UPC · Release
100% Disco
Various Artists
Last verified:
5099924253123 is the Universal Product Code (UPC barcode) for the release “100% Disco” by Various Artists, released 2008-01-01 on EMI. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 94 tracks, each with its own ISRC. Tracks include FR6V81995847, USSM17800445, GBAYE0400442.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (94)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Play That Funky Music | Wild Cherry | T-070.920.275-4 | |
| 2 | Blame It on the Boogie | The Jacksons | T-802.055.574-3 | |
| 3 | That’s the Way (I Like It) | KC and the Sunshine Band | T-070.940.528-6 | |
| 4 | Upside Down | Diana Ross | T-070.194.015-9 | |
| 5 | Let’s Groove | Earth, Wind & Fire | T-070.268.857-0 | |
| 6 | Spank | — | ||
| 7 | Relight My Fire | Dan Hartman | T-070.243.131-9 | |
| 8 | Heart of Glass | — | ||
| 9 | Sing It Back (Boris radio edit) | — | ||
| 10 | I’m So Excited | The Pointer Sisters | T-070.240.806-7 | |
| 11 | It’s Raining Men | — | ||
| 12 | It’s Just Begun | — | ||
| 13 | Movin’ | Brass Construction | T-071.001.042-6 | |
| 14 | Feels Like I’m in Love | — | ||
| 15 | Hot Stuff | — | ||
| 16 | Ladies Night | Kool & the Gang | T-070.100.650-9 | |
| 17 | Change of Heart | Change | T-070.030.431-9 | |
| 18 | Last Night a DJ Saved My Life | — | ||
| 19 | Just an Illusion | — | ||
| 20 | Elle et moi | — | ||
| 2-1 | Lady Marmalade | LaBelle | T-070.099.675-3 | |
| 2-2 | Rock Your Baby | George McCrae | T-030.167.090-5 | |
| 2-3 | Get Off | — | ||
| 2-4 | Superfreak | — | ||
| 2-5 | Funkytown | Lipps, Inc. | T-070.234.163-6 | |
| 2-6 | Let’s All Chant | The Michael Zager Band | T-070.241.640-7 | |
| 2-7 | Your Love | — | ||
| 2-8 | I Feel for You (original club mix) | Bob Sinclar | T-070.082.207-6 | |
| 2-9 | Never Can Say Goodbye | Gloria Gaynor | T-070.153.814-8 | |
| 2-10 | Do You Wanna Funk | — | ||
| 2-11 | If You Could Read My Mind | — | ||
| 2-12 | I’m Your Boogie Man | — | ||
| 2-13 | Instant Replay | Dan Hartman | T-070.081.890-1 | |
| 2-14 | We Can Start Tonight | — | ||
| 2-15 | What I Got Is What You Need | — | ||
| 2-16 | Burn Rubber (Why You Wanna Hurt Me) | The Gap Band | — | |
| 2-17 | The Sound of Music | — | ||
| 2-18 | Fly Robin Fly | — | ||
| 2-19 | And the Beat Goes On | The Whispers | T-071.056.456-9 | |
| 2-20 | You Sexy Thing | Hot Chocolate | T-010.459.942-9 | |
| 3-1 | Flashdance… What a Feeling | Irene Cara | T-071.393.470-3 | |
| 3-2 | Jingo | — | ||
| 3-3 | Can You Feel the Force? | The Real Thing | — | |
| 3-4 | Heaven Must Be Missing an Angel | Tavares | T-070.076.698-8 | |
| 3-5 | September | Earth, Wind & Fire | T-070.243.439-6 | |
| 3-6 | Turn Around (original radio edit) | Phats & Small | T-900.089.359-4 | |
| 3-7 | San Salvador | Azoto | — | |
| 3-8 | Keep on Jumpin’ | — | ||
| 3-9 | Don’t Leave Me This Way | Thelma Houston | T-070.233.736-7 | |
| 3-10 | Can’t Take My Eyes Off You | Boys Town Gang | T-070.881.004-1 | |
| 3-11 | Make That Move | — | ||
| 3-12 | RAPTURE (2002 REMASTER) | BLONDIE | T-905.238.162-1 | |
| 3-13 | Act Like You Know | — | ||
| 3-14 | On the Beat | — | ||
| 3-15 | Let’s Start II Dance Again | — | ||
| 3-16 | Love Thang | — | ||
| 3-17 | Disco Nights (Rock Freak) | — | ||
| 4-1 | Lovely One | — | ||
| 4-2 | Give It Up | KC and the Sunshine Band | T-070.234.239-9 | |
| 4-3 | Boogie Nights | Heatwave | T-070.884.482-9 | |
| 4-4 | Dance to the Music | Sly & the Family Stone | T-070.233.570-3 | |
| 4-5 | Papa Was a Rollin’ Stone | The Temptations | T-070.242.825-8 | |
| 4-6 | Law and Order | — | ||
| 4-7 | Can’t Get Enough | Soulsearcher | T-071.294.687-6 | |
| 4-8 | Ten Percent | — | ||
| 4-9 | Move on Up | — | ||
| 4-10 | Right Back Where We Started From | Maxine Nightingale | T-010.060.393-7 | |
| 4-11 | Turn the Beat Around | Vicki Sue Robinson | T-070.247.525-9 | |
| 4-12 | A Fifth of Beethoven | Walter Murphy & the Big Apple Band | — | |
| 4-13 | Ring My Bell | Anita Ward | T-070.243.185-3 | |
| 4-14 | I Got My Mind Made Up | — | ||
| 4-15 | Living in America | James Brown | T-071.000.773-0 | |
| 4-16 | Let the Music Play (original 12″ version) | Shannon | T-070.101.447-2 | |
| 4-17 | Boogie Oogie Oogie | A Taste of Honey | T-070.233.094-6 | |
| 4-18 | Gonna Get Over You | — | ||
| 4-19 | Gonna Get Along Without You Now | — | ||
| 5-1 | Daddy Cool | Boney M. | T-801.278.766-6 | |
| 5-2 | Knock on Wood | — | ||
| 5-3 | High Energy | Evelyn Thomas | T-011.294.428-1 | |
| 5-4 | Supernature | Cerrone | T-900.978.932-6 | |
| 5-5 | She Can’t Love You | — | ||
| 5-6 | Pop muzik | — | ||
| 5-7 | (I’m Just a) Sucker for a Pretty Face | — | ||
| 5-8 | Rap-O Clap-O | — | ||
| 5-9 | Saddle Up | — | ||
| 5-10 | Check Out the Groove | — | ||
| 5-11 | Ooh I Love It (Love Break) | — | ||
| 5-12 | Groovejet (If This Ain’t Love) | Spiller | T-071.395.246-5 | |
| 5-14 | So Many Men, So Little Time | — | ||
| 5-15 | I’m on Fire | 5000 Volts | T-011.409.962-5 | |
| 5-16 | Love Sensation | — | ||
| 5-17 | Someone Else’s Guy | — | ||
| 5-18 | I Hear Music in the Streets | — | ||
| 5-19 | Rapper’s Delight | The Sugarhill Gang | T-913.437.593-2 |
Additional database matches (18)
What other identifiers does this connect to?
Musical Works (ISWC)
+91 more
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
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What is UPC 5099924253123?
5099924253123 is a Universal Product Code (UPC) assigned to 100% Disco by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 94 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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