UPC · Release
The Bee’s Knees (The EMI Years 1957-1964)
John Barry
5099909839229
26 tracksReleased 2011-01-01Parlophone
Last verified:
5099909839229 is the Universal Product Code (UPC barcode) for the release “The Bee’s Knees (The EMI Years 1957-1964)” by John Barry, released 2011-01-01 on Parlophone. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 26 tracks, each with its own ISRC. Tracks include GBAYE6200261, GBAYE6200262, GBAYE9500191.
Format
509GS1 prefix
9909Company prefix
83922Product
9Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCThe Bee’s Knees (The EMI Years 1957-1964)
ISRC17 recordings
ISWC35 works
IPI2 songwriters
Track List (26)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 3-1 | The James Bond Theme (From the Film "Dr No") | The John Barry Seven and Orchestra | T-011.221.662-2 | |
| 3-2 | The Blacksmith Blues | — | ||
| 3-3 | Cutty Sark (Dateline TV Theme) | The John Barry Seven and Orchestra | — | |
| 3-4 | Lost Patrol | — | ||
| 3-5 | Theme From ‘Roman Spring of Mrs Stone’ | Michael Angelo & His Orchestra | — | |
| 3-6 | Tears | Michael Angelo & His Orchestra | — | |
| 3-7 | Blueberry Hill | John Barry and His Orchestra | T-070.011.858-6 | |
| 3-8 | Cherry Pink and Apple Blossom White | The John Barry Orchestra | T-070.024.589-1 | |
| 3-9 | Smokey Joe | — | ||
| 3-10 | Unchained Melody | The John Barry Orchestra | T-070.193.442-0 | |
| 3-11 | The Party’s Over (From the Film of the Same Name) | The John Barry Seven and Orchestra | T0702428418 | |
| 3-12 | The Lolly Theme (From the Film ‘The Amorous Prawn’) | — | ||
| 3-13 | March of the Mandarins | The John Barry Seven and Orchestra | — | |
| 3-15 | The Big Safari (From the Film ‘Call Me Bwana’) | — | ||
| 3-16 | Mouse on the Moon (From the Film of the Same Name) | — | ||
| 3-17 | Twangin’ Cheek | — | ||
| 3-18 | I’ll Be With You in Apple Blossom Time | The John Barry Orchestra | T-914.758.581-7 | |
| 3-19 | Volare (Nei Blue Dipinto di Blu) | The John Barry Orchestra | T-070.195.578-3 | |
| 3-20 | The Human Jungle | The John Barry Seven and Orchestra | — | |
| 3-21 | Onward Christian Spacemen | The John Barry Seven and Orchestra | — | |
| 3-22 | Seven Faces | The John Barry Seven | — | |
| 3-23 | Twenty Four Hours Ago | — | ||
| 3-24 | Theme From ‘A Jolly Bad Fellow’ | — | ||
| 3-25 | Oublie Ça | The John Barry Orchestra | — | |
| 3-26 | Theme From ‘Seance on a Wet Afternoon’ | The John Barry Orchestra | — | |
| 3-27 | A View to a Kill (That Fatal Kiss) | Duran Duran | T-900020764-7 |
The Blacksmith Blues
—
Cutty Sark (Dateline TV Theme)
The John Barry Seven and Orchestra
—
Lost Patrol
—
Theme From ‘Roman Spring of Mrs Stone’
Michael Angelo & His Orchestra
—
Tears
Michael Angelo & His Orchestra
—
Smokey Joe
—
The Lolly Theme (From the Film ‘The Amorous Prawn’)
—
March of the Mandarins
The John Barry Seven and Orchestra
—
The Big Safari (From the Film ‘Call Me Bwana’)
—
Mouse on the Moon (From the Film of the Same Name)
—
Twangin’ Cheek
—
The Human Jungle
The John Barry Seven and Orchestra
—
Onward Christian Spacemen
The John Barry Seven and Orchestra
—
Seven Faces
The John Barry Seven
—
Twenty Four Hours Ago
—
Theme From ‘A Jolly Bad Fellow’
—
Oublie Ça
The John Barry Orchestra
—
Theme From ‘Seance on a Wet Afternoon’
The John Barry Orchestra
—
Additional database matches (25)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| When the Saints Go Marching In | The John Barry Seven | T0112655090 |
| Hideaway | The John Barry Seven | — |
| Long John | The John Barry Seven | — |
| Twelfth Street Rag | The John Barry Seven | — |
| Hit & Miss | The John Barry Seven Plus Four | — |
| Beat for Beatniks | John Barry and His Orchestra | T-700.044.829-5 |
| Never Let Go (From the Film) | John Barry and His Orchestra | — |
| Black Stockings | The John Barry Seven, John Barry | — |
| The Magnificent Seven | The John Barry Seven | T3020559955 |
| It Doesn't Matter Anymore | John Barry | T-070.241.215-4 |
| Spanish Harlem | John Barry | T-070.137.203-3 |
| The Magnificent Seven | The John Barry Seven | — |
| Hit and Miss | John Barry Seven Plus Four | — |
| The Challenge | John Barry | — |
| The Agressor | John Barry & His Orchestra | — |
| Spinnerree | Michael Angelo & His Orchestra | — |
| Satin Smooth | John Barry & His Orchestra | — |
| Get Lost Jack Frost | The John Barry Seven, John Barry | — |
| Beat Girl (main Title) | The John Barry Orchestra | — |
| The Human Jungle (alternate version) | The John Barry Seven and Orchestra | — |
| Cutty Sark (Dateline TV Theme) | The John Barry Seven and Orchestra | — |
| Hit & Miss | The John Barry Seven Plus Four | — |
| Black Stockings | The John Barry Seven, John Barry | — |
| Bee’s Knees (‘Drumbeat’ version) | The John Barry Seven, Bob Miller & The Millermen | — |
| Beat for Beatniks | John Barry and His Orchestra | T-700.044.829-5 |
The John Barry Seven
Hideaway
The John Barry Seven
—
Long John
The John Barry Seven
—
Twelfth Street Rag
The John Barry Seven
—
Hit & Miss
The John Barry Seven Plus Four
—
John Barry and His Orchestra
Never Let Go (From the Film)
John Barry and His Orchestra
—
Black Stockings
The John Barry Seven, John Barry
—
The John Barry Seven
John Barry
John Barry
The Magnificent Seven
The John Barry Seven
—
Hit and Miss
John Barry Seven Plus Four
—
The Challenge
John Barry
—
The Agressor
John Barry & His Orchestra
—
Spinnerree
Michael Angelo & His Orchestra
—
Satin Smooth
John Barry & His Orchestra
—
Get Lost Jack Frost
The John Barry Seven, John Barry
—
Beat Girl (main Title)
The John Barry Orchestra
—
The Human Jungle (alternate version)
The John Barry Seven and Orchestra
—
Cutty Sark (Dateline TV Theme)
The John Barry Seven and Orchestra
—
Hit & Miss
The John Barry Seven Plus Four
—
Black Stockings
The John Barry Seven, John Barry
—
Bee’s Knees (‘Drumbeat’ version)
The John Barry Seven, Bob Miller & The Millermen
—
John Barry and His Orchestra
What other identifiers does this connect to?
Musical Works (ISWC)
T-010433581-0T-011.221.662-2T-011221662-2T-070.011.858-6T-070.024.589-1T-070.137.203-3T-070.193.442-0T-070.195.578-3T-070.241.215-4T-070011858-6
+25 more
T-070024589-1T-070029405-8T-070126151-9T-070137203-3T-070180006-7T-070193442-0T-070195578-3T-070234317-6T-070241215-4T-070919028-2T-071000590-5T-700.044.829-5T-700044829-5T-801270166-6T-900.020.764-7T-900020764-7T-901132004-0T-902834242-9T-911032764-5T-912881028-6T-914.758.581-7T-914758581-7T0112655090T0702428418T3020559955
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
People also ask
SourcesMusicBrainzDiscogs2 sources
Verified on
What is UPC 5099909839229?
5099909839229 is a Universal Product Code (UPC) assigned to The Bee’s Knees (The EMI Years 1957-1964) by John Barry. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 26 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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