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Sir Edward Elgar
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5099909569423 is the Universal Product Code (UPC barcode) for the release “The Elgar Edition: The Complete Electrical Recordings of Sir Edward Elgar” by Sir Edward Elgar, released 2011-01-01 on EMI Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 143 tracks, each with its own ISRC. Tracks include GBAYC9801202, GBAYC9801203, GBAYC9801204.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony No.1 in A flat Op.55: I. Andante: nobilmente e semplice-Allegro | — | ||
| 2 | Symphony No.1 in A flat Op.55: II. Allegro molto- | — | ||
| 3 | Symphony No.1 in A flat Op.55: III. Adagio | — | ||
| 4 | Symphony No.1 in A flat Op.55: IV. Lento-Allegro | — | ||
| 5 | Falstaff-Symphonic Study in C minor Op.68: I. Falstaff and Prince Henry | — | ||
| 6 | Falstaff-Symphonic Study in C minor Op.68: II. Eastcheap-Gadshill-The Boar's Head, revelry and sleep | — | ||
| 7 | Falstaff-Symphonic Study in C minor Op.68: Dream Interlude: 'Jack Falstaff, now Sir John, a boy, and page to Thomas Mowbray, Duke of Norfolk' | — | ||
| 8 | Falstaff-Symphonic Study in C minor Op.68: III. Falstaff's march-The return through Gloucestershire-the new king-The hurried ride to London | — | ||
| 9 | Falstaff-Symphonic Study in C minor Op.68: Interlude: Gloucestershire. Shallow's orchard | — | ||
| 10 | Falstaff-Symphonic Study in C minor Op.68: IV. King Henry V's progress-The repudiation of Falstaff, and his death | — | ||
| 2-1 | Symphony No.2 in E flat Op.63 I. Allegro vivace e nobilmente | — | ||
| 2-2 | Symphony No.2 in E flat Op.63 II. Larghetto | — | ||
| 2-3 | Symphony No.2 in E flat Op.63 III. Rondo (Presto) | — | ||
| 2-4 | Symphony No.2 in E flat Op.63 IV. Moderato e maestoso | — | ||
| 2-5 | Symphony No.2 in E flat Op.63 III. Rondo (to cue 116): first take (CR 1275-1) | — | ||
| 2-6 | Symphony No.2 in E flat Op.63 Rehearsal for second take (CR 1275-2) | — | ||
| 3-1 | The Dream of Gerontius Op.38: Prelude | — | ||
| 3-2 | The Dream of Gerontius Op.38: Kyrie eleison (cue 29) | — | ||
| 3-3 | The Dream of Gerontius Op.38: Rescue him, O Lord (cue 63) | — | ||
| 3-4 | The Dream of Gerontius Op.38: Go, in the name of Angels and Archangels (cue 72) | — | ||
| 3-5 | The Dream of Gerontius Op.38: Praise to the Holiest (cue 60) | — | ||
| 3-6 | The Dream of Gerontius Op.38: And now the threshold... Praise to the Holiest (four before cue 73) | — | ||
| 3-7 | The Dream of Gerontius Op.38: Jesu! by that shuddering dread (cue 106) | — | ||
| 3-8 | The Dream of Gerontius Op.38: Take me away (three before cue 125) | — | ||
| 3-9 | Civic Fanfare and National Anthem | — | ||
| 3-10 | The Dream of Gerontius Op.38: So pray for me, my friends (cue 28) | — | ||
| 3-11 | The Dream of Gerontius Op.38: O Jesu, help! (cue 61) | — | ||
| 3-12 | The Dream of Gerontius Op.38: Jesu! by that shuddering dread (cue 106) | — | ||
| 3-13 | The Dream of Gerontius Op.38: Take me away (three before cue 125) | — | ||
| 3-14 | The Music Makers Op.69: We are the music makers (cue 10) | — | ||
| 3-15 | The Music Makers Op.69: With wonderful deathless ditties (three before cue 16) | — | ||
| 3-16 | The Music Makers Op.69: A breath of our inspiration (cue 38) | — | ||
| 3-17 | The Music Makers Op.69: For we are afar with the dawning (cue 78) | — | ||
| 4-1 | Variations on an Original Theme (“Enigma”), op. 36: Theme | Royal Albert Hall Orchestra, Sir Edward Elgar | — | |
| 4-2 | Variations on an Original Theme (“Enigma”), op. 36: I. C.A.E. (the composer’s wife) | Royal Albert Hall Orchestra, Sir Edward Elgar | — | |
| 4-3 | Variations on an Original Theme (“Enigma”), op. 36: II. H.D.S.-P. (Hew David Steuart-Powell) | Royal Albert Hall Orchestra, Sir Edward Elgar | — | |
| 4-4 | Variations on an Original Theme (“Enigma”), op. 36: III. R.B.T. (Richard Baxter Townshend) | Royal Albert Hall Orchestra, Sir Edward Elgar | — | |
| 4-5 | Variations on an Original Theme (“Enigma”), op. 36: IV. W.M.B. (W. M. Baker) | Royal Albert Hall Orchestra, Sir Edward Elgar | — | |
| 4-6 | Variations on an Original Theme (“Enigma”), op. 36: V. R.P.A. (Richard P. Arnold) | Royal Albert Hall Orchestra, Sir Edward Elgar | — | |
| 4-7 | Variations on an Original Theme (“Enigma”), op. 36: VI. Ysobel (Isabel Fitton) | Royal Albert Hall Orchestra, Sir Edward Elgar | — | |
| 4-8 | Variations on an Original Theme (“Enigma”), op. 36: VII. Troyte (Troyte Griffith) | Royal Albert Hall Orchestra, Sir Edward Elgar | — | |
| 4-9 | Variations on an Original Theme (“Enigma”), op. 36: VIII. W.N. (Winifred Norbury) | Royal Albert Hall Orchestra, Sir Edward Elgar | — | |
| 4-10 | Variations on an Original Theme (“Enigma”), op. 36: IX. Nimrod (A. J. Jaeger) | Royal Albert Hall Orchestra, Sir Edward Elgar | T-010.115.427-1 | |
| 4-11 | Variations on an Original Theme (“Enigma”), op. 36: X. Intermezzo: Dorabella (Dora Penny) | Royal Albert Hall Orchestra, Sir Edward Elgar | — | |
| 4-12 | Variations on an Original Theme (“Enigma”), op. 36: XI. G.R.S. (G. R. Sinclair) | Royal Albert Hall Orchestra, Sir Edward Elgar | — | |
| 4-13 | Variations on an Original Theme (“Enigma”), op. 36: XII. B.G.N (Basil G. Nevinson) | Royal Albert Hall Orchestra, Sir Edward Elgar | — | |
| 4-14 | Variations on an Original Theme (“Enigma”), op. 36: XIII. Romanza: *** [Lady Mary Lygon] | Royal Albert Hall Orchestra, Sir Edward Elgar | — | |
| 4-15 | Variations on an Original Theme (“Enigma”), op. 36: XIV. Finale: E.D.U. (the composer) | Royal Albert Hall Orchestra, Sir Edward Elgar | — | |
| 4-16 | Violin Concerto in B minor, op. 61: I. Allegro | Yehudi Menuhin, London Symphony Orchestra, Sir Edward Elgar | — | |
| 4-17 | Violin Concerto in B minor, op. 61: II. Andante | Yehudi Menuhin, London Symphony Orchestra, Sir Edward Elgar | — | |
| 4-18 | Violin Concerto in B minor, op. 61: III. Allegro molto— | Yehudi Menuhin, London Symphony Orchestra, Sir Edward Elgar | — | |
| 4-19 | Violin Concerto in B minor, op. 61: Cadenza (accompagnata: Lento)—Allegro molto | Yehudi Menuhin, London Symphony Orchestra, Sir Edward Elgar | — | |
| 5-1 | The Wand of Youth, First Suite Op.1a: I. Overture (Allegro molto) | — | ||
| 5-2 | The Wand of Youth, First Suite Op.1a: II. Serenade (Andantino) | — | ||
| 5-3 | The Wand of Youth, First Suite Op.1a: III. Minuet (Old Style) (Andante) | — | ||
| 5-4 | The Wand of Youth, First Suite Op.1a: IV. Sun Dance (Presto) | — | ||
| 5-5 | The Wand of Youth, First Suite Op.1a: V. Fairy Pipers (Allegretto) | — | ||
| 5-6 | The Wand of Youth, First Suite Op.1a: VI. Slumber Scene (Moderato) | — | ||
| 5-7 | The Wand of Youth, First Suite Op.1a: VII. Fairies and Giants (Presto) | — | ||
| 5-8 | The Wand of Youth, Second Suite Op.1b: I. March (Alla marcia: allegro moderato) | — | ||
| 5-9 | The Wand of Youth, Second Suite Op.1b: II. The Little Bells (Scherzino) (Allegro molto) | — | ||
| 5-10 | The Wand of Youth, Second Suite Op.1b: III. Moths and Butterflies (Dance) (Allegretto) | — | ||
| 5-11 | The Wand of Youth, Second Suite Op.1b: IV. Fountain Dance (Allegretto comodo) | — | ||
| 5-12 | The Wand of Youth, Second Suite Op.1b: V. The Tame Bear (Allegro moderato) | — | ||
| 5-13 | The Wand of Youth, Second Suite Op.1b: VI. The Wild Bears (Presto) | — | ||
| 5-14 | Nursery Suite: I. Aubade (Awake) (Allegretto) | — | ||
| 5-15 | Nursery Suite: II. The Serious Doll (Andantino) | — | ||
| 5-16 | Nursery Suite: III. Busy-ness (Allegro molto) | — | ||
| 5-17 | Nursery Suite: IV. The Sad Doll (Andantino) | — | ||
| 5-18 | Nursery Suite: V. The Wagon (Passes) (Allegretto) | — | ||
| 5-19 | Nursery Suite: VI. The Merry Doll (Allegro molto) | — | ||
| 5-20 | Nursery Suite: VII. Dreaming (Lento) | — | ||
| 5-21 | Nursery Suite: Envoy (Coda) | — | ||
| 5-22 | Severn Suite Op.87: I. Worcester Castle (Introduction) | — | ||
| 5-23 | Severn Suite Op.87: II. Tournament (Toccata) | — | ||
| 5-24 | Severn Suite Op.87: III. Cathedral (Fugue) | — | ||
| 5-25 | Severn Suite Op.87: IV. Commandery (Minuet) | — | ||
| 5-26 | Severn Suite Op.87: V. Coda | — | ||
| 6-1 | Land of Hope and Glory | — | ||
| 6-2 | It comes from the misty ages | — | ||
| 6-3 | National Anthem | — | ||
| 6-4 | Croft: O God, our help in ages past | — | ||
| 6-5 | Meditation from The Light of Life Op.29 | — | ||
| 6-6 | Three Characteristic Pieces Op.10: 1. Mazurka | — | ||
| 6-7 | Three Characteristic Pieces Op.10: 2. Sérénade mauresque | — | ||
| 6-8 | Three Characteristic Pieces Op.10: 3. Contrasts: The Gavotte AD 1700 and 1900 | — | ||
| 6-9 | Chanson de nuit Op.15 No.1 | — | ||
| 6-10 | Chanson de matin Op.15 No.2 | — | ||
| 6-11 | Three Bavarian Dances Op.27: 1. The Dance (Sonnenbichl) (Allegretto giocoso) | — | ||
| 6-12 | Three Bavarian Dances Op.27: 2. Lullaby (In Hammersbach) (Moderato) | — | ||
| 6-13 | Three Bavarian Dances Op.27: 3. The Marksman (Bei Murnau) (Allegro) | — | ||
| 6-14 | The Crown of India-Suite Op.66: I. (a) Introduction (Allegro)- | — | ||
| 6-15 | The Crown of India-Suite Op.66: (b) Dance of the Nautch Girls (Allegretto) | — | ||
| 6-16 | The Crown of India-Suite Op.66: II. Menuetto (Moderato) | — | ||
| 6-17 | The Crown of India-Suite Op.66: III. Warriors' Dance (Allegro) | — | ||
| 6-18 | The Crown of India-Suite Op.66: V. March of the Mogul Emperors (Moderato maestoso) | — | ||
| 6-19 | Fantasia and Fugue in C minor Op.86: Fantasia | — | ||
| 6-20 | Fantasia and Fugue in C minor Op.86: Fugue | — | ||
| 7-1 | Froissart-Concert Overture Op.19 | — | ||
| 7-2 | Cockaigne (In London Town)-Concert Overture Op.40 | — | ||
| 7-3 | In the South (Alassio)-Concert Overture Op.50: Vivace-Poco meno mosso- | — | ||
| 7-4 | In the South (Alassio)-Concert Overture Op.50: Grandioso (fig.20)- | — | ||
| 7-5 | In the South (Alassio)-Concert Overture Op.50: Meno mosso, molto tranquillo (Canto popolare) (fig.24)- | — | ||
| 7-6 | In the South (Alassio)-Concert Overture Op.50: Tempo I (fig.40)-Poco meno mosso-Tempo I | — | ||
| 7-7 | Interludes from Falstaff Op.68: Dream Interlude I: 'Jack Falstaff, now Sir John, a boy, and page to Thomas Mowbray, Duke of Norfolk' (Poco allegretto) | — | ||
| 7-8 | Interludes from Falstaff Op.68: Dream Interlude II: Gloucestershire. Shallow's Orchard (Allegretto) | — | ||
| 7-9 | Cello Concerto in E minor Op.85: I. Adagio-Moderato | — | ||
| 7-10 | Cello Concerto in E minor Op.85: II. Allegro molto | — | ||
| 7-11 | Cello Concerto in E minor Op.85: III. Adagio | — | ||
| 7-12 | Cello Concerto in E minor Op.85: IV. Allegro-Moderato-Allegro, ma non troppo-Poco più lento-Adagio, come prima-Allegro molto | — | ||
| 8-1 | Minuet from Beau Brummel (1929) | — | ||
| 8-2 | Rosemary ('that's for remembrance') | — | ||
| 8-3 | Salut d'amour Op.12 | — | ||
| 8-4 | Minuet Op.21 | — | ||
| 8-5 | Sérénade lyrique | — | ||
| 8-6 | May Song | — | ||
| 8-7 | Carissima | — | ||
| 8-8 | Minuet from Beau Brummel (1928) | — | ||
| 8-9 | Five Piano Improvisations: No.1 | — | ||
| 8-10 | Five Piano Improvisations: No.2 | — | ||
| 8-11 | Five Piano Improvisations: No.3 | — | ||
| 8-12 | Five Piano Improvisations: No.4 | — | ||
| 8-13 | Five Piano Improvisations: No.5 | — | ||
| 8-14 | Pomp and Circumstance-Military Marches Op.39: No.1 in D | — | ||
| 8-15 | Pomp and Circumstance-Military Marches Op.39: No.2 in A minor | — | ||
| 8-16 | Pomp and Circumstance-Military Marches Op.39: No.3 in C minor | — | ||
| 8-17 | Pomp and Circumstance-Military Marches Op.39: No.4 in G | — | ||
| 8-18 | Pomp and Circumstance-Military Marches Op.39: No.5 in C | — | ||
| 8-19 | Land of Hope and Glory (introduced by Elgar) | — | ||
| 9-1 | Prelude to The Kingdom Op.51 | — | ||
| 9-2 | Pomp and Circumstance-Military Marches Op.39: No.1 in D (1933) | — | ||
| 9-3 | Pomp and Circumstance-Military Marches Op.39: No.2 in A minor (1933) | — | ||
| 9-4 | Pomp and Circumstance-Military Marches Op.39: No.4 in G (1933) | — | ||
| 9-5 | Cockaigne (In London Town)-Concert Overture Op.40 (1933) | — | ||
| 9-6 | Serenade in E minor Op.20: I. Allegro piacevole | — | ||
| 9-7 | Serenade in E minor Op.20: II.Larghetto | — | ||
| 9-8 | Serenade in E minor Op.20: III. Allegretto-Come prima | — | ||
| 9-9 | Elegy Op.58 | — | ||
| 9-10 | Caractacus Op.35: Woodland Interlude | — | ||
| 9-11 | Caractacus Op.35: Triumphal March | — | ||
| 9-12 | Mina (1934) | — | ||
| 9-13 | Mina (1935) | — | ||
| 9-14 | Coronation March Op.65 | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Variations on an Original Theme, op. 36 "Enigma": IX. Nimrod | Elgar | T-010.115.427-1 |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
5099909569423 is a Universal Product Code (UPC) assigned to The Elgar Edition: The Complete Electrical Recordings of Sir Edward Elgar by Sir Edward Elgar. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 143 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
5099909569423 is the Universal Product Code (UPC barcode) for the release “The Elgar Edition: The Complete Electrical Recordings of Sir Edward Elgar” by Sir Edward Elgar, released 2011-01-01 on EMI Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 143 tracks, each with its own ISRC. Tracks include GBAYC9801202, GBAYC9801203, GBAYC9801204.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony No.1 in A flat Op.55: I. Andante: nobilmente e semplice-Allegro | — | ||
| 2 | Symphony No.1 in A flat Op.55: II. Allegro molto- | — | ||
| 3 | Symphony No.1 in A flat Op.55: III. Adagio | — | ||
| 4 | Symphony No.1 in A flat Op.55: IV. Lento-Allegro | — | ||
| 5 | Falstaff-Symphonic Study in C minor Op.68: I. Falstaff and Prince Henry | — | ||
| 6 | Falstaff-Symphonic Study in C minor Op.68: II. Eastcheap-Gadshill-The Boar's Head, revelry and sleep | — | ||
| 7 | Falstaff-Symphonic Study in C minor Op.68: Dream Interlude: 'Jack Falstaff, now Sir John, a boy, and page to Thomas Mowbray, Duke of Norfolk' | — | ||
| 8 | Falstaff-Symphonic Study in C minor Op.68: III. Falstaff's march-The return through Gloucestershire-the new king-The hurried ride to London | — | ||
| 9 | Falstaff-Symphonic Study in C minor Op.68: Interlude: Gloucestershire. Shallow's orchard | — | ||
| 10 | Falstaff-Symphonic Study in C minor Op.68: IV. King Henry V's progress-The repudiation of Falstaff, and his death | — | ||
| 2-1 | Symphony No.2 in E flat Op.63 I. Allegro vivace e nobilmente | — | ||
| 2-2 | Symphony No.2 in E flat Op.63 II. Larghetto | — | ||
| 2-3 | Symphony No.2 in E flat Op.63 III. Rondo (Presto) | — | ||
| 2-4 | Symphony No.2 in E flat Op.63 IV. Moderato e maestoso | — | ||
| 2-5 | Symphony No.2 in E flat Op.63 III. Rondo (to cue 116): first take (CR 1275-1) | — | ||
| 2-6 | Symphony No.2 in E flat Op.63 Rehearsal for second take (CR 1275-2) | — | ||
| 3-1 | The Dream of Gerontius Op.38: Prelude | — | ||
| 3-2 | The Dream of Gerontius Op.38: Kyrie eleison (cue 29) | — | ||
| 3-3 | The Dream of Gerontius Op.38: Rescue him, O Lord (cue 63) | — | ||
| 3-4 | The Dream of Gerontius Op.38: Go, in the name of Angels and Archangels (cue 72) | — | ||
| 3-5 | The Dream of Gerontius Op.38: Praise to the Holiest (cue 60) | — | ||
| 3-6 | The Dream of Gerontius Op.38: And now the threshold... Praise to the Holiest (four before cue 73) | — | ||
| 3-7 | The Dream of Gerontius Op.38: Jesu! by that shuddering dread (cue 106) | — | ||
| 3-8 | The Dream of Gerontius Op.38: Take me away (three before cue 125) | — | ||
| 3-9 | Civic Fanfare and National Anthem | — | ||
| 3-10 | The Dream of Gerontius Op.38: So pray for me, my friends (cue 28) | — | ||
| 3-11 | The Dream of Gerontius Op.38: O Jesu, help! (cue 61) | — | ||
| 3-12 | The Dream of Gerontius Op.38: Jesu! by that shuddering dread (cue 106) | — | ||
| 3-13 | The Dream of Gerontius Op.38: Take me away (three before cue 125) | — | ||
| 3-14 | The Music Makers Op.69: We are the music makers (cue 10) | — | ||
| 3-15 | The Music Makers Op.69: With wonderful deathless ditties (three before cue 16) | — | ||
| 3-16 | The Music Makers Op.69: A breath of our inspiration (cue 38) | — | ||
| 3-17 | The Music Makers Op.69: For we are afar with the dawning (cue 78) | — | ||
| 4-1 | Variations on an Original Theme (“Enigma”), op. 36: Theme | Royal Albert Hall Orchestra, Sir Edward Elgar | — | |
| 4-2 | Variations on an Original Theme (“Enigma”), op. 36: I. C.A.E. (the composer’s wife) | Royal Albert Hall Orchestra, Sir Edward Elgar | — | |
| 4-3 | Variations on an Original Theme (“Enigma”), op. 36: II. H.D.S.-P. (Hew David Steuart-Powell) | Royal Albert Hall Orchestra, Sir Edward Elgar | — | |
| 4-4 | Variations on an Original Theme (“Enigma”), op. 36: III. R.B.T. (Richard Baxter Townshend) | Royal Albert Hall Orchestra, Sir Edward Elgar | — | |
| 4-5 | Variations on an Original Theme (“Enigma”), op. 36: IV. W.M.B. (W. M. Baker) | Royal Albert Hall Orchestra, Sir Edward Elgar | — | |
| 4-6 | Variations on an Original Theme (“Enigma”), op. 36: V. R.P.A. (Richard P. Arnold) | Royal Albert Hall Orchestra, Sir Edward Elgar | — | |
| 4-7 | Variations on an Original Theme (“Enigma”), op. 36: VI. Ysobel (Isabel Fitton) | Royal Albert Hall Orchestra, Sir Edward Elgar | — | |
| 4-8 | Variations on an Original Theme (“Enigma”), op. 36: VII. Troyte (Troyte Griffith) | Royal Albert Hall Orchestra, Sir Edward Elgar | — | |
| 4-9 | Variations on an Original Theme (“Enigma”), op. 36: VIII. W.N. (Winifred Norbury) | Royal Albert Hall Orchestra, Sir Edward Elgar | — | |
| 4-10 | Variations on an Original Theme (“Enigma”), op. 36: IX. Nimrod (A. J. Jaeger) | Royal Albert Hall Orchestra, Sir Edward Elgar | T-010.115.427-1 | |
| 4-11 | Variations on an Original Theme (“Enigma”), op. 36: X. Intermezzo: Dorabella (Dora Penny) | Royal Albert Hall Orchestra, Sir Edward Elgar | — | |
| 4-12 | Variations on an Original Theme (“Enigma”), op. 36: XI. G.R.S. (G. R. Sinclair) | Royal Albert Hall Orchestra, Sir Edward Elgar | — | |
| 4-13 | Variations on an Original Theme (“Enigma”), op. 36: XII. B.G.N (Basil G. Nevinson) | Royal Albert Hall Orchestra, Sir Edward Elgar | — | |
| 4-14 | Variations on an Original Theme (“Enigma”), op. 36: XIII. Romanza: *** [Lady Mary Lygon] | Royal Albert Hall Orchestra, Sir Edward Elgar | — | |
| 4-15 | Variations on an Original Theme (“Enigma”), op. 36: XIV. Finale: E.D.U. (the composer) | Royal Albert Hall Orchestra, Sir Edward Elgar | — | |
| 4-16 | Violin Concerto in B minor, op. 61: I. Allegro | Yehudi Menuhin, London Symphony Orchestra, Sir Edward Elgar | — | |
| 4-17 | Violin Concerto in B minor, op. 61: II. Andante | Yehudi Menuhin, London Symphony Orchestra, Sir Edward Elgar | — | |
| 4-18 | Violin Concerto in B minor, op. 61: III. Allegro molto— | Yehudi Menuhin, London Symphony Orchestra, Sir Edward Elgar | — | |
| 4-19 | Violin Concerto in B minor, op. 61: Cadenza (accompagnata: Lento)—Allegro molto | Yehudi Menuhin, London Symphony Orchestra, Sir Edward Elgar | — | |
| 5-1 | The Wand of Youth, First Suite Op.1a: I. Overture (Allegro molto) | — | ||
| 5-2 | The Wand of Youth, First Suite Op.1a: II. Serenade (Andantino) | — | ||
| 5-3 | The Wand of Youth, First Suite Op.1a: III. Minuet (Old Style) (Andante) | — | ||
| 5-4 | The Wand of Youth, First Suite Op.1a: IV. Sun Dance (Presto) | — | ||
| 5-5 | The Wand of Youth, First Suite Op.1a: V. Fairy Pipers (Allegretto) | — | ||
| 5-6 | The Wand of Youth, First Suite Op.1a: VI. Slumber Scene (Moderato) | — | ||
| 5-7 | The Wand of Youth, First Suite Op.1a: VII. Fairies and Giants (Presto) | — | ||
| 5-8 | The Wand of Youth, Second Suite Op.1b: I. March (Alla marcia: allegro moderato) | — | ||
| 5-9 | The Wand of Youth, Second Suite Op.1b: II. The Little Bells (Scherzino) (Allegro molto) | — | ||
| 5-10 | The Wand of Youth, Second Suite Op.1b: III. Moths and Butterflies (Dance) (Allegretto) | — | ||
| 5-11 | The Wand of Youth, Second Suite Op.1b: IV. Fountain Dance (Allegretto comodo) | — | ||
| 5-12 | The Wand of Youth, Second Suite Op.1b: V. The Tame Bear (Allegro moderato) | — | ||
| 5-13 | The Wand of Youth, Second Suite Op.1b: VI. The Wild Bears (Presto) | — | ||
| 5-14 | Nursery Suite: I. Aubade (Awake) (Allegretto) | — | ||
| 5-15 | Nursery Suite: II. The Serious Doll (Andantino) | — | ||
| 5-16 | Nursery Suite: III. Busy-ness (Allegro molto) | — | ||
| 5-17 | Nursery Suite: IV. The Sad Doll (Andantino) | — | ||
| 5-18 | Nursery Suite: V. The Wagon (Passes) (Allegretto) | — | ||
| 5-19 | Nursery Suite: VI. The Merry Doll (Allegro molto) | — | ||
| 5-20 | Nursery Suite: VII. Dreaming (Lento) | — | ||
| 5-21 | Nursery Suite: Envoy (Coda) | — | ||
| 5-22 | Severn Suite Op.87: I. Worcester Castle (Introduction) | — | ||
| 5-23 | Severn Suite Op.87: II. Tournament (Toccata) | — | ||
| 5-24 | Severn Suite Op.87: III. Cathedral (Fugue) | — | ||
| 5-25 | Severn Suite Op.87: IV. Commandery (Minuet) | — | ||
| 5-26 | Severn Suite Op.87: V. Coda | — | ||
| 6-1 | Land of Hope and Glory | — | ||
| 6-2 | It comes from the misty ages | — | ||
| 6-3 | National Anthem | — | ||
| 6-4 | Croft: O God, our help in ages past | — | ||
| 6-5 | Meditation from The Light of Life Op.29 | — | ||
| 6-6 | Three Characteristic Pieces Op.10: 1. Mazurka | — | ||
| 6-7 | Three Characteristic Pieces Op.10: 2. Sérénade mauresque | — | ||
| 6-8 | Three Characteristic Pieces Op.10: 3. Contrasts: The Gavotte AD 1700 and 1900 | — | ||
| 6-9 | Chanson de nuit Op.15 No.1 | — | ||
| 6-10 | Chanson de matin Op.15 No.2 | — | ||
| 6-11 | Three Bavarian Dances Op.27: 1. The Dance (Sonnenbichl) (Allegretto giocoso) | — | ||
| 6-12 | Three Bavarian Dances Op.27: 2. Lullaby (In Hammersbach) (Moderato) | — | ||
| 6-13 | Three Bavarian Dances Op.27: 3. The Marksman (Bei Murnau) (Allegro) | — | ||
| 6-14 | The Crown of India-Suite Op.66: I. (a) Introduction (Allegro)- | — | ||
| 6-15 | The Crown of India-Suite Op.66: (b) Dance of the Nautch Girls (Allegretto) | — | ||
| 6-16 | The Crown of India-Suite Op.66: II. Menuetto (Moderato) | — | ||
| 6-17 | The Crown of India-Suite Op.66: III. Warriors' Dance (Allegro) | — | ||
| 6-18 | The Crown of India-Suite Op.66: V. March of the Mogul Emperors (Moderato maestoso) | — | ||
| 6-19 | Fantasia and Fugue in C minor Op.86: Fantasia | — | ||
| 6-20 | Fantasia and Fugue in C minor Op.86: Fugue | — | ||
| 7-1 | Froissart-Concert Overture Op.19 | — | ||
| 7-2 | Cockaigne (In London Town)-Concert Overture Op.40 | — | ||
| 7-3 | In the South (Alassio)-Concert Overture Op.50: Vivace-Poco meno mosso- | — | ||
| 7-4 | In the South (Alassio)-Concert Overture Op.50: Grandioso (fig.20)- | — | ||
| 7-5 | In the South (Alassio)-Concert Overture Op.50: Meno mosso, molto tranquillo (Canto popolare) (fig.24)- | — | ||
| 7-6 | In the South (Alassio)-Concert Overture Op.50: Tempo I (fig.40)-Poco meno mosso-Tempo I | — | ||
| 7-7 | Interludes from Falstaff Op.68: Dream Interlude I: 'Jack Falstaff, now Sir John, a boy, and page to Thomas Mowbray, Duke of Norfolk' (Poco allegretto) | — | ||
| 7-8 | Interludes from Falstaff Op.68: Dream Interlude II: Gloucestershire. Shallow's Orchard (Allegretto) | — | ||
| 7-9 | Cello Concerto in E minor Op.85: I. Adagio-Moderato | — | ||
| 7-10 | Cello Concerto in E minor Op.85: II. Allegro molto | — | ||
| 7-11 | Cello Concerto in E minor Op.85: III. Adagio | — | ||
| 7-12 | Cello Concerto in E minor Op.85: IV. Allegro-Moderato-Allegro, ma non troppo-Poco più lento-Adagio, come prima-Allegro molto | — | ||
| 8-1 | Minuet from Beau Brummel (1929) | — | ||
| 8-2 | Rosemary ('that's for remembrance') | — | ||
| 8-3 | Salut d'amour Op.12 | — | ||
| 8-4 | Minuet Op.21 | — | ||
| 8-5 | Sérénade lyrique | — | ||
| 8-6 | May Song | — | ||
| 8-7 | Carissima | — | ||
| 8-8 | Minuet from Beau Brummel (1928) | — | ||
| 8-9 | Five Piano Improvisations: No.1 | — | ||
| 8-10 | Five Piano Improvisations: No.2 | — | ||
| 8-11 | Five Piano Improvisations: No.3 | — | ||
| 8-12 | Five Piano Improvisations: No.4 | — | ||
| 8-13 | Five Piano Improvisations: No.5 | — | ||
| 8-14 | Pomp and Circumstance-Military Marches Op.39: No.1 in D | — | ||
| 8-15 | Pomp and Circumstance-Military Marches Op.39: No.2 in A minor | — | ||
| 8-16 | Pomp and Circumstance-Military Marches Op.39: No.3 in C minor | — | ||
| 8-17 | Pomp and Circumstance-Military Marches Op.39: No.4 in G | — | ||
| 8-18 | Pomp and Circumstance-Military Marches Op.39: No.5 in C | — | ||
| 8-19 | Land of Hope and Glory (introduced by Elgar) | — | ||
| 9-1 | Prelude to The Kingdom Op.51 | — | ||
| 9-2 | Pomp and Circumstance-Military Marches Op.39: No.1 in D (1933) | — | ||
| 9-3 | Pomp and Circumstance-Military Marches Op.39: No.2 in A minor (1933) | — | ||
| 9-4 | Pomp and Circumstance-Military Marches Op.39: No.4 in G (1933) | — | ||
| 9-5 | Cockaigne (In London Town)-Concert Overture Op.40 (1933) | — | ||
| 9-6 | Serenade in E minor Op.20: I. Allegro piacevole | — | ||
| 9-7 | Serenade in E minor Op.20: II.Larghetto | — | ||
| 9-8 | Serenade in E minor Op.20: III. Allegretto-Come prima | — | ||
| 9-9 | Elegy Op.58 | — | ||
| 9-10 | Caractacus Op.35: Woodland Interlude | — | ||
| 9-11 | Caractacus Op.35: Triumphal March | — | ||
| 9-12 | Mina (1934) | — | ||
| 9-13 | Mina (1935) | — | ||
| 9-14 | Coronation March Op.65 | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Variations on an Original Theme, op. 36 "Enigma": IX. Nimrod | Elgar | T-010.115.427-1 |
