UPC · Release
100 Hits New Wave
Various Artists
5099921508820
100 tracksReleased 2008-01-01EMI
Last verified:
5099921508820 is the Universal Product Code (UPC barcode) for the release “100 Hits New Wave” by Various Artists, released 2008-01-01 on EMI. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 100 tracks, each with its own ISRC. Tracks include GBAAA0100587, GBAAA0600326, GBAYE7700110.
Format
509GS1 prefix
9921Company prefix
50882Product
0Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPC100 Hits New Wave
ISRC45 recordings
ISWC94 works
IPI5 songwriters
Track List (100)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Don’t You (Forget About Me) | Simple Minds | T-801.040.830-8 | |
| 2 | X Offender | — | ||
| 3 | Oh L’Amour | — | ||
| 4 | Electricity | — | ||
| 5 | Public Image | — | ||
| 6 | (We Don’t Need This) Fascist Groove Thang | Heaven 17 | T-010.474.430-0 | |
| 7 | Something Better Change | The Stranglers | T-010.465.784-2 | |
| 8 | Radios in Motion | — | ||
| 9 | Dancing With Tears in My Eyes | Ultravox | T-011.299.344-8 | |
| 10 | No Escape | — | ||
| 11 | Working With Fire and Steel | — | ||
| 12 | HOPE ROAD | Anne Clark | T-011.353.079-2 | |
| 13 | Mongoloid | — | ||
| 14 | Europa and the Pirate Twins | Thomas Dolby | T-010.110.848-8 | |
| 15 | Collapsing New People | — | ||
| 16 | Damaged Goods | — | ||
| 17 | Visions of China | Japan | T-010.475.432-6 | |
| 18 | About the Weather | — | ||
| 19 | Dream Baby Dream | — | ||
| 20 | Midget Submarines | — | ||
| 2-1 | Dancing With Myself | Billy Idol, Gen X | T-010.473.412-4 | |
| 2-2 | Censorshit | — | ||
| 2-3 | Girls on Film | Duran Duran | T-010.475.122-5 | |
| 2-4 | Geno | Dexys Midnight Runners | T-010.181.769-9 | |
| 2-5 | Destination Unknown | — | ||
| 2-6 | Fast Cars | — | ||
| 2-7 | Unspeakable | — | ||
| 2-8 | Wishful Thinking | China Crisis | T-011.295.629-2 | |
| 2-9 | Uncontrollable Urge | DEVO | T-700.075.538-6 | |
| 2-10 | She Blinded Me With Science | Thomas Dolby | T-011.367.427-3 | |
| 2-11 | The Box | Fad Gadget | T-010.480.032-9 | |
| 2-12 | HANGING ON THE TELEPHONE (2001 REMASTER) | BLONDIE | T-070.234.406-6 | |
| 2-13 | Ether | — | ||
| 2-14 | Let Me Go | Heaven 17 | T-900.019.490-1 | |
| 2-15 | Nag Nag Nag | — | ||
| 2-16 | Empire State Human | — | ||
| 2-17 | Sweetheart Contract | — | ||
| 2-18 | Enola Gay | Orchestral Manoeuvres in the Dark | T-010.095.711-6 | |
| 2-19 | No More Heroes | The Stranglers | T-010.044.077-4 | |
| 2-20 | Vertical Slum | — | ||
| 3-1 | Duchess | The Stranglers | T-010.474.261-1 | |
| 3-2 | It’s My Life | — | ||
| 3-3 | Our Darkness | — | ||
| 3-4 | Sometimes | Erasure | T-010.170.348-3 | |
| 3-5 | Cantonese Boy | — | ||
| 3-6 | The Model | Kraftwerk | T-802.113.860-4 | |
| 3-7 | Careering | — | ||
| 3-8 | In a Rut | — | ||
| 3-9 | Your Generation | Generation X | T-010.468.648-7 | |
| 3-10 | Love Missile F1-11 | — | ||
| 3-11 | Outside World | — | ||
| 3-12 | Theme for Great Cities | Simple Minds | — | |
| 3-13 | To Cut a Long Story Short | Spandau Ballet | T-010.184.031-6 | |
| 3-14 | Gangsters | The Special A.K.A. | T-010.470.401-9 | |
| 3-15 | Diamonds, Fur Coat, Champagne | — | ||
| 3-16 | Reap the Wild Wind | — | ||
| 3-17 | Pagan Love Song | Virgin Prunes | T-030.030.862-6 | |
| 3-18 | Don't Go | Yazoo | T-010.183.792-6 | |
| 3-19 | The Job That Ate My Brain | — | ||
| 3-20 | Dancing the Night Away | The Motors | T-010.178.239-1 | |
| 4-1 | King of the Flies | — | ||
| 4-2 | Girl U Want | — | ||
| 4-3 | Cheeseburger | — | ||
| 4-4 | Black Man Ray | — | ||
| 4-5 | Is There Something I Should Know? | Duran Duran | T-010.480.222-3 | |
| 4-6 | Chains of Love | — | ||
| 4-7 | True | Spandau Ballet | T-010.084.167-5 | |
| 4-8 | Boredom | — | ||
| 4-9 | Femme libérée | Cookie Dingler | T-003.044.516-9 | |
| 4-10 | Johnny | — | ||
| 4-11 | Nice n’ Sleazy | The Stranglers | T-010.467.458-9 | |
| 4-12 | The Art of Parties | Japan | T-010.182.483-2 | |
| 4-13 | Love Like Blood | Killing Joke | T-900.227.567-4 | |
| 4-14 | RIP HER TO SHREDS (2001 REMASTERED) | BLONDIE | T-070.128.743-5 | |
| 4-15 | Walking in L.A. | — | ||
| 4-16 | Let’s Buy a Bridge | — | ||
| 4-17 | Warm Leatherette | The Normal | T-010.473.815-9 | |
| 4-18 | Joan of Arc | — | ||
| 4-19 | This Is Not a Love Song | Public Image Ltd. | T-011.383.833-7 | |
| 4-20 | Promised You a Miracle (US remix) | Simple Minds | T-010.757.524-5 | |
| 5-1 | Such a Shame | Talk Talk | T-010.303.968-4 | |
| 5-2 | Sensoria | — | ||
| 5-3 | Sleeper in Metropolis | — | ||
| 5-4 | There, There, My Dear | Dexys Midnight Runners | T-010.474.171-0 | |
| 5-5 | Airwaves | — | ||
| 5-6 | This Is Mine | — | ||
| 5-7 | The Lebanon | The Human League | T-011.297.611-0 | |
| 5-8 | Sleepwalk | — | ||
| 5-9 | Wardance | — | ||
| 5-10 | Sex | — | ||
| 5-11 | Shot by Both Sides | Magazine | T-010.468.140-4 | |
| 5-12 | Respectable Street | — | ||
| 5-13 | Sound of the Suburbs | — | ||
| 5-14 | Baby Turns Blue | — | ||
| 5-15 | Babylon’s Burning | — | ||
| 5-16 | Swing for the Crime | — | ||
| 5-17 | Twenty First Century Boy | Sigue Sigue Sputnik | — | |
| 5-18 | Only You | — | ||
| 5-19 | Rat Race | The Specials | — | |
| 5-20 | Golden Brown | The Stranglers | T-010.476.086-2 |
X Offender
—
Oh L’Amour
—
Electricity
—
Public Image
—
Radios in Motion
—
No Escape
—
Working With Fire and Steel
—
Mongoloid
—
Collapsing New People
—
Damaged Goods
—
About the Weather
—
Dream Baby Dream
—
Midget Submarines
—
Censorshit
—
Destination Unknown
—
Fast Cars
—
Unspeakable
—
Ether
—
Nag Nag Nag
—
Empire State Human
—
Sweetheart Contract
—
Vertical Slum
—
It’s My Life
—
Our Darkness
—
Cantonese Boy
—
Careering
—
In a Rut
—
Love Missile F1-11
—
Outside World
—
Theme for Great Cities
Simple Minds
—
Diamonds, Fur Coat, Champagne
—
Reap the Wild Wind
—
The Job That Ate My Brain
—
King of the Flies
—
Girl U Want
—
Cheeseburger
—
Black Man Ray
—
Chains of Love
—
Boredom
—
Johnny
—
Walking in L.A.
—
Let’s Buy a Bridge
—
Joan of Arc
—
Sensoria
—
Sleeper in Metropolis
—
Airwaves
—
This Is Mine
—
Sleepwalk
—
Wardance
—
Sex
—
Respectable Street
—
Sound of the Suburbs
—
Baby Turns Blue
—
Babylon’s Burning
—
Swing for the Crime
—
Twenty First Century Boy
Sigue Sigue Sputnik
—
Only You
—
Rat Race
The Specials
—
Additional database matches (12)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Don’t Dictate | Penetration | T-010.178.889-9 |
| Theme for Great Cities | Simple Minds | — |
| Living on the Ceiling | Blancmange | T-011.284.145-8 |
| Don’t Go (2008 remaster) | Yazoo | T-010.183.792-6 |
| Rat Race | The Specials | — |
| Rat Race | The Specials | — |
| Rip Her to Shreds | Blondie | T-070.128.743-5 |
| Hanging On the Telephone | Blondie | T-070.234.406-6 |
| HANING ON THE TELEPHONE | BLONDIE | T-070.234.406-6 |
| RIP HER TO SHREADS | BLONDIE | T-070.128.743-5 |
| Eyes Without a Face | Billy Idol | T-070.051.322-9 |
| Eyes Without a Face | Billy Idol | T-070.051.322-9 |
Penetration
Theme for Great Cities
Simple Minds
—
Blancmange
Rat Race
The Specials
—
Rat Race
The Specials
—
Billy Idol
Billy Idol
What other identifiers does this connect to?
Musical Works (ISWC)
T-003.044.516-9T-010.044.077-4T-010.084.167-5T-010.095.711-6T-010.110.848-8T-010.170.348-3T-010.178.239-1T-010.178.889-9T-010.181.769-9T-010.182.483-2
+84 more
T-010.183.792-6T-010.184.031-6T-010.303.968-4T-010.467.458-9T-010.468.140-4T-010.468.648-7T-010.470.401-9T-010.473.412-4T-010.473.815-9T-010.474.171-0T-010.474.430-0T-010.475.122-5T-010.475.432-6T-010.476.086-2T-010.480.032-9T-010.480.222-3T-010.757.524-5T-010.044.077-4T-010.084.167-5T-010.094.660-8T-010.095.711-6T-010.110.848-8T-010.170.348-3T-010.170.350-7T-010.178.889-9T-010.181.769-9T-010.182.483-2T-010.182.774-0T-010.183.792-6T-010.184.031-6T-010.188.395-7T-010.303.968-4T-010.467.458-9T-010.468.140-4T-010.468.354-6T-010.468.648-7T-010.469.008-5T-010.469.606-1T-010.470.002-8T-010.470.401-9T-010.473.412-4T-010.473.686-8T-010.473.815-9T-010.474.171-0T-010.474.430-0T-010.475.122-5T-010.475.432-6T-010.476.086-2T-010.480.032-9T-010.480.222-3T-010.481.478-9T-010.481.649-0T-010.757.524-5T-011.284.145-8T-011.295.629-2T-011.299.344-8T-011.367.427-3T-011.383.833-7T-011.234.221-8T-011.295.629-2T-011.299.344-8T-011.312.075-4T-011.318.037-2T-011.325.274-6T-011.329.833-1T-011.353.079-2T-011.367.427-3T-011.383.833-7T-011.573.391-9T-011.598.325-9T-030.030.862-6T-030.030.862-6T-060.068.572-0T-070.051.322-9T-070.128.743-5T-070.234.406-6T-700.075.538-6T-801.040.830-8T-802.113.860-4T-900.019.490-1T-900.227.567-4T-010.465.784-2T-010.474.261-1T-011.297.611-0
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000059403294000000007366445800000000797480890000000090086354000000009009251900000001066013150000000106642977000000010669701100000001067097560000000107284243
+28 more
000000010945500X000000011508044300000001151984410000000115236663000000011547461000000001154750580000000115509887000000011551074900000001194219970000000119453307000000011956295X000000011956843800000001212781730000000121646546000000012170548900000001217085750000000121957838000000012253817600000001225394270000000122649183000000012285947100000001232487600000000123366265000000012359328100000001236995370000000123756239000000036845276X0000000407796419
Credits Graph
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What is UPC 5099921508820?
5099921508820 is a Universal Product Code (UPC) assigned to 100 Hits New Wave by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 100 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm