UPC · Release
Complete Symphonies
Пётр Ильич Чайковский, Riccardo Muti
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5099909799950 is the Universal Product Code (UPC barcode) for the release “Complete Symphonies” by Пётр Ильич Чайковский, Riccardo Muti, released 2011-07-11. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 53 tracks, each with its own ISRC. Tracks include GBAYC8603224, GBAYC8603221, GBAYC8603222.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (53)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 1 in G minor, op. 13 “Winter Dreams”: I. Allegro tranquillo | New Philharmonia Orchestra, Riccardo Muti | — | |
| 2 | Symphony no. 1 in G minor, op. 13 “Winter Dreams”: II. Adagio cantabile ma non tanto | New Philharmonia Orchestra, Riccardo Muti | — | |
| 3 | Symphony no. 1 in G minor, op. 13 “Winter Dreams”: III. Scherzo. Allegro scherzando giocoso | New Philharmonia Orchestra, Riccardo Muti | — | |
| 4 | Symphony no. 1 in G minor, op. 13 “Winter Dreams”: IV. Finale. Andante lugubre | New Philharmonia Orchestra, Riccardo Muti | — | |
| 5 | Symphony no. 2 in C minor, op. 17 “Little Russian”: I. Andante sostenuto – Allegro vivo | Philharmonia Orchestra, Riccardo Muti | — | |
| 6 | Symphony no. 2 in C minor, op. 17 “Little Russian”: II. Andantino marziale | Philharmonia Orchestra, Riccardo Muti | — | |
| 7 | Symphony no. 2 in C minor, op. 17 “Little Russian”: III. Scherzo. Allegro molto vivace | Philharmonia Orchestra, Riccardo Muti | — | |
| 8 | Symphony no. 2 in C minor, op. 17 “Little Russian”: IV. Finale. Moderato assai – Allegro vivo | Philharmonia Orchestra, Riccardo Muti | — | |
| 2-1 | Symphony no. 3 in D, op. 29 “Polish”: I. Moderato assai (Tempo di marcia funebre) - Allegro brillante | Philharmonia Orchestra, Riccardo Muti | — | |
| 2-2 | Symphony no. 3 in D, op. 29 “Polish”: II. Alla tedesca (Allegro moderato e semplice) | Philharmonia Orchestra, Riccardo Muti | — | |
| 2-3 | Symphony no. 3 in D, op. 29 “Polish”: III. Andante elegiaco | Philharmonia Orchestra, Riccardo Muti | — | |
| 2-4 | Symphony no. 3 in D, op. 29 “Polish”: IV. Scherzo (Allegro vivo) | Philharmonia Orchestra, Riccardo Muti | — | |
| 2-5 | Symphony no. 3 in D, op. 29 “Polish”: V. Allegro con fuoco - Tempo di polacca | Philharmonia Orchestra, Riccardo Muti | T-910.405.802-8 | |
| 2-6 | Symphony no. 4 in F minor: I. Andante sostenuto - Moderato con anima | Philharmonia Orchestra, Riccardo Muti | T-902.876.200-7 | |
| 2-7 | Symphony no. 4 in F minor: II. Andantino in modo di canzona | Philharmonia Orchestra, Riccardo Muti | — | |
| 2-8 | Symphony no. 4 in F minor: III. Scherzo (Pizzicato ostinato) | Philharmonia Orchestra, Riccardo Muti | — | |
| 3-1 | Symphony no. 4 in F minor: IV. Finale (Allegro con fuoco) | Philharmonia Orchestra, Riccardo Muti | — | |
| 3-2 | Symphony no. 5 in E minor, op. 64: I. Andante – Allegro con anima | Philharmonia Orchestra, Riccardo Muti | — | |
| 3-3 | Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza | Philharmonia Orchestra, Riccardo Muti | — | |
| 3-4 | Symphony no. 5 in E minor, op. 64: III. Valse. Allegro moderato | Philharmonia Orchestra, Riccardo Muti | — | |
| 3-5 | Symphony no. 5 in E minor, op. 64: IV. Finale. Andante maestoso – Allegro vivace | Philharmonia Orchestra, Riccardo Muti | — | |
| 3-6 | Romeo and Juliet - Fantasy Overture | Philharmonia Orchestra, Riccardo Muti | T-905.031.800-8 | |
| 4-1 | Symphony no. 6 in B minor, op. 74 “Pathétique”: I. Adagio – Allegro non troppo | Philharmonia Orchestra, Riccardo Muti | — | |
| 4-2 | Symphony no. 6 in B minor, op. 74 “Pathétique”: II. Allegro con grazia | Philharmonia Orchestra, Riccardo Muti | — | |
| 4-3 | Symphony no. 6 in B minor, op. 74 “Pathétique”: III. Allegro molto vivace | Philharmonia Orchestra, Riccardo Muti | — | |
| 4-4 | Symphony no. 6 in B minor, op. 74 “Pathétique”: IV. Finale. Adagio lamentoso – Andante | Philharmonia Orchestra, Riccardo Muti | — | |
| 4-5 | Francesca da Rimini, op. 32 | The Philadelphia Orchestra, Riccardo Muti | T-010.194.429-9 | |
| 5-1 | Manfred Symphony, op. 58: I. Lento lugubre - Moderato con moto - Andante | Philharmonia Orchestra, Riccardo Muti | — | |
| 5-2 | Manfred Symphony, op. 58: II. Vivace con spirito | Philharmonia Orchestra, Riccardo Muti | — | |
| 5-3 | Manfred Symphony, op. 58: III. Andante con moto | Philharmonia Orchestra, Riccardo Muti | — | |
| 5-4 | Manfred Symphony, op. 58: IV. Allegro con fuoco | Philharmonia Orchestra, Riccardo Muti | — | |
| 5-5 | Ouverture solennelle 1812, op. 49 | The Philadelphia Orchestra, Riccardo Muti | — | |
| 6-1 | Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso - Allegro con spirito | Andrei Gavrilov, Philharmonia Orchestra, Riccardo Muti | — | |
| 6-2 | Piano Concerto no. 1 in B-flat minor, op. 23: II. Andantino semplice | Andrei Gavrilov, Philharmonia Orchestra, Riccardo Muti | — | |
| 6-3 | Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro con fuoco | Andrei Gavrilov, Philharmonia Orchestra, Riccardo Muti | — | |
| 6-4 | Serenade for Strings in C major, op. 48: I. Pezzo in forma di sonatina (Andante non troppo - Allegro moderato) | The Philadelphia Orchestra, Riccardo Muti | — | |
| 6-5 | Serenade for Strings in C major, op. 48: II. Valse (Moderato: Tempo di valse) | The Philadelphia Orchestra, Riccardo Muti | — | |
| 6-6 | Serenade for Strings in C major, op. 48: III. Elégie (Larghetto elegiaco) | The Philadelphia Orchestra, Riccardo Muti | — | |
| 6-7 | Serenade for Strings in C major, op. 48: IV. Finale: Tema russo (Andante - Allegro con spirito) | The Philadelphia Orchestra, Riccardo Muti | — | |
| 7-1 | Swan Lake - Ballet Suite, op. 20: Scene | The Philadelphia Orchestra, Riccardo Muti | — | |
| 7-2 | Swan Lake - Ballet Suite, op. 20: Act 1: Waltz | The Philadelphia Orchestra, Riccardo Muti | — | |
| 7-3 | Swan Lake - Ballet Suite, op. 20: Act 2: Pas de quatre: Dance of the Little Swans | The Philadelphia Orchestra, Riccardo Muti | — | |
| 7-4 | Swan Lake - Ballet Suite, op. 20: Act 2: Introduction, Scene and Dance No. 2 of the Queen of the Swans | The Philadelphia Orchestra, Riccardo Muti | — | |
| 7-5 | Swan Lake - Ballet Suite, op. 20: Act 3: Hungarian Dance | The Philadelphia Orchestra, Riccardo Muti | — | |
| 7-6 | Swan Lake - Ballet Suite, op. 20: Act 3: Spanish Dance | The Philadelphia Orchestra, Riccardo Muti | — | |
| 7-7 | Swan Lake - Ballet Suite, op. 20: Act 3: Neapolitan Dance | The Philadelphia Orchestra, Riccardo Muti | — | |
| 7-8 | Swan Lake - Ballet Suite, op. 20: Act 3: Mazurka | The Philadelphia Orchestra, Riccardo Muti | — | |
| 7-9 | The Sleeping Beauty - Ballet Suite, op. 66: Introduction: The Lilac Fairy | The Philadelphia Orchestra, Riccardo Muti | — | |
| 7-10 | The Sleeping Beauty - Ballet Suite, op. 66: Pas d'action (Adagio) | The Philadelphia Orchestra, Riccardo Muti | — | |
| 7-11 | The Sleeping Beauty - Ballet Suite, op. 66: Pas de caractère: Puss-in-Boots & the White Cat | The Philadelphia Orchestra, Riccardo Muti | — | |
| 7-12 | The Sleeping Beauty - Ballet Suite, op. 66: Panorama | The Philadelphia Orchestra, Riccardo Muti | — | |
| 7-13 | The Sleeping Beauty - Ballet Suite, op. 66: Waltz | The Philadelphia Orchestra, Riccardo Muti | T-905.014.886-2 | |
| 7-14 | Hamlet, op. 67 | The Philadelphia Orchestra, Riccardo Muti | T-308.451.772-2 |
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What is UPC 5099909799950?
5099909799950 is a Universal Product Code (UPC) assigned to Complete Symphonies by Пётр Ильич Чайковский, Riccardo Muti. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 53 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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