UPC · Release
Composers in Person
Various Artists
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5099921757525 is the Universal Product Code (UPC barcode) for the release “Composers in Person” by Various Artists, released 2008-01-01 on EMI Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 10 tracks, each with its own ISRC. Tracks include FRZ110801706, FRZ110801707, FRZ110801708.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (10)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 8-1 | Apparition de l'Église éternelle, I/8 | Olivier Messiaen | T-702.379.365-1 | |
| 8-2 | La Nativité du Seigneur, I/14: I. La Vierge et l'Enfant | Olivier Messiaen | — | |
| 8-3 | La Nativité du Seigneur, I/14: II. Les Bergers | Olivier Messiaen | — | |
| 8-4 | La Nativité du Seigneur, I/14: III. Desseins Éternels | Olivier Messiaen | — | |
| 8-5 | La Nativité du Seigneur, I/14: IV. Le Verbe | Olivier Messiaen | — | |
| 8-6 | La Nativité du Seigneur, I/14: V. Les Enfants de Dieu | Olivier Messiaen | — | |
| 8-7 | La Nativité du Seigneur, I/14: VI. Les Anges | Olivier Messiaen | — | |
| 8-8 | La Nativité du Seigneur, I/14: VII. Jésus accepte la souffrance | Olivier Messiaen | — | |
| 8-9 | La Nativité du Seigneur, I/14: VIII. Les Mages | Olivier Messiaen | — | |
| 8-10 | La Nativité du Seigneur, I/14: IX. Dieu parmi nous | Olivier Messiaen | — |
Additional database matches (66)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Scaramouche, Op.165b - I. Vif | Darius Milhaud, Marcelle Meyer | — |
| Scaramouche, op. 165b: II. Modere | Darius Milhaud | — |
| Scaramouche, Op.165b - III. Brazileira | Darius Milhaud, Marcelle Meyer | — |
| Le festin de l'araignée, op. 17: Prélude – | [unknown], Albert Roussel | — |
| Le festin de l'araignée, op. 17: Entrée des fourmis – | [unknown], Albert Roussel | — |
| Le festin de l'araignée, op. 17: Danse du papillon – | [unknown], Albert Roussel | — |
| Le festin de l'araignée, op. 17: Eclosion de l'éphémere – | [unknown], Albert Roussel | — |
| Le festin de l'araignée, op. 17: Danse de l'éphémere – | [unknown], Albert Roussel | — |
| Le festin de l'araignée, op. 17: Funérailles de l'éphémere – | [unknown], Albert Roussel | — |
| Le festin de l'araignée, op. 17: La nuit tombe sur le jardin solitaire | [unknown], Albert Roussel | — |
| Cinq mélodies: Le jardin mouillé, op. 3 no. 3 | Claire Croiza, Albert Roussel | — |
| Cinq mélodies: Invocation, op. 8 no. 3 | Claire Croiza, Albert Roussel | — |
| Cinq mélodies: Amoureux séparés, op. 12 no. 2 | Claire Croiza, Albert Roussel | — |
| Cinq mélodies: Light, op. 19 no. 1 | Claire Croiza, Albert Roussel | — |
| Cinq mélodies: Sarabande, op. 20 no. 2 | Claire Croiza, Albert Roussel | — |
| Bachianas Brasileiras no. 2 for orchestra, IV. Toccata (o trenzinho do caipira) | Orchestre national de la Radiodiffusion française, Heitor Villa-Lobos | T9102582343 |
| Holy Sonnets of John Donne, op. 35: 1. Oh My Blacke Soule | Peter Pears, Benjamin Britten | — |
| Holy Sonnets of John Donne, op. 35: 2. Batter My Heart | Peter Pears, Benjamin Britten | — |
| Holy Sonnets of John Donne, op. 35: 3. O Might Those Sighes and Teares | Peter Pears, Benjamin Britten | — |
| Holy Sonnets of John Donne, op. 35: 4. Oh, to Vex Me | Peter Pears, Benjamin Britten | — |
| Holy Sonnets of John Donne, op. 35: 5. What If This Present | Peter Pears, Benjamin Britten | — |
| Holy Sonnets of John Donne, op. 35: 6. Since She Whom I Loved | Peter Pears, Benjamin Britten | — |
| Holy Sonnets of John Donne, op. 35: 7. At the Round Earth's Imagined Corners | Peter Pears, Benjamin Britten | — |
| Holy Sonnets of John Donne, op. 35: 8. Thou Hast Made Me | Peter Pears, Benjamin Britten | — |
| Holy Sonnets of John Donne, op. 35: 9. Death, Be Not Proud | Peter Pears, Benjamin Britten | — |
| Seven Sonnets of Michelangelo, op. 22: 1. Sì come nella penna | Peter Pears, Benjamin Britten | — |
| Seven Sonnets of Michelangelo, op. 22: 2. A che più debb'io mai | Peter Pears, Benjamin Britten | — |
| Seven Sonnets of Michelangelo, op. 22: 3. Veggio co' bei vostri occhi | Peter Pears, Benjamin Britten | — |
| Seven Sonnets of Michelangelo, op. 22: 4. Tu sa' ch'io so | Peter Pears, Benjamin Britten | — |
| Seven Sonnets of Michelangelo, op. 22: 5. Rendete a gli occhi miei | Peter Pears, Benjamin Britten | — |
| Seven Sonnets of Michelangelo, op. 22: 6. S'un casto amor | Peter Pears, Benjamin Britten | — |
| Seven Sonnets of Michelangelo, op. 22: 7. Spirto ben nato | Peter Pears, Benjamin Britten | — |
| Variations on an Original Theme (“Enigma”), op. 36: Theme | Royal Albert Hall Orchestra, Sir Edward Elgar | — |
| Variations on an Original Theme (“Enigma”), op. 36: I. C.A.E. (the composer’s wife) | Royal Albert Hall Orchestra, Sir Edward Elgar | — |
| Variations on an Original Theme (“Enigma”), op. 36: II. H.D.S.-P. (Hew David Steuart-Powell) | Royal Albert Hall Orchestra, Sir Edward Elgar | — |
| Variations on an Original Theme (“Enigma”), op. 36: III. R.B.T. (Richard Baxter Townshend) | Royal Albert Hall Orchestra, Sir Edward Elgar | — |
| Variations on an Original Theme (“Enigma”), op. 36: IV. W.M.B. (W. M. Baker) | Royal Albert Hall Orchestra, Sir Edward Elgar | — |
| Variations on an Original Theme (“Enigma”), op. 36: V. R.P.A. (Richard P. Arnold) | Royal Albert Hall Orchestra, Sir Edward Elgar | — |
| Variations on an Original Theme (“Enigma”), op. 36: VI. Ysobel (Isabel Fitton) | Royal Albert Hall Orchestra, Sir Edward Elgar | — |
| Variations on an Original Theme (“Enigma”), op. 36: VII. Troyte (Troyte Griffith) | Royal Albert Hall Orchestra, Sir Edward Elgar | — |
| Variations on an Original Theme (“Enigma”), op. 36: VIII. W.N. (Winifred Norbury) | Royal Albert Hall Orchestra, Sir Edward Elgar | — |
| Variations on an Original Theme (“Enigma”), op. 36: IX. Nimrod (A. J. Jaeger) | Royal Albert Hall Orchestra, Sir Edward Elgar | T-010.115.427-1 |
| Variations on an Original Theme (“Enigma”), op. 36: X. Intermezzo: Dorabella (Dora Penny) | Royal Albert Hall Orchestra, Sir Edward Elgar | — |
| Variations on an Original Theme (“Enigma”), op. 36: XI. G.R.S. (G. R. Sinclair) | Royal Albert Hall Orchestra, Sir Edward Elgar | — |
| Variations on an Original Theme (“Enigma”), op. 36: XII. B.G.N (Basil G. Nevinson) | Royal Albert Hall Orchestra, Sir Edward Elgar | — |
| Variations on an Original Theme (“Enigma”), op. 36: XIII. Romanza: *** [Lady Mary Lygon] | Royal Albert Hall Orchestra, Sir Edward Elgar | — |
| Variations on an Original Theme (“Enigma”), op. 36: XIV. Finale: E.D.U. (the composer) | Royal Albert Hall Orchestra, Sir Edward Elgar | — |
| Violin Concerto in B minor, op. 61: I. Allegro | Yehudi Menuhin, London Symphony Orchestra, Sir Edward Elgar | — |
| Violin Concerto in B minor, op. 61: II. Andante | Yehudi Menuhin, London Symphony Orchestra, Sir Edward Elgar | — |
| Violin Concerto in B minor, op. 61: III. Allegro molto— | Yehudi Menuhin, London Symphony Orchestra, Sir Edward Elgar | — |
| Violin Concerto in B minor, op. 61: Cadenza (accompagnata: Lento)—Allegro molto | Yehudi Menuhin, London Symphony Orchestra, Sir Edward Elgar | — |
| Variations on an Original Theme, op. 36 "Enigma": IX. Nimrod | Elgar | T-010.115.427-1 |
| Piano Concerto no. 3 in C major, op. 26: I. Andante – Allegro | Sergei Prokofiev, London Symphony Orchestra, Piero Coppola | — |
| Piano Concerto no. 3 in C major, op. 26: II. Tema con variazioni (Andantino) | Sergei Prokofiev, London Symphony Orchestra, Piero Coppola | — |
| Piano Concerto no. 3 in C major, op. 26: III. Allegro ma non troppo | Sergei Prokofiev, London Symphony Orchestra, Piero Coppola | — |
| Suggestion diabolique Op. 4. No. 4 | Сергей Сергеевич Прокофьев | — |
| Gavotte, op. 32, no. 3 | Сергей Сергеевич Прокофьев | — |
| Serenade in A: I. Hymn | Igor Stravinsky | — |
| Serenade in A: II. Romanza | Igor Stravinsky | — |
| Serenade in A: III. Rondoletto | Igor Stravinsky | — |
| Serenade in A: IV. Cadenza finale | Igor Stravinsky | — |
| Piano rag music | Igor Stravinsky | — |
| Concerto for two solo pianos: I. Con moto | Igor Stravinsky, Soulima Stravinsky | — |
| Concerto for two solo pianos: II. Notturno (Adagietto) | Igor Stravinsky, Soulima Stravinsky | — |
| Concerto for two solo pianos: III. Quattro variazioni | Igor Stravinsky, Soulima Stravinsky | — |
| Concerto for two solo pianos: IV: Preludio e Fuga | Igor Stravinsky, Soulima Stravinsky | — |
What other identifiers does this connect to?
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What is UPC 5099921757525?
5099921757525 is a Universal Product Code (UPC) assigned to Composers in Person by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 10 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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