UPC · Release
Various Artists
Last verified:
The UPC for “100% Alternative” by Various Artists is 5099924254328. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2008-01-01. Label: EMI. This release contains 90 tracks, each with its own ISRC. Tracks include GBAYE0100525, USNO10694701, GBDCG0500072.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Love Is Noise | — | ||
| 2 | An End Has a Start | — | ||
| 3 | No More Running Away | — | ||
| 4 | Young Folks | — | ||
| 5 | This Is a Song | — | ||
| 6 | Harrowdown Hill | — | ||
| 7 | Trash | — | ||
| 8 | Squares | The Beta Band | T-900.120.973-0 | |
| 9 | Dance to the Underground | — | ||
| 10 | Special K | — | ||
| 11 | Spread Your Love | — | ||
| 12 | Sæglópur | — | ||
| 13 | Just Got to Be | The Black Keys | — | |
| 14 | Shot You Down | Audio Bullys, Nancy Sinatra | T-900.160.346-9 | |
| 15 | Where’s Your Head At (radio edit) | Basement Jaxx | T-010.008.201-6 | |
| 16 | She Wants to Move | — | ||
| 17 | Choose Life | — | ||
| 18 | Pumping Up Your Stereo | — | ||
| 19 | Elevate Myself | — | ||
| 2-1 | Fake Plastic Trees | — | ||
| 2-2 | She Moves in Her Own Way | The Kooks | T-011.619.271-2 | |
| 2-3 | Flux | Bloc Party | T-905.477.039-7 | |
| 2-4 | A Sunday Smile | Beirut | T-073.163.939-6 | |
| 2-5 | No Pussy Blues | — | ||
| 2-6 | Special Cases | — | ||
| 2-7 | Boy From School | Hot Chip | T-011.593.707-9 | |
| 2-8 | Faith Hope Love | — | ||
| 2-9 | Sahib Balkan | — | ||
| 2-10 | High Noon | — | ||
| 2-11 | Getting It Wrong | — | ||
| 2-12 | Everybody Here Wants You | Jeff Buckley | T-905.187.270-9 | |
| 2-13 | It’s the End of the World as We Know It (and I Feel Fine) | R.E.M. | T-070.241.294-9 | |
| 2-14 | Block Rockin’ Beats | — | ||
| 2-15 | Overpowered | — | ||
| 2-16 | November Spawned a Monster | Morrissey | — | |
| 2-17 | Unstookie Titled | — | ||
| 2-18 | Suddenly I See | — | ||
| 3-1 | Suffer Well | Depeche Mode | T-011.564.845-7 | |
| 3-2 | A & E | — | ||
| 3-3 | The Importance of Being Idle | Oasis | T-011.266.959-6 | |
| 3-4 | That’s When I Reach for My Revolver | — | ||
| 3-5 | Familiar Feeling | — | ||
| 3-6 | Someone New | Eskobar, Heather Nova | T-000.165.938-6 | |
| 3-7 | Idealistic | — | ||
| 3-8 | Someone Great | LCD Soundsystem | T-073.067.257-7 | |
| 3-9 | To Build a Home | — | ||
| 3-10 | Drinking in L.A. | — | ||
| 3-11 | Bohemian Like You | The Dandy Warhols | T-070.994.428-4 | |
| 3-12 | Your Ghost | — | ||
| 3-13 | Que Pasa | — | ||
| 3-14 | Beautyproof | Madrugada | — | |
| 3-15 | Bomb the World | — | ||
| 3-16 | Modern World | — | ||
| 3-17 | Librarian | — | ||
| 3-18 | Brimful of Asha | Cornershop | — | |
| 4-1 | The Heinrich Maneuver | Interpol | T-900.913.376-0 | |
| 4-2 | The Good Ones | — | ||
| 4-3 | Hang Me Up to Dry | — | ||
| 4-4 | Into the Galaxy | — | ||
| 4-5 | Steady, as She Goes | The Raconteurs | — | |
| 4-6 | Magical Colors | — | ||
| 4-7 | Taillights Fade | — | ||
| 4-8 | Karma Police | Radiohead | T-010.257.774-1 | |
| 4-9 | Black and White Town | — | ||
| 4-10 | Orozco | — | ||
| 4-11 | Heartbeats | — | ||
| 4-12 | Sweat in Bullet | Simple Minds | T-010.475.667-3 | |
| 4-13 | Windowlicker | Aphex Twin | T-010.263.069-2 | |
| 4-14 | Three Little Pigs | Green Jellÿ | — | |
| 4-15 | Skin of the Night | — | ||
| 4-16 | So Easy | — | ||
| 4-17 | Rose Rouge | — | ||
| 5-1 | Dig, Lazarus, Dig!!! | Nick Cave & the Bad Seeds | T-060.987.786-2 | |
| 5-2 | Blind | — | ||
| 5-3 | Archangel | — | ||
| 5-4 | Born in the UK | — | ||
| 5-5 | Forget Myself | Elbow | T-011.559.978-4 | |
| 5-6 | Whippin’ Piccadilly | — | ||
| 5-7 | Holes | — | ||
| 5-8 | These Are the Ghosts | — | ||
| 5-9 | King Kong Five | Mano Negra | T-003.063.490-2 | |
| 5-10 | Mon Sissoyen | — | ||
| 5-11 | Rhythm Is Love | Keziah Jones | T-010.130.741-8 | |
| 5-12 | Whatever Happened to Corey Haim? | — | ||
| 5-13 | Monkey Gone to Heaven | Pixies | T-070.242.258-9 | |
| 5-14 | Smack My Bitch Up | The Prodigy | T-070.926.620-5 | |
| 5-15 | Give Me Every Little Thing | — | ||
| 5-16 | Salvador | — | ||
| 5-18 | My Red Hot Car | — | ||
| 5-19 | Poney Part 1 | — |
Identifier Graph
5099924254328 is a Universal Product Code (UPC) assigned to 100% Alternative by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 90 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| November Spawned a Monster | Morrissey | — |
| Steady, as She Goes | The Raconteurs | T-072.722.995-9 |
| Brimful of Asha | Cornershop | — |
| Beautyproof | Madrugada | — |
| Just Got to Be | The Black Keys | — |
| November Spawned a Monster | Morrissey | — |
| Brimful of Asha | Cornershop | — |
| Steady, as She Goes | The Raconteurs | T-072.722.995-9 |
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
The UPC for “100% Alternative” by Various Artists is 5099924254328. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2008-01-01. Label: EMI. This release contains 90 tracks, each with its own ISRC. Tracks include GBAYE0100525, USNO10694701, GBDCG0500072.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Love Is Noise | — | ||
| 2 | An End Has a Start | — | ||
| 3 | No More Running Away | — | ||
| 4 | Young Folks | — | ||
| 5 | This Is a Song | — | ||
| 6 | Harrowdown Hill | — | ||
| 7 | Trash | — | ||
| 8 | Squares | The Beta Band | T-900.120.973-0 | |
| 9 | Dance to the Underground | — | ||
| 10 | Special K | — | ||
| 11 | Spread Your Love | — | ||
| 12 | Sæglópur | — | ||
| 13 | Just Got to Be | The Black Keys | — | |
| 14 | Shot You Down | Audio Bullys, Nancy Sinatra | T-900.160.346-9 | |
| 15 | Where’s Your Head At (radio edit) | Basement Jaxx | T-010.008.201-6 | |
| 16 | She Wants to Move | — | ||
| 17 | Choose Life | — | ||
| 18 | Pumping Up Your Stereo | — | ||
| 19 | Elevate Myself | — | ||
| 2-1 | Fake Plastic Trees | — | ||
| 2-2 | She Moves in Her Own Way | The Kooks | T-011.619.271-2 | |
| 2-3 | Flux | Bloc Party | T-905.477.039-7 | |
| 2-4 | A Sunday Smile | Beirut | T-073.163.939-6 | |
| 2-5 | No Pussy Blues | — | ||
| 2-6 | Special Cases | — | ||
| 2-7 | Boy From School | Hot Chip | T-011.593.707-9 | |
| 2-8 | Faith Hope Love | — | ||
| 2-9 | Sahib Balkan | — | ||
| 2-10 | High Noon | — | ||
| 2-11 | Getting It Wrong | — | ||
| 2-12 | Everybody Here Wants You | Jeff Buckley | T-905.187.270-9 | |
| 2-13 | It’s the End of the World as We Know It (and I Feel Fine) | R.E.M. | T-070.241.294-9 | |
| 2-14 | Block Rockin’ Beats | — | ||
| 2-15 | Overpowered | — | ||
| 2-16 | November Spawned a Monster | Morrissey | — | |
| 2-17 | Unstookie Titled | — | ||
| 2-18 | Suddenly I See | — | ||
| 3-1 | Suffer Well | Depeche Mode | T-011.564.845-7 | |
| 3-2 | A & E | — | ||
| 3-3 | The Importance of Being Idle | Oasis | T-011.266.959-6 | |
| 3-4 | That’s When I Reach for My Revolver | — | ||
| 3-5 | Familiar Feeling | — | ||
| 3-6 | Someone New | Eskobar, Heather Nova | T-000.165.938-6 | |
| 3-7 | Idealistic | — | ||
| 3-8 | Someone Great | LCD Soundsystem | T-073.067.257-7 | |
| 3-9 | To Build a Home | — | ||
| 3-10 | Drinking in L.A. | — | ||
| 3-11 | Bohemian Like You | The Dandy Warhols | T-070.994.428-4 | |
| 3-12 | Your Ghost | — | ||
| 3-13 | Que Pasa | — | ||
| 3-14 | Beautyproof | Madrugada | — | |
| 3-15 | Bomb the World | — | ||
| 3-16 | Modern World | — | ||
| 3-17 | Librarian | — | ||
| 3-18 | Brimful of Asha | Cornershop | — | |
| 4-1 | The Heinrich Maneuver | Interpol | T-900.913.376-0 | |
| 4-2 | The Good Ones | — | ||
| 4-3 | Hang Me Up to Dry | — | ||
| 4-4 | Into the Galaxy | — | ||
| 4-5 | Steady, as She Goes | The Raconteurs | — | |
| 4-6 | Magical Colors | — | ||
| 4-7 | Taillights Fade | — | ||
| 4-8 | Karma Police | Radiohead | T-010.257.774-1 | |
| 4-9 | Black and White Town | — | ||
| 4-10 | Orozco | — | ||
| 4-11 | Heartbeats | — | ||
| 4-12 | Sweat in Bullet | Simple Minds | T-010.475.667-3 | |
| 4-13 | Windowlicker | Aphex Twin | T-010.263.069-2 | |
| 4-14 | Three Little Pigs | Green Jellÿ | — | |
| 4-15 | Skin of the Night | — | ||
| 4-16 | So Easy | — | ||
| 4-17 | Rose Rouge | — | ||
| 5-1 | Dig, Lazarus, Dig!!! | Nick Cave & the Bad Seeds | T-060.987.786-2 | |
| 5-2 | Blind | — | ||
| 5-3 | Archangel | — | ||
| 5-4 | Born in the UK | — | ||
| 5-5 | Forget Myself | Elbow | T-011.559.978-4 | |
| 5-6 | Whippin’ Piccadilly | — | ||
| 5-7 | Holes | — | ||
| 5-8 | These Are the Ghosts | — | ||
| 5-9 | King Kong Five | Mano Negra | T-003.063.490-2 | |
| 5-10 | Mon Sissoyen | — | ||
| 5-11 | Rhythm Is Love | Keziah Jones | T-010.130.741-8 | |
| 5-12 | Whatever Happened to Corey Haim? | — | ||
| 5-13 | Monkey Gone to Heaven | Pixies | T-070.242.258-9 | |
| 5-14 | Smack My Bitch Up | The Prodigy | T-070.926.620-5 | |
| 5-15 | Give Me Every Little Thing | — | ||
| 5-16 | Salvador | — | ||
| 5-18 | My Red Hot Car | — | ||
| 5-19 | Poney Part 1 | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| November Spawned a Monster | Morrissey | — |
| Steady, as She Goes | The Raconteurs | T-072.722.995-9 |
| Brimful of Asha | Cornershop | — |
| Beautyproof | Madrugada | — |
| Just Got to Be | The Black Keys | — |
| November Spawned a Monster | Morrissey | — |
| Brimful of Asha | Cornershop | — |
| Steady, as She Goes | The Raconteurs | T-072.722.995-9 |
