UPC · Release
101 Classical Hits
Various Artists
5099921323126
18 tracksReleased 2008-01-01EMI TV
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5099921323126 is the Universal Product Code (UPC barcode) for the release “101 Classical Hits” by Various Artists, released 2008-01-01 on EMI TV. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 18 tracks, each with its own ISRC. Tracks include GBAYC2302025, GBAYC2302039, GBAYC7300004.
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9921Company prefix
32312Product
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- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
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Credit Chain
UPC101 Classical Hits
ISRC17 recordings
ISWC74 works
IPI17 songwriters
Track List (18)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2 | Suite for Orchestra No. 3 in D major: Air on the G string | Academy of St Martin in the Fields, Sir Neville Marriner | T-914.248.874-2 | |
| 3 | Adagio for Organ and Strings in G minor | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 4 | Orfeo ed Euridice: Dance of the Blessed Spirits | Philharmonia Orchestra, Riccardo Muti | — | |
| 5 | Keyboard Suite no. 4 in D minor, HWV 437: III. Sarabande | Academy of St Martin in the Fields, Alexander Briger | — | |
| 6 | Concerto for Flute and Harp, K. 299/297c: II. Andantino | James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan | T9115340200 | |
| 7 | Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto | Moura Lympany | — | |
| 8 | Così fan tutte: Soave sia il vento | — | ||
| 9 | Symphony No. 9 in E minor, "From the New World", Op. 95: II. Largo | Oslo Philharmonic Orchestra, Mariss Jansons | — | |
| 10 | The Lark Ascending (opening) | Hugh Bean, New Philharmonia Orchestra, Sir Adrian Boult | — | |
| 11 | Variations on an Original Theme “Enigma”, op. 36: IX. Nimrod | London Symphony Orchestra, Sir Adrian Boult | T-010.115.427-1 | |
| 12 | Rhapsody of a Theme of Paganini: Variation 18 | Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle | T-902858745-3 | |
| 13 | Fantasia on “Greensleeves” (Sir John in Love) | Sinfonia of London, Sir John Barbirolli | — | |
| 14 | Piano Concerto no. 2 in F, op. 102: II. Andante | Dmitri Alexeev, English Chamber Orchestra, Jerzy Maksymiuk | — | |
| 15 | Concierto de Aranjuez: II. Adagio (opening) | Julian Bream, City of Birmingham Symphony Orchestra, Simon Rattle | T-041489061-1 | |
| 16 | Le Carnaval des animaux: XIII. "Le cygne" | Aline Brewer, Han-Na Chang, Philharmonia Orchestra, Leonard Slatkin | T-317671333-6 | |
| 17 | Les contes d'Hoffmann, Act 4: Barcarolle. "Belle nuit, ô nuit d'amour" (Instrumental Version) | Radio-Sinfonieorchester Stuttgart, Sir Neville Marriner | T9000102012 | |
| 18 | Peer Gynt, op. 23: Act 4: No. 13, Prelude. Morning Mood | Academy of St Martin in the Fields, Sir Neville Marriner | T0614093650 |
Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon
Academy of St Martin in the Fields, Sir Neville Marriner
—
Academy of St Martin in the Fields, Sir Neville Marriner
Adagio for Organ and Strings in G minor
Academy of St Martin in the Fields, Sir Neville Marriner
—
Orfeo ed Euridice: Dance of the Blessed Spirits
Philharmonia Orchestra, Riccardo Muti
—
Keyboard Suite no. 4 in D minor, HWV 437: III. Sarabande
Academy of St Martin in the Fields, Alexander Briger
—
James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan
Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto
Moura Lympany
—
Così fan tutte: Soave sia il vento
—
Symphony No. 9 in E minor, "From the New World", Op. 95: II. Largo
Oslo Philharmonic Orchestra, Mariss Jansons
—
The Lark Ascending (opening)
Hugh Bean, New Philharmonia Orchestra, Sir Adrian Boult
—
London Symphony Orchestra, Sir Adrian Boult
Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle
Fantasia on “Greensleeves” (Sir John in Love)
Sinfonia of London, Sir John Barbirolli
—
Piano Concerto no. 2 in F, op. 102: II. Andante
Dmitri Alexeev, English Chamber Orchestra, Jerzy Maksymiuk
—
Julian Bream, City of Birmingham Symphony Orchestra, Simon Rattle
Aline Brewer, Han-Na Chang, Philharmonia Orchestra, Leonard Slatkin
Radio-Sinfonieorchester Stuttgart, Sir Neville Marriner
Academy of St Martin in the Fields, Sir Neville Marriner
Additional database matches (112)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Clarinet Concerto in A major, K. 622: II. Adagio | Sabine Meyer, Staatskapelle Dresden, Hans Vonk | — |
| Cantata No. 140, "Wachet auf, ruft uns die Stimme", BWV 140 (BC A166): "Zion hört die Wächter" | South German Madrigal Choir, Theo Altmeyer, Consortium Musicum, Wolfgang Gönnenwein | — |
| Goldberg Variations, BWV 988: Aria | Maria Tipo | T-902128688-4 |
| Lakmé : Acte I. « Dôme épais, le jasmin » (Lakmé, Mallika) | Natalie Dessay, Delphine Haidan, Orchestre du Capitole de Toulouse, Michel Plasson | — |
| Les Pêcheurs de perles : Acte I. Duo « Au fond du temple saint » (Zurga, Nadir) | Ernest Blanc, Nicolai Gedda, Paris Opéra-Comique Orchestra, Pierre Dervaux | T0717254255 |
| Symphony No. 3 in C Minor 'Organ' Op. 78 - Maestoso-Allegro (Conclusion) | [unknown] | — |
| Lakmé : Acte I. « Dôme épais, le jasmin » (Lakmé, Mallika) | Natalie Dessay, Delphine Haidan, Orchestre du Capitole de Toulouse, Michel Plasson | T9001428268 |
| Agnus Dei | Duncan Riddell, National Youth Choir of Great Britain, Paul Beniston, London Philharmonic Orchestra, Karl Jenkins, Mike Brewer OBE | T9001209376 |
| Cantique de Jean Racine, for 4-part chorus & organ, or orchestra, Op. 11 | The Monks and Choirboys of Downside Abbey | — |
| Finlandia, op. 26 | Hallé Orchestra, Sir John Barbirolli | T9102567022 |
| Zadok the Priest | Choir of King’s College, Cambridge, Academy of Ancient Music, Stephen Cleobury | T-900138712-8 |
| Carmen : Acte I. Habanera « L’amour est un oiseau rebelle » (Carmen, Chœur) | Maria Callas, Chœurs René Duclos, Orchestre du Théâtre National de l’Opéra de Paris, Georges Prêtre | T-305625648-1 |
| Cello Concerto in E minor Op. 85 I. Adagio - Moderato | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | T-919860418-1 |
| Pie Jesu (Requiem) | Jane Gilchrist | T-010.065.879-4 |
| Carmina Burana: Fortuna Imperatrix Mundi: O Fortuna | Rundfunkchor Berlin, Berliner Philharmoniker, Simon Rattle | T8006397714 |
| Romeo and Juliet, op. 64: Act I. Scene II. No. 13 Dance of the Knights | London Symphony Orchestra, André Previn | T-003506743-6 |
| Thais: Méditation | Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan | — |
| The Nutcracker, op. 71: Act II: No. 12 Divertissement: (e) Dance of the Reed Pipes | London Symphony Orchestra, André Previn | — |
| Cello Concerto in E minor Op. 85 I. Adagio - Moderato | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | — |
| Fantasia on “Greensleeves” (Sir John in Love) | Sinfonia of London, Sir John Barbirolli | — |
| Herz und Mund und Tat und Leben, BWV 147: No. 10 "Jesus bleibet meine Freude" | Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks | T-905387081-8 |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Serenade in G, K. 525 "Eine kleine Nachtmusik": I. Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Violin Concerto in E major “The Four Seasons: Spring”, op. 8 no. 1: I. Allegro | Yehudi Menuhin, Paul Crocker, Camerata Lysy Gstaad, Alberto Lysy | — |
| La traviata: “Libiamo ne’ lieti calici” (Alfredo, Violetta, Chœurs) | Alfredo Kraus, Renata Scotto, Ambrosian Opera Chorus, Philharmonia Orchestra, Riccardo Muti | — |
| The Planets, op. 32: Jupiter, the Bringer of Jolity (conclusion) | Philharmonia Orchestra, Sir Simon Rattle | T3008162496 |
| Thais: Méditation | Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan | T-306705438-6 |
| Thais: Méditation | Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan | — |
| Peer Gynt, op. 23: Act 4: No. 13, Prelude. Morning Mood | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Solomon, HWV 67: Act 3: No. 42. Arrival of the Queen of Sheba (Sinfonia) | Ian Watson, Academy of St. Martin-in-the-Fields, Neville Marriner | T-011777630-3 |
| Miserere mei, Deus | Gerald Finley, Timothy Beasley-Murray, Choir of King’s College, Cambridge, Stephen Cleobury | — |
| Horn Concerto No. 4 in E-flat major, K. 495: II. Romanze. Andante cantabile | Radovan Vlatković, English Chamber Orchestra, Jeffrey Tate | — |
| Concerto for Flute and Harp, K. 299/297c: II. Andantino | James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan | — |
| Adagio for Strings | The Philadelphia Orchestra, Eugene Ormandy | T-070.000.199-5 |
| Concerto for Flute and Harp, K. 299/297c: II. Andantino | James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan | — |
| On the Beautiful Blue Danube, Waltz, op. 314 (extract) | Berliner Philharmoniker, Herbert von Karajan | — |
| Vesperae solennes de confessore | Manfred Ackermann, Bavarian Radio Chorus, Wolfgang Isenhardt, Edda Moser, Thomas Schulze, Stuttgarter Hymnus-Chorknaben, Bavarian Radio Symphony Orchestra, Eugen Jochum, Gerhard Wilhelm | T-900135371-5 |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | T0715417643 |
| Adagio for Organ and Strings in G minor | Academy of St Martin in the Fields, Sir Neville Marriner | T0050011976 |
| Fantasia on “Greensleeves” (Sir John in Love) | Sinfonia of London, Sir John Barbirolli | — |
| Symphony No. 40 in G minor, K. 550 "Great": I. Molto Allegro, Excerpt | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Turandot: Act 3. “Nessun dorma!” (Calaf, Chorus) | José Carreras, Chœur de l'Opéra national du Rhin, Orchestre philharmonique de Strasbourg, Alain Lombard | — |
| Violin Concerto in E minor, op. 64: II. Andante (extract) | Yehudi Menuhin, New Philharmonia Orchestra, Efrem Kurtz | — |
| Ave verum corpus in D major, K. 618 | Swedish Radio Choir, Stockholm Chamber Choir, Berliner Philharmoniker, Riccardo Muti | T-011552099-4 |
| 1812 Overture (conclusion) | Oslo Philharmonic Orchestra, Mariss Jansons | — |
| Messa da Requiem: II. Sequenza. Ingemisco (Tenor) | Luciano Pavarotti, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Riccardo Muti | T9001489594 |
| Rusalka: Song to the Moon | Lesley Garrett, Lucia Popp, Munich Radio Symphony Orchestra, Philharmonia Orchestra, Andrew Greenwood, Stefan Soltész | T-922610201-8 |
| Messiah, HWV 56: No. 44. Hallelujah | Elizabeth Harwood, Ambrosian Singers, English Chamber Orchestra, Sir Charles Mackerras | T0715180612 |
| On the Beautiful Blue Danube, Waltz, op. 314 (extract) | Berliner Philharmoniker, Herbert von Karajan | T0350243592 |
| Polovtsian Dances (Prince Igor) (orch. Rimsky-Korsakov & Glazounov) (Beginning) | Beecham Choral Society, Royal Philharmonic Orchestra, Sir Thomas Beecham | — |
| The Nutcracker, op. 71: Act II: No. 12 Divertissement: (e) Dance of the Reed Pipes | London Symphony Orchestra, André Previn | — |
| Suite in D major: Prince of Denmark's March "Trumpet Voluntary" | Maurice André, Jane Parker-Smith | T0711566583 |
| Cavalleria rusticana: Intermezzo | Philharmonia Orchestra, Riccardo Muti | T9214184573 |
| Symphony No. 6, Op. 68 "Pastoral": V. Allegretto "Shepherds' Hymn" (extract) | Philadelphia Orchestra, Riccardo Muti | — |
| Clair de lune (from Suite bergamasque) | Dame Moura Lympany | T-304252843-4 |
| Symphony no. 5 in C‐sharp minor: IV. Adagietto (conclusion) | New Philharmonia Orchestra, Sir John Barbirolli | — |
| Radetzky March, op. 228 | Wiener Johann Strauss Orchester, Willi Boskovsky | — |
| Radetzky March, op. 228 | Wiener Johann Strauss Orchester, Willi Boskovsky | — |
| Piano Sonata no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio | Dame Moura Lympany | — |
| Candide: Overture | Bournemouth Symphony Orchestra, Andrew Litton | T-903.288.559-9 |
| Nessun Dorma from 'Turandot' | José Carreras, Chœur de l'Opéra national du Rhin, Orchestre philharmonique de Strasbourg, Alain Lombard | T-900798623-4 |
| Serenade in G, K. 525 "Eine kleine Nachtmusik": I. Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Cello Suite no. 1 in G major, BWV 1007: I. Prélude | Mstislav Rostropovich | — |
| Piano Concerto no. 2 in C minor op. 18: II. Adagio sostenuo (opening) | Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle | — |
| Die Walküre: Act 3: Ride of the Valkyries | Oslo Philharmonic Orchestra, Mariss Jansons | T0702578877 |
| Gadfly, op. 97: Romance | Tasmin Little, Piers Lane | — |
| Boléro (conclusion) | London Symphony Orchestra, André Previn | T0030063774 |
| Piano Concerto no. 3 in D minor: I. Allegro (Opening) | Mikhail Rudy, St. Petersburg Philharmonic Orchestra, Mariss Jansons | — |
| The Nutcracker, op. 71: Act II: No. 12 Divertissement: (e) Dance of the Reed Pipes | London Symphony Orchestra, André Previn | — |
| Ave verum corpus in D major, K. 618 | Swedish Radio Choir, Stockholm Chamber Choir, Berliner Philharmoniker, Riccardo Muti | T-323252117-0 |
| Schindler’s List Theme | Iain Sutherland, Tasmin Little, New World Philharmonic Orchestr | T-070248886-5 |
| Piano Concerto no. 1 in B‐flat minor, op. 23: I. Allegro non troppo e molto maestoso (opening) | Horacio Gutiérrez, London Symphony Orchestra, André Previn | — |
| Ma vlast: Vltava (extract) | Staatskapelle Dresden, Paavo Berglund | — |
| Requiem, op. 48: IV. Pie Jesu (1893 version) | Nancy Argenta, Stephen Farr, Bournemouth Sinfonietta, David Hill | T3158247377 |
| Cavalleria rusticana: Intermezzo | Philharmonia Orchestra, Riccardo Muti | — |
| Violin Concerto no. 1 in G minor, op. 26: II. Adagio (opening) | Yehudi Menuhin, Philharmonia Orchestra, Walter Süsskind | T3125425669 |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | T-071422062-8 |
| Gianni Schicchi: Aria “O mio babbino caro” (Lauretta) | Angela Gheorghiu, London Symphony Orchestra, Antonio Pappano | T-901222501-3 |
| Serenade in G, K. 525 "Eine kleine Nachtmusik": I. Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Violin Concerto in E minor, op. 64: II. Andante (extract) | Yehudi Menuhin, New Philharmonia Orchestra, Efrem Kurtz | — |
| Cello Concerto in E minor Op. 85 I. Adagio - Moderato | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | — |
| Messiah, HWV 56: No. 44. Hallelujah | Elizabeth Harwood, Ambrosian Singers, English Chamber Orchestra, Sir Charles Mackerras | — |
| Rhapsody in Blue (Performed by Andre Previn) | André Previn, London Symphony Orchestra | T-010.244.926-2 |
| Piano Concerto no. 1 in E minor, op. 11: II. Romance - Larghetto (opening) | Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit | T-308381369-4 |
| Fantasia on “Greensleeves” (Sir John in Love) | Sinfonia of London, Sir John Barbirolli | — |
| Symphony no. 5 in C minor, op. 67: I. Allegro con brio | Philharmonia Orchestra, Kurt Sanderling | — |
| Miserere mei, Deus | Gerald Finley, Timothy Beasley-Murray, Choir of King’s College, Cambridge, Stephen Cleobury | — |
| Piano Concerto no. 2 in F, op. 102: II. Andante | Dmitri Alexeev, English Chamber Orchestra, Jerzy Maksymiuk | T8024454103 |
| Piano Concerto no. 2 in C minor op. 18: II. Adagio sostenuo (opening) | Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle | — |
| Piano Concerto in A minor, Op. 16: Allegro molto moderato (Opening) | Cécile Ousset, London Symphony Orchestra, Sir Neville Marriner | T-902781050-0 |
| Ave Maria | Dame Janet Baker, Philip Ledger | T9051333734 |
| Fantasia on a Theme by Thomas Tallis (opening) | London Philharmonic Orchestra, Sir Adrian Boult | — |
| Panis Angelicus | Hallé Choir, Hallé Orchestra, Maurice Handford | T9000167113 |
| Requiem in D minor, K. 626: Introitus: Requiem aeternam | Felicity Lott, London Philharmonic Choir, London Philharmonic Orchestra, Franz Welser-Möst | T9001378730 |
| Requiem in D minor, K. 626: Introitus: Requiem aeternam | Felicity Lott, London Philharmonic Choir, London Philharmonic Orchestra, Franz Welser-Möst | — |
| Gadfly, op. 97: Romance | Tasmin Little, Piers Lane | — |
| Pomp and Circumstance March no. 1, op. 39 no. 1 "Land of Hope and Glory" (excerpt: Conclusion) | Royal Choral Society, London Philharmonic Orchestra, Sir Andrew Davis | T9176031848 |
| Cello Suite no. 1 in G major, BWV 1007: I. Prélude | Mstislav Rostropovich | — |
| Cavatina (From the Film Deerhunter) | Manuel Barrueco, Steve Morse | T-011.221.528-7 |
| Goldberg Variations, BWV 988: Aria | Maria Tipo | T-902128688-4 |
| Les Pêcheurs de perles : Acte I. Duo « Au fond du temple saint » (Zurga, Nadir) | Ernest Blanc, Nicolai Gedda, Paris Opéra-Comique Orchestra, Pierre Dervaux | T0717254255 |
| Finlandia, op. 26 | Hallé Orchestra, Sir John Barbirolli | T9102567022 |
| Finlandia, op. 26 | Hallé Orchestra, Sir John Barbirolli | T9102567022 |
| Zadok the Priest | Choir of King’s College, Cambridge, Academy of Ancient Music, Stephen Cleobury | T9001387128 |
| Carmen : Acte I. Habanera « L’amour est un oiseau rebelle » (Carmen, Chœur) | Maria Callas, Chœurs René Duclos, Orchestre du Théâtre National de l’Opéra de Paris, Georges Prêtre | T-305625648-1 |
| Cello Concerto in E minor Op. 85 I. Adagio - Moderato | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | T9198604181 |
| Romeo and Juliet, op. 64: Act I. Scene II. No. 13 Dance of the Knights | London Symphony Orchestra, André Previn | T-003506743-6 |
| Herz und Mund und Tat und Leben, BWV 147: No. 10 "Jesus bleibet meine Freude" | Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks | T-905387081-8 |
| Herz und Mund und Tat und Leben, BWV 147: No. 10 "Jesus bleibet meine Freude" | Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks | T-905387081-8 |
| Herz und Mund und Tat und Leben, BWV 147: No. 10 "Jesus bleibet meine Freude" | Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks | T-905.387.081-8 |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | T0715417643 |
| Cavalleria rusticana: Intermezzo | Philharmonia Orchestra, Riccardo Muti | T9214184573 |
Clarinet Concerto in A major, K. 622: II. Adagio
Sabine Meyer, Staatskapelle Dresden, Hans Vonk
—
Cantata No. 140, "Wachet auf, ruft uns die Stimme", BWV 140 (BC A166): "Zion hört die Wächter"
South German Madrigal Choir, Theo Altmeyer, Consortium Musicum, Wolfgang Gönnenwein
—
Lakmé : Acte I. « Dôme épais, le jasmin » (Lakmé, Mallika)
Natalie Dessay, Delphine Haidan, Orchestre du Capitole de Toulouse, Michel Plasson
—
Ernest Blanc, Nicolai Gedda, Paris Opéra-Comique Orchestra, Pierre Dervaux
Symphony No. 3 in C Minor 'Organ' Op. 78 - Maestoso-Allegro (Conclusion)
[unknown]
—
Natalie Dessay, Delphine Haidan, Orchestre du Capitole de Toulouse, Michel Plasson
Duncan Riddell, National Youth Choir of Great Britain, Paul Beniston, London Philharmonic Orchestra, Karl Jenkins, Mike Brewer OBE
Cantique de Jean Racine, for 4-part chorus & organ, or orchestra, Op. 11
The Monks and Choirboys of Downside Abbey
—
Hallé Orchestra, Sir John Barbirolli
Choir of King’s College, Cambridge, Academy of Ancient Music, Stephen Cleobury
Maria Callas, Chœurs René Duclos, Orchestre du Théâtre National de l’Opéra de Paris, Georges Prêtre
Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli
Jane Gilchrist
Rundfunkchor Berlin, Berliner Philharmoniker, Simon Rattle
London Symphony Orchestra, André Previn
Thais: Méditation
Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan
—
The Nutcracker, op. 71: Act II: No. 12 Divertissement: (e) Dance of the Reed Pipes
London Symphony Orchestra, André Previn
—
Cello Concerto in E minor Op. 85 I. Adagio - Moderato
Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli
—
Fantasia on “Greensleeves” (Sir John in Love)
Sinfonia of London, Sir John Barbirolli
—
Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks
Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon
Academy of St Martin in the Fields, Sir Neville Marriner
—
Serenade in G, K. 525 "Eine kleine Nachtmusik": I. Allegro
Academy of St Martin in the Fields, Sir Neville Marriner
—
Violin Concerto in E major “The Four Seasons: Spring”, op. 8 no. 1: I. Allegro
Yehudi Menuhin, Paul Crocker, Camerata Lysy Gstaad, Alberto Lysy
—
La traviata: “Libiamo ne’ lieti calici” (Alfredo, Violetta, Chœurs)
Alfredo Kraus, Renata Scotto, Ambrosian Opera Chorus, Philharmonia Orchestra, Riccardo Muti
—
Philharmonia Orchestra, Sir Simon Rattle
Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan
Thais: Méditation
Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan
—
Peer Gynt, op. 23: Act 4: No. 13, Prelude. Morning Mood
Academy of St Martin in the Fields, Sir Neville Marriner
—
Ian Watson, Academy of St. Martin-in-the-Fields, Neville Marriner
Miserere mei, Deus
Gerald Finley, Timothy Beasley-Murray, Choir of King’s College, Cambridge, Stephen Cleobury
—
Horn Concerto No. 4 in E-flat major, K. 495: II. Romanze. Andante cantabile
Radovan Vlatković, English Chamber Orchestra, Jeffrey Tate
—
Concerto for Flute and Harp, K. 299/297c: II. Andantino
James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan
—
The Philadelphia Orchestra, Eugene Ormandy
Concerto for Flute and Harp, K. 299/297c: II. Andantino
James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan
—
On the Beautiful Blue Danube, Waltz, op. 314 (extract)
Berliner Philharmoniker, Herbert von Karajan
—
Manfred Ackermann, Bavarian Radio Chorus, Wolfgang Isenhardt, Edda Moser, Thomas Schulze, Stuttgarter Hymnus-Chorknaben, Bavarian Radio Symphony Orchestra, Eugen Jochum, Gerhard Wilhelm
Academy of St Martin in the Fields, Sir Neville Marriner
Academy of St Martin in the Fields, Sir Neville Marriner
Fantasia on “Greensleeves” (Sir John in Love)
Sinfonia of London, Sir John Barbirolli
—
Symphony No. 40 in G minor, K. 550 "Great": I. Molto Allegro, Excerpt
Academy of St Martin in the Fields, Sir Neville Marriner
—
Turandot: Act 3. “Nessun dorma!” (Calaf, Chorus)
José Carreras, Chœur de l'Opéra national du Rhin, Orchestre philharmonique de Strasbourg, Alain Lombard
—
Violin Concerto in E minor, op. 64: II. Andante (extract)
Yehudi Menuhin, New Philharmonia Orchestra, Efrem Kurtz
—
Swedish Radio Choir, Stockholm Chamber Choir, Berliner Philharmoniker, Riccardo Muti
1812 Overture (conclusion)
Oslo Philharmonic Orchestra, Mariss Jansons
—
Luciano Pavarotti, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Riccardo Muti
Lesley Garrett, Lucia Popp, Munich Radio Symphony Orchestra, Philharmonia Orchestra, Andrew Greenwood, Stefan Soltész
Elizabeth Harwood, Ambrosian Singers, English Chamber Orchestra, Sir Charles Mackerras
Berliner Philharmoniker, Herbert von Karajan
Polovtsian Dances (Prince Igor) (orch. Rimsky-Korsakov & Glazounov) (Beginning)
Beecham Choral Society, Royal Philharmonic Orchestra, Sir Thomas Beecham
—
The Nutcracker, op. 71: Act II: No. 12 Divertissement: (e) Dance of the Reed Pipes
London Symphony Orchestra, André Previn
—
Maurice André, Jane Parker-Smith
Philharmonia Orchestra, Riccardo Muti
Symphony No. 6, Op. 68 "Pastoral": V. Allegretto "Shepherds' Hymn" (extract)
Philadelphia Orchestra, Riccardo Muti
—
Dame Moura Lympany
Symphony no. 5 in C‐sharp minor: IV. Adagietto (conclusion)
New Philharmonia Orchestra, Sir John Barbirolli
—
Radetzky March, op. 228
Wiener Johann Strauss Orchester, Willi Boskovsky
—
Radetzky March, op. 228
Wiener Johann Strauss Orchester, Willi Boskovsky
—
Piano Sonata no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio
Dame Moura Lympany
—
Bournemouth Symphony Orchestra, Andrew Litton
José Carreras, Chœur de l'Opéra national du Rhin, Orchestre philharmonique de Strasbourg, Alain Lombard
Serenade in G, K. 525 "Eine kleine Nachtmusik": I. Allegro
Academy of St Martin in the Fields, Sir Neville Marriner
—
Cello Suite no. 1 in G major, BWV 1007: I. Prélude
Mstislav Rostropovich
—
Piano Concerto no. 2 in C minor op. 18: II. Adagio sostenuo (opening)
Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle
—
Oslo Philharmonic Orchestra, Mariss Jansons
Gadfly, op. 97: Romance
Tasmin Little, Piers Lane
—
London Symphony Orchestra, André Previn
Piano Concerto no. 3 in D minor: I. Allegro (Opening)
Mikhail Rudy, St. Petersburg Philharmonic Orchestra, Mariss Jansons
—
The Nutcracker, op. 71: Act II: No. 12 Divertissement: (e) Dance of the Reed Pipes
London Symphony Orchestra, André Previn
—
Swedish Radio Choir, Stockholm Chamber Choir, Berliner Philharmoniker, Riccardo Muti
Iain Sutherland, Tasmin Little, New World Philharmonic Orchestr
Piano Concerto no. 1 in B‐flat minor, op. 23: I. Allegro non troppo e molto maestoso (opening)
Horacio Gutiérrez, London Symphony Orchestra, André Previn
—
Ma vlast: Vltava (extract)
Staatskapelle Dresden, Paavo Berglund
—
Nancy Argenta, Stephen Farr, Bournemouth Sinfonietta, David Hill
Cavalleria rusticana: Intermezzo
Philharmonia Orchestra, Riccardo Muti
—
Yehudi Menuhin, Philharmonia Orchestra, Walter Süsskind
Academy of St Martin in the Fields, Sir Neville Marriner
Angela Gheorghiu, London Symphony Orchestra, Antonio Pappano
Serenade in G, K. 525 "Eine kleine Nachtmusik": I. Allegro
Academy of St Martin in the Fields, Sir Neville Marriner
—
Violin Concerto in E minor, op. 64: II. Andante (extract)
Yehudi Menuhin, New Philharmonia Orchestra, Efrem Kurtz
—
Cello Concerto in E minor Op. 85 I. Adagio - Moderato
Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli
—
Messiah, HWV 56: No. 44. Hallelujah
Elizabeth Harwood, Ambrosian Singers, English Chamber Orchestra, Sir Charles Mackerras
—
André Previn, London Symphony Orchestra
Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit
Fantasia on “Greensleeves” (Sir John in Love)
Sinfonia of London, Sir John Barbirolli
—
Symphony no. 5 in C minor, op. 67: I. Allegro con brio
Philharmonia Orchestra, Kurt Sanderling
—
Miserere mei, Deus
Gerald Finley, Timothy Beasley-Murray, Choir of King’s College, Cambridge, Stephen Cleobury
—
Dmitri Alexeev, English Chamber Orchestra, Jerzy Maksymiuk
Piano Concerto no. 2 in C minor op. 18: II. Adagio sostenuo (opening)
Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle
—
Cécile Ousset, London Symphony Orchestra, Sir Neville Marriner
Dame Janet Baker, Philip Ledger
Fantasia on a Theme by Thomas Tallis (opening)
London Philharmonic Orchestra, Sir Adrian Boult
—
Hallé Choir, Hallé Orchestra, Maurice Handford
Felicity Lott, London Philharmonic Choir, London Philharmonic Orchestra, Franz Welser-Möst
Requiem in D minor, K. 626: Introitus: Requiem aeternam
Felicity Lott, London Philharmonic Choir, London Philharmonic Orchestra, Franz Welser-Möst
—
Gadfly, op. 97: Romance
Tasmin Little, Piers Lane
—
Royal Choral Society, London Philharmonic Orchestra, Sir Andrew Davis
Cello Suite no. 1 in G major, BWV 1007: I. Prélude
Mstislav Rostropovich
—
Manuel Barrueco, Steve Morse
Ernest Blanc, Nicolai Gedda, Paris Opéra-Comique Orchestra, Pierre Dervaux
Hallé Orchestra, Sir John Barbirolli
Hallé Orchestra, Sir John Barbirolli
Choir of King’s College, Cambridge, Academy of Ancient Music, Stephen Cleobury
Maria Callas, Chœurs René Duclos, Orchestre du Théâtre National de l’Opéra de Paris, Georges Prêtre
Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli
London Symphony Orchestra, André Previn
Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks
Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks
Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks
Academy of St Martin in the Fields, Sir Neville Marriner
Philharmonia Orchestra, Riccardo Muti
What other identifiers does this connect to?
Musical Works (ISWC)
T-005002184-5T-005018789-7T-010.065.879-4T-010.115.427-1T-010.244.926-2T-010065879-4T-010115427-1T-010244926-2T-011.221.528-7T-011014772-2
+64 more
T-011221528-7T-070.000.199-5T-070000199-5T-070126537-3T-900017894-9T-900065378-1T-900110583-5T-900329251-1T-901134571-4T-902.858.745-3T-902091036-5T-902858745-3T-903.288.559-9T-903288559-9T-905.387.081-8T-905387081-8T-914.248.874-2T-914248874-2T-915711225-9T0030063774T0035067436T0050011976T0115520994T0117776303T0350243592T0414890611T0614093650T0702488865T0702578877T0711566583T0714220628T0715180612T0715417643T0717254255T3008162496T3042528434T3056256481T3067054386T3083813694T3125425669T3158247377T3176713336T3232521170T8006397714T8024454103T9000102012T9000167113T9001209376T9001353715T9001378730T9001387128T9001428268T9001489594T9007986234T9012225013T9021286884T9027810500T9051333734T9102567022T9115340200T9176031848T9198604181T9214184573T9226102018
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
00000000281229590000000052959900000000005512994500000000551744630000000055180417000000005518697400000000592843790000000059512917000000006097350X0000000063086703
+40 more
000000006309059300000000631116220000000072481676000000007823100200000000783861270000000078415442000000008082432500000000810627720000000081085464000000008161053X000000008169243200000000817730050000000083252246000000008365519200000000838358630000000083981094000000008411814500000000841631220000000085701295000000010658144900000001066174480000000107213701000000010721405000000001080615190000000108606603000000010861735300000001086359570000000108743333000000010893537800000001089642320000000109064295000000010911085300000001091274790000000109144113000000010917819600000001092237860000000109282073000000010930050X00000001093501360000000109370671
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What is UPC 5099921323126?
5099921323126 is a Universal Product Code (UPC) assigned to 101 Classical Hits by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 18 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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