UPC · Release
Various Artists
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5099922895622 is the Universal Product Code (UPC barcode) for the release “The Record of Singing: The Very Best of Volumes 1-4: 1899-1952” by Various Artists, released 2009-01-01 on EMI Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 214 tracks, each with its own ISRC. Tracks include GBAYC0802507, GBAYC0802071, GBAYC0802072.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Ave Maria | Alessandro Moreschi | — | |
| 2 | La sonnambula: III. Ah! non credea mirarti | Adelina Patti | — | |
| 3 | L’Été (‘Ah! Chantez, chantez!’) | Emma Albani | — | |
| 4 | Le nozze di Figaro (The Marriage of Figaro), K. 492: III. Sull’aria… Che soave zeffiretto | Marcella Sembrich | — | |
| 5 | Les anges pleurent (The Angels Weep) | Nellie Melba | T-900.756.612-3 | |
| 6 | Manon Lescaut: I. C’est l’histoire amoureuse | Ellen Beach Yaw | — | |
| 7 | Im mai | Blanche Marchesi | — | |
| 8 | Hunyadi László: Ah rebéges, a mi vadúl | Lillian Nordica | — | |
| 9 | Mattinata | Geraldine Farrar | — | |
| 11 | Simon the Cellarer | Sir Charles Santley | — | |
| 12 | Dichterliebe, Op. 48: no 7. Ich grolle nicht | George Henschel | — | |
| 13 | La Chanson de Fortunio : Sérénade | Emilio de Gogorza | — | |
| 14 | Otello: Era la notte | Victor Maurel | T-307.452.978-1 | |
| 15 | Per valli, per boschi | Nellie Melba | — | |
| 16 | Embarquez-vous¿ | Pol Plançon | — | |
| 17 | Martha: Act III. Chi mi dira (The Porter’s Song) | Édouard de Reszke | — | |
| 18 | Carmen: Act I. Habanera. L’amour est un oiseau rebelle | Emma Calvé | — | |
| 19 | Aida: Act I. Les mots sacrés | Félia Litvinne | — | |
| 20 | Le jongleur de Notre-Dame: Liberté! | Mary Garden | T-308.372.860-9 | |
| 21 | Amour, amour | Mattia Battistini | T-070.003.687-8 | |
| 22 | L’elisir d’amore: Act I. Come Paride vezzoso | Antonio Scotti | — | |
| 23 | Adriana Lecouvreur: Atto I. “Bene! Benissimo!” | Giuseppe De Luca | — | |
| 24 | L’elisir d’amore: Act I. Udite! Udite! | Antonio Pini-Corsi | — | |
| 25 | I due Foscari: Act III. Questa dunque | Pasquale Amato | — | |
| 26 | Hamlet: Act II. O vin, discaccia la tristezza | Titta Ruffo | — | |
| 2-1 | Luna, Lù! | Fernando De Lucia | — | |
| 2-2 | Paride ed Elena, Wq. 39: Act I. Spiagge amate | Alessandro Bonci | — | |
| 2-3 | Otello: Act IV. Niun mi tema | Francesco Tamagno | — | |
| 2-4 | Andrea Chénier: Act I. Colpito qui m'avete... Un dì all'azzurro spazio | Giovanni Zenatello | — | |
| 2-5 | L'elisir d'amore: Act II. Una furtiva lagrima | Enrico Caruso | — | |
| 2-6 | Pique Dame (The Queen of Spades), Op. 68: Act III. It is midnight | Медея Ивановна Фигнер | — | |
| 2-7 | Olga; La via, o Dio... E lo sapevi | Olimpia Boronat | — | |
| 2-8 | Cavalleria rusticana (melodramma) in 1 act; Voi lo sapete, o mamma | Gemma Bellincioni | — | |
| 2-9 | La bohème: Act I. Mimì Pinson | Rosina Storchio | — | |
| 2-10 | Mireille: O d'amor messagera | Luisa Tetrazzini | — | |
| 2-11 | La Dame blanche: Cene main si jolie | Franz Naval, Marie Gutheil-Schoder | — | |
| 2-12 | Lucia di Lammermoor: Act I. In tiefem Schweigen | Frieda Hempel | — | |
| 2-13 | Rigoletto: Act I. Caro nome | Selma Kurz | T-913.242.186-4 | |
| 2-14 | Don Giovanni: Atto I. “Or sai chi l’onore” | Lilli Lehmann | T-929.613.726-3 | |
| 2-15 | Oberon: Ozean du Ungeheuer | Anna Bahr-Mildenburg | — | |
| 2-16 | Don Giovanni, K. 527: Act II. In quali eccessi... Mi tradì | Johanna Gadski | — | |
| 2-17 | Dalibor, JB 1;101: Act II. Jak je mi? | Emmy Destinn | — | |
| 2-18 | Leggero Invisibile | Ernestine Schumann-Heink | — | |
| 2-19 | Dalibor, JB 1;101: Act I. Blickst du, mein Freund | Hermann Winkelmann | — | |
| 2-20 | Die Königin von Saba, Op. 27: Act II. Magische Töne | Leo Slezak | — | |
| 2-21 | Die Walküre (The Valkyrie), WWV 86b: Act III. „Leb wohl, du kühnes, herrliches Kind” | Anton van Rooy | — | |
| 2-22 | Le Coq d'Or (The Golden Cockerel; Zolotoy petushok): Act II. Hymn to the Sun | Antonina Nezhdanova | — | |
| 2-23 | The Oprichnik: I swear before God and thee | Николай Николаевич Фигнер | — | |
| 2-24 | Dobrinya Nikitich, Op. 22: Flowers were blooming | Леонид Витальевич Собинов | — | |
| 3-1 | Iolanta, Op. 69: My Lord, if I offend | Lev Sibiriakov | — | |
| 3-2 | Robert le diable: Act III. Le rovine... Suore, che riposate | Фёдор Шаляпин | — | |
| 3-3 | O give me oblivion | Dmitrij Smirnov | — | |
| 3-4 | L’Africaine : Acte IV. « Pays merveilleux » … « Ô paradis » | Fernand Ansseau | — | |
| 3-5 | La Coup du Roi de Thulé: Il est venu ce jour de lutte | Dinh Gilly | — | |
| 3-6 | La Reine de Saba : Acte I. « Sous les pieds d’une femme » | Marcel Journet | — | |
| 3-7 | Monna Vanna: Ce n'est pas un vieillard | Vanni Marcoux | — | |
| 3-8 | Louise: Act III. Depuis le jour | Marie-Louise Edvina | — | |
| 3-9 | Antar: Air de l'Oasis | Fanny Heldy | — | |
| 3-10 | Variations du Carneval de Venise | Gabrielle Ritter-Ciampi | — | |
| 3-11 | Adriana Lecouvreur: Act I. Del sultano Amuratte... Io son l'umile ancella | Claudia Muzio | — | |
| 3-12 | Manon: Act III. Ah, mi rendi il tuo cor... La tua mano non è | Carmen Melis | — | |
| 3-13 | Isabeau: Questo mio bianco manto | Gilda Dalla Rizza | — | |
| 3-14 | La sonnambula: Act I. A te diletta... Come per me sereno... Sovra il sen | Amelita Galli-Curci | — | |
| 3-15 | La perla de Triana | Elvira De Hidalgo | — | |
| 3-16 | Il segreto di Susanna: O gioia la nube | Lucrezia Bori | — | |
| 3-17 | Mefistofele: Act I. Dai campi, dai prati | Beniamino Gigli | — | |
| 3-18 | I Puritani: Act III. Vieni fra queste braccia | Hipólito Lázaro | T-801.744.062-0 | |
| 3-19 | Carmen: Act II. Il fior che avevi a me tu dato | Miguel Fleta | — | |
| 3-20 | Andrea Chénier: Act I. Un dì all'azzurro spazio | Bernardo De Muro | — | |
| 4-1 | Ernani: Act I. Mercé, diletti amici... Come rugiada al cespite | Giovanni Martinelli | — | |
| 4-2 | La favorita: Atto III. “A tanto amor” | Renato Zanelli | T-042.509.443-4 | |
| 4-3 | Germania: Orsù, finiam... Ascolta, io morirò! | Riccardo Stracciari | — | |
| 4-4 | Loreley: Ah! dunque ei m'amerà | Frances Alda | — | |
| 4-5 | Canzonette: WoO ('War schöner als der schönste Tag') | Alma Gluck | — | |
| 4-6 | Chanson triste ('Dans ton coeur...'), Op. 2-4 | Eva Gauthier | — | |
| 4-7 | L'éclair: Call me thine own | Mabel Garrison | — | |
| 4-8 | Ernani: Act I. Surta è la notte... Ernani, Ernani, involami | Rosa Ponselle | — | |
| 4-9 | Gianni Schicchi: O mio babbino caro | Florence Easton | T-922.045.270-0 | |
| 4-10 | La bohème: Act I. Che gelida manina | — | ||
| 4-11 | Her Bright Smile Haunts Me Still | Edward Johnson | — | |
| 4-12 | Silvana, J. 87: Act I. So soll denn dieses Herz | Alfred Piccaver | — | |
| 4-13 | Queen of the Earth | Joseph Hislop | — | |
| 4-14 | Morning Hymn, Op 46-1 | Gervase Elwes | — | |
| 4-15 | Before my window, Op. 26-10 | John McCormack | — | |
| 4-16 | Il Pompeo: O cessate di piagarmi | Reinald Werrenrath | — | |
| 4-17 | Israel in Egypt, HWV 54; The Lord is a man of war | Peter Dawson | — | |
| 4-18 | Fidelio, Op. 72: Act I. Abscheulicher!... Komm, Hoffnung | Helene Wildbrunn | — | |
| 4-19 | Die Walküre (The Valkyrie, WWV 86b: Act II. Hojotoho! | Gertrude Kappel | — | |
| 4-20 | Oberon, J. 306: Act II. Ozean, du Ungeheuer | Frida Leider | — | |
| 5-1 | Mignon: Akt II. "Dort bei ihm ist sie jetzt" (Mignon) | Claire Dux | — | |
| 5-2 | Rigoletto: Act I. Teurer Name | Maria Ivogün | T-913.242.186-4 | |
| 5-3 | Es gibt ein Reich | Maria Jeritza | — | |
| 5-4 | Wiegenlied Op.41 No.1 | Elena Gerhardt | — | |
| 5-5 | Die schöne Magelone Op. 33: Muss es eine Trennung geben¿ | Julia Culp | — | |
| 5-6 | Fidelio: Act I. Hat man nicht auch Gold beineben | Richard Mayr | — | |
| 5-7 | Eugene Onegin: Act III. Ein Jeder kennt | Alexander Kipnis | — | |
| 5-8 | Idomeneo, Act II. Noch tönt mir ein Meer im Busen | Hermann Jadlowker | — | |
| 5-9 | Tannhäuser: Act I. Dir töne Lob | Lauritz Melchior | — | |
| 5-10 | Die Walküre: Act 1: Winterstürme Wichen Dem Wonnemond (2009 Digital Remaster) | Max Lorenz | — | |
| 5-11 | Königsballade: Euren König | Helge Rosvænge | — | |
| 5-12 | Die Fledermaus: Dieser Anstand, so manierlich | Richard Tauber | — | |
| 5-13 | Der Evangelimann, Mathias: Act II. Selig sind, die Verfolgung leiden | Marcel Wittrisch | — | |
| 5-14 | Die tote Stadt. Paul: Act 1. Glück, das mir verblieb (2009 Digital Remaster) | Joseph Schmidt | — | |
| 5-15 | Der Wachtelschlag (2009 Digital Remaster) | Karl Erb | — | |
| 5-16 | Hänsel und Gretel: Act I. Ra La La La... Ach, Wir Armen (2009 Digital Remaster) | Gerhard Hüsch | — | |
| 5-17 | Das Nachtlager In Granada: Act I. Ein Schütz Bin Ich (2009 Digital Remaster) | Willi Domgraf-Fassbaender | — | |
| 5-18 | Schwanesngesang No. 11, D957: Die Stadt | Herbert Janssen | T-901.300.461-0 | |
| 5-19 | Herr Gott Abrahams (Elijah) | Friedrich Schorr | — | |
| 5-20 | Le Prophète: Act V. O prêtres de Baal | Sigrid Onegin | — | |
| 6-1 | Marienlied (2009 Digital Remaster) | Elisabeth Schumann | — | |
| 6-2 | The Tsar's Bride: Act II. In Novgorod Wir Wohnten (2009 Digital Remaster) | Miliza Korjus | — | |
| 6-3 | Weine Du Nicht | Erna Berger | T-050.054.465-9 | |
| 6-4 | Arbella Op. 7: Act I. Nach Dem Matteo (2009 Digital Remaster) | Tiana Lemnitz | — | |
| 6-5 | La Bohème: „Man nennt mich jetzt Mimi“ | Maria Cebotari, Helge Rosvænge, Rundfunk-Sinfonieorchester Berlin, Hanns Steinkopf | — | |
| 6-6 | L'Africaine: Act I. Leb' Wohl, Freundlich Gestade (2009 Digital Remaster) | Elisabeth Rethberg | — | |
| 6-7 | Der Rosenkavalier: Act I. Oh, Sei Er Gut, Quinquin (2009 Digital Remaster) | Lotte Lehmann | — | |
| 6-8 | Waldeinsamkeit Op. 76 No. 3 | Maria Müller | — | |
| 6-9 | Siegfried: Act III. Ewig War Ich, Ewig Bin Ich (2009 Digital Remaster) | Nanny Larsen-Todsen | — | |
| 6-10 | I zingari in fiera: Chi vuol la zingarella | Conchita Supervía | — | |
| 6-11 | I Lombardi: Act I. Te, vergin santa | — | ||
| 6-12 | La forza del destino: Act IV. Pace, pace mio Dio | Dusolina Giannini | T-306.482.511-8 | |
| 6-13 | Siberia: Act III. Qual vergogna | Maria Caniglia | — | |
| 6-14 | La fanciulla del West: Act I. L'amore è un'altra cosa...Laggiù nel Solidad | Gina Cigna | T-902.010.951-7 | |
| 6-15 | Madama Butterfly: Act II. Con onor muore | Margaret Sheridan | — | |
| 6-16 | Manon Lescaut: Act II. In quelle trine morbide | — | ||
| 6-17 | Il Guarany: Act II. Gentile di cuore | Bidu Sayão | — | |
| 6-18 | Maori Lullaby | Toti Dal Monte | — | |
| 6-19 | Rigoletto: Act I. Gualtier Maldé...Caro nome | Lina Pagliughi | T-913.242.186-4 | |
| 6-20 | Messa da Requiem: Confutatis maledictis | Ezio Pinza | — | |
| 6-21 | Crispino e la comare: Fermola!...Dapprima, figuratevi | — | ||
| 6-22 | Falstaff: Act I. L'onore! Ladri! | — | ||
| 7-1 | Zazà: Act II. Buona Zazà | Apollo Granforte | — | |
| 7-2 | Do not go, my love | Dino Borgioli | — | |
| 7-3 | Werther: Act III. Tradure...Ah! non mi ridestar | Tito Schipa | — | |
| 7-4 | Manon Lescaut: Act I. Donna non vidi mai | — | ||
| 7-5 | Aprile (2009 Digital Remaster) | Beniamino Gigli | — | |
| 7-6 | Manon Lescaut: Act III. Che avvien¿!...Ah! non v'avvicinate | Giacomo Lauri-Volpi | — | |
| 7-7 | Adriana Lecouvreur: Act I. La dolcissima effigie | — | ||
| 7-8 | Le Rossignol et la rose | Lily Pons | — | |
| 7-9 | Les Berceaux Op.23 No.1 (2009 Digital Remaster) | Ninon Vallin | — | |
| 7-10 | Une Jeune Fille Parle (2009 Digital Remaster) | Claire Croiza | — | |
| 7-11 | Sigurd: Act II. Le Bruit Des Chants. Esprits, Gardiens De Ces Lieux Vénérés (2009 Digital Remaster) | Georges Thill | — | |
| 7-12 | La Damnation De Faust: Scène II. Esprits Des Flammes ! | Charles Panzéra | — | |
| 7-13 | Aurore, Op.39 No.1 | Pierre Bernac | — | |
| 7-14 | La Grande Duchesse de Gérolstein : Dites-lui qu’on l’a remarqué (La déclaration) | Yvonne Printemps | — | |
| 7-15 | La boulangère a des écus : « Les fariniers, les charbonniers » | Reynaldo Hahn | — | |
| 7-16 | Falstaff: Act II. E' sogno, o realtà | Lawrence Tibbett | — | |
| 7-17 | Hamlet: Act II. Ô vin dissipe (Brindisi) | John Charles Thomas | — | |
| 7-18 | Il barbiere di Siviglia: Act I. I'm the factotum | Dennis Noble | — | |
| 7-19 | Hamlet: Act V. Comme une pâle fleur | John Brownlee | — | |
| 7-20 | Onaway, awake beloved | Harold Williams | — | |
| 7-21 | Hoffmanns Erzählungen: Akt II. Ha, wie meiner Seel' (2009 Digital Remaster) | Charles Kullman | — | |
| 7-22 | La Jolie Fille de Perth: Act II. She is there...Hear the voice of one who adores thee (Serenade) | Heddle Nash | — | |
| 7-23 | Tosca: Act I. Wie sich die Bilder gleichen | Richard Crooks | — | |
| 7-24 | The Lost Chord | Clara Butt | T-011.669.598-7 | |
| 7-25 | Der Tod und das Mädchen D531 | Marian Anderson | — | |
| 8-1 | Psyché | Maggie Teyte, Gerald Moore | — | |
| 8-2 | Theodora: Angels ever bright and fair | Isobel Baillie | — | |
| 8-3 | Madama Butterfly: One Fine Day (Un bel dì) | Joan Cross | T-070.182.950-6 | |
| 8-4 | Sigurd: Acte IV. O Palais Radieux ! (2009 Digital Remaster) | Marjorie Lawrence | — | |
| 8-5 | Turandot: Atto II, scena 2. “In questa reggia” | Eva Turner, Orchestra del Teatro alla Scala di Milano, Lorenzo Molajoli | T-005.000.838-2 | |
| 8-6 | Stabat Mater: Inflammatus | Florence Austral | T-900.135.374-8 | |
| 8-7 | Rusalka: Act III. My hair is golden | Jarmila Novotna | — | |
| 8-8 | Lullaby Op.1 No.5 | Oda Slobodskaya | — | |
| 8-9 | Salvator Rosa: Act III. Di sposo, di padre | Марк Осипович Рейзен | — | |
| 8-10 | La rondine: Act I. Chi il bel sogno di Doretta | Dorothy Kirsten | — | |
| 8-11 | Louise: Act III. Depuis le jour (2009 Digital Remaster) | Eleanor Steber | — | |
| 8-12 | Lohengrin: Act I. Einsam in Trüben Tagen (Elsa's Dream) (2009 Digital Remaster) | Helen Traubel | — | |
| 8-13 | Carmen: Act I. Quand je vous aimerai¿...L'amour est un oiseau rebelle (Habanera) (2009 Digital Remaster) | Jennie Tourel | — | |
| 8-14 | Qui sedes (ad dextram Patris) from Mass in B Minor, BWV 232 (2009 Digital Remaster) | Kathleen Ferrier | — | |
| 8-15 | Folk Song Arrangements; Le roi s'en va-t'en chasse (The King goes a-hunting) (2009 Digital Remaster) | Peter Pears | — | |
| 8-16 | Ah! sweet mystery of life (Naughty Marietta) (2009 Digital Remaster) | Jan Peerce | T-914.722.071-1 | |
| 8-17 | La Gioconda: Act II. Cielo e mar (2009 Digital Remaster) | Richard Tucker | — | |
| 8-18 | Hérodiade; Vision fugutive | Robert Merrill | — | |
| 8-19 | Boris Godunov; I have attained the highest power | George London | — | |
| 9-1 | From the rage of the tempest...Hear me, ye winds | Oscar Natzke | — | |
| 9-2 | Chanson Provençale | Mado Robin | — | |
| 9-3 | Le Rossignol Des Lilas | Géori Boué | — | |
| 9-4 | Stornellatrice | Victoria de los Ángeles | T-005.013.881-2 | |
| 9-5 | Amor amaro | — | ||
| 9-6 | La Vivandière: Act I. Viens Avec Nous | Solange Michel | — | |
| 9-7 | Madeleine Lipatti-Sensation | Hugues Cuénod | T-010.213.805-5 | |
| 9-8 | Fidelio: Akt I. »Ach wär’ ich schon« | Elisabeth Schwarzkopf, Philharmonia Orchestra, Alceo Galliera | — | |
| 9-9 | Elfenlied | Irmgard Seefried | — | |
| 9-10 | Queen of Spades: Act III. Es geht auf Mitternacht | Sena Jurinac | — | |
| 9-11 | Aida: Act I. Ritorna vincitor! | Ljuba Welitsch | — | |
| 9-12 | Arabella: Act III. Das wat sehr gut | Leonie Rysanek | — | |
| 9-13 | Der Konsul: Act III. Mein Kind Ist Tot | Inge Borkh | — | |
| 9-14 | Die Schöne Müllerin, D.795: Der Müller und der Bach | Julius Patzak | — | |
| 9-15 | Liederkreis No. 5, Op. 39: Mondnacht (Eichendorff) | Dietrich Fischer-Dieskau | — | |
| 9-16 | The Magic Flute: Act I. Der Vogelfänger bin ich ja | Erich Kunz | — | |
| 9-17 | Fidelio: Act I. Ha! welch ein Augenblick | Paul Schöffler | — | |
| 9-18 | Flow My Tears (2009 Digital Remaster) | — | ||
| 9-19 | Khovanshchina: Act II. Mysterious powers | Զարուհի Դոլուխանյան | — | |
| 9-20 | Dalibor: Act III. Ah, whose is the spell B133 | Beno Blachut | — | |
| 9-21 | Dalibor: Act III. Ah, whose is the spell B133 | Beno Blachut | — | |
| 9-22 | The Sleeping Princess | Борис Христов | — | |
| 10-1 | L'elisir d'amore: Act II. Una furtive lagrima (2009 Digital Remaster) | Ferruccio Tagliavini | — | |
| 10-2 | Mignon: Act II. Addio, Mignon (2009 Digital Remaster) | — | ||
| 10-3 | Dicitencello vuje | Luigi Infantino | T-005.001.173-8 | |
| 10-4 | Otello: Act I. Esultate! | — | ||
| 10-5 | La favorita: Atto III. “A tanto amor” (Alfonso, Fernando, Leonora) | Paolo Silveri | — | |
| 10-6 | Tosca: Act I. Tre sbirri, una carozza | Giampiero Malaspina | — | |
| 10-7 | Don Carlo: Act IV. O Carlo, ascolta (2009 Digital Remaster) | — | ||
| 10-8 | A Life for the Tsar: Act IV. They guess the truth | Nicola Rossi-Lemeni | — | |
| 10-9 | Boris Godunov: Act II. I have attained the highest power (2009 Digital Remaster) | — | ||
| 10-10 | Werther: Act III. M'ha scritto che m'ama (2009 Digital Remaster) | — | ||
| 10-11 | Il trovatore: Act II. Condotta ell'era in ceppi (2009 Digital Remaster) | — | ||
| 10-12 | Samson et Dalila: Act I. La notte cadente | Ebe Stignani | — | |
| 10-13 | Les Pêcheurs de perles: Act I. Siccome un dì caduto il sole (2009 Digital Remaster) | — | ||
| 10-14 | I Capuleti e i Montecchi: Act I. O quante volte | Margherita Carosio | — | |
| 10-15 | Su venite e consiglio | Magda László | — | |
| 10-16 | Don Carlo: Act IV. Tu che le vanità | Margherita Grandi | — | |
| 10-17 | Il trovatore: Act IV. Vanne… D’amor sull’ ali rosee | Zinka Milanov | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Orphée et Eurydice (French version): Away With Mourning and Crying | Louise Homer | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
5099922895622 is a Universal Product Code (UPC) assigned to The Record of Singing: The Very Best of Volumes 1-4: 1899-1952 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 214 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
5099922895622 is the Universal Product Code (UPC barcode) for the release “The Record of Singing: The Very Best of Volumes 1-4: 1899-1952” by Various Artists, released 2009-01-01 on EMI Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 214 tracks, each with its own ISRC. Tracks include GBAYC0802507, GBAYC0802071, GBAYC0802072.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Ave Maria | Alessandro Moreschi | — | |
| 2 | La sonnambula: III. Ah! non credea mirarti | Adelina Patti | — | |
| 3 | L’Été (‘Ah! Chantez, chantez!’) | Emma Albani | — | |
| 4 | Le nozze di Figaro (The Marriage of Figaro), K. 492: III. Sull’aria… Che soave zeffiretto | Marcella Sembrich | — | |
| 5 | Les anges pleurent (The Angels Weep) | Nellie Melba | T-900.756.612-3 | |
| 6 | Manon Lescaut: I. C’est l’histoire amoureuse | Ellen Beach Yaw | — | |
| 7 | Im mai | Blanche Marchesi | — | |
| 8 | Hunyadi László: Ah rebéges, a mi vadúl | Lillian Nordica | — | |
| 9 | Mattinata | Geraldine Farrar | — | |
| 11 | Simon the Cellarer | Sir Charles Santley | — | |
| 12 | Dichterliebe, Op. 48: no 7. Ich grolle nicht | George Henschel | — | |
| 13 | La Chanson de Fortunio : Sérénade | Emilio de Gogorza | — | |
| 14 | Otello: Era la notte | Victor Maurel | T-307.452.978-1 | |
| 15 | Per valli, per boschi | Nellie Melba | — | |
| 16 | Embarquez-vous¿ | Pol Plançon | — | |
| 17 | Martha: Act III. Chi mi dira (The Porter’s Song) | Édouard de Reszke | — | |
| 18 | Carmen: Act I. Habanera. L’amour est un oiseau rebelle | Emma Calvé | — | |
| 19 | Aida: Act I. Les mots sacrés | Félia Litvinne | — | |
| 20 | Le jongleur de Notre-Dame: Liberté! | Mary Garden | T-308.372.860-9 | |
| 21 | Amour, amour | Mattia Battistini | T-070.003.687-8 | |
| 22 | L’elisir d’amore: Act I. Come Paride vezzoso | Antonio Scotti | — | |
| 23 | Adriana Lecouvreur: Atto I. “Bene! Benissimo!” | Giuseppe De Luca | — | |
| 24 | L’elisir d’amore: Act I. Udite! Udite! | Antonio Pini-Corsi | — | |
| 25 | I due Foscari: Act III. Questa dunque | Pasquale Amato | — | |
| 26 | Hamlet: Act II. O vin, discaccia la tristezza | Titta Ruffo | — | |
| 2-1 | Luna, Lù! | Fernando De Lucia | — | |
| 2-2 | Paride ed Elena, Wq. 39: Act I. Spiagge amate | Alessandro Bonci | — | |
| 2-3 | Otello: Act IV. Niun mi tema | Francesco Tamagno | — | |
| 2-4 | Andrea Chénier: Act I. Colpito qui m'avete... Un dì all'azzurro spazio | Giovanni Zenatello | — | |
| 2-5 | L'elisir d'amore: Act II. Una furtiva lagrima | Enrico Caruso | — | |
| 2-6 | Pique Dame (The Queen of Spades), Op. 68: Act III. It is midnight | Медея Ивановна Фигнер | — | |
| 2-7 | Olga; La via, o Dio... E lo sapevi | Olimpia Boronat | — | |
| 2-8 | Cavalleria rusticana (melodramma) in 1 act; Voi lo sapete, o mamma | Gemma Bellincioni | — | |
| 2-9 | La bohème: Act I. Mimì Pinson | Rosina Storchio | — | |
| 2-10 | Mireille: O d'amor messagera | Luisa Tetrazzini | — | |
| 2-11 | La Dame blanche: Cene main si jolie | Franz Naval, Marie Gutheil-Schoder | — | |
| 2-12 | Lucia di Lammermoor: Act I. In tiefem Schweigen | Frieda Hempel | — | |
| 2-13 | Rigoletto: Act I. Caro nome | Selma Kurz | T-913.242.186-4 | |
| 2-14 | Don Giovanni: Atto I. “Or sai chi l’onore” | Lilli Lehmann | T-929.613.726-3 | |
| 2-15 | Oberon: Ozean du Ungeheuer | Anna Bahr-Mildenburg | — | |
| 2-16 | Don Giovanni, K. 527: Act II. In quali eccessi... Mi tradì | Johanna Gadski | — | |
| 2-17 | Dalibor, JB 1;101: Act II. Jak je mi? | Emmy Destinn | — | |
| 2-18 | Leggero Invisibile | Ernestine Schumann-Heink | — | |
| 2-19 | Dalibor, JB 1;101: Act I. Blickst du, mein Freund | Hermann Winkelmann | — | |
| 2-20 | Die Königin von Saba, Op. 27: Act II. Magische Töne | Leo Slezak | — | |
| 2-21 | Die Walküre (The Valkyrie), WWV 86b: Act III. „Leb wohl, du kühnes, herrliches Kind” | Anton van Rooy | — | |
| 2-22 | Le Coq d'Or (The Golden Cockerel; Zolotoy petushok): Act II. Hymn to the Sun | Antonina Nezhdanova | — | |
| 2-23 | The Oprichnik: I swear before God and thee | Николай Николаевич Фигнер | — | |
| 2-24 | Dobrinya Nikitich, Op. 22: Flowers were blooming | Леонид Витальевич Собинов | — | |
| 3-1 | Iolanta, Op. 69: My Lord, if I offend | Lev Sibiriakov | — | |
| 3-2 | Robert le diable: Act III. Le rovine... Suore, che riposate | Фёдор Шаляпин | — | |
| 3-3 | O give me oblivion | Dmitrij Smirnov | — | |
| 3-4 | L’Africaine : Acte IV. « Pays merveilleux » … « Ô paradis » | Fernand Ansseau | — | |
| 3-5 | La Coup du Roi de Thulé: Il est venu ce jour de lutte | Dinh Gilly | — | |
| 3-6 | La Reine de Saba : Acte I. « Sous les pieds d’une femme » | Marcel Journet | — | |
| 3-7 | Monna Vanna: Ce n'est pas un vieillard | Vanni Marcoux | — | |
| 3-8 | Louise: Act III. Depuis le jour | Marie-Louise Edvina | — | |
| 3-9 | Antar: Air de l'Oasis | Fanny Heldy | — | |
| 3-10 | Variations du Carneval de Venise | Gabrielle Ritter-Ciampi | — | |
| 3-11 | Adriana Lecouvreur: Act I. Del sultano Amuratte... Io son l'umile ancella | Claudia Muzio | — | |
| 3-12 | Manon: Act III. Ah, mi rendi il tuo cor... La tua mano non è | Carmen Melis | — | |
| 3-13 | Isabeau: Questo mio bianco manto | Gilda Dalla Rizza | — | |
| 3-14 | La sonnambula: Act I. A te diletta... Come per me sereno... Sovra il sen | Amelita Galli-Curci | — | |
| 3-15 | La perla de Triana | Elvira De Hidalgo | — | |
| 3-16 | Il segreto di Susanna: O gioia la nube | Lucrezia Bori | — | |
| 3-17 | Mefistofele: Act I. Dai campi, dai prati | Beniamino Gigli | — | |
| 3-18 | I Puritani: Act III. Vieni fra queste braccia | Hipólito Lázaro | T-801.744.062-0 | |
| 3-19 | Carmen: Act II. Il fior che avevi a me tu dato | Miguel Fleta | — | |
| 3-20 | Andrea Chénier: Act I. Un dì all'azzurro spazio | Bernardo De Muro | — | |
| 4-1 | Ernani: Act I. Mercé, diletti amici... Come rugiada al cespite | Giovanni Martinelli | — | |
| 4-2 | La favorita: Atto III. “A tanto amor” | Renato Zanelli | T-042.509.443-4 | |
| 4-3 | Germania: Orsù, finiam... Ascolta, io morirò! | Riccardo Stracciari | — | |
| 4-4 | Loreley: Ah! dunque ei m'amerà | Frances Alda | — | |
| 4-5 | Canzonette: WoO ('War schöner als der schönste Tag') | Alma Gluck | — | |
| 4-6 | Chanson triste ('Dans ton coeur...'), Op. 2-4 | Eva Gauthier | — | |
| 4-7 | L'éclair: Call me thine own | Mabel Garrison | — | |
| 4-8 | Ernani: Act I. Surta è la notte... Ernani, Ernani, involami | Rosa Ponselle | — | |
| 4-9 | Gianni Schicchi: O mio babbino caro | Florence Easton | T-922.045.270-0 | |
| 4-10 | La bohème: Act I. Che gelida manina | — | ||
| 4-11 | Her Bright Smile Haunts Me Still | Edward Johnson | — | |
| 4-12 | Silvana, J. 87: Act I. So soll denn dieses Herz | Alfred Piccaver | — | |
| 4-13 | Queen of the Earth | Joseph Hislop | — | |
| 4-14 | Morning Hymn, Op 46-1 | Gervase Elwes | — | |
| 4-15 | Before my window, Op. 26-10 | John McCormack | — | |
| 4-16 | Il Pompeo: O cessate di piagarmi | Reinald Werrenrath | — | |
| 4-17 | Israel in Egypt, HWV 54; The Lord is a man of war | Peter Dawson | — | |
| 4-18 | Fidelio, Op. 72: Act I. Abscheulicher!... Komm, Hoffnung | Helene Wildbrunn | — | |
| 4-19 | Die Walküre (The Valkyrie, WWV 86b: Act II. Hojotoho! | Gertrude Kappel | — | |
| 4-20 | Oberon, J. 306: Act II. Ozean, du Ungeheuer | Frida Leider | — | |
| 5-1 | Mignon: Akt II. "Dort bei ihm ist sie jetzt" (Mignon) | Claire Dux | — | |
| 5-2 | Rigoletto: Act I. Teurer Name | Maria Ivogün | T-913.242.186-4 | |
| 5-3 | Es gibt ein Reich | Maria Jeritza | — | |
| 5-4 | Wiegenlied Op.41 No.1 | Elena Gerhardt | — | |
| 5-5 | Die schöne Magelone Op. 33: Muss es eine Trennung geben¿ | Julia Culp | — | |
| 5-6 | Fidelio: Act I. Hat man nicht auch Gold beineben | Richard Mayr | — | |
| 5-7 | Eugene Onegin: Act III. Ein Jeder kennt | Alexander Kipnis | — | |
| 5-8 | Idomeneo, Act II. Noch tönt mir ein Meer im Busen | Hermann Jadlowker | — | |
| 5-9 | Tannhäuser: Act I. Dir töne Lob | Lauritz Melchior | — | |
| 5-10 | Die Walküre: Act 1: Winterstürme Wichen Dem Wonnemond (2009 Digital Remaster) | Max Lorenz | — | |
| 5-11 | Königsballade: Euren König | Helge Rosvænge | — | |
| 5-12 | Die Fledermaus: Dieser Anstand, so manierlich | Richard Tauber | — | |
| 5-13 | Der Evangelimann, Mathias: Act II. Selig sind, die Verfolgung leiden | Marcel Wittrisch | — | |
| 5-14 | Die tote Stadt. Paul: Act 1. Glück, das mir verblieb (2009 Digital Remaster) | Joseph Schmidt | — | |
| 5-15 | Der Wachtelschlag (2009 Digital Remaster) | Karl Erb | — | |
| 5-16 | Hänsel und Gretel: Act I. Ra La La La... Ach, Wir Armen (2009 Digital Remaster) | Gerhard Hüsch | — | |
| 5-17 | Das Nachtlager In Granada: Act I. Ein Schütz Bin Ich (2009 Digital Remaster) | Willi Domgraf-Fassbaender | — | |
| 5-18 | Schwanesngesang No. 11, D957: Die Stadt | Herbert Janssen | T-901.300.461-0 | |
| 5-19 | Herr Gott Abrahams (Elijah) | Friedrich Schorr | — | |
| 5-20 | Le Prophète: Act V. O prêtres de Baal | Sigrid Onegin | — | |
| 6-1 | Marienlied (2009 Digital Remaster) | Elisabeth Schumann | — | |
| 6-2 | The Tsar's Bride: Act II. In Novgorod Wir Wohnten (2009 Digital Remaster) | Miliza Korjus | — | |
| 6-3 | Weine Du Nicht | Erna Berger | T-050.054.465-9 | |
| 6-4 | Arbella Op. 7: Act I. Nach Dem Matteo (2009 Digital Remaster) | Tiana Lemnitz | — | |
| 6-5 | La Bohème: „Man nennt mich jetzt Mimi“ | Maria Cebotari, Helge Rosvænge, Rundfunk-Sinfonieorchester Berlin, Hanns Steinkopf | — | |
| 6-6 | L'Africaine: Act I. Leb' Wohl, Freundlich Gestade (2009 Digital Remaster) | Elisabeth Rethberg | — | |
| 6-7 | Der Rosenkavalier: Act I. Oh, Sei Er Gut, Quinquin (2009 Digital Remaster) | Lotte Lehmann | — | |
| 6-8 | Waldeinsamkeit Op. 76 No. 3 | Maria Müller | — | |
| 6-9 | Siegfried: Act III. Ewig War Ich, Ewig Bin Ich (2009 Digital Remaster) | Nanny Larsen-Todsen | — | |
| 6-10 | I zingari in fiera: Chi vuol la zingarella | Conchita Supervía | — | |
| 6-11 | I Lombardi: Act I. Te, vergin santa | — | ||
| 6-12 | La forza del destino: Act IV. Pace, pace mio Dio | Dusolina Giannini | T-306.482.511-8 | |
| 6-13 | Siberia: Act III. Qual vergogna | Maria Caniglia | — | |
| 6-14 | La fanciulla del West: Act I. L'amore è un'altra cosa...Laggiù nel Solidad | Gina Cigna | T-902.010.951-7 | |
| 6-15 | Madama Butterfly: Act II. Con onor muore | Margaret Sheridan | — | |
| 6-16 | Manon Lescaut: Act II. In quelle trine morbide | — | ||
| 6-17 | Il Guarany: Act II. Gentile di cuore | Bidu Sayão | — | |
| 6-18 | Maori Lullaby | Toti Dal Monte | — | |
| 6-19 | Rigoletto: Act I. Gualtier Maldé...Caro nome | Lina Pagliughi | T-913.242.186-4 | |
| 6-20 | Messa da Requiem: Confutatis maledictis | Ezio Pinza | — | |
| 6-21 | Crispino e la comare: Fermola!...Dapprima, figuratevi | — | ||
| 6-22 | Falstaff: Act I. L'onore! Ladri! | — | ||
| 7-1 | Zazà: Act II. Buona Zazà | Apollo Granforte | — | |
| 7-2 | Do not go, my love | Dino Borgioli | — | |
| 7-3 | Werther: Act III. Tradure...Ah! non mi ridestar | Tito Schipa | — | |
| 7-4 | Manon Lescaut: Act I. Donna non vidi mai | — | ||
| 7-5 | Aprile (2009 Digital Remaster) | Beniamino Gigli | — | |
| 7-6 | Manon Lescaut: Act III. Che avvien¿!...Ah! non v'avvicinate | Giacomo Lauri-Volpi | — | |
| 7-7 | Adriana Lecouvreur: Act I. La dolcissima effigie | — | ||
| 7-8 | Le Rossignol et la rose | Lily Pons | — | |
| 7-9 | Les Berceaux Op.23 No.1 (2009 Digital Remaster) | Ninon Vallin | — | |
| 7-10 | Une Jeune Fille Parle (2009 Digital Remaster) | Claire Croiza | — | |
| 7-11 | Sigurd: Act II. Le Bruit Des Chants. Esprits, Gardiens De Ces Lieux Vénérés (2009 Digital Remaster) | Georges Thill | — | |
| 7-12 | La Damnation De Faust: Scène II. Esprits Des Flammes ! | Charles Panzéra | — | |
| 7-13 | Aurore, Op.39 No.1 | Pierre Bernac | — | |
| 7-14 | La Grande Duchesse de Gérolstein : Dites-lui qu’on l’a remarqué (La déclaration) | Yvonne Printemps | — | |
| 7-15 | La boulangère a des écus : « Les fariniers, les charbonniers » | Reynaldo Hahn | — | |
| 7-16 | Falstaff: Act II. E' sogno, o realtà | Lawrence Tibbett | — | |
| 7-17 | Hamlet: Act II. Ô vin dissipe (Brindisi) | John Charles Thomas | — | |
| 7-18 | Il barbiere di Siviglia: Act I. I'm the factotum | Dennis Noble | — | |
| 7-19 | Hamlet: Act V. Comme une pâle fleur | John Brownlee | — | |
| 7-20 | Onaway, awake beloved | Harold Williams | — | |
| 7-21 | Hoffmanns Erzählungen: Akt II. Ha, wie meiner Seel' (2009 Digital Remaster) | Charles Kullman | — | |
| 7-22 | La Jolie Fille de Perth: Act II. She is there...Hear the voice of one who adores thee (Serenade) | Heddle Nash | — | |
| 7-23 | Tosca: Act I. Wie sich die Bilder gleichen | Richard Crooks | — | |
| 7-24 | The Lost Chord | Clara Butt | T-011.669.598-7 | |
| 7-25 | Der Tod und das Mädchen D531 | Marian Anderson | — | |
| 8-1 | Psyché | Maggie Teyte, Gerald Moore | — | |
| 8-2 | Theodora: Angels ever bright and fair | Isobel Baillie | — | |
| 8-3 | Madama Butterfly: One Fine Day (Un bel dì) | Joan Cross | T-070.182.950-6 | |
| 8-4 | Sigurd: Acte IV. O Palais Radieux ! (2009 Digital Remaster) | Marjorie Lawrence | — | |
| 8-5 | Turandot: Atto II, scena 2. “In questa reggia” | Eva Turner, Orchestra del Teatro alla Scala di Milano, Lorenzo Molajoli | T-005.000.838-2 | |
| 8-6 | Stabat Mater: Inflammatus | Florence Austral | T-900.135.374-8 | |
| 8-7 | Rusalka: Act III. My hair is golden | Jarmila Novotna | — | |
| 8-8 | Lullaby Op.1 No.5 | Oda Slobodskaya | — | |
| 8-9 | Salvator Rosa: Act III. Di sposo, di padre | Марк Осипович Рейзен | — | |
| 8-10 | La rondine: Act I. Chi il bel sogno di Doretta | Dorothy Kirsten | — | |
| 8-11 | Louise: Act III. Depuis le jour (2009 Digital Remaster) | Eleanor Steber | — | |
| 8-12 | Lohengrin: Act I. Einsam in Trüben Tagen (Elsa's Dream) (2009 Digital Remaster) | Helen Traubel | — | |
| 8-13 | Carmen: Act I. Quand je vous aimerai¿...L'amour est un oiseau rebelle (Habanera) (2009 Digital Remaster) | Jennie Tourel | — | |
| 8-14 | Qui sedes (ad dextram Patris) from Mass in B Minor, BWV 232 (2009 Digital Remaster) | Kathleen Ferrier | — | |
| 8-15 | Folk Song Arrangements; Le roi s'en va-t'en chasse (The King goes a-hunting) (2009 Digital Remaster) | Peter Pears | — | |
| 8-16 | Ah! sweet mystery of life (Naughty Marietta) (2009 Digital Remaster) | Jan Peerce | T-914.722.071-1 | |
| 8-17 | La Gioconda: Act II. Cielo e mar (2009 Digital Remaster) | Richard Tucker | — | |
| 8-18 | Hérodiade; Vision fugutive | Robert Merrill | — | |
| 8-19 | Boris Godunov; I have attained the highest power | George London | — | |
| 9-1 | From the rage of the tempest...Hear me, ye winds | Oscar Natzke | — | |
| 9-2 | Chanson Provençale | Mado Robin | — | |
| 9-3 | Le Rossignol Des Lilas | Géori Boué | — | |
| 9-4 | Stornellatrice | Victoria de los Ángeles | T-005.013.881-2 | |
| 9-5 | Amor amaro | — | ||
| 9-6 | La Vivandière: Act I. Viens Avec Nous | Solange Michel | — | |
| 9-7 | Madeleine Lipatti-Sensation | Hugues Cuénod | T-010.213.805-5 | |
| 9-8 | Fidelio: Akt I. »Ach wär’ ich schon« | Elisabeth Schwarzkopf, Philharmonia Orchestra, Alceo Galliera | — | |
| 9-9 | Elfenlied | Irmgard Seefried | — | |
| 9-10 | Queen of Spades: Act III. Es geht auf Mitternacht | Sena Jurinac | — | |
| 9-11 | Aida: Act I. Ritorna vincitor! | Ljuba Welitsch | — | |
| 9-12 | Arabella: Act III. Das wat sehr gut | Leonie Rysanek | — | |
| 9-13 | Der Konsul: Act III. Mein Kind Ist Tot | Inge Borkh | — | |
| 9-14 | Die Schöne Müllerin, D.795: Der Müller und der Bach | Julius Patzak | — | |
| 9-15 | Liederkreis No. 5, Op. 39: Mondnacht (Eichendorff) | Dietrich Fischer-Dieskau | — | |
| 9-16 | The Magic Flute: Act I. Der Vogelfänger bin ich ja | Erich Kunz | — | |
| 9-17 | Fidelio: Act I. Ha! welch ein Augenblick | Paul Schöffler | — | |
| 9-18 | Flow My Tears (2009 Digital Remaster) | — | ||
| 9-19 | Khovanshchina: Act II. Mysterious powers | Զարուհի Դոլուխանյան | — | |
| 9-20 | Dalibor: Act III. Ah, whose is the spell B133 | Beno Blachut | — | |
| 9-21 | Dalibor: Act III. Ah, whose is the spell B133 | Beno Blachut | — | |
| 9-22 | The Sleeping Princess | Борис Христов | — | |
| 10-1 | L'elisir d'amore: Act II. Una furtive lagrima (2009 Digital Remaster) | Ferruccio Tagliavini | — | |
| 10-2 | Mignon: Act II. Addio, Mignon (2009 Digital Remaster) | — | ||
| 10-3 | Dicitencello vuje | Luigi Infantino | T-005.001.173-8 | |
| 10-4 | Otello: Act I. Esultate! | — | ||
| 10-5 | La favorita: Atto III. “A tanto amor” (Alfonso, Fernando, Leonora) | Paolo Silveri | — | |
| 10-6 | Tosca: Act I. Tre sbirri, una carozza | Giampiero Malaspina | — | |
| 10-7 | Don Carlo: Act IV. O Carlo, ascolta (2009 Digital Remaster) | — | ||
| 10-8 | A Life for the Tsar: Act IV. They guess the truth | Nicola Rossi-Lemeni | — | |
| 10-9 | Boris Godunov: Act II. I have attained the highest power (2009 Digital Remaster) | — | ||
| 10-10 | Werther: Act III. M'ha scritto che m'ama (2009 Digital Remaster) | — | ||
| 10-11 | Il trovatore: Act II. Condotta ell'era in ceppi (2009 Digital Remaster) | — | ||
| 10-12 | Samson et Dalila: Act I. La notte cadente | Ebe Stignani | — | |
| 10-13 | Les Pêcheurs de perles: Act I. Siccome un dì caduto il sole (2009 Digital Remaster) | — | ||
| 10-14 | I Capuleti e i Montecchi: Act I. O quante volte | Margherita Carosio | — | |
| 10-15 | Su venite e consiglio | Magda László | — | |
| 10-16 | Don Carlo: Act IV. Tu che le vanità | Margherita Grandi | — | |
| 10-17 | Il trovatore: Act IV. Vanne… D’amor sull’ ali rosee | Zinka Milanov | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Orphée et Eurydice (French version): Away With Mourning and Crying | Louise Homer | — |
