UPC · Release
Mahler, London Philharmonic Orchestra, Klaus Tennstedt
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5099909449329 is the Universal Product Code (UPC barcode) for the release “Complete Symphonies” by Mahler, London Philharmonic Orchestra, Klaus Tennstedt, released 2011-01-01 on EMI Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 76 tracks, each with its own ISRC. Tracks include GBAYC8200035, GBAYC8600519, GBAYC8600520.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 1 in D: I. Langsam. Schleppend — Im Anfang sehr gemächlich | — | ||
| 2 | Symphony no. 1 in D: II. Kräftig bewegt, doch nicht zu schnell | — | ||
| 3 | Symphony no. 1 in D: III. Feierlich und gemessen, ohne zu schleppen | — | ||
| 4 | Symphony no. 1 in D: IV. Stürmisch bewegt | — | ||
| 5 | Symphony no. 2 in C minor ‘Resurrection’: I. Adagio maestoso | — | ||
| 2-1 | Symphony no. 2 in C minor ‘Resurrection’: II. Andante moderato | — | ||
| 2-2 | Symphony no. 2 in C minor ‘Resurrection’: III. In ruhig fließender Bewegung | — | ||
| 2-3 | Symphony no. 2 in C minor ‘Resurrection’: IV. Sehr feierlich aber schlicht | — | ||
| 2-4 | Symphony no. 2 in C minor ‘Resurrection’: V. Im Tempo des Scherzos (Wild herausfahrend) — Langsam — Allegro energico — Langsam | — | ||
| 3-1 | Symphony no. 3 in D minor: I. Kräftig. Entschieden | — | ||
| 3-2 | Symphony no. 3 in D minor: II. Tempo di Menuetto. Sehr mäßig | — | ||
| 3-3 | Symphony no. 3 in D minor: III. Comodo. Scherzando. Ohne Hast | — | ||
| 3-4 | Symphony no. 3 in D minor: IV. Sehr langsam. | — | ||
| 3-5 | Symphony no. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck | — | ||
| 4-1 | Symphony no. 3 in D minor: VI. Langsam. Ruhevoll. Empfunden | — | ||
| 4-2 | Symphony no. 4 in G: I. Heiter, bedächtig. Nicht eilen | — | ||
| 4-3 | Symphony no. 4 in G: II. In gemächlicher Bewegung. Ohne Hast | — | ||
| 4-4 | Symphony no. 4 in G: III. Ruhevoll | — | ||
| 4-5 | Symphony no. 4 in G major: IV. Sehr behaglich | Lucia Popp, London Philharmonic Orchestra, Klaus Tennstedt | — | |
| 5-1 | Symphony no. 5 in C sharp minor: I. Trauermarsch | — | ||
| 5-2 | Symphony no. 5 in C sharp minor: II. Stürmisch bewegt, mit größter Vehemenz | — | ||
| 5-3 | Symphony no. 5 in C sharp minor: III. Scherzo: Kräftig, nicht zu schnell | — | ||
| 5-4 | Symphony no. 5 in C sharp minor: IV. Adagietto | — | ||
| 5-5 | Symphony no. 5 in C sharp minor: V. Rondo-Finale: Allegro | — | ||
| 6-1 | Symphony no. 7: I. Langsam — Allegro risoluto, ma non troppo | — | ||
| 6-2 | Symphony no. 7: II. Nachtmusik I: Allegro moderato | — | ||
| 6-3 | Symphony no. 7: III. Scherzo: Schattenhaft | — | ||
| 6-4 | Symphony no. 7: IV. Nachtmusik II: Andante amoroso | — | ||
| 7-1 | Symphony no. 7: V. Rondo-Finale: Allegro ordinario — Allegro moderato ma energico | — | ||
| 7-2 | Symphony no. 6 in A minor: I. Allegro energico, ma non troppo. Heftig, aber markig | — | ||
| 7-3 | Symphony no. 6 in A minor: II. Scherzo: Wuchtig | — | ||
| 7-4 | Symphony no. 6 in A minor: III. Andante moderato | — | ||
| 8-1 | Symphony no. 6 in A minor: IV. Finale: Allegro moderato | — | ||
| 8-2 | Symphony no. 8 in E flat major ‘Symphony of a Thousand’: I. Teil. Hymnus: Allegro impetuoso: Veni, creator spiritus | London Philharmonic Orchestra, Klaus Tennstedt | — | |
| 8-3 | Symphony no. 8 in E flat major ‘Symphony of a Thousand’: I. Teil. Hymnus: Allegro impetuoso: Imple superna gratia | London Philharmonic Orchestra, Klaus Tennstedt | — | |
| 8-4 | Symphony no. 8 in E flat major ‘Symphony of a Thousand’: I. Teil. Hymnus: Allegro impetuoso: Infirma nostri corporis | London Philharmonic Orchestra, Klaus Tennstedt | — | |
| 8-5 | Symphony no. 8 in E flat major ‘Symphony of a Thousand’: I. Teil. Hymnus: Allegro impetuoso: Accende lumen sensibus | London Philharmonic Orchestra, Klaus Tennstedt | — | |
| 8-6 | Symphony no. 8 in E flat major ‘Symphony of a Thousand’: I. Teil. Hymnus: Allegro impetuoso: Veni, creator spiritus | London Philharmonic Orchestra, Klaus Tennstedt | — | |
| 8-7 | Symphony no. 8 in E flat major ‘Symphony of a Thousand’: I. Teil. Hymnus: Allegro impetuoso: Gloria, Patri Domino | London Philharmonic Orchestra, Klaus Tennstedt | — | |
| 9-1 | Symphony no. 8 in E flat major ‘Symphony of a Thousand’: II. Teil. Schlußszene aus „Faust“: Poco adagio: Waldung sie schwankt heran | London Philharmonic Orchestra, Klaus Tennstedt | — | |
| 9-2 | Symphony no. 8 in E flat major ‘Symphony of a Thousand’: II. Teil. Schlußszene aus „Faust“: Poco adagio: Ewiger Wonnebrand | London Philharmonic Orchestra, Klaus Tennstedt | — | |
| 9-3 | Symphony no. 8 in E flat major ‘Symphony of a Thousand’: II. Teil. Schlußszene aus „Faust“: Poco adagio: Wie Felsenabgrund mir zu Füßen | London Philharmonic Orchestra, Klaus Tennstedt | — | |
| 9-4 | Symphony no. 8 in E flat major ‘Symphony of a Thousand’: II. Teil. Schlußszene aus „Faust“: Allegro deciso: Gerettet ist das edle Glied | London Philharmonic Orchestra, Klaus Tennstedt | — | |
| 9-5 | Symphony no. 8 in E flat major ‘Symphony of a Thousand’: II. Teil. Schlußszene aus „Faust“: Allegro deciso: Uns bleibt ein Erdenrest | London Philharmonic Orchestra, Klaus Tennstedt | — | |
| 9-6 | Symphony no. 8 in E flat major ‘Symphony of a Thousand’: II. Teil. Schlußszene aus „Faust“: Allegro deciso: Hier ist die Aussicht frei | London Philharmonic Orchestra, Klaus Tennstedt | — | |
| 9-7 | Symphony no. 8 in E flat major ‘Symphony of a Thousand’: II. Teil. Schlußszene aus „Faust“: Allegro Deciso: Höchste Herrscherin der Welt | London Philharmonic Orchestra, Klaus Tennstedt | — | |
| 9-8 | Symphony no. 8 in E flat major ‘Symphony of a Thousand’: II. Teil. Schlußszene aus „Faust“: Äußerst langsam. Adagissimo: Dir der Unberührbaren | London Philharmonic Orchestra, Klaus Tennstedt | — | |
| 9-9 | Symphony no. 8 in E flat major ‘Symphony of a Thousand’: II. Teil. Schlußszene aus „Faust“: Äußerst langsam. Adagissimo: Bei der Liebe, die den Füßen | London Philharmonic Orchestra, Klaus Tennstedt | — | |
| 9-10 | Symphony no. 8 in E flat major ‘Symphony of a Thousand’: II. Teil. Schlußszene aus „Faust“: Äußerst langsam. Adagissimo: Neige, neige, du Ohnegleiche | London Philharmonic Orchestra, Klaus Tennstedt | — | |
| 9-11 | Symphony no. 8 in E flat major ‘Symphony of a Thousand’: II. Teil. Schlußszene aus „Faust“: Äußerst langsam. Adagissimo: Blicket auf zum Retterblick | London Philharmonic Orchestra, Klaus Tennstedt | — | |
| 9-12 | Symphony no. 8 in E-flat major “Symphony of a Thousand”, Part II: Chorus mysticus: Alles Vergängliche | Elizabeth Connell, Nadine Denize, Jorma Hynninen, London Philharmonic Choir, Trudeliese Schmidt, Hans Sotin, Tiffin Boys’ Choir, Richard Versalle, Edith Wiens, London Philharmonic Orchestra, Klaus Tennstedt | — | |
| 10-1 | Das Lied von der Erde: Das Trinklied vom Jammer der Erde | — | ||
| 10-2 | Das Lied von der Erde: Der Einsame im Herbst | — | ||
| 10-3 | Das Lied von der Erde: Von der Jugend | — | ||
| 10-4 | Das Lied von der Erde: Von der Schönheit | — | ||
| 10-5 | Das Lied von der Erde: Der Trunkene im Frühling | — | ||
| 10-6 | Das Lied von der Erde: Der Abschied | — | ||
| 11-1 | Symphony no. 9 in D: I. Andante comodo | — | ||
| 11-2 | Symphony no. 9 in D: II. Im Tempo eines gemächlichen Ländlers | — | ||
| 11-3 | Symphony no. 9 in D: III. Rondo-Burleske. Allegro assai. Sehr trotzig | — | ||
| 12-1 | Symphony no. 9 in D: IV. Adagio | — | ||
| 12-2 | Symphony no. 10 in F sharp minor: I. Adagio | — | ||
| 13-1 | Symphony no. 5 in C sharp minor: I. Trauermarsch | — | ||
| 13-2 | Symphony no. 5 in C sharp minor: II. Stürmisch bewegt, mit größter Vehemenz | — | ||
| 13-3 | Symphony no. 5 in C sharp minor: III. Scherzo: Kräftig, nicht zu schnell | — | ||
| 13-4 | Symphony no. 5 in C sharp minor: IV. Adagietto | — | ||
| 13-5 | Symphony no. 5 in C sharp minor: V. Rondo-Finale: Allegro | — | ||
| 14-1 | Symphony no. 6 in A minor: I. Allegro Energico, Ma Non Troppo. Heftig, Aber Markig | — | ||
| 14-2 | Symphony no. 6 in A minor: II. Scherzo: Wuchtig | — | ||
| 14-3 | Symphony no. 6 in A minor: III. Andante moderato | — | ||
| 15-1 | Symphony no. 6 in A minor: IV. Finale: Allegro moderato | — | ||
| 15-2 | Symphony no. 7: I. Langsam — Allegro risoluto, ma non troppo | — | ||
| 16-1 | Symphony no. 7: II. Nachtmusik I: Allegro moderato | — | ||
| 16-2 | Symphony no. 7: III. Scherzo: Schattenhaft | — | ||
| 16-3 | Symphony no. 7: IV. Nachtmusik II: Andante amoroso | — | ||
| 16-4 | Symphony no. 7: V. Rondo-Finale: Allegro ordinario — Allegro moderato ma energico | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
5099909449329 is a Universal Product Code (UPC) assigned to Complete Symphonies by Mahler, London Philharmonic Orchestra, Klaus Tennstedt. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 76 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
5099909449329 is the Universal Product Code (UPC barcode) for the release “Complete Symphonies” by Mahler, London Philharmonic Orchestra, Klaus Tennstedt, released 2011-01-01 on EMI Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 76 tracks, each with its own ISRC. Tracks include GBAYC8200035, GBAYC8600519, GBAYC8600520.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 1 in D: I. Langsam. Schleppend — Im Anfang sehr gemächlich | — | ||
| 2 | Symphony no. 1 in D: II. Kräftig bewegt, doch nicht zu schnell | — | ||
| 3 | Symphony no. 1 in D: III. Feierlich und gemessen, ohne zu schleppen | — | ||
| 4 | Symphony no. 1 in D: IV. Stürmisch bewegt | — | ||
| 5 | Symphony no. 2 in C minor ‘Resurrection’: I. Adagio maestoso | — | ||
| 2-1 | Symphony no. 2 in C minor ‘Resurrection’: II. Andante moderato | — | ||
| 2-2 | Symphony no. 2 in C minor ‘Resurrection’: III. In ruhig fließender Bewegung | — | ||
| 2-3 | Symphony no. 2 in C minor ‘Resurrection’: IV. Sehr feierlich aber schlicht | — | ||
| 2-4 | Symphony no. 2 in C minor ‘Resurrection’: V. Im Tempo des Scherzos (Wild herausfahrend) — Langsam — Allegro energico — Langsam | — | ||
| 3-1 | Symphony no. 3 in D minor: I. Kräftig. Entschieden | — | ||
| 3-2 | Symphony no. 3 in D minor: II. Tempo di Menuetto. Sehr mäßig | — | ||
| 3-3 | Symphony no. 3 in D minor: III. Comodo. Scherzando. Ohne Hast | — | ||
| 3-4 | Symphony no. 3 in D minor: IV. Sehr langsam. | — | ||
| 3-5 | Symphony no. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck | — | ||
| 4-1 | Symphony no. 3 in D minor: VI. Langsam. Ruhevoll. Empfunden | — | ||
| 4-2 | Symphony no. 4 in G: I. Heiter, bedächtig. Nicht eilen | — | ||
| 4-3 | Symphony no. 4 in G: II. In gemächlicher Bewegung. Ohne Hast | — | ||
| 4-4 | Symphony no. 4 in G: III. Ruhevoll | — | ||
| 4-5 | Symphony no. 4 in G major: IV. Sehr behaglich | Lucia Popp, London Philharmonic Orchestra, Klaus Tennstedt | — | |
| 5-1 | Symphony no. 5 in C sharp minor: I. Trauermarsch | — | ||
| 5-2 | Symphony no. 5 in C sharp minor: II. Stürmisch bewegt, mit größter Vehemenz | — | ||
| 5-3 | Symphony no. 5 in C sharp minor: III. Scherzo: Kräftig, nicht zu schnell | — | ||
| 5-4 | Symphony no. 5 in C sharp minor: IV. Adagietto | — | ||
| 5-5 | Symphony no. 5 in C sharp minor: V. Rondo-Finale: Allegro | — | ||
| 6-1 | Symphony no. 7: I. Langsam — Allegro risoluto, ma non troppo | — | ||
| 6-2 | Symphony no. 7: II. Nachtmusik I: Allegro moderato | — | ||
| 6-3 | Symphony no. 7: III. Scherzo: Schattenhaft | — | ||
| 6-4 | Symphony no. 7: IV. Nachtmusik II: Andante amoroso | — | ||
| 7-1 | Symphony no. 7: V. Rondo-Finale: Allegro ordinario — Allegro moderato ma energico | — | ||
| 7-2 | Symphony no. 6 in A minor: I. Allegro energico, ma non troppo. Heftig, aber markig | — | ||
| 7-3 | Symphony no. 6 in A minor: II. Scherzo: Wuchtig | — | ||
| 7-4 | Symphony no. 6 in A minor: III. Andante moderato | — | ||
| 8-1 | Symphony no. 6 in A minor: IV. Finale: Allegro moderato | — | ||
| 8-2 | Symphony no. 8 in E flat major ‘Symphony of a Thousand’: I. Teil. Hymnus: Allegro impetuoso: Veni, creator spiritus | London Philharmonic Orchestra, Klaus Tennstedt | — | |
| 8-3 | Symphony no. 8 in E flat major ‘Symphony of a Thousand’: I. Teil. Hymnus: Allegro impetuoso: Imple superna gratia | London Philharmonic Orchestra, Klaus Tennstedt | — | |
| 8-4 | Symphony no. 8 in E flat major ‘Symphony of a Thousand’: I. Teil. Hymnus: Allegro impetuoso: Infirma nostri corporis | London Philharmonic Orchestra, Klaus Tennstedt | — | |
| 8-5 | Symphony no. 8 in E flat major ‘Symphony of a Thousand’: I. Teil. Hymnus: Allegro impetuoso: Accende lumen sensibus | London Philharmonic Orchestra, Klaus Tennstedt | — | |
| 8-6 | Symphony no. 8 in E flat major ‘Symphony of a Thousand’: I. Teil. Hymnus: Allegro impetuoso: Veni, creator spiritus | London Philharmonic Orchestra, Klaus Tennstedt | — | |
| 8-7 | Symphony no. 8 in E flat major ‘Symphony of a Thousand’: I. Teil. Hymnus: Allegro impetuoso: Gloria, Patri Domino | London Philharmonic Orchestra, Klaus Tennstedt | — | |
| 9-1 | Symphony no. 8 in E flat major ‘Symphony of a Thousand’: II. Teil. Schlußszene aus „Faust“: Poco adagio: Waldung sie schwankt heran | London Philharmonic Orchestra, Klaus Tennstedt | — | |
| 9-2 | Symphony no. 8 in E flat major ‘Symphony of a Thousand’: II. Teil. Schlußszene aus „Faust“: Poco adagio: Ewiger Wonnebrand | London Philharmonic Orchestra, Klaus Tennstedt | — | |
| 9-3 | Symphony no. 8 in E flat major ‘Symphony of a Thousand’: II. Teil. Schlußszene aus „Faust“: Poco adagio: Wie Felsenabgrund mir zu Füßen | London Philharmonic Orchestra, Klaus Tennstedt | — | |
| 9-4 | Symphony no. 8 in E flat major ‘Symphony of a Thousand’: II. Teil. Schlußszene aus „Faust“: Allegro deciso: Gerettet ist das edle Glied | London Philharmonic Orchestra, Klaus Tennstedt | — | |
| 9-5 | Symphony no. 8 in E flat major ‘Symphony of a Thousand’: II. Teil. Schlußszene aus „Faust“: Allegro deciso: Uns bleibt ein Erdenrest | London Philharmonic Orchestra, Klaus Tennstedt | — | |
| 9-6 | Symphony no. 8 in E flat major ‘Symphony of a Thousand’: II. Teil. Schlußszene aus „Faust“: Allegro deciso: Hier ist die Aussicht frei | London Philharmonic Orchestra, Klaus Tennstedt | — | |
| 9-7 | Symphony no. 8 in E flat major ‘Symphony of a Thousand’: II. Teil. Schlußszene aus „Faust“: Allegro Deciso: Höchste Herrscherin der Welt | London Philharmonic Orchestra, Klaus Tennstedt | — | |
| 9-8 | Symphony no. 8 in E flat major ‘Symphony of a Thousand’: II. Teil. Schlußszene aus „Faust“: Äußerst langsam. Adagissimo: Dir der Unberührbaren | London Philharmonic Orchestra, Klaus Tennstedt | — | |
| 9-9 | Symphony no. 8 in E flat major ‘Symphony of a Thousand’: II. Teil. Schlußszene aus „Faust“: Äußerst langsam. Adagissimo: Bei der Liebe, die den Füßen | London Philharmonic Orchestra, Klaus Tennstedt | — | |
| 9-10 | Symphony no. 8 in E flat major ‘Symphony of a Thousand’: II. Teil. Schlußszene aus „Faust“: Äußerst langsam. Adagissimo: Neige, neige, du Ohnegleiche | London Philharmonic Orchestra, Klaus Tennstedt | — | |
| 9-11 | Symphony no. 8 in E flat major ‘Symphony of a Thousand’: II. Teil. Schlußszene aus „Faust“: Äußerst langsam. Adagissimo: Blicket auf zum Retterblick | London Philharmonic Orchestra, Klaus Tennstedt | — | |
| 9-12 | Symphony no. 8 in E-flat major “Symphony of a Thousand”, Part II: Chorus mysticus: Alles Vergängliche | Elizabeth Connell, Nadine Denize, Jorma Hynninen, London Philharmonic Choir, Trudeliese Schmidt, Hans Sotin, Tiffin Boys’ Choir, Richard Versalle, Edith Wiens, London Philharmonic Orchestra, Klaus Tennstedt | — | |
| 10-1 | Das Lied von der Erde: Das Trinklied vom Jammer der Erde | — | ||
| 10-2 | Das Lied von der Erde: Der Einsame im Herbst | — | ||
| 10-3 | Das Lied von der Erde: Von der Jugend | — | ||
| 10-4 | Das Lied von der Erde: Von der Schönheit | — | ||
| 10-5 | Das Lied von der Erde: Der Trunkene im Frühling | — | ||
| 10-6 | Das Lied von der Erde: Der Abschied | — | ||
| 11-1 | Symphony no. 9 in D: I. Andante comodo | — | ||
| 11-2 | Symphony no. 9 in D: II. Im Tempo eines gemächlichen Ländlers | — | ||
| 11-3 | Symphony no. 9 in D: III. Rondo-Burleske. Allegro assai. Sehr trotzig | — | ||
| 12-1 | Symphony no. 9 in D: IV. Adagio | — | ||
| 12-2 | Symphony no. 10 in F sharp minor: I. Adagio | — | ||
| 13-1 | Symphony no. 5 in C sharp minor: I. Trauermarsch | — | ||
| 13-2 | Symphony no. 5 in C sharp minor: II. Stürmisch bewegt, mit größter Vehemenz | — | ||
| 13-3 | Symphony no. 5 in C sharp minor: III. Scherzo: Kräftig, nicht zu schnell | — | ||
| 13-4 | Symphony no. 5 in C sharp minor: IV. Adagietto | — | ||
| 13-5 | Symphony no. 5 in C sharp minor: V. Rondo-Finale: Allegro | — | ||
| 14-1 | Symphony no. 6 in A minor: I. Allegro Energico, Ma Non Troppo. Heftig, Aber Markig | — | ||
| 14-2 | Symphony no. 6 in A minor: II. Scherzo: Wuchtig | — | ||
| 14-3 | Symphony no. 6 in A minor: III. Andante moderato | — | ||
| 15-1 | Symphony no. 6 in A minor: IV. Finale: Allegro moderato | — | ||
| 15-2 | Symphony no. 7: I. Langsam — Allegro risoluto, ma non troppo | — | ||
| 16-1 | Symphony no. 7: II. Nachtmusik I: Allegro moderato | — | ||
| 16-2 | Symphony no. 7: III. Scherzo: Schattenhaft | — | ||
| 16-3 | Symphony no. 7: IV. Nachtmusik II: Andante amoroso | — | ||
| 16-4 | Symphony no. 7: V. Rondo-Finale: Allegro ordinario — Allegro moderato ma energico | — |
