UPC · Release
Vaughan Williams, Finzi, Holst, Sir David Willcocks, Stephen Cleobury, Richard Hickox, Sir Adrian Boult
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5099909543324 is the Universal Product Code (UPC barcode) for the release “British Composers: Vaughan Williams / Finzi / Holst” by Vaughan Williams, Finzi, Holst, Sir David Willcocks, Stephen Cleobury, Richard Hickox, Sir Adrian Boult, released 2011-01-01 on EMI Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 82 tracks, each with its own ISRC. Tracks include GBAYC8902793, GBAYC0301472, GBAYC0301473.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | An Oxford Elegy: I. (Lento) | — | ||
| 2 | An Oxford Elegy: II. Go, for they call you, Shepherd | — | ||
| 3 | An Oxford Elegy: III. Here will I sit and wait | — | ||
| 4 | An Oxford Elegy: IV. Screen'd is this nook | — | ||
| 5 | An Oxford Elegy: V. That sweet city | — | ||
| 6 | An Oxford Elegy: VI. Come, let me read | — | ||
| 7 | An Oxford Elegy: VII. Or in my boat I lie | — | ||
| 8 | An Oxford Elegy: VIII. And once, in winter | — | ||
| 9 | An Oxford Elegy: IX. But what-I dream | — | ||
| 10 | An Oxford Elegy: X. No, no, thou hast not felt | — | ||
| 11 | An Oxford Elegy: XI. Runs it not here | — | ||
| 12 | An Oxford Elegy: XII. Needs must I, with heavy heart | — | ||
| 13 | An Oxford Elegy: XIII. Soon will the high Midsummer pomps | — | ||
| 14 | An Oxford Elegy: XIV. He hearkens not! | — | ||
| 15 | An Oxford Elegy: XV. Never more | — | ||
| 16 | An Oxford Elegy: XVI. Yes, thou art gone! | — | ||
| 17 | An Oxford Elegy: XVII. Despair I will not | — | ||
| 18 | An Oxford Elegy: XVIII. Why faintest thou? | — | ||
| 19 | Whitsunday Hymn (No. 3 of Three Choral Hymns) | — | ||
| 20 | Flos Campi: I. Sicut Lillium inter spinas: Lento | — | ||
| 21 | Flos Campi: II. Jan enim hiems transiit: Andante con moto | — | ||
| 22 | Flos Campi: III. Quaesivi quem diligit anima mea: Lento-Allegro moderato | — | ||
| 23 | Flos Campi: IV. En lectulum Salomonis: Moderato alla marcia | — | ||
| 24 | Flos Campi: V. Revertere, revertere Sulamitis!: Andante quasi lento | — | ||
| 25 | Flos Campi: VI. Pone me ut signaculum: Moderato tranquillo | — | ||
| 26 | Sancta Civitas (The Holy City): I. I was in the spirit: Lento | — | ||
| 27 | Sancta Civitas (The Holy City): II. And I saw Heaven: Allegro | — | ||
| 28 | Sancta Civitas (The Holy City): III. And I saw an angel standing in the sun: Meno mosso | — | ||
| 29 | Sancta Civitas (The Holy City): IV. Babylon the great is fallen: Lento | — | ||
| 30 | Sancta Civitas (The Holy City): V. Rejoice over her O Heavens: Allegro moderato | — | ||
| 31 | Sancta Civitas (The Holy City): VI. And I saw a new heaven: Adagio | — | ||
| 32 | Sancta Civitas (The Holy City): VII. Therefore are they before the throne of God: Poco meno largo | — | ||
| 33 | Sancta Civitas (The Holy City): VIII. And I saw a pure river | — | ||
| 34 | Sancta Civitas (The Holy City): IX. Holy, Holy, Holy: Andante sostenuto | — | ||
| 35 | Sancta Civitas (The Holy City): X. Heaven and earth are full of Thy glory: Poco animato | — | ||
| 2-1 | Five Mystical Songs: I. Easter | — | ||
| 2-2 | Five Mystical Songs: II. I got me flowers | — | ||
| 2-3 | Five Mystical Songs: III. Love bade me welcome | — | ||
| 2-4 | Five Mystical Songs: IV. The Call | — | ||
| 2-5 | Five Mystical Songs: V. Antiphon | — | ||
| 2-6 | O clap your hands | — | ||
| 2-7 | A Choral Fantasia, H177, op. 51 | — | ||
| 2-8 | Psalm 86, H117 no. 1 | — | ||
| 2-9 | Dies natalis, op. 8: I. Intrada | — | ||
| 2-10 | Dies natalis, op. 8: II. Rhapsody: Recitativo stromentato | — | ||
| 2-11 | Dies natalis, op. 8: III. The Rapture: Danza | — | ||
| 2-12 | Dies natalis, op. 8: IV. Wonder: Arioso | — | ||
| 2-13 | Dies natalis, op. 8: V. The Salutation: Aria | — | ||
| 3-1 | Mass in G minor: I. Kyrie | David van Asch, Choir of King’s College, Cambridge, Robin Doveton, John Eaton, Nigel Perrin, David Willcocks | — | |
| 3-2 | Mass in G minor: II. Gloria | — | ||
| 3-3 | Mass in G minor: III. Credo | — | ||
| 3-4 | Mass in G minor: IV. Sanctus - Osanna I - Benedictus - Osanna II | — | ||
| 3-5 | Mass in G minor: V. Agnus Dei | — | ||
| 3-6 | Lo, the full, final Sacrifice, op. 26 | — | ||
| 3-7 | Mater ora filium | — | ||
| 3-8 | God is gone up, op. 27 no. 2 | — | ||
| 3-9 | I sing of a maiden that is makeless | — | ||
| 3-10 | This Worldes Joie | — | ||
| 3-11 | Magnificat, op. 36 | — | ||
| 4-1 | Intimations of Immortality, op. 29: I. There was a time when meadow, grove and stream | — | ||
| 4-2 | Intimations of Immortality, op. 29: II. The rainbow comes and gone | — | ||
| 4-3 | Intimations of Immortality, op. 29: III. Now, while the birds thus sing a joyous song | — | ||
| 4-4 | Intimations of Immortality, op. 29: IV. Ye blessèd Creatures, I have heard the call | — | ||
| 4-5 | Intimations of Immortality, op. 29: V. Our birth is but a sleep and a forgetting | — | ||
| 4-6 | Intimations of Immortality, op. 29: VI. Earth fills her lap with pleasures of her own | — | ||
| 4-7 | Intimations of Immortality, op. 29: VII. O joy! that in our embers | — | ||
| 4-8 | Intimations of Immortality, op. 29: VIII. Then sing, ye Birds, sing, sing a joyous song! | — | ||
| 4-9 | Intimations of Immortality, op. 29: IX. And O, ye Fountains, Meadows, Hills and Groves | — | ||
| 4-10 | Grand Fantasia and Toccata, op. 38: I. Molto grave | — | ||
| 4-11 | Grand Fantasia and Toccata, op. 38: II. Allegro vigoroso | — | ||
| 5-1 | The Perfect Fool, op. 39: I. Andante | London Symphony Orchestra, André Previn | T-106.677.158-0 | |
| 5-2 | The Perfect Fool, op. 39: II. Dance of Spirits of Earth: Moderato-Andante | London Symphony Orchestra, André Previn | — | |
| 5-3 | The Perfect Fool, op. 39: III. Dance of Spirits of Water: Allegretto | London Symphony Orchestra, André Previn | — | |
| 5-4 | The Perfect Fool, op. 39: IV. Dance of Spirits of Fire: Allegro moderato | London Symphony Orchestra, André Previn | — | |
| 5-5 | Egdon Heath-Homage to Hardy, op. 47 | London Symphony Orchestra, André Previn | — | |
| 5-6 | The Planets-Suite, op. 32: I. Mars, the Bringer of War: Allegro | Philharmonia Orchestra, Sir Adrian Boult | T-910.405.802-8 | |
| 5-7 | The Planets-Suite, op. 32: II. Venus, the Bringer of Peace: Adagio | Philharmonia Orchestra, Sir Adrian Boult | T-910.405.802-8 | |
| 5-8 | The Planets-Suite, op. 32: III. Mecury, the Winged Messenger: Vivace | Philharmonia Orchestra, Sir Adrian Boult | — | |
| 5-9 | The Planets-Suite, op. 32: IV. Jupiter, the Bringer of Jollity: Allegro giocoso | Philharmonia Orchestra, Sir Adrian Boult | T-910.405.802-8 | |
| 5-10 | The Planets-Suite, op. 32: V. Saturn, the Bringer of Old Age: Adagio | Philharmonia Orchestra, Sir Adrian Boult | T-910.405.802-8 | |
| 5-11 | The Planets-Suite, op. 32: VI. Uranus, the Magician: Allegro | Philharmonia Orchestra, Sir Adrian Boult | — | |
| 5-12 | The Planets-Suite, op. 32: VII. Neptune, the Mystic: Andante | Ambrosian Singers, Philharmonia Orchestra, Sir Adrian Boult | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Egdon Heath-Homage to Hardy, op. 47 | London Symphony Orchestra, André Previn | — |
| The Perfect Fool, op. 39: II. Dance of Spirits of Earth: Moderato-Andante | London Symphony Orchestra, André Previn | — |
| The Perfect Fool, op. 39: III. Dance of Spirits of Water: Allegretto | London Symphony Orchestra, André Previn | — |
| The Perfect Fool, op. 39: IV. Dance of Spirits of Fire: Allegro moderato | London Symphony Orchestra, André Previn | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
5099909543324 is a Universal Product Code (UPC) assigned to British Composers: Vaughan Williams / Finzi / Holst by Vaughan Williams, Finzi, Holst, Sir David Willcocks, Stephen Cleobury, Richard Hickox, Sir Adrian Boult. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 82 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
5099909543324 is the Universal Product Code (UPC barcode) for the release “British Composers: Vaughan Williams / Finzi / Holst” by Vaughan Williams, Finzi, Holst, Sir David Willcocks, Stephen Cleobury, Richard Hickox, Sir Adrian Boult, released 2011-01-01 on EMI Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 82 tracks, each with its own ISRC. Tracks include GBAYC8902793, GBAYC0301472, GBAYC0301473.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | An Oxford Elegy: I. (Lento) | — | ||
| 2 | An Oxford Elegy: II. Go, for they call you, Shepherd | — | ||
| 3 | An Oxford Elegy: III. Here will I sit and wait | — | ||
| 4 | An Oxford Elegy: IV. Screen'd is this nook | — | ||
| 5 | An Oxford Elegy: V. That sweet city | — | ||
| 6 | An Oxford Elegy: VI. Come, let me read | — | ||
| 7 | An Oxford Elegy: VII. Or in my boat I lie | — | ||
| 8 | An Oxford Elegy: VIII. And once, in winter | — | ||
| 9 | An Oxford Elegy: IX. But what-I dream | — | ||
| 10 | An Oxford Elegy: X. No, no, thou hast not felt | — | ||
| 11 | An Oxford Elegy: XI. Runs it not here | — | ||
| 12 | An Oxford Elegy: XII. Needs must I, with heavy heart | — | ||
| 13 | An Oxford Elegy: XIII. Soon will the high Midsummer pomps | — | ||
| 14 | An Oxford Elegy: XIV. He hearkens not! | — | ||
| 15 | An Oxford Elegy: XV. Never more | — | ||
| 16 | An Oxford Elegy: XVI. Yes, thou art gone! | — | ||
| 17 | An Oxford Elegy: XVII. Despair I will not | — | ||
| 18 | An Oxford Elegy: XVIII. Why faintest thou? | — | ||
| 19 | Whitsunday Hymn (No. 3 of Three Choral Hymns) | — | ||
| 20 | Flos Campi: I. Sicut Lillium inter spinas: Lento | — | ||
| 21 | Flos Campi: II. Jan enim hiems transiit: Andante con moto | — | ||
| 22 | Flos Campi: III. Quaesivi quem diligit anima mea: Lento-Allegro moderato | — | ||
| 23 | Flos Campi: IV. En lectulum Salomonis: Moderato alla marcia | — | ||
| 24 | Flos Campi: V. Revertere, revertere Sulamitis!: Andante quasi lento | — | ||
| 25 | Flos Campi: VI. Pone me ut signaculum: Moderato tranquillo | — | ||
| 26 | Sancta Civitas (The Holy City): I. I was in the spirit: Lento | — | ||
| 27 | Sancta Civitas (The Holy City): II. And I saw Heaven: Allegro | — | ||
| 28 | Sancta Civitas (The Holy City): III. And I saw an angel standing in the sun: Meno mosso | — | ||
| 29 | Sancta Civitas (The Holy City): IV. Babylon the great is fallen: Lento | — | ||
| 30 | Sancta Civitas (The Holy City): V. Rejoice over her O Heavens: Allegro moderato | — | ||
| 31 | Sancta Civitas (The Holy City): VI. And I saw a new heaven: Adagio | — | ||
| 32 | Sancta Civitas (The Holy City): VII. Therefore are they before the throne of God: Poco meno largo | — | ||
| 33 | Sancta Civitas (The Holy City): VIII. And I saw a pure river | — | ||
| 34 | Sancta Civitas (The Holy City): IX. Holy, Holy, Holy: Andante sostenuto | — | ||
| 35 | Sancta Civitas (The Holy City): X. Heaven and earth are full of Thy glory: Poco animato | — | ||
| 2-1 | Five Mystical Songs: I. Easter | — | ||
| 2-2 | Five Mystical Songs: II. I got me flowers | — | ||
| 2-3 | Five Mystical Songs: III. Love bade me welcome | — | ||
| 2-4 | Five Mystical Songs: IV. The Call | — | ||
| 2-5 | Five Mystical Songs: V. Antiphon | — | ||
| 2-6 | O clap your hands | — | ||
| 2-7 | A Choral Fantasia, H177, op. 51 | — | ||
| 2-8 | Psalm 86, H117 no. 1 | — | ||
| 2-9 | Dies natalis, op. 8: I. Intrada | — | ||
| 2-10 | Dies natalis, op. 8: II. Rhapsody: Recitativo stromentato | — | ||
| 2-11 | Dies natalis, op. 8: III. The Rapture: Danza | — | ||
| 2-12 | Dies natalis, op. 8: IV. Wonder: Arioso | — | ||
| 2-13 | Dies natalis, op. 8: V. The Salutation: Aria | — | ||
| 3-1 | Mass in G minor: I. Kyrie | David van Asch, Choir of King’s College, Cambridge, Robin Doveton, John Eaton, Nigel Perrin, David Willcocks | — | |
| 3-2 | Mass in G minor: II. Gloria | — | ||
| 3-3 | Mass in G minor: III. Credo | — | ||
| 3-4 | Mass in G minor: IV. Sanctus - Osanna I - Benedictus - Osanna II | — | ||
| 3-5 | Mass in G minor: V. Agnus Dei | — | ||
| 3-6 | Lo, the full, final Sacrifice, op. 26 | — | ||
| 3-7 | Mater ora filium | — | ||
| 3-8 | God is gone up, op. 27 no. 2 | — | ||
| 3-9 | I sing of a maiden that is makeless | — | ||
| 3-10 | This Worldes Joie | — | ||
| 3-11 | Magnificat, op. 36 | — | ||
| 4-1 | Intimations of Immortality, op. 29: I. There was a time when meadow, grove and stream | — | ||
| 4-2 | Intimations of Immortality, op. 29: II. The rainbow comes and gone | — | ||
| 4-3 | Intimations of Immortality, op. 29: III. Now, while the birds thus sing a joyous song | — | ||
| 4-4 | Intimations of Immortality, op. 29: IV. Ye blessèd Creatures, I have heard the call | — | ||
| 4-5 | Intimations of Immortality, op. 29: V. Our birth is but a sleep and a forgetting | — | ||
| 4-6 | Intimations of Immortality, op. 29: VI. Earth fills her lap with pleasures of her own | — | ||
| 4-7 | Intimations of Immortality, op. 29: VII. O joy! that in our embers | — | ||
| 4-8 | Intimations of Immortality, op. 29: VIII. Then sing, ye Birds, sing, sing a joyous song! | — | ||
| 4-9 | Intimations of Immortality, op. 29: IX. And O, ye Fountains, Meadows, Hills and Groves | — | ||
| 4-10 | Grand Fantasia and Toccata, op. 38: I. Molto grave | — | ||
| 4-11 | Grand Fantasia and Toccata, op. 38: II. Allegro vigoroso | — | ||
| 5-1 | The Perfect Fool, op. 39: I. Andante | London Symphony Orchestra, André Previn | T-106.677.158-0 | |
| 5-2 | The Perfect Fool, op. 39: II. Dance of Spirits of Earth: Moderato-Andante | London Symphony Orchestra, André Previn | — | |
| 5-3 | The Perfect Fool, op. 39: III. Dance of Spirits of Water: Allegretto | London Symphony Orchestra, André Previn | — | |
| 5-4 | The Perfect Fool, op. 39: IV. Dance of Spirits of Fire: Allegro moderato | London Symphony Orchestra, André Previn | — | |
| 5-5 | Egdon Heath-Homage to Hardy, op. 47 | London Symphony Orchestra, André Previn | — | |
| 5-6 | The Planets-Suite, op. 32: I. Mars, the Bringer of War: Allegro | Philharmonia Orchestra, Sir Adrian Boult | T-910.405.802-8 | |
| 5-7 | The Planets-Suite, op. 32: II. Venus, the Bringer of Peace: Adagio | Philharmonia Orchestra, Sir Adrian Boult | T-910.405.802-8 | |
| 5-8 | The Planets-Suite, op. 32: III. Mecury, the Winged Messenger: Vivace | Philharmonia Orchestra, Sir Adrian Boult | — | |
| 5-9 | The Planets-Suite, op. 32: IV. Jupiter, the Bringer of Jollity: Allegro giocoso | Philharmonia Orchestra, Sir Adrian Boult | T-910.405.802-8 | |
| 5-10 | The Planets-Suite, op. 32: V. Saturn, the Bringer of Old Age: Adagio | Philharmonia Orchestra, Sir Adrian Boult | T-910.405.802-8 | |
| 5-11 | The Planets-Suite, op. 32: VI. Uranus, the Magician: Allegro | Philharmonia Orchestra, Sir Adrian Boult | — | |
| 5-12 | The Planets-Suite, op. 32: VII. Neptune, the Mystic: Andante | Ambrosian Singers, Philharmonia Orchestra, Sir Adrian Boult | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Egdon Heath-Homage to Hardy, op. 47 | London Symphony Orchestra, André Previn | — |
| The Perfect Fool, op. 39: II. Dance of Spirits of Earth: Moderato-Andante | London Symphony Orchestra, André Previn | — |
| The Perfect Fool, op. 39: III. Dance of Spirits of Water: Allegretto | London Symphony Orchestra, André Previn | — |
| The Perfect Fool, op. 39: IV. Dance of Spirits of Fire: Allegro moderato | London Symphony Orchestra, André Previn | — |
