UPC · Release
Altus: From Castrato to Countertenor
Various Artists
5099923547650
42 tracksReleased 2008-11-28
Last verified:
5099923547650 is the Universal Product Code (UPC barcode) for the release “Altus: From Castrato to Countertenor” by Various Artists, released 2008-11-28. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 42 tracks, each with its own ISRC. Tracks include GBAYC0601627, FRZ110801974, GBAYC0102432.
Format
509GS1 prefix
9923Company prefix
54765Product
0Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCAltus: From Castrato to Countertenor
ISRC42 recordings
ISWC16 works
IPI3 songwriters
Track List (42)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Giustino: “Vedro con mio diletto” (Anastasio) | Philippe Jaroussky, Ensemble Matheus, Jean-Christophe Spinosi | T0350401067 | |
| 2 | Serse, HWV 40: Act 1, Scene 1: Accompagnato. "Frondi tenere" - Arioso. "Ombra mai fù" (Serse) | Gérard Lesne, Il Seminario Musicale | — | |
| 3 | Stabat Mater, RV 621: Stabat Mater dolorosa | David Daniels, Europa Galante, Fabio Biondi | T0030165355 | |
| 4 | Es ist vollbracht (St John Passion, BWV 245) | Andreas Scholl, Ensemble Instrumental de Lausanne, Michel Corboz | T-915.681.108-4 | |
| 5 | Vergnügte Ruh, beliebte Seelenlust, BWV 170: No. 1. Aria. "Vergnügte Ruh beliebte Seelenlust" | René Jacobs, Linde Consort, Hans-Martin Linde | — | |
| 6 | Messiah: Part II: He Was Despised | Margaret Cable, Taverner Players, Andrew Parrott | — | |
| 7 | Fernando, Re di Castilia: Atto III, Scena IV. Aria "Sincero affetto" | Il Complesso Barocco, Alan Curtis | — | |
| 8 | Amadigi di Gaula, HWV 11, Act 2: Aria. “Minacciami, non ho timor” (Amadigi) | Xavier Sabata, Les Arts Florissants, William Christie | — | |
| 9 | Serse: Act 3, Scene IV: No 43 Aria - Amor, tiranno Amor (Arsamene) | Lawrence Zazzo, Les Arts Florissants, William Christie | — | |
| 10 | Weihnachts-Oratorium, Am ersten Weihnachtsfeiertage: 4. Aria (Alto) "Bereite dich, Zion, mit zärtlichen Trieben" | Michael Chance, Collegium Vocale Gent, Philippe Herreweghe | T0700249611 | |
| 11 | Saül: O Lord, whose mercies numberless | Paul Esswood, English Chamber Orchestra, Philip Ledger | — | |
| 12 | Handel: Cantata IX - Conservate, raddoppiate, HWV185: "Conservate, raddoppiate" | Brian Asawa, Juanita Lascarro, Brian Feehan, Le Concert d’Astrée, Emmanuelle Haïm | — | |
| 13 | L'incoronazione di Poppea: Liebesduett "Pur ti miro" | Suzie LeBlanc, Derek Lee Ragin, Teatro Lirico, Stephen Stubbs | — | |
| 14 | Greensleeves | Alfred Deller, Desmond Dupré | T8012976147 | |
| 2-1 | Stabat mater pour soprano, contralto, cordes et basse continue: Stabat Mater dolorosa | Véronique Gens, Gérard Lesne, Il Seminario Musicale | T9056800727 | |
| 2-2 | Pergolesi: Salve Regina in C Minor: II. Ad te clamamus (Alto) | Véronique Gens, Il Seminario Musicale, Gérard Lesne | — | |
| 2-3 | Nisi Dominus, RV 608: Cum dederit dilectis | David Daniels, Fabio Biondi, Europa Galante | T9013215060 | |
| 2-4 | Longe mala, umbrae, terrores, RV 629: Alleluia | David Daniels, Fabio Biondi, Europa Galante | — | |
| 2-5 | Ave Regina coelorum | Philippe Jaroussky, Marie-Nicole Lemieux, Ensemble Artaserse | — | |
| 2-6 | Pianti, sospiri e demandar mercede, RV 676: "Cor ingrato dispietato" | Philippe Jaroussky, Ensemble Artaserse | — | |
| 2-7 | Magnificat in D major, BWV 243: VI. "Et misericordia" | Philippe Jaroussky, Toby Spence, Le Concert d’Astrée, Emmanuelle Haïm | — | |
| 2-8 | Giulio Cesare in Egitto: Madre! ... son nata a lagrimar | Stephanie Blythe, David Daniels, Emmanuelle Haïm, Ensemble Orchestral de Paris, John Nelson | — | |
| 2-9 | Admeto, rè di Tessaglia, HWV 22, Act 2 Scene 10: No. 26, Aria, "Chi è nato alle sventure" (Trasimede) | James Bowman, Il Complesso Barocco, Alan Curtis | — | |
| 2-10 | Fernando, Re di Castilia: Atto III, Scena V - VII. Aria "M'opporrò da generoso" | Lawrence Zazzo, Il Complesso Barocco, Alan Curtis | — | |
| 2-11 | Troisième répons: Ecce quomodo | Gérard Lesne, Il Seminario Musicale | — | |
| 2-12 | Mitridate, re di Ponto: Aria "Venga pur" | David Daniels, Orchestra of the Age of Enlightenment, Harry Bicket | — | |
| 2-13 | Semiramide: Atto I. "Eccomi alfine in Babilonia" / " Ah, quel giorno" (Arsace) | Max Emanuel Cenčić, Orchestre de chambre de Genève, Michael Hofstetter | — | |
| 2-14 | A Midsummer Night's Dream: Act 1. Welcome wanderer... I know a bank | James Bowman, City of London Sinfonia, Richard Hickox | — | |
| 3-2 | Come, Ye Sons of Art Away, Z. 323: III. Sound the Trumpet, Sound, Till Around (First Counter-Tenor, Second Counter-Tenor) | James Bowman, Christopher Robson, Orchestra of the Age of Enlightenment, Gustav Leonhardt | — | |
| 3-3 | Mass in B minor, BWV 232: "Agnus Dei" | Charles Brett, Collegium Vocale Gent, Philippe Herreweghe | — | |
| 3-4 | Malinconia, Ninfa Gentile | David Daniels, Craig Ogden | T0117708061 | |
| 3-5 | Orfeo ed Euridice, Wq. 30, Act 3: "Ahimè! Dove trascorsi? ... Che faro senza Euridice" (Orfeo) | David Daniels, Orchestra of the Age of Enlightenment, Harry Bicket | — | |
| 3-7 | Nacht und Träume, D. 827 | David Daniels, Martin Katz | — | |
| 3-8 | Plainte sur la mort de Monsieur Lambert | Gérard Lesne, Il Seminario Musicale | — | |
| 3-9 | Les Nuits d'Été, op. 7: III. Sur les lagunes | David Daniels, Ensemble orchestral de Paris, John Nelson | — | |
| 3-10 | Orff: Carmina Burana: Part 2, In Taberna, No. 12 "Olim lacus colueram" (Tenor, Chorus of Men) | James Bowman, Highcliffe Junior Choir, Donald Maxwell, Waynflete Singers, Janice Watson | — | |
| 3-11 | Silent Night | Derek Lee Ragin, Moses Hogan | T-914.285.596-7 | |
| 3-12 | Duetto buffo di due gatti (Duo des chats) | Gérard Lesne, Rockwell Blake, Antonio Pappano | T0416598452 | |
| 3-13 | Maladresse | Gérard Lesne, Gilles Bioteau, Jean Luc Carminati, Serge Eymard, Loic Gautier, Yvon Kerampran, Marc Le Devedec, Richard Myron, Bobby Rangell, Benoît Weeger | — | |
| 3-14 | Shenandoah | David Daniels, Craig Ogden | T0104366906 | |
| 3-15 | Plaisir d'amour | David Daniels, Craig Ogden | T9112748795 | |
| 3-16 | Crucifixus | Alessandro Moreschi | — |
Philippe Jaroussky, Ensemble Matheus, Jean-Christophe Spinosi
Serse, HWV 40: Act 1, Scene 1: Accompagnato. "Frondi tenere" - Arioso. "Ombra mai fù" (Serse)
Gérard Lesne, Il Seminario Musicale
—
Andreas Scholl, Ensemble Instrumental de Lausanne, Michel Corboz
Vergnügte Ruh, beliebte Seelenlust, BWV 170: No. 1. Aria. "Vergnügte Ruh beliebte Seelenlust"
René Jacobs, Linde Consort, Hans-Martin Linde
—
Messiah: Part II: He Was Despised
Margaret Cable, Taverner Players, Andrew Parrott
—
Fernando, Re di Castilia: Atto III, Scena IV. Aria "Sincero affetto"
Il Complesso Barocco, Alan Curtis
—
Amadigi di Gaula, HWV 11, Act 2: Aria. “Minacciami, non ho timor” (Amadigi)
Xavier Sabata, Les Arts Florissants, William Christie
—
Serse: Act 3, Scene IV: No 43 Aria - Amor, tiranno Amor (Arsamene)
Lawrence Zazzo, Les Arts Florissants, William Christie
—
Michael Chance, Collegium Vocale Gent, Philippe Herreweghe
Saül: O Lord, whose mercies numberless
Paul Esswood, English Chamber Orchestra, Philip Ledger
—
Handel: Cantata IX - Conservate, raddoppiate, HWV185: "Conservate, raddoppiate"
Brian Asawa, Juanita Lascarro, Brian Feehan, Le Concert d’Astrée, Emmanuelle Haïm
—
L'incoronazione di Poppea: Liebesduett "Pur ti miro"
Suzie LeBlanc, Derek Lee Ragin, Teatro Lirico, Stephen Stubbs
—
Véronique Gens, Gérard Lesne, Il Seminario Musicale
Pergolesi: Salve Regina in C Minor: II. Ad te clamamus (Alto)
Véronique Gens, Il Seminario Musicale, Gérard Lesne
—
Longe mala, umbrae, terrores, RV 629: Alleluia
David Daniels, Fabio Biondi, Europa Galante
—
Ave Regina coelorum
Philippe Jaroussky, Marie-Nicole Lemieux, Ensemble Artaserse
—
Pianti, sospiri e demandar mercede, RV 676: "Cor ingrato dispietato"
Philippe Jaroussky, Ensemble Artaserse
—
Magnificat in D major, BWV 243: VI. "Et misericordia"
Philippe Jaroussky, Toby Spence, Le Concert d’Astrée, Emmanuelle Haïm
—
Giulio Cesare in Egitto: Madre! ... son nata a lagrimar
Stephanie Blythe, David Daniels, Emmanuelle Haïm, Ensemble Orchestral de Paris, John Nelson
—
Admeto, rè di Tessaglia, HWV 22, Act 2 Scene 10: No. 26, Aria, "Chi è nato alle sventure" (Trasimede)
James Bowman, Il Complesso Barocco, Alan Curtis
—
Fernando, Re di Castilia: Atto III, Scena V - VII. Aria "M'opporrò da generoso"
Lawrence Zazzo, Il Complesso Barocco, Alan Curtis
—
Troisième répons: Ecce quomodo
Gérard Lesne, Il Seminario Musicale
—
Mitridate, re di Ponto: Aria "Venga pur"
David Daniels, Orchestra of the Age of Enlightenment, Harry Bicket
—
Semiramide: Atto I. "Eccomi alfine in Babilonia" / " Ah, quel giorno" (Arsace)
Max Emanuel Cenčić, Orchestre de chambre de Genève, Michael Hofstetter
—
A Midsummer Night's Dream: Act 1. Welcome wanderer... I know a bank
James Bowman, City of London Sinfonia, Richard Hickox
—
Come, Ye Sons of Art Away, Z. 323: III. Sound the Trumpet, Sound, Till Around (First Counter-Tenor, Second Counter-Tenor)
James Bowman, Christopher Robson, Orchestra of the Age of Enlightenment, Gustav Leonhardt
—
Mass in B minor, BWV 232: "Agnus Dei"
Charles Brett, Collegium Vocale Gent, Philippe Herreweghe
—
Orfeo ed Euridice, Wq. 30, Act 3: "Ahimè! Dove trascorsi? ... Che faro senza Euridice" (Orfeo)
David Daniels, Orchestra of the Age of Enlightenment, Harry Bicket
—
Nacht und Träume, D. 827
David Daniels, Martin Katz
—
Plainte sur la mort de Monsieur Lambert
Gérard Lesne, Il Seminario Musicale
—
Les Nuits d'Été, op. 7: III. Sur les lagunes
David Daniels, Ensemble orchestral de Paris, John Nelson
—
Orff: Carmina Burana: Part 2, In Taberna, No. 12 "Olim lacus colueram" (Tenor, Chorus of Men)
James Bowman, Highcliffe Junior Choir, Donald Maxwell, Waynflete Singers, Janice Watson
—
Maladresse
Gérard Lesne, Gilles Bioteau, Jean Luc Carminati, Serge Eymard, Loic Gautier, Yvon Kerampran, Marc Le Devedec, Richard Myron, Bobby Rangell, Benoît Weeger
—
Crucifixus
Alessandro Moreschi
—
Additional database matches (3)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Music for a while | David Daniels, Craig Ogden | T0317347753 |
| Ave Maria | David Daniels, Craig Ogden | T0091476673 |
| Plainte sur la mort de Monsieur Lambert | Gérard Lesne, Il Seminario Musicale | — |
David Daniels, Craig Ogden
David Daniels, Craig Ogden
Plainte sur la mort de Monsieur Lambert
Gérard Lesne, Il Seminario Musicale
—
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
000000005515609700000000551598610000000055168741000000005519662X000000006309729300000000783891920000000078391794000000007840457500000000784126710000000078522133
+40 more
00000000809695670000000081161594000000008136085X000000008138822X00000000818936640000000082240198000000010133537X0000000108581186000000010877014700000001089193190000000109371981000000010937945700000001094330460000000109435869000000010945021700000001094608100000000109878520000000011017757X00000001102287870000000110340170000000011297410X00000001145051470000000114555750000000011462217500000001146614570000000114710079000000011473321100000001147636560000000114806812000000011494722800000001149474630000000114959958000000011586329600000001164895310000000117403744000000011938871X0000000119453534000000012037159500000001209607280000000121420897
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What is UPC 5099923547650?
5099923547650 is a Universal Product Code (UPC) assigned to Altus: From Castrato to Countertenor by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 42 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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