn, op. 56b for Two Pianos: Chorale 'St Anthony': Andante
Martha Argerich, Polina Leschenko
—
Variations on a Theme by Joseph Haydn, op. 56b for Two Pianos: Variation I: Andante con moto
Martha Argerich, Polina Leschenko
—
Martha Argerich, Polina Leschenko
Martha Argerich, Polina Leschenko
Martha Argerich, Polina Leschenko
Martha Argerich, Polina Leschenko
Variations on a Theme by Joseph Haydn, op. 56b for Two Pianos: Variation VI: Vivace
Martha Argerich, Polina Leschenko
—
Variations on a Theme by Joseph Haydn, op. 56b for Two Pianos: Variation VII: Grazioso
Martha Argerich, Polina Leschenko
—
Variations on a Theme by Joseph Haydn, op. 56b for Two Pianos: Variation VIII: Poco presto
Martha Argerich, Polina Leschenko
—
Martha Argerich, Polina Leschenko
Martha Argerich, Mauricio Vallina
Martha Argerich, Mauricio Vallina
Tres romances argentinos, op. 2: III. Baile en Cuyo
Martha Argerich, Mauricio Vallina
—
Concertino in A minor, op. 94 for Two Pianos: Adagio - Allegretto - Adagio - Allegro - Adagio - Allegretto
Martha Argerich, Lilya Zilberstein
—
Fantasie für eine Orgelwalze
Martha Argerich, Lilya Zilberstein
—
Andante and Variations, op. 46
Martha Argerich, Gabriela Montero
—
Ma mère l'Oye Suite: I. Pavane de la belle au bois dormant: Lent
Martha Argerich, Alexander Mogilevsky
—
Ma mère l'Oye Suite: II. Petit Poucet: Très modéré
Martha Argerich, Alexander Mogilevsky
—
Ma mère l'Oye Suite: III. Laideronnette, impératrice des pagodes: Mouvement de marche
Martha Argerich, Alexander Mogilevsky
—
Ma mère l'Oye Suite: IV. Les Entretiens de la Belle et de la Bête: Mouvement de valse modéré
Martha Argerich, Alexander Mogilevsky
—
Ma mère l'Oye Suite: V. Le Jardin féerique: Lent et grave
Martha Argerich, Alexander Mogilevsky
—
Martha Argerich, Mauricio Vallina
Martha Argerich, Stephen Kovacevich
Suite no. 1, op. 5 for Two Pianos: I. Barcarolle
Martha Argerich, Lilya Zilberstein
—
Suite for 2 Pianos no. 1 in G minor, op. 5: II. La nuit… l’amour
Lilya Zilberstein, Martha Argerich
—
Suite no. 1, op. 5 for Two Pianos: III. Les Larmes
Martha Argerich, Lilya Zilberstein
—
Suite for 2 Pianos no. 1 in G minor, op. 5: IV. Pâques
Lilya Zilberstein, Martha Argerich
—
Martha Argerich, Eduardo Hubert
Martha Argerich, Eduardo Hubert
Martha Argerich, Eduardo Hubert
A Midsummer Night's Dream, op. 21 (Incidental Music): Overture
Martha Argerich, Cristina Marton
—
A Midsummer Night's Dream, op. 21 (Incidental Music): Scherzo
Martha Argerich, Cristina Marton
—
Réminiscences de Don Juan for Two Pianos, S 656: I. Grave
Martha Argerich, Mauricio Vallina
—
Réminiscences de Don Juan for Two Pianos, S 656: II. Duetto: Andantino
Martha Argerich, Mauricio Vallina
—
Réminiscences de Don Juan for Two Pianos, S 656: III. Allegretto
Martha Argerich, Mauricio Vallina
—
Réminiscences de Don Juan for Two Pianos, S 656: IV. Presto
Martha Argerich, Mauricio Vallina
—
Martha Argerich, Alexandre Rabinovitch
Martha Argerich, Alexandre Rabinovitch
Martha Argerich, Alexandre Rabinovitch
Martha Argerich, Alexandre Rabinovitch
Martha Argerich, Alexandre Rabinovitch
Martha Argerich, Alexandre Rabinovitch
Martha Argerich, Alexandre Rabinovitch
Concerto Pathétique in E minor, S 258
Martha Argerich, Nelson Freire
—
Sonata in F minor, op. 34b for Two Pianos (Transcription of Piano Quintet, op. 34): I. Allegro non troppo
Martha Argerich, Lilya Zilberstein
—
Sonata in F minor, op. 34b for Two Pianos (Transcription of Piano Quintet, op. 34): II. Andante, un poco adagio
Martha Argerich, Lilya Zilberstein
—
Sonata in F minor, op. 34b for Two Pianos (Transcription of Piano Quintet, op. 34): III. Scherzo: Allegro
Martha Argerich, Lilya Zilberstein
—
Sonata in F minor, op. 34b for Two Pianos (Transcription of Piano Quintet, op. 34): IV. Finale: Poco sostenuto - Allegro non troppo - Presto non troppo
Martha Argerich, Lilya Zilberstein
—
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What is UPC 5099909404427?
5099909404427 is a Universal Product Code (UPC) assigned to Martha Argerich Edition: Solos & Duos by Martha Argerich. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 23 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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