UPC · Release
Various Artists
Last verified:
The UPC for “Composers in Person” by Various Artists is 5099921757525. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2008-01-01. Label: EMI Classics. This release contains 444 tracks, each with its own ISRC. Tracks include GBAYC9802298, GBAYC9802299, GBAYC9802300.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | 14 Bagatelles, op. 6 / Sz38 / BB50: No. 2. Allegro giocoso | — | ||
| 2 | 10 Easy Pieces Sz39 / BB51: No. 5. Este a székelyeknél | — | ||
| 3 | 10 Easy Pieces Sz39 / BB51: No. 10. Medvetánc | — | ||
| 4 | 2 Romanian Dances, op. 8a / Sz43 / BB56: No. 1. Allegro vivace | — | ||
| 5 | 2 Romanian Dances, op. 8a / Sz43 / BB56: No. 2. Kicsit ázottan... | — | ||
| 6 | Allegro barbaro, Sz.49 / BB63 | — | ||
| 7 | Suite, op. 14 / Sz62 / BB70: I. Allegretto | — | ||
| 8 | Suite, op. 14 / Sz62 / BB70: II. Scherzo | — | ||
| 9 | Suite, op. 14 / Sz62 / BB70: III. Allegro molto | — | ||
| 10 | Suite, op. 14 / Sz62 / BB70: IV. Sostenuto | — | ||
| 11 | Mikrokosmos Sz107 / BB105, Vol. V: No. 124. Staccato (Allegretto mosso) | — | ||
| 12 | Mikrokosmos Sz107 / BB105, Vol. VI: No. 146. Ostinato (Vivacissimo) | — | ||
| 13 | 5 Hungarian Folk Songs from Sz33 / BB97: No. 1. Elindultam szép hazámból / No. 2. Általmennék én a Tiszán ladikon / No. 3. A gyulai kert alatt / No. 4. Nem messze van ide Kis Margitta / No. 5. Végig mentem a tárkányi | — | ||
| 14 | 8 Hungarian Folk Songs Sz64 / BB47: No. 1. Fekete főd / No. 2. Istenem, Istenem / No. 3. Asszonyok, asszonyok / No. 5. Ha kimegyek arr’ a magos tetőre | — | ||
| 15 | 8 Hungarian Folk Songs Sz64 / BB47: No. 6. Töltik a nagyerdő útját / No. 7. Eddig való dolgom / No. 8. Olvad a hó | — | ||
| 16 | 7 Hungarian Folk Tunes | — | ||
| 17 | 6 Romanian Folk Dances | — | ||
| 18 | Variations on a Nursery Song, op. 25: Introduction (Maestoso) – | — | ||
| 19 | Variations on a Nursery Song, op. 25: Theme (Allegro) – | — | ||
| 20 | Variations on a Nursery Song, op. 25: Variation I (Poco Più Mosso) – | — | ||
| 21 | Variations on a Nursery Song, op. 25: Variation II (Risoluto) – | — | ||
| 22 | Variations on a Nursery Song, op. 25: Variation III (L'istesso Tempo) – | — | ||
| 23 | Variations on a Nursery Song, op. 25: Variation IV (Molto Meno Mosso [Allegretto Moderato]) – | — | ||
| 24 | Variations on a Nursery Song, op. 25: Variation V (Più Mosso) – | — | ||
| 25 | Variations on a Nursery Song, op. 25: Variation VI (Ancora Più Mosso [Allegro]) – | — | ||
| 26 | Variations on a Nursery Song, op. 25: Variation VII (Walzer [Tempo Giusto]) – | — | ||
| 27 | Variations on a Nursery Song, op. 25: Variation VIII (Alla Marcia [Allegro Moderato]) – | — | ||
| 28 | Variations on a Nursery Song, op. 25: Variation IX (Presto) – | — | ||
| 29 | Variations on a Nursery Song, op. 25: Variation X (Passacaglia [Adagio Non Troppo]) – | — | ||
| 30 | Variations on a Nursery Song, op. 25: Variation XI (Choral [Maestoso]) – | — | ||
| 31 | Variations on a Nursery Song, op. 25: Finale Fugato (Allegro Vivace) | — | ||
| 2-1 | Sonata for Solo Viola, op. 25 no. 1: I. Breit - | — | ||
| 2-2 | Sonata for Solo Viola, op. 25 no. 1: II. Sehr frisch und straff | — | ||
| 2-3 | Sonata for Solo Viola, op. 25 no. 1: III. Sehr langsam | — | ||
| 2-4 | Sonata for Solo Viola, op. 25 no. 1: IV. Rasendes Zeitmaß. Wild. Tonschönheit ist Nebensache | — | ||
| 2-5 | Sonata for Solo Viola, op. 25 no. 1: V. Langsam, mit viel Ausdruck | — | ||
| 2-6 | Scherzo for Viola and Cello | — | ||
| 2-7 | Nobilissima visione, Suite: I. Einleitung und Rondo | — | ||
| 2-8 | Nobilissima visione, Suite: II. Marsch und Pastorale | — | ||
| 2-9 | Nobilissima visione, Suite: III. Passacaglia | — | ||
| 2-10 | Symphonia serena: I. Moderately fast | — | ||
| 2-11 | Symphonia serena: II. Geschwindmarsch by Beethoven (Rather fast) | — | ||
| 2-12 | Symphonia serena: III. Colloquy | — | ||
| 2-13 | Symphonia serena: IV. Finale (Gay) | — | ||
| 3-1 | String Trio no. 2: I. Mäßig schnell | — | ||
| 3-2 | String Trio no. 2: II. Lebhaft | — | ||
| 3-3 | String Trio no. 2: III. Langsam - Schnelle Halbe - Langsam - Schnell, wie vorher - Äußerst lebhaft | — | ||
| 3-4 | Clarinet Concerto: I. Ziemlich schnell | — | ||
| 3-5 | Clarinet Concerto: II. Schnell | — | ||
| 3-6 | Clarinet Concerto: III. Ruhig | — | ||
| 3-7 | Clarinet Concerto: IV. Heiter | — | ||
| 3-8 | Horn Concerto: I. Moderately fast | — | ||
| 3-9 | Horn Concerto: II. Very fast | — | ||
| 3-10 | Horn Concerto: III. Very slow - Moderately fast - Fast - Lively - Very slow | — | ||
| 3-11 | Concert Music for Brass and Strings, op. 50: I. Mäßig schnell, mit Kraft - Sehr breit, aber stets fließend | — | ||
| 3-12 | Concert Music for Brass and Strings, op. 50: II. Lebhaft - Langsam - Lebhaft | — | ||
| 4-1 | Masquerade Suite: I. Waltz | — | ||
| 4-2 | Masquerade Suite: II. Nocturne | — | ||
| 4-3 | Masquerade Suite: III. Mazurka | — | ||
| 4-4 | Violin Concerto: I. Allegro con fermezza - Cadenza | — | ||
| 4-5 | Violin Concerto: II. Andante sostenuto | — | ||
| 4-6 | Violin Concerto: III. Allegro vivace | — | ||
| 4-7 | Suite from Gayaneh: Dance of the Rose Maidens | — | ||
| 4-8 | Suite from Gayaneh: Ayesha's Awakening and Dance | — | ||
| 4-9 | Suite from Gayaneh: Lullaby | — | ||
| 4-10 | Suite from Gayaneh: Gayaneh's Adagio | — | ||
| 4-11 | Suite from Gayaneh: Lezghinka | — | ||
| 4-12 | Suite from Gayaneh: Lyrical Duet of Ayesha and Armen | — | ||
| 4-13 | Suite from Gayaneh: Dance of the Old Men and Women | — | ||
| 4-14 | Suite from Gayaneh: Sabre Dance | — | ||
| 5-1 | Pastorale d'été | — | ||
| 5-2 | Cello Concerto: Andante | — | ||
| 5-3 | Cello Concerto: Lento – Cadenza | — | ||
| 5-4 | Cello Concerto: Allegro marcato | — | ||
| 5-5 | Trois Mouvements perpetuels: I. Assez modéré | — | ||
| 5-6 | Trois Mouvements perpetuels: II. Très modéré | — | ||
| 5-7 | Trois Mouvements perpetuels: III. Alerte | — | ||
| 5-8 | Trio pour piano, hautbois et basson: I. Presto | — | ||
| 5-9 | Trio pour piano, hautbois et basson: II. Andante | — | ||
| 5-10 | Trio pour piano, hautbois et basson: III. Rondo | — | ||
| 5-11 | Deux Novelettes: No. 1 in C | — | ||
| 5-12 | Deux Novelettes: No. 2 in B-flat minor | — | ||
| 5-13 | Nocturnes: No. 1 in C | — | ||
| 5-14 | Nocturnes: No. 2 in A ("Bal des jeunes filles") | — | ||
| 5-15 | Nocturnes: No. 4 in C minor ("Bal fantôme") | — | ||
| 5-16 | Improvisations: No. 2 in A-flat | — | ||
| 5-17 | Improvisations: No. 5 in A minor | — | ||
| 5-18 | Improvisations: No. 9 in D | — | ||
| 5-19 | Improvisations: No. 10 in F ("Éloge des gammes") | — | ||
| 5-20 | Aubade: Toccata | — | ||
| 5-21 | Aubade: Récitatif | — | ||
| 5-22 | Aubade: Rondo | — | ||
| 5-23 | Aubade: Presto | — | ||
| 5-24 | Aubade: Récitatif | — | ||
| 5-25 | Aubade: Andante | — | ||
| 5-26 | Aubade: Allegro feroce | — | ||
| 5-27 | Aubade: Conclusion | — | ||
| 6-1 | Symphonie V in F minor op. 42 no. 1: V. Toccata (Allegro) | — | ||
| 6-2 | Symphonie gothique in C minor, op. 70: I. Moderato | — | ||
| 6-3 | Symphonie gothique in C minor, op. 70: II. Andante sostenuto | — | ||
| 6-4 | Symphonie gothique in C minor, op. 70: III. Moderato - Variations (Allegro - Moderato - Andante - Allegro) | — | ||
| 6-5 | Trois Improvisations: I. Marche Épiscopale | — | ||
| 6-6 | Pieces de Fantasie, Suite no. 1, op. 51: II. Andantino | — | ||
| 6-7 | Trois Improvisations: III. Cortège | — | ||
| 6-8 | Suite bretonne, op. 21: I. Berceuse | — | ||
| 6-9 | Trois Preludes et Fugues, op. 7: No. 3 in G minor | — | ||
| 6-10 | Le Banquet Céleste | — | ||
| 6-11 | L'Ascension: I. Majesté du Christ demandant sa gloire à son Père | — | ||
| 6-12 | L'Ascension: II. Alleluias sereins d'une âme qui désire le ciel | — | ||
| 6-13 | L'Ascension: III. Transports de joie d'une âme devant la gloire du Christ qui est la sienne | — | ||
| 6-14 | L'Ascension: IV. Prière du Christ montant vers son Père | — | ||
| 7-1 | Violin Concerto in B minor, op. 61: I. Allegro | Yehudi Menuhin, London Symphony Orchestra, Sir Edward Elgar | — | |
| 7-2 | Violin Concerto in B minor, op. 61: II. Andante | Yehudi Menuhin, London Symphony Orchestra, Sir Edward Elgar | — | |
| 7-3 | Violin Concerto in B minor, op. 61: III. Allegro molto— | Yehudi Menuhin, London Symphony Orchestra, Sir Edward Elgar | — | |
| 7-4 | Violin Concerto in B minor, op. 61: Cadenza (accompagnata: Lento)—Allegro molto | Yehudi Menuhin, London Symphony Orchestra, Sir Edward Elgar | — | |
| 7-5 | Cello Concerto in E minor, op. 85: I. Adagio – Moderato | — | ||
| 7-6 | Cello Concerto in E minor, op. 85: II. Lento – Allegro molto | — | ||
| 7-7 | Cello Concerto in E minor, op. 85: III. Adagio | — | ||
| 7-8 | Cello Concerto in E minor, op. 85: IV. Allegro – Moderato – Allegro, ma non troppo – Poco più lento – Adagio, come prima – Allegro molto | — | ||
| 8-1 | Apparition de l'Église éternelle, I/8 | Olivier Messiaen | T-702.379.365-1 | |
| 8-2 | La Nativité du Seigneur, I/14: I. La Vierge et l'Enfant | Olivier Messiaen | — | |
| 8-3 | La Nativité du Seigneur, I/14: II. Les Bergers | Olivier Messiaen | — | |
| 8-4 | La Nativité du Seigneur, I/14: III. Desseins Éternels | Olivier Messiaen | — | |
| 8-5 | La Nativité du Seigneur, I/14: IV. Le Verbe | Olivier Messiaen | — | |
| 8-6 | La Nativité du Seigneur, I/14: V. Les Enfants de Dieu | Olivier Messiaen | — | |
| 8-7 | La Nativité du Seigneur, I/14: VI. Les Anges | Olivier Messiaen | — | |
| 8-8 | La Nativité du Seigneur, I/14: VII. Jésus accepte la souffrance | Olivier Messiaen | — | |
| 8-9 | La Nativité du Seigneur, I/14: VIII. Les Mages | Olivier Messiaen | — | |
| 8-10 | La Nativité du Seigneur, I/14: IX. Dieu parmi nous | Olivier Messiaen | — | |
| 9-1 | Piano Concerto no. 3 in C major, op. 26: I. Andante – Allegro | Sergei Prokofiev, London Symphony Orchestra, Piero Coppola | — | |
| 9-2 | Piano Concerto no. 3 in C major, op. 26: II. Tema con variazioni (Andantino) | Sergei Prokofiev, London Symphony Orchestra, Piero Coppola | — | |
| 9-3 | Piano Concerto no. 3 in C major, op. 26: III. Allegro ma non troppo | Sergei Prokofiev, London Symphony Orchestra, Piero Coppola | — | |
| 9-4 | Suggestion diabolique Op. 4. No. 4 | Сергей Сергеевич Прокофьев | — | |
| 9-5 | Visions fugitives, op. 22: No. 3. Allegretto | — | ||
| 9-6 | Visions fugitives, op. 22: No. 5. Molto giocoso | — | ||
| 9-7 | Visions fugitives, op. 22: No. 6. Con eleganza | — | ||
| 9-8 | Visions fugitives, op. 22: No. 9. Allegretto tranquillo | — | ||
| 9-9 | Visions fugitives, op. 22: No. 10. Ridicolosamente | — | ||
| 9-10 | Visions fugitives, op. 22: No. 11. Con vivacità | — | ||
| 9-11 | Visions fugitives, op. 22: No. 16. Dolente | — | ||
| 9-12 | Visions fugitives, op. 22: No. 17. Poetico | — | ||
| 9-13 | Visions fugitives, op. 22: No. 18. Con una dolce lentezza | — | ||
| 9-14 | Gavotte, op. 25 | — | ||
| 9-15 | Sonata no. 4 in C minor, op. 29: II. Andante assai | — | ||
| 9-16 | Gavotte, op. 32, no. 3 | Сергей Сергеевич Прокофьев | — | |
| 9-17 | The Seasons, op. 67: Scene 1 (Winter) - Introduction | — | ||
| 9-18 | The Seasons, op. 67: Scene 1 (Winter) - Variation 1 (The Frost) | — | ||
| 9-19 | The Seasons, op. 67: Scene 1 (Winter) - Variation 2 (The Ice) | — | ||
| 9-20 | The Seasons, op. 67: Scene 1 (Winter) - Variation 3 (The Hail) | — | ||
| 9-21 | The Seasons, op. 67: Scene 1 (Winter) - Variation 4 (The Snow) | — | ||
| 9-22 | The Seasons, op. 67: Scene 2 (Spring) | — | ||
| 9-23 | The Seasons, op. 67: Scene 3 (Summer) - Introduction | — | ||
| 9-24 | The Seasons, op. 67: Scene 3 (Summer) - Waltz of the Cornflowers and Poppies | — | ||
| 9-25 | The Seasons, op. 67: Scene 3 (Summer) - Barcarolle | — | ||
| 9-26 | The Seasons, op. 67: Scene 4 (Autumn) - Bacchanale | — | ||
| 9-27 | The Seasons, op. 67: Scene 4 (Autumn) - Petit Adagio | — | ||
| 9-28 | The Seasons, op. 67: Scene 4 (Autumn) - Finale | — | ||
| 10-1 | Bachianas Brasileiras no. 2 for orchestra, IV. Toccata (o trenzinho do caipira) | Orchestre national de la Radiodiffusion française, Heitor Villa-Lobos | T-910.258.234-3 | |
| 10-2 | Bachianas Brasileiras no. 5: I. Ária (Cantilena): Adagio | — | ||
| 10-3 | Bachianas Brasileiras no. 5: II. Dança (Martelo): Allegretto | — | ||
| 10-4 | Miniaturas: No. 2. Viola | — | ||
| 10-5 | Modinhas e Canções, vol. 1: No. 3. Cantilena | — | ||
| 10-6 | Momoprecoce | — | ||
| 10-7 | Bachianas Brasileiras no. 4: I. Prelúdio (Introdução): Lento | — | ||
| 10-8 | Bachianas Brasileiras no. 4: II. Coral (Canto do Sertão): Largo | — | ||
| 10-9 | Bachianas Brasileiras no. 4: III. Ária (Cantiga): Moderato | — | ||
| 10-10 | Bachianas Brasileiras no. 4: IV. Dança (Miudinho): Muito animado | — | ||
| 10-11 | Choros no. 10 "Rasga o Coração" | — | ||
| 11-1 | Das Christelflein, op. 20: Overture | — | ||
| 11-2 | Palestrina: Prelude, Act I | — | ||
| 11-3 | Palestrina: Prelude, Act II | — | ||
| 11-4 | Palestrina: Prelude, Act III | — | ||
| 11-5 | Duo for Violin, Cello and Small Orchestra, op. 43 | — | ||
| 11-6 | Hast du von den Fischerkindern, op. 7 no. 1 | — | ||
| 11-7 | Der Gärtner, op. 9 no. 1 | — | ||
| 11-8 | Die Einsame, op. 9 no.2 | — | ||
| 11-9 | Zum Abschied meiner Tochter, op. 10 no. 3 | — | ||
| 11-10 | Michaelskirchplatz, op. 19 no. 2 | — | ||
| 11-11 | In Danzig, op. 22 no. 1 | — | ||
| 11-12 | Nachts, op. 26 no. 2 | — | ||
| 11-13 | Abbitte, op. 29 no. 1 | — | ||
| 11-14 | Hussens Kerker, op. 32 no. 1 | — | ||
| 11-15 | Säerspruch, op. 32 no. 2 | — | ||
| 11-16 | Leuchtende Tage, op. 40 no. 1 | — | ||
| 11-17 | Herbstgefühl, op. 40 no. 4 | — | ||
| 12-1 | La Création du monde, op. 81 | — | ||
| 12-2 | Scaramouche, Op.165b - I. Vif | Darius Milhaud, Marcelle Meyer | — | |
| 12-3 | Scaramouche, op. 165b: II. Modere | Darius Milhaud | — | |
| 12-4 | Scaramouche, Op.165b - III. Brazileira | Darius Milhaud, Marcelle Meyer | — | |
| 12-5 | Saudades do Brasil, op. 67: Ouverture | — | ||
| 12-6 | Saudades do Brasil, op. 67: Sorocaba | — | ||
| 12-7 | Saudades do Brasil, op. 67: Botafogo | — | ||
| 12-8 | Saudades do Brasil, op. 67: Leme | — | ||
| 12-9 | Saudades do Brasil, op. 67: Copacabana | — | ||
| 12-10 | Saudades do Brasil, op. 67: Ipanema | — | ||
| 12-11 | Saudades do Brasil, op. 67: Gavea | — | ||
| 12-12 | Saudades do Brasil, op. 67: Corcovado | — | ||
| 12-13 | Saudades do Brasil, op. 67: Tijuca | — | ||
| 12-14 | Saudades do Brasil, op. 67: Sumaré | — | ||
| 12-15 | Saudades do Brasil, op. 67: Paineras | — | ||
| 12-16 | Saudades do Brasil, op. 67: Larenjeiras | — | ||
| 12-17 | Saudades do Brasil, op. 67: Paysandú | — | ||
| 12-18 | Suite provençale: Animé | — | ||
| 12-19 | Suite provençale, op. 152b: Très modéré | — | ||
| 12-20 | Suite provençale, op. 152b: Modéré | — | ||
| 12-21 | Suite provençale, op. 152b: Vif | — | ||
| 12-22 | Suite provençale, op. 152b: Modéré | — | ||
| 12-23 | Suite provençale, op. 152b: Vif | — | ||
| 12-24 | Suite provençale, op. 152b: Lent | — | ||
| 12-25 | Suite provençale, op. 152b: Vif | — | ||
| 12-26 | Le Bœuf sur le toit, op. 58 | — | ||
| 13-1 | Le bestiaire: Le dromadaire / La chèvre du Tibet / La sauterelle / Le dauphin / L'écrevisse / La carpe | — | ||
| 13-2 | Chansons gaillardes: 4. Invocation aux parques | — | ||
| 13-3 | Chansons gaillardes: 7. La belle jeunesse | — | ||
| 13-4 | Tel jour, telle nuit: 1. Bonne journée | — | ||
| 13-5 | Tel jour, telle nuit: 2. Une ruine coquille vide | — | ||
| 13-6 | Tel jour, telle nuit: 3. Le front comme un drapeau perdu | — | ||
| 13-7 | Tel jour, telle nuit: 4. Une roulotte couverte en tuiles | — | ||
| 13-8 | Tel jour, telle nuit: 5. À toutes brides | — | ||
| 13-9 | Tel jour, telle nuit: 6. Une herbe pauvre | — | ||
| 13-10 | Tel jour, telle nuit: 7. Je n'ai envie que de t'aimer | — | ||
| 13-11 | Tel jour, telle nuit: 8. Figure de force brûlante et farouche | — | ||
| 13-12 | Tel jour, telle nuit: 9. Nous avons fait la nuit | — | ||
| 13-13 | Deux Poèmes de Guillaume Apollinaire: 1. Dans le jardin d'Anna | — | ||
| 13-14 | Métamorphoses: 1. Reine des mouettes | — | ||
| 13-15 | Métamorphoses: 2. C'est ainsi que tu es | — | ||
| 13-16 | Métamorphoses: 3. Paganini | — | ||
| 13-17 | Deux Poèmes de Louis Aragon: 1. 'C' | — | ||
| 13-18 | Deux Poèmes de Louis Aragon: 2. Fêtes galantes | — | ||
| 13-19 | Deux mélodies de Guillaume Apollinaire: 1. Montparnasse | — | ||
| 13-20 | Seven Sonnets of Michelangelo, op. 22: 1. Sì come nella penna | Peter Pears, Benjamin Britten | — | |
| 13-21 | Seven Sonnets of Michelangelo, op. 22: 2. A che più debb'io mai | Peter Pears, Benjamin Britten | — | |
| 13-22 | Seven Sonnets of Michelangelo, op. 22: 3. Veggio co' bei vostri occhi | Peter Pears, Benjamin Britten | — | |
| 13-23 | Seven Sonnets of Michelangelo, op. 22: 4. Tu sa' ch'io so | Peter Pears, Benjamin Britten | — | |
| 13-24 | Seven Sonnets of Michelangelo, op. 22: 5. Rendete a gli occhi miei | Peter Pears, Benjamin Britten | — | |
| 13-25 | Seven Sonnets of Michelangelo, op. 22: 6. S'un casto amor | Peter Pears, Benjamin Britten | — | |
| 13-26 | Seven Sonnets of Michelangelo, op. 22: 7. Spirto ben nato | Peter Pears, Benjamin Britten | — | |
| 13-27 | Holy Sonnets of John Donne, op. 35: 1. Oh My Blacke Soule | Peter Pears, Benjamin Britten | — | |
| 13-28 | Holy Sonnets of John Donne, op. 35: 2. Batter My Heart | Peter Pears, Benjamin Britten | — | |
| 13-29 | Holy Sonnets of John Donne, op. 35: 3. O Might Those Sighes and Teares | Peter Pears, Benjamin Britten | — | |
| 13-30 | Holy Sonnets of John Donne, op. 35: 4. Oh, to Vex Me | Peter Pears, Benjamin Britten | — | |
| 13-31 | Holy Sonnets of John Donne, op. 35: 5. What If This Present | Peter Pears, Benjamin Britten | — | |
| 13-32 | Holy Sonnets of John Donne, op. 35: 6. Since She Whom I Loved | Peter Pears, Benjamin Britten | — | |
| 13-33 | Holy Sonnets of John Donne, op. 35: 7. At the Round Earth's Imagined Corners | Peter Pears, Benjamin Britten | — | |
| 13-34 | Holy Sonnets of John Donne, op. 35: 8. Thou Hast Made Me | Peter Pears, Benjamin Britten | — | |
| 13-35 | Holy Sonnets of John Donne, op. 35: 9. Death, Be Not Proud | Peter Pears, Benjamin Britten | — | |
| 14-1 | Concerto for piano, trumpet and strings in C minor, op. 35: I. Allegro moderato - Allegro vivace - Moderato - | — | ||
| 14-2 | Concerto for piano, trumpet and strings in C minor, op. 35: II. Lento - | — | ||
| 14-3 | Concerto for piano, trumpet and strings in C minor, op. 35: III. Moderato - | — | ||
| 14-4 | Concerto for piano, trumpet and strings in C minor, op. 35: IV. Allegro con brio - Presto - Allegro poco moderato - Allegro con brio | — | ||
| 14-5 | Piano Concerto no. 2 in F, op. 102: I. Allegro | — | ||
| 14-6 | Piano Concerto no. 2 in F, op. 102: II. Andante - | — | ||
| 14-7 | Piano Concerto no. 2 in F, op. 102: III. Allegro | — | ||
| 14-8 | Three Fantastic Dances, op. 5: I. Allegretto in C | — | ||
| 14-9 | Three Fantastic Dances, op. 5: II. Andantino in G minor | — | ||
| 14-10 | Three Fantastic Dances, op. 5: III. Andantino in C | — | ||
| 14-11 | Preludes and Fugues, op. 87 no. 1: Moderato in C | — | ||
| 14-12 | Preludes and Fugues, op. 87 no. 4: Andante - Adagio in E minor | — | ||
| 14-13 | Preludes and Fugues, op. 87 no. 5: Allegretto in D major | — | ||
| 14-14 | Preludes and Fugues, op. 87 no. 23: Adagio - Moderato con moto | — | ||
| 14-15 | Preludes and Fugues, op. 87 no. 24: Andante - Moderato in D minor | — | ||
| 15-1 | Les Noces, Part I: Scene 1. The Bride's Chamber | — | ||
| 15-2 | Les Noces, Part I: Scene 2. At the Bridegroom's - | — | ||
| 15-3 | Les Noces, Part I: Scene 3. The Bride's Departure - | — | ||
| 15-4 | Les Noces, Part II: Scene 4. The Wedding Feast | — | ||
| 15-5 | Octet: I. Sinfonia (Lento - Allegro moderato) | — | ||
| 15-6 | Octet: II. Tema con variazioni - | — | ||
| 15-7 | Octet: III. Finale (Tempo giusto) | — | ||
| 15-8 | Capriccio: I. Presto - Doppio movimento - | — | ||
| 15-9 | Capriccio: II. Andante rapsodico - | — | ||
| 15-10 | Capriccio: III. Allegro capriccioso ma tempo giusto | — | ||
| 15-11 | Symphony of Psalms: I. Psalm 38, vv. 13 & 14 | — | ||
| 15-12 | Symphony of Psalms: II. Psalm 39, vv. 2-4 | — | ||
| 15-13 | Symphony of Psalms: III. Psalm 150 | — | ||
| 16-1 | Pastorale (transcribed for violin and wind quartet) | — | ||
| 16-2 | L'Oiseau de feu: Scherzo | — | ||
| 16-3 | L'Oiseau de feu: Berceuse | — | ||
| 16-4 | Petrushka: Danse russe | — | ||
| 16-5 | Le chant du rossignol: Airs du rossignol | — | ||
| 16-6 | Le chant du rossignol: Marche chinoise | — | ||
| 16-7 | Ragtime for 11 instruments | — | ||
| 16-8 | Piano rag music | Igor Stravinsky | — | |
| 16-9 | Suite italienne: II. Serenata | — | ||
| 16-10 | Suite italienne: V. Scherzino | — | ||
| 16-11 | Serenade in A: I. Hymn | Igor Stravinsky | — | |
| 16-12 | Serenade in A: II. Romanza | Igor Stravinsky | — | |
| 16-13 | Serenade in A: III. Rondoletto | Igor Stravinsky | — | |
| 16-14 | Serenade in A: IV. Cadenza finale | Igor Stravinsky | — | |
| 16-15 | Duo concertante: I. Cantilène | — | ||
| 16-16 | Duo concertante: II. Eclogue I | — | ||
| 16-17 | Duo concertante: III. Eclogue II | — | ||
| 16-18 | Duo concertante: IV. Gigue | — | ||
| 16-19 | Duo concertante: V. Dithyrambe | — | ||
| 16-20 | Concerto for two solo pianos: I. Con moto | Igor Stravinsky, Soulima Stravinsky | — | |
| 16-21 | Concerto for two solo pianos: II. Notturno (Adagietto) | Igor Stravinsky, Soulima Stravinsky | — | |
| 16-22 | Concerto for two solo pianos: III. Quattro variazioni | Igor Stravinsky, Soulima Stravinsky | — | |
| 16-23 | Concerto for two solo pianos: IV: Preludio e Fuga | Igor Stravinsky, Soulima Stravinsky | — | |
| 17-1 | Eine Alpensinfonie op. 64: Night | — | ||
| 17-2 | Eine Alpensinfonie op. 64: Sunrise | — | ||
| 17-3 | Eine Alpensinfonie op. 64: The Ascent | — | ||
| 17-4 | Eine Alpensinfonie op. 64: Entering the Forest | — | ||
| 17-5 | Eine Alpensinfonie op. 64: Wandering by the Brook | — | ||
| 17-6 | Eine Alpensinfonie op. 64: By the Waterfall | — | ||
| 17-7 | Eine Alpensinfonie op. 64: Apparition | — | ||
| 17-8 | Eine Alpensinfonie op. 64: On Flower-Covered Meadows | — | ||
| 17-9 | Eine Alpensinfonie op. 64: On Alpine Pasture | — | ||
| 17-10 | Eine Alpensinfonie op. 64: Lost in the Thicket and the Undergrowth | — | ||
| 17-11 | Eine Alpensinfonie op. 64: On the Glacier | — | ||
| 17-12 | Eine Alpensinfonie op. 64: Hazardous Moments | — | ||
| 17-13 | Eine Alpensinfonie op. 64: On the Summit | — | ||
| 17-14 | Eine Alpensinfonie op. 64: Vision | — | ||
| 17-15 | Eine Alpensinfonie op. 64: The Mist Rises | — | ||
| 17-16 | Eine Alpensinfonie op. 64: The Sun Gradually Darkens | — | ||
| 17-17 | Eine Alpensinfonie op. 64: Elegy | — | ||
| 17-18 | Eine Alpensinfonie op. 64: The Calm Before the Storm | — | ||
| 17-19 | Eine Alpensinfonie op. 64: The Thunderstorm - Descent | — | ||
| 17-20 | Eine Alpensinfonie op. 64: Sunset | — | ||
| 17-21 | Eine Alpensinfonie op. 64: Conclusion | — | ||
| 17-22 | Eine Alpensinfonie op. 64: Night | — | ||
| 17-23 | Der Rosenkavalier: Introduction... Love Scene (Marschallin & Octavian) (Act 1) | — | ||
| 17-24 | Der Rosenkavalier: Marschallin's Monologue (Act 1) | — | ||
| 17-25 | Der Rosenkavalier: Presentation March ("De Brandenburgsche Mars" - no. 1 From Zwei Militärmärsche, 1906) | — | ||
| 17-26 | Der Rosenkavalier: The Presentation of the Silver Rose (Act 2) | — | ||
| 17-27 | Der Rosenkavalier: Love Duet (Octavian & Sophie) (Act 2) | — | ||
| 17-28 | Der Rosenkavalier: Waltz (Act 3 / Act 2) | — | ||
| 17-29 | Der Rosenkavalier: Trio (Octavian, Marshallin & Sophie) (Act 3) | — | ||
| 17-30 | Der Rosenkavalier: Final Duet (Sophie & Octavian)... Coda (Act 3) | — | ||
| 18-1 | Danzas españolas, op. 31: No. 7. Valenciana (Calesera) | — | ||
| 18-2 | Danzas españolas, op. 31: No. 10. Danza triste | — | ||
| 18-3 | Goyescas: Improvisation on no. 7, El pelele | — | ||
| 18-4 | 7 canciones populares españolas: I. El paño moruno | — | ||
| 18-5 | 7 canciones populares españolas: II. Seguidilla murciana | — | ||
| 18-6 | 7 canciones populares españolas: III. Asturiana | — | ||
| 18-7 | 7 canciones populares españolas: IV. Jota | — | ||
| 18-8 | 7 canciones populares españolas: V. Nana | — | ||
| 18-9 | 7 canciones populares españolas: VI. Canción | — | ||
| 18-10 | 7 canciones populares españolas: VII. Polo | — | ||
| 18-11 | El amor brujo: Canción del fuego fatuo | — | ||
| 18-12 | Soneto a Córdoba | — | ||
| 18-13 | Harpsichord Concerto: I. Allegro | — | ||
| 18-14 | Harpsichord Concerto: II. Lento | — | ||
| 18-15 | Harpsichord Concerto: III. Vivace | — | ||
| 18-16 | Jeunes filles au jardin (Scènes d'enfants, no. 5) | — | ||
| 18-17 | El carrer, el guitarrista i el vell cavall (Suburbis, no. 1) | — | ||
| 18-18 | Canción y danza no. 5 | — | ||
| 18-19 | La fuente y la campana (Paisajes, no. 1) | — | ||
| 18-20 | Canción y danza no. 6 | — | ||
| 18-21 | Canción y danza no. 8 | — | ||
| 18-22 | 20 cantos populares españoles: No. 3. Tonada de la niña perdida | — | ||
| 18-23 | 20 cantos populares españoles: No. 4. Montañesa | — | ||
| 18-24 | 20 cantos populares españoles: No. 6. Malagueña | — | ||
| 18-25 | 20 cantos populares españoles: No. 7. Granadina | — | ||
| 18-26 | 20 cantos populares españoles: No. 19. Canto andaluz | — | ||
| 18-27 | 20 cantos populares españoles: No. 20. Polo | — | ||
| 19-1 | Variations on an Original Theme (“Enigma”), op. 36: Theme | Royal Albert Hall Orchestra, Sir Edward Elgar | — | |
| 19-2 | Variations on an Original Theme (“Enigma”), op. 36: I. C.A.E. (the composer’s wife) | Royal Albert Hall Orchestra, Sir Edward Elgar | — | |
| 19-3 | Variations on an Original Theme (“Enigma”), op. 36: II. H.D.S.-P. (Hew David Steuart-Powell) | Royal Albert Hall Orchestra, Sir Edward Elgar | — | |
| 19-4 | Variations on an Original Theme (“Enigma”), op. 36: III. R.B.T. (Richard Baxter Townshend) | Royal Albert Hall Orchestra, Sir Edward Elgar | — | |
| 19-5 | Variations on an Original Theme (“Enigma”), op. 36: IV. W.M.B. (W. M. Baker) | Royal Albert Hall Orchestra, Sir Edward Elgar | — | |
| 19-6 | Variations on an Original Theme (“Enigma”), op. 36: V. R.P.A. (Richard P. Arnold) | Royal Albert Hall Orchestra, Sir Edward Elgar | — | |
| 19-7 | Variations on an Original Theme (“Enigma”), op. 36: VI. Ysobel (Isabel Fitton) | Royal Albert Hall Orchestra, Sir Edward Elgar | — | |
| 19-8 | Variations on an Original Theme (“Enigma”), op. 36: VII. Troyte (Troyte Griffith) | Royal Albert Hall Orchestra, Sir Edward Elgar | — | |
| 19-9 | Variations on an Original Theme (“Enigma”), op. 36: VIII. W.N. (Winifred Norbury) | Royal Albert Hall Orchestra, Sir Edward Elgar | — | |
| 19-10 | Variations on an Original Theme (“Enigma”), op. 36: IX. Nimrod (A. J. Jaeger) | Royal Albert Hall Orchestra, Sir Edward Elgar | T-010.115.427-1 | |
| 19-11 | Variations on an Original Theme (“Enigma”), op. 36: X. Intermezzo: Dorabella (Dora Penny) | Royal Albert Hall Orchestra, Sir Edward Elgar | — | |
| 19-12 | Variations on an Original Theme (“Enigma”), op. 36: XI. G.R.S. (G. R. Sinclair) | Royal Albert Hall Orchestra, Sir Edward Elgar | — | |
| 19-13 | Variations on an Original Theme (“Enigma”), op. 36: XII. B.G.N (Basil G. Nevinson) | Royal Albert Hall Orchestra, Sir Edward Elgar | — | |
| 19-14 | Variations on an Original Theme (“Enigma”), op. 36: XIII. Romanza: *** [Lady Mary Lygon] | Royal Albert Hall Orchestra, Sir Edward Elgar | — | |
| 19-15 | Variations on an Original Theme (“Enigma”), op. 36: XIV. Finale: E.D.U. (the composer) | Royal Albert Hall Orchestra, Sir Edward Elgar | — | |
| 19-16 | The Planets op. 32: I. Mars, the Bringer of War (Allegro) | — | ||
| 19-17 | The Planets op. 32: II. Venus, the Bringer of Peace (Adagio) | — | ||
| 19-18 | The Planets op. 32: III. Mercury, the Winged Messenger (Vivace) | — | ||
| 19-19 | The Planets op. 32: IV. Jupiter, the Bringer of Jollity (Allegro giocoso – Andante maestoso) | — | ||
| 19-20 | The Planets op. 32: V. Saturn, the Bringer of Old Age (Adagio) | — | ||
| 19-21 | The Planets op. 32: VI. Uranus, the Magician (Allegro) | — | ||
| 19-22 | The Planets op. 32: VII. Neptune, the Mystic (Andante) | — | ||
| 20-1 | Die lustige Witwe: Ouvertüre | — | ||
| 20-2 | Zigeunerliebe: Hör' Ich Cymbalklänge (Akt III) | — | ||
| 20-3 | Eva: Vorspiel | — | ||
| 20-4 | Eva: Im heimlichen Dämmer (Akt I) | — | ||
| 20-5 | Paganini: Ich kann es nicht fassen...Liebe, du Himmel auf Erden (Akt II) | — | ||
| 20-6 | Der Zarewitsch: Einer wird kommen (Akt I) | — | ||
| 20-7 | Friederike: Warum hast du mich wachgeküßt? (Akt II) | — | ||
| 20-8 | Das Land des Lächelns: Ich trete ins Zimmer...Immer nur lächeln (Akt I) | — | ||
| 20-9 | Das Land des Lächelns: Mein lieber Prinz...Bei einem Tee en deux (Akt I) | — | ||
| 20-10 | Das Land des Lächelns: Von Apfelblüten einen Kranz (Akt I) | — | ||
| 20-11 | Das Land des Lächelns: Wer hat die Liebe uns ins Herz gesenkt? (Akt II) | — | ||
| 20-12 | Das Land des Lächelns: Dein ist mein ganzes Herz! (Akt II) | — | ||
| 20-13 | Das Land des Lächelns: Alles vorbei!...Ich möcht' wieder einmal (Akt II) | — | ||
| 20-14 | Das Land des Lächelns: Ihr Götter, sagt...Kann es möglich sein? (Akt II) | — | ||
| 20-15 | Schön ist die Welt: Ich bin verliebt (Akt III) | — | ||
| 20-16 | Giuditta: Freunde, das Leben ist lebenswert! (Auftrittslied) (1. Szene) | — | ||
| 20-17 | Giuditta: Schön wie die blaue Sommernacht (2. Szene) | — | ||
| 20-18 | Giuditta: Welch tiefes Rätsel ist die Liebe...Du bist meine Sonne! (3. Szene) | — | ||
| 20-19 | Giuditta: Ich weiß es selber nicht...Meine Lippen, sie küssen so heiß (4. Szene) | — | ||
| 20-20 | Giuditta: So wie um den Sonnenball (5. Szene) | — | ||
| 20-21 | Giuditta: „Schönste der Frau'n“ begann das Lied (5. Szene) | — | ||
| 21-1 | Russian Round-dance (A Tale), op. 58 no. 1 | — | ||
| 21-2 | Shto ty klonish nad vodami (The Willow), op. 24 no. 2 | — | ||
| 21-3 | Shopot, robkoye dykhan'ye (Down in the Garden), op. 24 no. 7 | — | ||
| 21-4 | Serenade, op. 28 no. 2 | — | ||
| 21-5 | 2 Tales, op. 20: No. 1. Allegro con espressione in B-flat minor | — | ||
| 21-6 | 2 Tales, op. 20: No. 2. "Campanella" (Pesante. Minaccioso) in B minor | — | ||
| 21-7 | The Muse, op. 29 no. 1 | — | ||
| 21-8 | The Rose, op. 29 no. 6 | — | ||
| 21-9 | The Waltz, op. 32 no. 5 | — | ||
| 21-10 | When Roses Fade, op. 36 no. 3 | — | ||
| 21-11 | 6 Tales, op. 51: No. 1. Allegro molto vivace in D minor | — | ||
| 21-12 | Zimniy Vecher (Winter Evening), op. 13 no. 1 | — | ||
| 21-13 | Mechtatelyu (To a Dreamer), op. 32 no. 6 | — | ||
| 21-14 | Telega Zhizni (The Wagon of Life), op. 45 no. 2 | — | ||
| 21-15 | Vorony (The Ravens), op. 52 no. 2 | — | ||
| 21-16 | 6 Tales, op. 51: No. 2. Allegretto cantabile ed espressivo in A minor | — | ||
| 21-17 | Goethe-Lieder: Elfenliedchen (Elves' Ditty), op. 6 no. 3 | — | ||
| 21-18 | Goethe-Lieder: Im Vorübergehn (In Passing), op. 6 no. 4 | — | ||
| 21-19 | Goethe-Lieder: Selbstbetrug (Self-Deception), op. 15 no. 3 | — | ||
| 21-20 | Goethe-Lieder: Aus 'Lila' (So Tanzet) (From 'Lila'), op. 15 no. 5 | — | ||
| 21-21 | Goethe-Lieder: Meeresstille (Calm at Sea), op. 15 no. 7 | — | ||
| 21-22 | Goethe-Lieder: Glückliche Fahrt (Prosperous Voyage), op. 15 no. 8 | — | ||
| 21-23 | Goethe-Lieder: Eisamkeit (Solitude), op. 18 no. 3 | — | ||
| 21-24 | 6 Tales, op. 51: No. 3. Allegretto tranquillo e grazioso – Allegro non troppo in A major | — | ||
| 21-25 | 7 Lieder, op. 46: No. 1. Praeludium (Prelude) | — | ||
| 21-26 | 7 Lieder, op. 46: No. 5. Winternacht (Winter Night) | — | ||
| 21-27 | 7 Lieder, op. 46: No. 6. Die Quelle (The Stream) | — | ||
| 21-28 | Forgotten Melodies, op. 38: No. 3. Danza festiva (Presto) | — | ||
| 22-1 | Le festin de l'araignée, op. 17: Prélude – | [unknown], Albert Roussel | — | |
| 22-2 | Le festin de l'araignée, op. 17: Entrée des fourmis – | [unknown], Albert Roussel | — | |
| 22-3 | Le festin de l'araignée, op. 17: Danse du papillon – | [unknown], Albert Roussel | — | |
| 22-4 | Le festin de l'araignée, op. 17: Eclosion de l'éphémere – | [unknown], Albert Roussel | — | |
| 22-5 | Le festin de l'araignée, op. 17: Danse de l'éphémere – | [unknown], Albert Roussel | — | |
| 22-6 | Le festin de l'araignée, op. 17: Funérailles de l'éphémere – | [unknown], Albert Roussel | — | |
| 22-7 | Le festin de l'araignée, op. 17: La nuit tombe sur le jardin solitaire | [unknown], Albert Roussel | — | |
| 22-8 | Cinq mélodies: Le jardin mouillé, op. 3 no. 3 | Claire Croiza, Albert Roussel | — | |
| 22-9 | Cinq mélodies: Invocation, op. 8 no. 3 | Claire Croiza, Albert Roussel | — | |
| 22-10 | Cinq mélodies: Amoureux séparés, op. 12 no. 2 | Claire Croiza, Albert Roussel | — | |
| 22-11 | Cinq mélodies: Light, op. 19 no. 1 | Claire Croiza, Albert Roussel | — | |
| 22-12 | Cinq mélodies: Sarabande, op. 20 no. 2 | Claire Croiza, Albert Roussel | — | |
| 22-13 | Piano quintet in B minor, op. 51: II. Lent | — | ||
| 22-14 | La tragédie de Salomé, op. 50: I. Prélude – | — | ||
| 22-15 | La tragédie de Salomé, op. 50: Danse des perles | — | ||
| 22-16 | La tragédie de Salomé, op. 50: II. (Lent) – | — | ||
| 22-17 | La tragédie de Salomé, op. 50: Les enchantements sur la mer – | — | ||
| 22-18 | La tragédie de Salomé, op. 50: Danse des éclairs – | — | ||
| 22-19 | La tragédie de Salomé, op. 50: Danse de l'effroi | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
5099921757525 is a Universal Product Code (UPC) assigned to Composers in Person by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 444 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Variations on an Original Theme, op. 36 "Enigma": IX. Nimrod | Elgar | T-010.115.427-1 |
Creative Contributors (ISNI)
The UPC for “Composers in Person” by Various Artists is 5099921757525. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2008-01-01. Label: EMI Classics. This release contains 444 tracks, each with its own ISRC. Tracks include GBAYC9802298, GBAYC9802299, GBAYC9802300.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | 14 Bagatelles, op. 6 / Sz38 / BB50: No. 2. Allegro giocoso | — | ||
| 2 | 10 Easy Pieces Sz39 / BB51: No. 5. Este a székelyeknél | — | ||
| 3 | 10 Easy Pieces Sz39 / BB51: No. 10. Medvetánc | — | ||
| 4 | 2 Romanian Dances, op. 8a / Sz43 / BB56: No. 1. Allegro vivace | — | ||
| 5 | 2 Romanian Dances, op. 8a / Sz43 / BB56: No. 2. Kicsit ázottan... | — | ||
| 6 | Allegro barbaro, Sz.49 / BB63 | — | ||
| 7 | Suite, op. 14 / Sz62 / BB70: I. Allegretto | — | ||
| 8 | Suite, op. 14 / Sz62 / BB70: II. Scherzo | — | ||
| 9 | Suite, op. 14 / Sz62 / BB70: III. Allegro molto | — | ||
| 10 | Suite, op. 14 / Sz62 / BB70: IV. Sostenuto | — | ||
| 11 | Mikrokosmos Sz107 / BB105, Vol. V: No. 124. Staccato (Allegretto mosso) | — | ||
| 12 | Mikrokosmos Sz107 / BB105, Vol. VI: No. 146. Ostinato (Vivacissimo) | — | ||
| 13 | 5 Hungarian Folk Songs from Sz33 / BB97: No. 1. Elindultam szép hazámból / No. 2. Általmennék én a Tiszán ladikon / No. 3. A gyulai kert alatt / No. 4. Nem messze van ide Kis Margitta / No. 5. Végig mentem a tárkányi | — | ||
| 14 | 8 Hungarian Folk Songs Sz64 / BB47: No. 1. Fekete főd / No. 2. Istenem, Istenem / No. 3. Asszonyok, asszonyok / No. 5. Ha kimegyek arr’ a magos tetőre | — | ||
| 15 | 8 Hungarian Folk Songs Sz64 / BB47: No. 6. Töltik a nagyerdő útját / No. 7. Eddig való dolgom / No. 8. Olvad a hó | — | ||
| 16 | 7 Hungarian Folk Tunes | — | ||
| 17 | 6 Romanian Folk Dances | — | ||
| 18 | Variations on a Nursery Song, op. 25: Introduction (Maestoso) – | — | ||
| 19 | Variations on a Nursery Song, op. 25: Theme (Allegro) – | — | ||
| 20 | Variations on a Nursery Song, op. 25: Variation I (Poco Più Mosso) – | — | ||
| 21 | Variations on a Nursery Song, op. 25: Variation II (Risoluto) – | — | ||
| 22 | Variations on a Nursery Song, op. 25: Variation III (L'istesso Tempo) – | — | ||
| 23 | Variations on a Nursery Song, op. 25: Variation IV (Molto Meno Mosso [Allegretto Moderato]) – | — | ||
| 24 | Variations on a Nursery Song, op. 25: Variation V (Più Mosso) – | — | ||
| 25 | Variations on a Nursery Song, op. 25: Variation VI (Ancora Più Mosso [Allegro]) – | — | ||
| 26 | Variations on a Nursery Song, op. 25: Variation VII (Walzer [Tempo Giusto]) – | — | ||
| 27 | Variations on a Nursery Song, op. 25: Variation VIII (Alla Marcia [Allegro Moderato]) – | — | ||
| 28 | Variations on a Nursery Song, op. 25: Variation IX (Presto) – | — | ||
| 29 | Variations on a Nursery Song, op. 25: Variation X (Passacaglia [Adagio Non Troppo]) – | — | ||
| 30 | Variations on a Nursery Song, op. 25: Variation XI (Choral [Maestoso]) – | — | ||
| 31 | Variations on a Nursery Song, op. 25: Finale Fugato (Allegro Vivace) | — | ||
| 2-1 | Sonata for Solo Viola, op. 25 no. 1: I. Breit - | — | ||
| 2-2 | Sonata for Solo Viola, op. 25 no. 1: II. Sehr frisch und straff | — | ||
| 2-3 | Sonata for Solo Viola, op. 25 no. 1: III. Sehr langsam | — | ||
| 2-4 | Sonata for Solo Viola, op. 25 no. 1: IV. Rasendes Zeitmaß. Wild. Tonschönheit ist Nebensache | — | ||
| 2-5 | Sonata for Solo Viola, op. 25 no. 1: V. Langsam, mit viel Ausdruck | — | ||
| 2-6 | Scherzo for Viola and Cello | — | ||
| 2-7 | Nobilissima visione, Suite: I. Einleitung und Rondo | — | ||
| 2-8 | Nobilissima visione, Suite: II. Marsch und Pastorale | — | ||
| 2-9 | Nobilissima visione, Suite: III. Passacaglia | — | ||
| 2-10 | Symphonia serena: I. Moderately fast | — | ||
| 2-11 | Symphonia serena: II. Geschwindmarsch by Beethoven (Rather fast) | — | ||
| 2-12 | Symphonia serena: III. Colloquy | — | ||
| 2-13 | Symphonia serena: IV. Finale (Gay) | — | ||
| 3-1 | String Trio no. 2: I. Mäßig schnell | — | ||
| 3-2 | String Trio no. 2: II. Lebhaft | — | ||
| 3-3 | String Trio no. 2: III. Langsam - Schnelle Halbe - Langsam - Schnell, wie vorher - Äußerst lebhaft | — | ||
| 3-4 | Clarinet Concerto: I. Ziemlich schnell | — | ||
| 3-5 | Clarinet Concerto: II. Schnell | — | ||
| 3-6 | Clarinet Concerto: III. Ruhig | — | ||
| 3-7 | Clarinet Concerto: IV. Heiter | — | ||
| 3-8 | Horn Concerto: I. Moderately fast | — | ||
| 3-9 | Horn Concerto: II. Very fast | — | ||
| 3-10 | Horn Concerto: III. Very slow - Moderately fast - Fast - Lively - Very slow | — | ||
| 3-11 | Concert Music for Brass and Strings, op. 50: I. Mäßig schnell, mit Kraft - Sehr breit, aber stets fließend | — | ||
| 3-12 | Concert Music for Brass and Strings, op. 50: II. Lebhaft - Langsam - Lebhaft | — | ||
| 4-1 | Masquerade Suite: I. Waltz | — | ||
| 4-2 | Masquerade Suite: II. Nocturne | — | ||
| 4-3 | Masquerade Suite: III. Mazurka | — | ||
| 4-4 | Violin Concerto: I. Allegro con fermezza - Cadenza | — | ||
| 4-5 | Violin Concerto: II. Andante sostenuto | — | ||
| 4-6 | Violin Concerto: III. Allegro vivace | — | ||
| 4-7 | Suite from Gayaneh: Dance of the Rose Maidens | — | ||
| 4-8 | Suite from Gayaneh: Ayesha's Awakening and Dance | — | ||
| 4-9 | Suite from Gayaneh: Lullaby | — | ||
| 4-10 | Suite from Gayaneh: Gayaneh's Adagio | — | ||
| 4-11 | Suite from Gayaneh: Lezghinka | — | ||
| 4-12 | Suite from Gayaneh: Lyrical Duet of Ayesha and Armen | — | ||
| 4-13 | Suite from Gayaneh: Dance of the Old Men and Women | — | ||
| 4-14 | Suite from Gayaneh: Sabre Dance | — | ||
| 5-1 | Pastorale d'été | — | ||
| 5-2 | Cello Concerto: Andante | — | ||
| 5-3 | Cello Concerto: Lento – Cadenza | — | ||
| 5-4 | Cello Concerto: Allegro marcato | — | ||
| 5-5 | Trois Mouvements perpetuels: I. Assez modéré | — | ||
| 5-6 | Trois Mouvements perpetuels: II. Très modéré | — | ||
| 5-7 | Trois Mouvements perpetuels: III. Alerte | — | ||
| 5-8 | Trio pour piano, hautbois et basson: I. Presto | — | ||
| 5-9 | Trio pour piano, hautbois et basson: II. Andante | — | ||
| 5-10 | Trio pour piano, hautbois et basson: III. Rondo | — | ||
| 5-11 | Deux Novelettes: No. 1 in C | — | ||
| 5-12 | Deux Novelettes: No. 2 in B-flat minor | — | ||
| 5-13 | Nocturnes: No. 1 in C | — | ||
| 5-14 | Nocturnes: No. 2 in A ("Bal des jeunes filles") | — | ||
| 5-15 | Nocturnes: No. 4 in C minor ("Bal fantôme") | — | ||
| 5-16 | Improvisations: No. 2 in A-flat | — | ||
| 5-17 | Improvisations: No. 5 in A minor | — | ||
| 5-18 | Improvisations: No. 9 in D | — | ||
| 5-19 | Improvisations: No. 10 in F ("Éloge des gammes") | — | ||
| 5-20 | Aubade: Toccata | — | ||
| 5-21 | Aubade: Récitatif | — | ||
| 5-22 | Aubade: Rondo | — | ||
| 5-23 | Aubade: Presto | — | ||
| 5-24 | Aubade: Récitatif | — | ||
| 5-25 | Aubade: Andante | — | ||
| 5-26 | Aubade: Allegro feroce | — | ||
| 5-27 | Aubade: Conclusion | — | ||
| 6-1 | Symphonie V in F minor op. 42 no. 1: V. Toccata (Allegro) | — | ||
| 6-2 | Symphonie gothique in C minor, op. 70: I. Moderato | — | ||
| 6-3 | Symphonie gothique in C minor, op. 70: II. Andante sostenuto | — | ||
| 6-4 | Symphonie gothique in C minor, op. 70: III. Moderato - Variations (Allegro - Moderato - Andante - Allegro) | — | ||
| 6-5 | Trois Improvisations: I. Marche Épiscopale | — | ||
| 6-6 | Pieces de Fantasie, Suite no. 1, op. 51: II. Andantino | — | ||
| 6-7 | Trois Improvisations: III. Cortège | — | ||
| 6-8 | Suite bretonne, op. 21: I. Berceuse | — | ||
| 6-9 | Trois Preludes et Fugues, op. 7: No. 3 in G minor | — | ||
| 6-10 | Le Banquet Céleste | — | ||
| 6-11 | L'Ascension: I. Majesté du Christ demandant sa gloire à son Père | — | ||
| 6-12 | L'Ascension: II. Alleluias sereins d'une âme qui désire le ciel | — | ||
| 6-13 | L'Ascension: III. Transports de joie d'une âme devant la gloire du Christ qui est la sienne | — | ||
| 6-14 | L'Ascension: IV. Prière du Christ montant vers son Père | — | ||
| 7-1 | Violin Concerto in B minor, op. 61: I. Allegro | Yehudi Menuhin, London Symphony Orchestra, Sir Edward Elgar | — | |
| 7-2 | Violin Concerto in B minor, op. 61: II. Andante | Yehudi Menuhin, London Symphony Orchestra, Sir Edward Elgar | — | |
| 7-3 | Violin Concerto in B minor, op. 61: III. Allegro molto— | Yehudi Menuhin, London Symphony Orchestra, Sir Edward Elgar | — | |
| 7-4 | Violin Concerto in B minor, op. 61: Cadenza (accompagnata: Lento)—Allegro molto | Yehudi Menuhin, London Symphony Orchestra, Sir Edward Elgar | — | |
| 7-5 | Cello Concerto in E minor, op. 85: I. Adagio – Moderato | — | ||
| 7-6 | Cello Concerto in E minor, op. 85: II. Lento – Allegro molto | — | ||
| 7-7 | Cello Concerto in E minor, op. 85: III. Adagio | — | ||
| 7-8 | Cello Concerto in E minor, op. 85: IV. Allegro – Moderato – Allegro, ma non troppo – Poco più lento – Adagio, come prima – Allegro molto | — | ||
| 8-1 | Apparition de l'Église éternelle, I/8 | Olivier Messiaen | T-702.379.365-1 | |
| 8-2 | La Nativité du Seigneur, I/14: I. La Vierge et l'Enfant | Olivier Messiaen | — | |
| 8-3 | La Nativité du Seigneur, I/14: II. Les Bergers | Olivier Messiaen | — | |
| 8-4 | La Nativité du Seigneur, I/14: III. Desseins Éternels | Olivier Messiaen | — | |
| 8-5 | La Nativité du Seigneur, I/14: IV. Le Verbe | Olivier Messiaen | — | |
| 8-6 | La Nativité du Seigneur, I/14: V. Les Enfants de Dieu | Olivier Messiaen | — | |
| 8-7 | La Nativité du Seigneur, I/14: VI. Les Anges | Olivier Messiaen | — | |
| 8-8 | La Nativité du Seigneur, I/14: VII. Jésus accepte la souffrance | Olivier Messiaen | — | |
| 8-9 | La Nativité du Seigneur, I/14: VIII. Les Mages | Olivier Messiaen | — | |
| 8-10 | La Nativité du Seigneur, I/14: IX. Dieu parmi nous | Olivier Messiaen | — | |
| 9-1 | Piano Concerto no. 3 in C major, op. 26: I. Andante – Allegro | Sergei Prokofiev, London Symphony Orchestra, Piero Coppola | — | |
| 9-2 | Piano Concerto no. 3 in C major, op. 26: II. Tema con variazioni (Andantino) | Sergei Prokofiev, London Symphony Orchestra, Piero Coppola | — | |
| 9-3 | Piano Concerto no. 3 in C major, op. 26: III. Allegro ma non troppo | Sergei Prokofiev, London Symphony Orchestra, Piero Coppola | — | |
| 9-4 | Suggestion diabolique Op. 4. No. 4 | Сергей Сергеевич Прокофьев | — | |
| 9-5 | Visions fugitives, op. 22: No. 3. Allegretto | — | ||
| 9-6 | Visions fugitives, op. 22: No. 5. Molto giocoso | — | ||
| 9-7 | Visions fugitives, op. 22: No. 6. Con eleganza | — | ||
| 9-8 | Visions fugitives, op. 22: No. 9. Allegretto tranquillo | — | ||
| 9-9 | Visions fugitives, op. 22: No. 10. Ridicolosamente | — | ||
| 9-10 | Visions fugitives, op. 22: No. 11. Con vivacità | — | ||
| 9-11 | Visions fugitives, op. 22: No. 16. Dolente | — | ||
| 9-12 | Visions fugitives, op. 22: No. 17. Poetico | — | ||
| 9-13 | Visions fugitives, op. 22: No. 18. Con una dolce lentezza | — | ||
| 9-14 | Gavotte, op. 25 | — | ||
| 9-15 | Sonata no. 4 in C minor, op. 29: II. Andante assai | — | ||
| 9-16 | Gavotte, op. 32, no. 3 | Сергей Сергеевич Прокофьев | — | |
| 9-17 | The Seasons, op. 67: Scene 1 (Winter) - Introduction | — | ||
| 9-18 | The Seasons, op. 67: Scene 1 (Winter) - Variation 1 (The Frost) | — | ||
| 9-19 | The Seasons, op. 67: Scene 1 (Winter) - Variation 2 (The Ice) | — | ||
| 9-20 | The Seasons, op. 67: Scene 1 (Winter) - Variation 3 (The Hail) | — | ||
| 9-21 | The Seasons, op. 67: Scene 1 (Winter) - Variation 4 (The Snow) | — | ||
| 9-22 | The Seasons, op. 67: Scene 2 (Spring) | — | ||
| 9-23 | The Seasons, op. 67: Scene 3 (Summer) - Introduction | — | ||
| 9-24 | The Seasons, op. 67: Scene 3 (Summer) - Waltz of the Cornflowers and Poppies | — | ||
| 9-25 | The Seasons, op. 67: Scene 3 (Summer) - Barcarolle | — | ||
| 9-26 | The Seasons, op. 67: Scene 4 (Autumn) - Bacchanale | — | ||
| 9-27 | The Seasons, op. 67: Scene 4 (Autumn) - Petit Adagio | — | ||
| 9-28 | The Seasons, op. 67: Scene 4 (Autumn) - Finale | — | ||
| 10-1 | Bachianas Brasileiras no. 2 for orchestra, IV. Toccata (o trenzinho do caipira) | Orchestre national de la Radiodiffusion française, Heitor Villa-Lobos | T-910.258.234-3 | |
| 10-2 | Bachianas Brasileiras no. 5: I. Ária (Cantilena): Adagio | — | ||
| 10-3 | Bachianas Brasileiras no. 5: II. Dança (Martelo): Allegretto | — | ||
| 10-4 | Miniaturas: No. 2. Viola | — | ||
| 10-5 | Modinhas e Canções, vol. 1: No. 3. Cantilena | — | ||
| 10-6 | Momoprecoce | — | ||
| 10-7 | Bachianas Brasileiras no. 4: I. Prelúdio (Introdução): Lento | — | ||
| 10-8 | Bachianas Brasileiras no. 4: II. Coral (Canto do Sertão): Largo | — | ||
| 10-9 | Bachianas Brasileiras no. 4: III. Ária (Cantiga): Moderato | — | ||
| 10-10 | Bachianas Brasileiras no. 4: IV. Dança (Miudinho): Muito animado | — | ||
| 10-11 | Choros no. 10 "Rasga o Coração" | — | ||
| 11-1 | Das Christelflein, op. 20: Overture | — | ||
| 11-2 | Palestrina: Prelude, Act I | — | ||
| 11-3 | Palestrina: Prelude, Act II | — | ||
| 11-4 | Palestrina: Prelude, Act III | — | ||
| 11-5 | Duo for Violin, Cello and Small Orchestra, op. 43 | — | ||
| 11-6 | Hast du von den Fischerkindern, op. 7 no. 1 | — | ||
| 11-7 | Der Gärtner, op. 9 no. 1 | — | ||
| 11-8 | Die Einsame, op. 9 no.2 | — | ||
| 11-9 | Zum Abschied meiner Tochter, op. 10 no. 3 | — | ||
| 11-10 | Michaelskirchplatz, op. 19 no. 2 | — | ||
| 11-11 | In Danzig, op. 22 no. 1 | — | ||
| 11-12 | Nachts, op. 26 no. 2 | — | ||
| 11-13 | Abbitte, op. 29 no. 1 | — | ||
| 11-14 | Hussens Kerker, op. 32 no. 1 | — | ||
| 11-15 | Säerspruch, op. 32 no. 2 | — | ||
| 11-16 | Leuchtende Tage, op. 40 no. 1 | — | ||
| 11-17 | Herbstgefühl, op. 40 no. 4 | — | ||
| 12-1 | La Création du monde, op. 81 | — | ||
| 12-2 | Scaramouche, Op.165b - I. Vif | Darius Milhaud, Marcelle Meyer | — | |
| 12-3 | Scaramouche, op. 165b: II. Modere | Darius Milhaud | — | |
| 12-4 | Scaramouche, Op.165b - III. Brazileira | Darius Milhaud, Marcelle Meyer | — | |
| 12-5 | Saudades do Brasil, op. 67: Ouverture | — | ||
| 12-6 | Saudades do Brasil, op. 67: Sorocaba | — | ||
| 12-7 | Saudades do Brasil, op. 67: Botafogo | — | ||
| 12-8 | Saudades do Brasil, op. 67: Leme | — | ||
| 12-9 | Saudades do Brasil, op. 67: Copacabana | — | ||
| 12-10 | Saudades do Brasil, op. 67: Ipanema | — | ||
| 12-11 | Saudades do Brasil, op. 67: Gavea | — | ||
| 12-12 | Saudades do Brasil, op. 67: Corcovado | — | ||
| 12-13 | Saudades do Brasil, op. 67: Tijuca | — | ||
| 12-14 | Saudades do Brasil, op. 67: Sumaré | — | ||
| 12-15 | Saudades do Brasil, op. 67: Paineras | — | ||
| 12-16 | Saudades do Brasil, op. 67: Larenjeiras | — | ||
| 12-17 | Saudades do Brasil, op. 67: Paysandú | — | ||
| 12-18 | Suite provençale: Animé | — | ||
| 12-19 | Suite provençale, op. 152b: Très modéré | — | ||
| 12-20 | Suite provençale, op. 152b: Modéré | — | ||
| 12-21 | Suite provençale, op. 152b: Vif | — | ||
| 12-22 | Suite provençale, op. 152b: Modéré | — | ||
| 12-23 | Suite provençale, op. 152b: Vif | — | ||
| 12-24 | Suite provençale, op. 152b: Lent | — | ||
| 12-25 | Suite provençale, op. 152b: Vif | — | ||
| 12-26 | Le Bœuf sur le toit, op. 58 | — | ||
| 13-1 | Le bestiaire: Le dromadaire / La chèvre du Tibet / La sauterelle / Le dauphin / L'écrevisse / La carpe | — | ||
| 13-2 | Chansons gaillardes: 4. Invocation aux parques | — | ||
| 13-3 | Chansons gaillardes: 7. La belle jeunesse | — | ||
| 13-4 | Tel jour, telle nuit: 1. Bonne journée | — | ||
| 13-5 | Tel jour, telle nuit: 2. Une ruine coquille vide | — | ||
| 13-6 | Tel jour, telle nuit: 3. Le front comme un drapeau perdu | — | ||
| 13-7 | Tel jour, telle nuit: 4. Une roulotte couverte en tuiles | — | ||
| 13-8 | Tel jour, telle nuit: 5. À toutes brides | — | ||
| 13-9 | Tel jour, telle nuit: 6. Une herbe pauvre | — | ||
| 13-10 | Tel jour, telle nuit: 7. Je n'ai envie que de t'aimer | — | ||
| 13-11 | Tel jour, telle nuit: 8. Figure de force brûlante et farouche | — | ||
| 13-12 | Tel jour, telle nuit: 9. Nous avons fait la nuit | — | ||
| 13-13 | Deux Poèmes de Guillaume Apollinaire: 1. Dans le jardin d'Anna | — | ||
| 13-14 | Métamorphoses: 1. Reine des mouettes | — | ||
| 13-15 | Métamorphoses: 2. C'est ainsi que tu es | — | ||
| 13-16 | Métamorphoses: 3. Paganini | — | ||
| 13-17 | Deux Poèmes de Louis Aragon: 1. 'C' | — | ||
| 13-18 | Deux Poèmes de Louis Aragon: 2. Fêtes galantes | — | ||
| 13-19 | Deux mélodies de Guillaume Apollinaire: 1. Montparnasse | — | ||
| 13-20 | Seven Sonnets of Michelangelo, op. 22: 1. Sì come nella penna | Peter Pears, Benjamin Britten | — | |
| 13-21 | Seven Sonnets of Michelangelo, op. 22: 2. A che più debb'io mai | Peter Pears, Benjamin Britten | — | |
| 13-22 | Seven Sonnets of Michelangelo, op. 22: 3. Veggio co' bei vostri occhi | Peter Pears, Benjamin Britten | — | |
| 13-23 | Seven Sonnets of Michelangelo, op. 22: 4. Tu sa' ch'io so | Peter Pears, Benjamin Britten | — | |
| 13-24 | Seven Sonnets of Michelangelo, op. 22: 5. Rendete a gli occhi miei | Peter Pears, Benjamin Britten | — | |
| 13-25 | Seven Sonnets of Michelangelo, op. 22: 6. S'un casto amor | Peter Pears, Benjamin Britten | — | |
| 13-26 | Seven Sonnets of Michelangelo, op. 22: 7. Spirto ben nato | Peter Pears, Benjamin Britten | — | |
| 13-27 | Holy Sonnets of John Donne, op. 35: 1. Oh My Blacke Soule | Peter Pears, Benjamin Britten | — | |
| 13-28 | Holy Sonnets of John Donne, op. 35: 2. Batter My Heart | Peter Pears, Benjamin Britten | — | |
| 13-29 | Holy Sonnets of John Donne, op. 35: 3. O Might Those Sighes and Teares | Peter Pears, Benjamin Britten | — | |
| 13-30 | Holy Sonnets of John Donne, op. 35: 4. Oh, to Vex Me | Peter Pears, Benjamin Britten | — | |
| 13-31 | Holy Sonnets of John Donne, op. 35: 5. What If This Present | Peter Pears, Benjamin Britten | — | |
| 13-32 | Holy Sonnets of John Donne, op. 35: 6. Since She Whom I Loved | Peter Pears, Benjamin Britten | — | |
| 13-33 | Holy Sonnets of John Donne, op. 35: 7. At the Round Earth's Imagined Corners | Peter Pears, Benjamin Britten | — | |
| 13-34 | Holy Sonnets of John Donne, op. 35: 8. Thou Hast Made Me | Peter Pears, Benjamin Britten | — | |
| 13-35 | Holy Sonnets of John Donne, op. 35: 9. Death, Be Not Proud | Peter Pears, Benjamin Britten | — | |
| 14-1 | Concerto for piano, trumpet and strings in C minor, op. 35: I. Allegro moderato - Allegro vivace - Moderato - | — | ||
| 14-2 | Concerto for piano, trumpet and strings in C minor, op. 35: II. Lento - | — | ||
| 14-3 | Concerto for piano, trumpet and strings in C minor, op. 35: III. Moderato - | — | ||
| 14-4 | Concerto for piano, trumpet and strings in C minor, op. 35: IV. Allegro con brio - Presto - Allegro poco moderato - Allegro con brio | — | ||
| 14-5 | Piano Concerto no. 2 in F, op. 102: I. Allegro | — | ||
| 14-6 | Piano Concerto no. 2 in F, op. 102: II. Andante - | — | ||
| 14-7 | Piano Concerto no. 2 in F, op. 102: III. Allegro | — | ||
| 14-8 | Three Fantastic Dances, op. 5: I. Allegretto in C | — | ||
| 14-9 | Three Fantastic Dances, op. 5: II. Andantino in G minor | — | ||
| 14-10 | Three Fantastic Dances, op. 5: III. Andantino in C | — | ||
| 14-11 | Preludes and Fugues, op. 87 no. 1: Moderato in C | — | ||
| 14-12 | Preludes and Fugues, op. 87 no. 4: Andante - Adagio in E minor | — | ||
| 14-13 | Preludes and Fugues, op. 87 no. 5: Allegretto in D major | — | ||
| 14-14 | Preludes and Fugues, op. 87 no. 23: Adagio - Moderato con moto | — | ||
| 14-15 | Preludes and Fugues, op. 87 no. 24: Andante - Moderato in D minor | — | ||
| 15-1 | Les Noces, Part I: Scene 1. The Bride's Chamber | — | ||
| 15-2 | Les Noces, Part I: Scene 2. At the Bridegroom's - | — | ||
| 15-3 | Les Noces, Part I: Scene 3. The Bride's Departure - | — | ||
| 15-4 | Les Noces, Part II: Scene 4. The Wedding Feast | — | ||
| 15-5 | Octet: I. Sinfonia (Lento - Allegro moderato) | — | ||
| 15-6 | Octet: II. Tema con variazioni - | — | ||
| 15-7 | Octet: III. Finale (Tempo giusto) | — | ||
| 15-8 | Capriccio: I. Presto - Doppio movimento - | — | ||
| 15-9 | Capriccio: II. Andante rapsodico - | — | ||
| 15-10 | Capriccio: III. Allegro capriccioso ma tempo giusto | — | ||
| 15-11 | Symphony of Psalms: I. Psalm 38, vv. 13 & 14 | — | ||
| 15-12 | Symphony of Psalms: II. Psalm 39, vv. 2-4 | — | ||
| 15-13 | Symphony of Psalms: III. Psalm 150 | — | ||
| 16-1 | Pastorale (transcribed for violin and wind quartet) | — | ||
| 16-2 | L'Oiseau de feu: Scherzo | — | ||
| 16-3 | L'Oiseau de feu: Berceuse | — | ||
| 16-4 | Petrushka: Danse russe | — | ||
| 16-5 | Le chant du rossignol: Airs du rossignol | — | ||
| 16-6 | Le chant du rossignol: Marche chinoise | — | ||
| 16-7 | Ragtime for 11 instruments | — | ||
| 16-8 | Piano rag music | Igor Stravinsky | — | |
| 16-9 | Suite italienne: II. Serenata | — | ||
| 16-10 | Suite italienne: V. Scherzino | — | ||
| 16-11 | Serenade in A: I. Hymn | Igor Stravinsky | — | |
| 16-12 | Serenade in A: II. Romanza | Igor Stravinsky | — | |
| 16-13 | Serenade in A: III. Rondoletto | Igor Stravinsky | — | |
| 16-14 | Serenade in A: IV. Cadenza finale | Igor Stravinsky | — | |
| 16-15 | Duo concertante: I. Cantilène | — | ||
| 16-16 | Duo concertante: II. Eclogue I | — | ||
| 16-17 | Duo concertante: III. Eclogue II | — | ||
| 16-18 | Duo concertante: IV. Gigue | — | ||
| 16-19 | Duo concertante: V. Dithyrambe | — | ||
| 16-20 | Concerto for two solo pianos: I. Con moto | Igor Stravinsky, Soulima Stravinsky | — | |
| 16-21 | Concerto for two solo pianos: II. Notturno (Adagietto) | Igor Stravinsky, Soulima Stravinsky | — | |
| 16-22 | Concerto for two solo pianos: III. Quattro variazioni | Igor Stravinsky, Soulima Stravinsky | — | |
| 16-23 | Concerto for two solo pianos: IV: Preludio e Fuga | Igor Stravinsky, Soulima Stravinsky | — | |
| 17-1 | Eine Alpensinfonie op. 64: Night | — | ||
| 17-2 | Eine Alpensinfonie op. 64: Sunrise | — | ||
| 17-3 | Eine Alpensinfonie op. 64: The Ascent | — | ||
| 17-4 | Eine Alpensinfonie op. 64: Entering the Forest | — | ||
| 17-5 | Eine Alpensinfonie op. 64: Wandering by the Brook | — | ||
| 17-6 | Eine Alpensinfonie op. 64: By the Waterfall | — | ||
| 17-7 | Eine Alpensinfonie op. 64: Apparition | — | ||
| 17-8 | Eine Alpensinfonie op. 64: On Flower-Covered Meadows | — | ||
| 17-9 | Eine Alpensinfonie op. 64: On Alpine Pasture | — | ||
| 17-10 | Eine Alpensinfonie op. 64: Lost in the Thicket and the Undergrowth | — | ||
| 17-11 | Eine Alpensinfonie op. 64: On the Glacier | — | ||
| 17-12 | Eine Alpensinfonie op. 64: Hazardous Moments | — | ||
| 17-13 | Eine Alpensinfonie op. 64: On the Summit | — | ||
| 17-14 | Eine Alpensinfonie op. 64: Vision | — | ||
| 17-15 | Eine Alpensinfonie op. 64: The Mist Rises | — | ||
| 17-16 | Eine Alpensinfonie op. 64: The Sun Gradually Darkens | — | ||
| 17-17 | Eine Alpensinfonie op. 64: Elegy | — | ||
| 17-18 | Eine Alpensinfonie op. 64: The Calm Before the Storm | — | ||
| 17-19 | Eine Alpensinfonie op. 64: The Thunderstorm - Descent | — | ||
| 17-20 | Eine Alpensinfonie op. 64: Sunset | — | ||
| 17-21 | Eine Alpensinfonie op. 64: Conclusion | — | ||
| 17-22 | Eine Alpensinfonie op. 64: Night | — | ||
| 17-23 | Der Rosenkavalier: Introduction... Love Scene (Marschallin & Octavian) (Act 1) | — | ||
| 17-24 | Der Rosenkavalier: Marschallin's Monologue (Act 1) | — | ||
| 17-25 | Der Rosenkavalier: Presentation March ("De Brandenburgsche Mars" - no. 1 From Zwei Militärmärsche, 1906) | — | ||
| 17-26 | Der Rosenkavalier: The Presentation of the Silver Rose (Act 2) | — | ||
| 17-27 | Der Rosenkavalier: Love Duet (Octavian & Sophie) (Act 2) | — | ||
| 17-28 | Der Rosenkavalier: Waltz (Act 3 / Act 2) | — | ||
| 17-29 | Der Rosenkavalier: Trio (Octavian, Marshallin & Sophie) (Act 3) | — | ||
| 17-30 | Der Rosenkavalier: Final Duet (Sophie & Octavian)... Coda (Act 3) | — | ||
| 18-1 | Danzas españolas, op. 31: No. 7. Valenciana (Calesera) | — | ||
| 18-2 | Danzas españolas, op. 31: No. 10. Danza triste | — | ||
| 18-3 | Goyescas: Improvisation on no. 7, El pelele | — | ||
| 18-4 | 7 canciones populares españolas: I. El paño moruno | — | ||
| 18-5 | 7 canciones populares españolas: II. Seguidilla murciana | — | ||
| 18-6 | 7 canciones populares españolas: III. Asturiana | — | ||
| 18-7 | 7 canciones populares españolas: IV. Jota | — | ||
| 18-8 | 7 canciones populares españolas: V. Nana | — | ||
| 18-9 | 7 canciones populares españolas: VI. Canción | — | ||
| 18-10 | 7 canciones populares españolas: VII. Polo | — | ||
| 18-11 | El amor brujo: Canción del fuego fatuo | — | ||
| 18-12 | Soneto a Córdoba | — | ||
| 18-13 | Harpsichord Concerto: I. Allegro | — | ||
| 18-14 | Harpsichord Concerto: II. Lento | — | ||
| 18-15 | Harpsichord Concerto: III. Vivace | — | ||
| 18-16 | Jeunes filles au jardin (Scènes d'enfants, no. 5) | — | ||
| 18-17 | El carrer, el guitarrista i el vell cavall (Suburbis, no. 1) | — | ||
| 18-18 | Canción y danza no. 5 | — | ||
| 18-19 | La fuente y la campana (Paisajes, no. 1) | — | ||
| 18-20 | Canción y danza no. 6 | — | ||
| 18-21 | Canción y danza no. 8 | — | ||
| 18-22 | 20 cantos populares españoles: No. 3. Tonada de la niña perdida | — | ||
| 18-23 | 20 cantos populares españoles: No. 4. Montañesa | — | ||
| 18-24 | 20 cantos populares españoles: No. 6. Malagueña | — | ||
| 18-25 | 20 cantos populares españoles: No. 7. Granadina | — | ||
| 18-26 | 20 cantos populares españoles: No. 19. Canto andaluz | — | ||
| 18-27 | 20 cantos populares españoles: No. 20. Polo | — | ||
| 19-1 | Variations on an Original Theme (“Enigma”), op. 36: Theme | Royal Albert Hall Orchestra, Sir Edward Elgar | — | |
| 19-2 | Variations on an Original Theme (“Enigma”), op. 36: I. C.A.E. (the composer’s wife) | Royal Albert Hall Orchestra, Sir Edward Elgar | — | |
| 19-3 | Variations on an Original Theme (“Enigma”), op. 36: II. H.D.S.-P. (Hew David Steuart-Powell) | Royal Albert Hall Orchestra, Sir Edward Elgar | — | |
| 19-4 | Variations on an Original Theme (“Enigma”), op. 36: III. R.B.T. (Richard Baxter Townshend) | Royal Albert Hall Orchestra, Sir Edward Elgar | — | |
| 19-5 | Variations on an Original Theme (“Enigma”), op. 36: IV. W.M.B. (W. M. Baker) | Royal Albert Hall Orchestra, Sir Edward Elgar | — | |
| 19-6 | Variations on an Original Theme (“Enigma”), op. 36: V. R.P.A. (Richard P. Arnold) | Royal Albert Hall Orchestra, Sir Edward Elgar | — | |
| 19-7 | Variations on an Original Theme (“Enigma”), op. 36: VI. Ysobel (Isabel Fitton) | Royal Albert Hall Orchestra, Sir Edward Elgar | — | |
| 19-8 | Variations on an Original Theme (“Enigma”), op. 36: VII. Troyte (Troyte Griffith) | Royal Albert Hall Orchestra, Sir Edward Elgar | — | |
| 19-9 | Variations on an Original Theme (“Enigma”), op. 36: VIII. W.N. (Winifred Norbury) | Royal Albert Hall Orchestra, Sir Edward Elgar | — | |
| 19-10 | Variations on an Original Theme (“Enigma”), op. 36: IX. Nimrod (A. J. Jaeger) | Royal Albert Hall Orchestra, Sir Edward Elgar | T-010.115.427-1 | |
| 19-11 | Variations on an Original Theme (“Enigma”), op. 36: X. Intermezzo: Dorabella (Dora Penny) | Royal Albert Hall Orchestra, Sir Edward Elgar | — | |
| 19-12 | Variations on an Original Theme (“Enigma”), op. 36: XI. G.R.S. (G. R. Sinclair) | Royal Albert Hall Orchestra, Sir Edward Elgar | — | |
| 19-13 | Variations on an Original Theme (“Enigma”), op. 36: XII. B.G.N (Basil G. Nevinson) | Royal Albert Hall Orchestra, Sir Edward Elgar | — | |
| 19-14 | Variations on an Original Theme (“Enigma”), op. 36: XIII. Romanza: *** [Lady Mary Lygon] | Royal Albert Hall Orchestra, Sir Edward Elgar | — | |
| 19-15 | Variations on an Original Theme (“Enigma”), op. 36: XIV. Finale: E.D.U. (the composer) | Royal Albert Hall Orchestra, Sir Edward Elgar | — | |
| 19-16 | The Planets op. 32: I. Mars, the Bringer of War (Allegro) | — | ||
| 19-17 | The Planets op. 32: II. Venus, the Bringer of Peace (Adagio) | — | ||
| 19-18 | The Planets op. 32: III. Mercury, the Winged Messenger (Vivace) | — | ||
| 19-19 | The Planets op. 32: IV. Jupiter, the Bringer of Jollity (Allegro giocoso – Andante maestoso) | — | ||
| 19-20 | The Planets op. 32: V. Saturn, the Bringer of Old Age (Adagio) | — | ||
| 19-21 | The Planets op. 32: VI. Uranus, the Magician (Allegro) | — | ||
| 19-22 | The Planets op. 32: VII. Neptune, the Mystic (Andante) | — | ||
| 20-1 | Die lustige Witwe: Ouvertüre | — | ||
| 20-2 | Zigeunerliebe: Hör' Ich Cymbalklänge (Akt III) | — | ||
| 20-3 | Eva: Vorspiel | — | ||
| 20-4 | Eva: Im heimlichen Dämmer (Akt I) | — | ||
| 20-5 | Paganini: Ich kann es nicht fassen...Liebe, du Himmel auf Erden (Akt II) | — | ||
| 20-6 | Der Zarewitsch: Einer wird kommen (Akt I) | — | ||
| 20-7 | Friederike: Warum hast du mich wachgeküßt? (Akt II) | — | ||
| 20-8 | Das Land des Lächelns: Ich trete ins Zimmer...Immer nur lächeln (Akt I) | — | ||
| 20-9 | Das Land des Lächelns: Mein lieber Prinz...Bei einem Tee en deux (Akt I) | — | ||
| 20-10 | Das Land des Lächelns: Von Apfelblüten einen Kranz (Akt I) | — | ||
| 20-11 | Das Land des Lächelns: Wer hat die Liebe uns ins Herz gesenkt? (Akt II) | — | ||
| 20-12 | Das Land des Lächelns: Dein ist mein ganzes Herz! (Akt II) | — | ||
| 20-13 | Das Land des Lächelns: Alles vorbei!...Ich möcht' wieder einmal (Akt II) | — | ||
| 20-14 | Das Land des Lächelns: Ihr Götter, sagt...Kann es möglich sein? (Akt II) | — | ||
| 20-15 | Schön ist die Welt: Ich bin verliebt (Akt III) | — | ||
| 20-16 | Giuditta: Freunde, das Leben ist lebenswert! (Auftrittslied) (1. Szene) | — | ||
| 20-17 | Giuditta: Schön wie die blaue Sommernacht (2. Szene) | — | ||
| 20-18 | Giuditta: Welch tiefes Rätsel ist die Liebe...Du bist meine Sonne! (3. Szene) | — | ||
| 20-19 | Giuditta: Ich weiß es selber nicht...Meine Lippen, sie küssen so heiß (4. Szene) | — | ||
| 20-20 | Giuditta: So wie um den Sonnenball (5. Szene) | — | ||
| 20-21 | Giuditta: „Schönste der Frau'n“ begann das Lied (5. Szene) | — | ||
| 21-1 | Russian Round-dance (A Tale), op. 58 no. 1 | — | ||
| 21-2 | Shto ty klonish nad vodami (The Willow), op. 24 no. 2 | — | ||
| 21-3 | Shopot, robkoye dykhan'ye (Down in the Garden), op. 24 no. 7 | — | ||
| 21-4 | Serenade, op. 28 no. 2 | — | ||
| 21-5 | 2 Tales, op. 20: No. 1. Allegro con espressione in B-flat minor | — | ||
| 21-6 | 2 Tales, op. 20: No. 2. "Campanella" (Pesante. Minaccioso) in B minor | — | ||
| 21-7 | The Muse, op. 29 no. 1 | — | ||
| 21-8 | The Rose, op. 29 no. 6 | — | ||
| 21-9 | The Waltz, op. 32 no. 5 | — | ||
| 21-10 | When Roses Fade, op. 36 no. 3 | — | ||
| 21-11 | 6 Tales, op. 51: No. 1. Allegro molto vivace in D minor | — | ||
| 21-12 | Zimniy Vecher (Winter Evening), op. 13 no. 1 | — | ||
| 21-13 | Mechtatelyu (To a Dreamer), op. 32 no. 6 | — | ||
| 21-14 | Telega Zhizni (The Wagon of Life), op. 45 no. 2 | — | ||
| 21-15 | Vorony (The Ravens), op. 52 no. 2 | — | ||
| 21-16 | 6 Tales, op. 51: No. 2. Allegretto cantabile ed espressivo in A minor | — | ||
| 21-17 | Goethe-Lieder: Elfenliedchen (Elves' Ditty), op. 6 no. 3 | — | ||
| 21-18 | Goethe-Lieder: Im Vorübergehn (In Passing), op. 6 no. 4 | — | ||
| 21-19 | Goethe-Lieder: Selbstbetrug (Self-Deception), op. 15 no. 3 | — | ||
| 21-20 | Goethe-Lieder: Aus 'Lila' (So Tanzet) (From 'Lila'), op. 15 no. 5 | — | ||
| 21-21 | Goethe-Lieder: Meeresstille (Calm at Sea), op. 15 no. 7 | — | ||
| 21-22 | Goethe-Lieder: Glückliche Fahrt (Prosperous Voyage), op. 15 no. 8 | — | ||
| 21-23 | Goethe-Lieder: Eisamkeit (Solitude), op. 18 no. 3 | — | ||
| 21-24 | 6 Tales, op. 51: No. 3. Allegretto tranquillo e grazioso – Allegro non troppo in A major | — | ||
| 21-25 | 7 Lieder, op. 46: No. 1. Praeludium (Prelude) | — | ||
| 21-26 | 7 Lieder, op. 46: No. 5. Winternacht (Winter Night) | — | ||
| 21-27 | 7 Lieder, op. 46: No. 6. Die Quelle (The Stream) | — | ||
| 21-28 | Forgotten Melodies, op. 38: No. 3. Danza festiva (Presto) | — | ||
| 22-1 | Le festin de l'araignée, op. 17: Prélude – | [unknown], Albert Roussel | — | |
| 22-2 | Le festin de l'araignée, op. 17: Entrée des fourmis – | [unknown], Albert Roussel | — | |
| 22-3 | Le festin de l'araignée, op. 17: Danse du papillon – | [unknown], Albert Roussel | — | |
| 22-4 | Le festin de l'araignée, op. 17: Eclosion de l'éphémere – | [unknown], Albert Roussel | — | |
| 22-5 | Le festin de l'araignée, op. 17: Danse de l'éphémere – | [unknown], Albert Roussel | — | |
| 22-6 | Le festin de l'araignée, op. 17: Funérailles de l'éphémere – | [unknown], Albert Roussel | — | |
| 22-7 | Le festin de l'araignée, op. 17: La nuit tombe sur le jardin solitaire | [unknown], Albert Roussel | — | |
| 22-8 | Cinq mélodies: Le jardin mouillé, op. 3 no. 3 | Claire Croiza, Albert Roussel | — | |
| 22-9 | Cinq mélodies: Invocation, op. 8 no. 3 | Claire Croiza, Albert Roussel | — | |
| 22-10 | Cinq mélodies: Amoureux séparés, op. 12 no. 2 | Claire Croiza, Albert Roussel | — | |
| 22-11 | Cinq mélodies: Light, op. 19 no. 1 | Claire Croiza, Albert Roussel | — | |
| 22-12 | Cinq mélodies: Sarabande, op. 20 no. 2 | Claire Croiza, Albert Roussel | — | |
| 22-13 | Piano quintet in B minor, op. 51: II. Lent | — | ||
| 22-14 | La tragédie de Salomé, op. 50: I. Prélude – | — | ||
| 22-15 | La tragédie de Salomé, op. 50: Danse des perles | — | ||
| 22-16 | La tragédie de Salomé, op. 50: II. (Lent) – | — | ||
| 22-17 | La tragédie de Salomé, op. 50: Les enchantements sur la mer – | — | ||
| 22-18 | La tragédie de Salomé, op. 50: Danse des éclairs – | — | ||
| 22-19 | La tragédie de Salomé, op. 50: Danse de l'effroi | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Variations on an Original Theme, op. 36 "Enigma": IX. Nimrod | Elgar | T-010.115.427-1 |
