UPC · Release
The Record of Singing: The Very Best of Volumes 1-4: 1899-1952
Various Artists
5099922895622
25 tracksReleased 2009-01-01EMI Classics
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5099922895622 is the Universal Product Code (UPC barcode) for the release “The Record of Singing: The Very Best of Volumes 1-4: 1899-1952” by Various Artists, released 2009-01-01 on EMI Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 25 tracks, each with its own ISRC. Tracks include GBAYC0802507, GBAYC0802071, GBAYC0802072.
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9922Company prefix
89562Product
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Credit Chain
UPCThe Record of Singing: The Very Best of Volumes 1-4: 1899-1952
ISRC25 recordings
ISWC24 works
IPI1 songwriter
Track List (25)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Ave Maria | Alessandro Moreschi | — | |
| 2 | La sonnambula: III. Ah! non credea mirarti | Adelina Patti | — | |
| 3 | L’Été (‘Ah! Chantez, chantez!’) | Emma Albani | — | |
| 4 | Le nozze di Figaro (The Marriage of Figaro), K. 492: III. Sull’aria… Che soave zeffiretto | Marcella Sembrich | — | |
| 5 | Les anges pleurent (The Angels Weep) | Nellie Melba | T9007566123 | |
| 6 | Manon Lescaut: I. C’est l’histoire amoureuse | Ellen Beach Yaw | — | |
| 7 | Im mai | Blanche Marchesi | — | |
| 8 | Hunyadi László: Ah rebéges, a mi vadúl | Lillian Nordica | — | |
| 9 | Mattinata | Geraldine Farrar | — | |
| 11 | Simon the Cellarer | Sir Charles Santley | — | |
| 12 | Dichterliebe, Op. 48: no 7. Ich grolle nicht | George Henschel | — | |
| 13 | La Chanson de Fortunio : Sérénade | Emilio de Gogorza | — | |
| 14 | Otello: Era la notte | Victor Maurel | T3074529781 | |
| 15 | Per valli, per boschi | Nellie Melba | — | |
| 16 | Embarquez-vous¿ | Pol Plançon | — | |
| 17 | Martha: Act III. Chi mi dira (The Porter’s Song) | Édouard de Reszke | — | |
| 18 | Carmen: Act I. Habanera. L’amour est un oiseau rebelle | Emma Calvé | — | |
| 19 | Aida: Act I. Les mots sacrés | Félia Litvinne | — | |
| 20 | Le jongleur de Notre-Dame: Liberté! | Mary Garden | T3083728609 | |
| 21 | Amour, amour | Mattia Battistini | T0700036878 | |
| 22 | L’elisir d’amore: Act I. Come Paride vezzoso | Antonio Scotti | — | |
| 23 | Adriana Lecouvreur: Atto I. “Bene! Benissimo!” | Giuseppe De Luca | — | |
| 24 | L’elisir d’amore: Act I. Udite! Udite! | Antonio Pini-Corsi | — | |
| 25 | I due Foscari: Act III. Questa dunque | Pasquale Amato | — | |
| 26 | Hamlet: Act II. O vin, discaccia la tristezza | Titta Ruffo | — |
Ave Maria
Alessandro Moreschi
—
La sonnambula: III. Ah! non credea mirarti
Adelina Patti
—
L’Été (‘Ah! Chantez, chantez!’)
Emma Albani
—
Le nozze di Figaro (The Marriage of Figaro), K. 492: III. Sull’aria… Che soave zeffiretto
Marcella Sembrich
—
Manon Lescaut: I. C’est l’histoire amoureuse
Ellen Beach Yaw
—
Im mai
Blanche Marchesi
—
Hunyadi László: Ah rebéges, a mi vadúl
Lillian Nordica
—
Mattinata
Geraldine Farrar
—
Simon the Cellarer
Sir Charles Santley
—
Dichterliebe, Op. 48: no 7. Ich grolle nicht
George Henschel
—
La Chanson de Fortunio : Sérénade
Emilio de Gogorza
—
Per valli, per boschi
Nellie Melba
—
Embarquez-vous¿
Pol Plançon
—
Martha: Act III. Chi mi dira (The Porter’s Song)
Édouard de Reszke
—
Carmen: Act I. Habanera. L’amour est un oiseau rebelle
Emma Calvé
—
Aida: Act I. Les mots sacrés
Félia Litvinne
—
L’elisir d’amore: Act I. Come Paride vezzoso
Antonio Scotti
—
Adriana Lecouvreur: Atto I. “Bene! Benissimo!”
Giuseppe De Luca
—
L’elisir d’amore: Act I. Udite! Udite!
Antonio Pini-Corsi
—
I due Foscari: Act III. Questa dunque
Pasquale Amato
—
Hamlet: Act II. O vin, discaccia la tristezza
Titta Ruffo
—
Additional database matches (173)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Die Walküre: Act 1: Winterstürme Wichen Dem Wonnemond (2009 Digital Remaster) | Max Lorenz | — |
| Der Evangelimann, Mathias: Act II. Selig sind, die Verfolgung leiden | Marcel Wittrisch | — |
| Arbella Op. 7: Act I. Nach Dem Matteo (2009 Digital Remaster) | Tiana Lemnitz | — |
| The Tsar's Bride: Act II. In Novgorod Wir Wohnten (2009 Digital Remaster) | Miliza Korjus | — |
| La Bohème: „Man nennt mich jetzt Mimi“ | Maria Cebotari, Helge Rosvænge, Rundfunk-Sinfonieorchester Berlin, Hanns Steinkopf | — |
| Der Wachtelschlag (2009 Digital Remaster) | Karl Erb | — |
| Königsballade: Euren König | Helge Rosvænge | — |
| Hänsel und Gretel: Act I. Ra La La La... Ach, Wir Armen (2009 Digital Remaster) | Gerhard Hüsch | — |
| Weine Du Nicht | Erna Berger | T0500544659 |
| L'Africaine: Act I. Leb' Wohl, Freundlich Gestade (2009 Digital Remaster) | Elisabeth Rethberg | — |
| Marienlied (2009 Digital Remaster) | Elisabeth Schumann | — |
| Das Nachtlager In Granada: Act I. Ein Schütz Bin Ich (2009 Digital Remaster) | Willi Domgraf-Fassbaender | — |
| Siegfried: Act III. Ewig War Ich, Ewig Bin Ich (2009 Digital Remaster) | Nanny Larsen-Todsen | — |
| Der Rosenkavalier: Act I. Oh, Sei Er Gut, Quinquin (2009 Digital Remaster) | Lotte Lehmann | — |
| Der Konsul: Act III. Mein Kind Ist Tot | Inge Borkh | — |
| Die Fledermaus: Dieser Anstand, so manierlich | Richard Tauber | — |
| Die tote Stadt. Paul: Act 1. Glück, das mir verblieb (2009 Digital Remaster) | Joseph Schmidt | — |
| Hoffmanns Erzählungen: Akt II. Ha, wie meiner Seel' (2009 Digital Remaster) | Charles Kullman | — |
| Les Berceaux Op.23 No.1 (2009 Digital Remaster) | Ninon Vallin | — |
| Une Jeune Fille Parle (2009 Digital Remaster) | Claire Croiza | — |
| Sigurd: Act II. Le Bruit Des Chants. Esprits, Gardiens De Ces Lieux Vénérés (2009 Digital Remaster) | Georges Thill | — |
| La Damnation De Faust: Scène II. Esprits Des Flammes ! | Charles Panzéra | — |
| La boulangère a des écus : « Les fariniers, les charbonniers » | Reynaldo Hahn | — |
| Sigurd: Acte IV. O Palais Radieux ! (2009 Digital Remaster) | Marjorie Lawrence | — |
| Chanson Provençale | Mado Robin | — |
| Le Rossignol Des Lilas | Géori Boué | — |
| La Vivandière: Act I. Viens Avec Nous | Solange Michel | — |
| Luna, Lù! | Fernando De Lucia | — |
| Paride ed Elena, Wq. 39: Act I. Spiagge amate | Alessandro Bonci | — |
| Cavalleria rusticana (melodramma) in 1 act; Voi lo sapete, o mamma | Gemma Bellincioni | — |
| Andrea Chénier: Act I. Colpito qui m'avete... Un dì all'azzurro spazio | Giovanni Zenatello | — |
| Pique Dame (The Queen of Spades), Op. 68: Act III. It is midnight | Медея Ивановна Фигнер | — |
| Olga; La via, o Dio... E lo sapevi | Olimpia Boronat | — |
| La bohème: Act I. Mimì Pinson | Rosina Storchio | — |
| La Dame blanche: Cene main si jolie | Franz Naval, Marie Gutheil-Schoder | — |
| Lucia di Lammermoor: Act I. In tiefem Schweigen | Frieda Hempel | — |
| Rigoletto: Act I. Caro nome | Selma Kurz | T-913.242.186-4 |
| Don Giovanni: Atto I. “Or sai chi l’onore” | Lilli Lehmann | T9296137263 |
| Oberon: Ozean du Ungeheuer | Anna Bahr-Mildenburg | — |
| Dalibor, JB 1;101: Act II. Jak je mi? | Emmy Destinn | — |
| Dalibor, JB 1;101: Act I. Blickst du, mein Freund | Hermann Winkelmann | — |
| Die Königin von Saba, Op. 27: Act II. Magische Töne | Leo Slezak | — |
| Die Walküre (The Valkyrie), WWV 86b: Act III. „Leb wohl, du kühnes, herrliches Kind” | Anton van Rooy | — |
| Le Coq d'Or (The Golden Cockerel; Zolotoy petushok): Act II. Hymn to the Sun | Antonina Nezhdanova | — |
| The Oprichnik: I swear before God and thee | Николай Николаевич Фигнер | — |
| Dobrinya Nikitich, Op. 22: Flowers were blooming | Леонид Витальевич Собинов | — |
| Iolanta, Op. 69: My Lord, if I offend | Lev Sibiriakov | — |
| O give me oblivion | Dmitrij Smirnov | — |
| L’Africaine : Acte IV. « Pays merveilleux » … « Ô paradis » | Fernand Ansseau | — |
| La Coup du Roi de Thulé: Il est venu ce jour de lutte | Dinh Gilly | — |
| Monna Vanna: Ce n'est pas un vieillard | Vanni Marcoux | — |
| Louise: Act III. Depuis le jour | Marie-Louise Edvina | — |
| Antar: Air de l'Oasis | Fanny Heldy | — |
| Variations du Carneval de Venise | Gabrielle Ritter-Ciampi | — |
| Manon: Act III. Ah, mi rendi il tuo cor... La tua mano non è | Carmen Melis | — |
| Isabeau: Questo mio bianco manto | Gilda Dalla Rizza | — |
| La perla de Triana | Elvira De Hidalgo | — |
| Mefistofele: Act I. Dai campi, dai prati | Beniamino Gigli | — |
| Carmen: Act II. Il fior che avevi a me tu dato | Miguel Fleta | — |
| Andrea Chénier: Act I. Un dì all'azzurro spazio | Bernardo De Muro | — |
| Mignon: Akt II. "Dort bei ihm ist sie jetzt" (Mignon) | Claire Dux | — |
| Germania: Orsù, finiam... Ascolta, io morirò! | Riccardo Stracciari | — |
| Gianni Schicchi: O mio babbino caro | Florence Easton | T9220452700 |
| Silvana, J. 87: Act I. So soll denn dieses Herz | Alfred Piccaver | — |
| Queen of the Earth | Joseph Hislop | — |
| Morning Hymn, Op 46-1 | Gervase Elwes | — |
| Il Pompeo: O cessate di piagarmi | Reinald Werrenrath | — |
| Israel in Egypt, HWV 54; The Lord is a man of war | Peter Dawson | — |
| Die Walküre (The Valkyrie, WWV 86b: Act II. Hojotoho! | Gertrude Kappel | — |
| Fidelio, Op. 72: Act I. Abscheulicher!... Komm, Hoffnung | Helene Wildbrunn | — |
| Oberon, J. 306: Act II. Ozean, du Ungeheuer | Frida Leider | — |
| Rigoletto: Act I. Teurer Name | Maria Ivogün | T-913.242.186-4 |
| Es gibt ein Reich | Maria Jeritza | — |
| Wiegenlied Op.41 No.1 | Elena Gerhardt | — |
| Die schöne Magelone Op. 33: Muss es eine Trennung geben¿ | Julia Culp | — |
| Fidelio: Act I. Hat man nicht auch Gold beineben | Richard Mayr | — |
| Eugene Onegin: Act III. Ein Jeder kennt | Alexander Kipnis | — |
| Idomeneo, Act II. Noch tönt mir ein Meer im Busen | Hermann Jadlowker | — |
| Tannhäuser: Act I. Dir töne Lob | Lauritz Melchior | — |
| Schwanesngesang No. 11, D957: Die Stadt | Herbert Janssen | T9013004610 |
| Herr Gott Abrahams (Elijah) | Friedrich Schorr | — |
| Waldeinsamkeit Op. 76 No. 3 | Maria Müller | — |
| La forza del destino: Act IV. Pace, pace mio Dio | Dusolina Giannini | T3064825118 |
| Siberia: Act III. Qual vergogna | Maria Caniglia | — |
| La fanciulla del West: Act I. L'amore è un'altra cosa...Laggiù nel Solidad | Gina Cigna | T9020109517 |
| Madama Butterfly: Act II. Con onor muore | Margaret Sheridan | — |
| Maori Lullaby | Toti Dal Monte | — |
| Rigoletto: Act I. Gualtier Maldé...Caro nome | Lina Pagliughi | T-913.242.186-4 |
| Messa da Requiem: Confutatis maledictis | Ezio Pinza | — |
| Zazà: Act II. Buona Zazà | Apollo Granforte | — |
| Do not go, my love | Dino Borgioli | — |
| Werther: Act III. Tradure...Ah! non mi ridestar | Tito Schipa | — |
| Manon Lescaut: Act III. Che avvien¿!...Ah! non v'avvicinate | Giacomo Lauri-Volpi | — |
| Le Rossignol et la rose | Lily Pons | — |
| Aurore, Op.39 No.1 | Pierre Bernac | — |
| Il barbiere di Siviglia: Act I. I'm the factotum | Dennis Noble | — |
| Hamlet: Act V. Comme une pâle fleur | John Brownlee | — |
| Onaway, awake beloved | Harold Williams | — |
| La Jolie Fille de Perth: Act II. She is there...Hear the voice of one who adores thee (Serenade) | Heddle Nash | — |
| Tosca: Act I. Wie sich die Bilder gleichen | Richard Crooks | — |
| The Lost Chord | Clara Butt | T0116695987 |
| Der Tod und das Mädchen D531 | Marian Anderson | — |
| Psyché | Maggie Teyte, Gerald Moore | — |
| Theodora: Angels ever bright and fair | Isobel Baillie | — |
| Madama Butterfly: One Fine Day (Un bel dì) | Joan Cross | T0701829506 |
| Stabat Mater: Inflammatus | Florence Austral | T9001353748 |
| Lullaby Op.1 No.5 | Oda Slobodskaya | — |
| Salvator Rosa: Act III. Di sposo, di padre | Марк Осипович Рейзен | — |
| Boris Godunov; I have attained the highest power | George London | — |
| From the rage of the tempest...Hear me, ye winds | Oscar Natzke | — |
| Madeleine Lipatti-Sensation | Hugues Cuénod | T0102138055 |
| Fidelio: Akt I. »Ach wär’ ich schon« | Elisabeth Schwarzkopf, Philharmonia Orchestra, Alceo Galliera | — |
| Elfenlied | Irmgard Seefried | — |
| Queen of Spades: Act III. Es geht auf Mitternacht | Sena Jurinac | — |
| Aida: Act I. Ritorna vincitor! | Ljuba Welitsch | — |
| Otello: Act IV. Niun mi tema | Francesco Tamagno | — |
| L'elisir d'amore: Act II. Una furtiva lagrima | Enrico Caruso | — |
| Mireille: O d'amor messagera | Luisa Tetrazzini | — |
| Before my window, Op. 26-10 | John McCormack | — |
| Rusalka: Act III. My hair is golden | Jarmila Novotna | — |
| I zingari in fiera: Chi vuol la zingarella | Conchita Supervía | — |
| Aprile (2009 Digital Remaster) | Beniamino Gigli | — |
| Turandot: Atto II, scena 2. “In questa reggia” | Eva Turner, Orchestra del Teatro alla Scala di Milano, Lorenzo Molajoli | T0050008382 |
| Louise: Act III. Depuis le jour (2009 Digital Remaster) | Eleanor Steber | — |
| Carmen: Act I. Quand je vous aimerai¿...L'amour est un oiseau rebelle (Habanera) (2009 Digital Remaster) | Jennie Tourel | — |
| Qui sedes (ad dextram Patris) from Mass in B Minor, BWV 232 (2009 Digital Remaster) | Kathleen Ferrier | — |
| Folk Song Arrangements; Le roi s'en va-t'en chasse (The King goes a-hunting) (2009 Digital Remaster) | Peter Pears | — |
| Stornellatrice | Victoria de los Ángeles | T0050138812 |
| Liederkreis No. 5, Op. 39: Mondnacht (Eichendorff) | Dietrich Fischer-Dieskau | — |
| The Magic Flute: Act I. Der Vogelfänger bin ich ja | Erich Kunz | — |
| Fidelio: Act I. Ha! welch ein Augenblick | Paul Schöffler | — |
| Dicitencello vuje | Luigi Infantino | T-005.001.173-8 |
| La favorita: Atto III. “A tanto amor” (Alfonso, Fernando, Leonora) | Paolo Silveri | — |
| Tosca: Act I. Tre sbirri, una carozza | Giampiero Malaspina | — |
| A Life for the Tsar: Act IV. They guess the truth | Nicola Rossi-Lemeni | — |
| Samson et Dalila: Act I. La notte cadente | Ebe Stignani | — |
| I Capuleti e i Montecchi: Act I. O quante volte | Margherita Carosio | — |
| Su venite e consiglio | Magda László | — |
| Don Carlo: Act IV. Tu che le vanità | Margherita Grandi | — |
| La Grande Duchesse de Gérolstein : Dites-lui qu’on l’a remarqué (La déclaration) | Yvonne Printemps | — |
| Arabella: Act III. Das wat sehr gut | Leonie Rysanek | — |
| The Sleeping Princess | Борис Христов | — |
| Orphée et Eurydice (French version): Away With Mourning and Crying | Louise Homer | — |
| Leggero Invisibile | Ernestine Schumann-Heink | — |
| Robert le diable: Act III. Le rovine... Suore, che riposate | Фёдор Шаляпин | — |
| La Reine de Saba : Acte I. « Sous les pieds d’une femme » | Marcel Journet | — |
| Adriana Lecouvreur: Act I. Del sultano Amuratte... Io son l'umile ancella | Claudia Muzio | — |
| La sonnambula: Act I. A te diletta... Come per me sereno... Sovra il sen | Amelita Galli-Curci | — |
| Il segreto di Susanna: O gioia la nube | Lucrezia Bori | — |
| I Puritani: Act III. Vieni fra queste braccia | Hipólito Lázaro | T8017440620 |
| Ernani: Act I. Mercé, diletti amici... Come rugiada al cespite | Giovanni Martinelli | — |
| Loreley: Ah! dunque ei m'amerà | Frances Alda | — |
| Canzonette: WoO ('War schöner als der schönste Tag') | Alma Gluck | — |
| Chanson triste ('Dans ton coeur...'), Op. 2-4 | Eva Gauthier | — |
| L'éclair: Call me thine own | Mabel Garrison | — |
| Ernani: Act I. Surta è la notte... Ernani, Ernani, involami | Rosa Ponselle | — |
| Her Bright Smile Haunts Me Still | Edward Johnson | — |
| La favorita: Atto III. “A tanto amor” | Renato Zanelli | T0425094434 |
| Le Prophète: Act V. O prêtres de Baal | Sigrid Onegin | — |
| Il Guarany: Act II. Gentile di cuore | Bidu Sayão | — |
| Falstaff: Act II. E' sogno, o realtà | Lawrence Tibbett | — |
| Hamlet: Act II. Ô vin dissipe (Brindisi) | John Charles Thomas | — |
| Hérodiade; Vision fugutive | Robert Merrill | — |
| Don Giovanni, K. 527: Act II. In quali eccessi... Mi tradì | Johanna Gadski | — |
| Die Schöne Müllerin, D.795: Der Müller und der Bach | Julius Patzak | — |
| La rondine: Act I. Chi il bel sogno di Doretta | Dorothy Kirsten | — |
| Lohengrin: Act I. Einsam in Trüben Tagen (Elsa's Dream) (2009 Digital Remaster) | Helen Traubel | — |
| Ah! sweet mystery of life (Naughty Marietta) (2009 Digital Remaster) | Jan Peerce | T-914.722.071-1 |
| La Gioconda: Act II. Cielo e mar (2009 Digital Remaster) | Richard Tucker | — |
| Khovanshchina: Act II. Mysterious powers | Զարուհի Դոլուխանյան | — |
| Dalibor: Act III. Ah, whose is the spell B133 | Beno Blachut | — |
| L'elisir d'amore: Act II. Una furtive lagrima (2009 Digital Remaster) | Ferruccio Tagliavini | — |
| Il trovatore: Act IV. Vanne… D’amor sull’ ali rosee | Zinka Milanov | — |
Die Walküre: Act 1: Winterstürme Wichen Dem Wonnemond (2009 Digital Remaster)
Max Lorenz
—
Der Evangelimann, Mathias: Act II. Selig sind, die Verfolgung leiden
Marcel Wittrisch
—
Arbella Op. 7: Act I. Nach Dem Matteo (2009 Digital Remaster)
Tiana Lemnitz
—
The Tsar's Bride: Act II. In Novgorod Wir Wohnten (2009 Digital Remaster)
Miliza Korjus
—
La Bohème: „Man nennt mich jetzt Mimi“
Maria Cebotari, Helge Rosvænge, Rundfunk-Sinfonieorchester Berlin, Hanns Steinkopf
—
Der Wachtelschlag (2009 Digital Remaster)
Karl Erb
—
Königsballade: Euren König
Helge Rosvænge
—
Hänsel und Gretel: Act I. Ra La La La... Ach, Wir Armen (2009 Digital Remaster)
Gerhard Hüsch
—
Erna Berger
L'Africaine: Act I. Leb' Wohl, Freundlich Gestade (2009 Digital Remaster)
Elisabeth Rethberg
—
Marienlied (2009 Digital Remaster)
Elisabeth Schumann
—
Das Nachtlager In Granada: Act I. Ein Schütz Bin Ich (2009 Digital Remaster)
Willi Domgraf-Fassbaender
—
Siegfried: Act III. Ewig War Ich, Ewig Bin Ich (2009 Digital Remaster)
Nanny Larsen-Todsen
—
Der Rosenkavalier: Act I. Oh, Sei Er Gut, Quinquin (2009 Digital Remaster)
Lotte Lehmann
—
Der Konsul: Act III. Mein Kind Ist Tot
Inge Borkh
—
Die Fledermaus: Dieser Anstand, so manierlich
Richard Tauber
—
Die tote Stadt. Paul: Act 1. Glück, das mir verblieb (2009 Digital Remaster)
Joseph Schmidt
—
Hoffmanns Erzählungen: Akt II. Ha, wie meiner Seel' (2009 Digital Remaster)
Charles Kullman
—
Les Berceaux Op.23 No.1 (2009 Digital Remaster)
Ninon Vallin
—
Une Jeune Fille Parle (2009 Digital Remaster)
Claire Croiza
—
Sigurd: Act II. Le Bruit Des Chants. Esprits, Gardiens De Ces Lieux Vénérés (2009 Digital Remaster)
Georges Thill
—
La Damnation De Faust: Scène II. Esprits Des Flammes !
Charles Panzéra
—
La boulangère a des écus : « Les fariniers, les charbonniers »
Reynaldo Hahn
—
Sigurd: Acte IV. O Palais Radieux ! (2009 Digital Remaster)
Marjorie Lawrence
—
Chanson Provençale
Mado Robin
—
Le Rossignol Des Lilas
Géori Boué
—
La Vivandière: Act I. Viens Avec Nous
Solange Michel
—
Luna, Lù!
Fernando De Lucia
—
Paride ed Elena, Wq. 39: Act I. Spiagge amate
Alessandro Bonci
—
Cavalleria rusticana (melodramma) in 1 act; Voi lo sapete, o mamma
Gemma Bellincioni
—
Andrea Chénier: Act I. Colpito qui m'avete... Un dì all'azzurro spazio
Giovanni Zenatello
—
Pique Dame (The Queen of Spades), Op. 68: Act III. It is midnight
Медея Ивановна Фигнер
—
Olga; La via, o Dio... E lo sapevi
Olimpia Boronat
—
La bohème: Act I. Mimì Pinson
Rosina Storchio
—
La Dame blanche: Cene main si jolie
Franz Naval, Marie Gutheil-Schoder
—
Lucia di Lammermoor: Act I. In tiefem Schweigen
Frieda Hempel
—
Oberon: Ozean du Ungeheuer
Anna Bahr-Mildenburg
—
Dalibor, JB 1;101: Act II. Jak je mi?
Emmy Destinn
—
Dalibor, JB 1;101: Act I. Blickst du, mein Freund
Hermann Winkelmann
—
Die Königin von Saba, Op. 27: Act II. Magische Töne
Leo Slezak
—
Die Walküre (The Valkyrie), WWV 86b: Act III. „Leb wohl, du kühnes, herrliches Kind”
Anton van Rooy
—
Le Coq d'Or (The Golden Cockerel; Zolotoy petushok): Act II. Hymn to the Sun
Antonina Nezhdanova
—
The Oprichnik: I swear before God and thee
Николай Николаевич Фигнер
—
Dobrinya Nikitich, Op. 22: Flowers were blooming
Леонид Витальевич Собинов
—
Iolanta, Op. 69: My Lord, if I offend
Lev Sibiriakov
—
O give me oblivion
Dmitrij Smirnov
—
L’Africaine : Acte IV. « Pays merveilleux » … « Ô paradis »
Fernand Ansseau
—
La Coup du Roi de Thulé: Il est venu ce jour de lutte
Dinh Gilly
—
Monna Vanna: Ce n'est pas un vieillard
Vanni Marcoux
—
Louise: Act III. Depuis le jour
Marie-Louise Edvina
—
Antar: Air de l'Oasis
Fanny Heldy
—
Variations du Carneval de Venise
Gabrielle Ritter-Ciampi
—
Manon: Act III. Ah, mi rendi il tuo cor... La tua mano non è
Carmen Melis
—
Isabeau: Questo mio bianco manto
Gilda Dalla Rizza
—
La perla de Triana
Elvira De Hidalgo
—
Mefistofele: Act I. Dai campi, dai prati
Beniamino Gigli
—
Carmen: Act II. Il fior che avevi a me tu dato
Miguel Fleta
—
Andrea Chénier: Act I. Un dì all'azzurro spazio
Bernardo De Muro
—
Mignon: Akt II. "Dort bei ihm ist sie jetzt" (Mignon)
Claire Dux
—
Germania: Orsù, finiam... Ascolta, io morirò!
Riccardo Stracciari
—
Florence Easton
Silvana, J. 87: Act I. So soll denn dieses Herz
Alfred Piccaver
—
Queen of the Earth
Joseph Hislop
—
Morning Hymn, Op 46-1
Gervase Elwes
—
Il Pompeo: O cessate di piagarmi
Reinald Werrenrath
—
Israel in Egypt, HWV 54; The Lord is a man of war
Peter Dawson
—
Die Walküre (The Valkyrie, WWV 86b: Act II. Hojotoho!
Gertrude Kappel
—
Fidelio, Op. 72: Act I. Abscheulicher!... Komm, Hoffnung
Helene Wildbrunn
—
Oberon, J. 306: Act II. Ozean, du Ungeheuer
Frida Leider
—
Maria Ivogün
Es gibt ein Reich
Maria Jeritza
—
Wiegenlied Op.41 No.1
Elena Gerhardt
—
Die schöne Magelone Op. 33: Muss es eine Trennung geben¿
Julia Culp
—
Fidelio: Act I. Hat man nicht auch Gold beineben
Richard Mayr
—
Eugene Onegin: Act III. Ein Jeder kennt
Alexander Kipnis
—
Idomeneo, Act II. Noch tönt mir ein Meer im Busen
Hermann Jadlowker
—
Tannhäuser: Act I. Dir töne Lob
Lauritz Melchior
—
Herbert Janssen
Herr Gott Abrahams (Elijah)
Friedrich Schorr
—
Waldeinsamkeit Op. 76 No. 3
Maria Müller
—
Dusolina Giannini
Siberia: Act III. Qual vergogna
Maria Caniglia
—
Madama Butterfly: Act II. Con onor muore
Margaret Sheridan
—
Maori Lullaby
Toti Dal Monte
—
Messa da Requiem: Confutatis maledictis
Ezio Pinza
—
Zazà: Act II. Buona Zazà
Apollo Granforte
—
Do not go, my love
Dino Borgioli
—
Werther: Act III. Tradure...Ah! non mi ridestar
Tito Schipa
—
Manon Lescaut: Act III. Che avvien¿!...Ah! non v'avvicinate
Giacomo Lauri-Volpi
—
Le Rossignol et la rose
Lily Pons
—
Aurore, Op.39 No.1
Pierre Bernac
—
Il barbiere di Siviglia: Act I. I'm the factotum
Dennis Noble
—
Hamlet: Act V. Comme une pâle fleur
John Brownlee
—
Onaway, awake beloved
Harold Williams
—
La Jolie Fille de Perth: Act II. She is there...Hear the voice of one who adores thee (Serenade)
Heddle Nash
—
Tosca: Act I. Wie sich die Bilder gleichen
Richard Crooks
—
Clara Butt
Der Tod und das Mädchen D531
Marian Anderson
—
Psyché
Maggie Teyte, Gerald Moore
—
Theodora: Angels ever bright and fair
Isobel Baillie
—
Florence Austral
Lullaby Op.1 No.5
Oda Slobodskaya
—
Salvator Rosa: Act III. Di sposo, di padre
Марк Осипович Рейзен
—
Boris Godunov; I have attained the highest power
George London
—
From the rage of the tempest...Hear me, ye winds
Oscar Natzke
—
Hugues Cuénod
Fidelio: Akt I. »Ach wär’ ich schon«
Elisabeth Schwarzkopf, Philharmonia Orchestra, Alceo Galliera
—
Elfenlied
Irmgard Seefried
—
Queen of Spades: Act III. Es geht auf Mitternacht
Sena Jurinac
—
Aida: Act I. Ritorna vincitor!
Ljuba Welitsch
—
Otello: Act IV. Niun mi tema
Francesco Tamagno
—
L'elisir d'amore: Act II. Una furtiva lagrima
Enrico Caruso
—
Mireille: O d'amor messagera
Luisa Tetrazzini
—
Before my window, Op. 26-10
John McCormack
—
Rusalka: Act III. My hair is golden
Jarmila Novotna
—
I zingari in fiera: Chi vuol la zingarella
Conchita Supervía
—
Aprile (2009 Digital Remaster)
Beniamino Gigli
—
Eva Turner, Orchestra del Teatro alla Scala di Milano, Lorenzo Molajoli
Louise: Act III. Depuis le jour (2009 Digital Remaster)
Eleanor Steber
—
Carmen: Act I. Quand je vous aimerai¿...L'amour est un oiseau rebelle (Habanera) (2009 Digital Remaster)
Jennie Tourel
—
Qui sedes (ad dextram Patris) from Mass in B Minor, BWV 232 (2009 Digital Remaster)
Kathleen Ferrier
—
Folk Song Arrangements; Le roi s'en va-t'en chasse (The King goes a-hunting) (2009 Digital Remaster)
Peter Pears
—
Victoria de los Ángeles
Liederkreis No. 5, Op. 39: Mondnacht (Eichendorff)
Dietrich Fischer-Dieskau
—
The Magic Flute: Act I. Der Vogelfänger bin ich ja
Erich Kunz
—
Fidelio: Act I. Ha! welch ein Augenblick
Paul Schöffler
—
Luigi Infantino
La favorita: Atto III. “A tanto amor” (Alfonso, Fernando, Leonora)
Paolo Silveri
—
Tosca: Act I. Tre sbirri, una carozza
Giampiero Malaspina
—
A Life for the Tsar: Act IV. They guess the truth
Nicola Rossi-Lemeni
—
Samson et Dalila: Act I. La notte cadente
Ebe Stignani
—
I Capuleti e i Montecchi: Act I. O quante volte
Margherita Carosio
—
Su venite e consiglio
Magda László
—
Don Carlo: Act IV. Tu che le vanità
Margherita Grandi
—
La Grande Duchesse de Gérolstein : Dites-lui qu’on l’a remarqué (La déclaration)
Yvonne Printemps
—
Arabella: Act III. Das wat sehr gut
Leonie Rysanek
—
The Sleeping Princess
Борис Христов
—
Orphée et Eurydice (French version): Away With Mourning and Crying
Louise Homer
—
Leggero Invisibile
Ernestine Schumann-Heink
—
Robert le diable: Act III. Le rovine... Suore, che riposate
Фёдор Шаляпин
—
La Reine de Saba : Acte I. « Sous les pieds d’une femme »
Marcel Journet
—
Adriana Lecouvreur: Act I. Del sultano Amuratte... Io son l'umile ancella
Claudia Muzio
—
La sonnambula: Act I. A te diletta... Come per me sereno... Sovra il sen
Amelita Galli-Curci
—
Il segreto di Susanna: O gioia la nube
Lucrezia Bori
—
Hipólito Lázaro
Ernani: Act I. Mercé, diletti amici... Come rugiada al cespite
Giovanni Martinelli
—
Loreley: Ah! dunque ei m'amerà
Frances Alda
—
Canzonette: WoO ('War schöner als der schönste Tag')
Alma Gluck
—
Chanson triste ('Dans ton coeur...'), Op. 2-4
Eva Gauthier
—
L'éclair: Call me thine own
Mabel Garrison
—
Ernani: Act I. Surta è la notte... Ernani, Ernani, involami
Rosa Ponselle
—
Her Bright Smile Haunts Me Still
Edward Johnson
—
Renato Zanelli
Le Prophète: Act V. O prêtres de Baal
Sigrid Onegin
—
Il Guarany: Act II. Gentile di cuore
Bidu Sayão
—
Falstaff: Act II. E' sogno, o realtà
Lawrence Tibbett
—
Hamlet: Act II. Ô vin dissipe (Brindisi)
John Charles Thomas
—
Hérodiade; Vision fugutive
Robert Merrill
—
Don Giovanni, K. 527: Act II. In quali eccessi... Mi tradì
Johanna Gadski
—
Die Schöne Müllerin, D.795: Der Müller und der Bach
Julius Patzak
—
La rondine: Act I. Chi il bel sogno di Doretta
Dorothy Kirsten
—
Lohengrin: Act I. Einsam in Trüben Tagen (Elsa's Dream) (2009 Digital Remaster)
Helen Traubel
—
La Gioconda: Act II. Cielo e mar (2009 Digital Remaster)
Richard Tucker
—
Khovanshchina: Act II. Mysterious powers
Զարուհի Դոլուխանյան
—
Dalibor: Act III. Ah, whose is the spell B133
Beno Blachut
—
L'elisir d'amore: Act II. Una furtive lagrima (2009 Digital Remaster)
Ferruccio Tagliavini
—
Il trovatore: Act IV. Vanne… D’amor sull’ ali rosee
Zinka Milanov
—
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
000000002071794X000000002250935100000000237092910000000026420450000000002738991800000000275921070000000030477644000000003815877900000000403097160000000044832985
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00000000451733280000000052548191000000005513181800000000551354720000000055138657000000005514183X00000000551426800000000055153080000000005518061X00000000554869420000000055522480000000005919495500000000591958510000000059251809000000005933637800000000594032780000000059451915000000005945557X0000000059478165000000005947818100000000594891470000000061599337000000006301199800000000630399310000000063081494000000006309557000000000630964260000000063098376000000006310588X000000006310705X00000000631123690000000066534938000000007357927X0000000073601967000000007360287100000000736495060000000073659835000000007366330800000000791146410000000079715658
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What is UPC 5099922895622?
5099922895622 is a Universal Product Code (UPC) assigned to The Record of Singing: The Very Best of Volumes 1-4: 1899-1952 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 25 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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