UPC · Release
Wagner: Operatic Highlights; R. Strauss: Tone Poems
Richard Wagner, Richard Strauss, Otto Klemperer
5099924846851
41 tracksReleased 2013-03-04
Last verified:
5099924846851 is the Universal Product Code (UPC barcode) for the release “Wagner: Operatic Highlights; R. Strauss: Tone Poems” by Richard Wagner, Richard Strauss, Otto Klemperer, released 2013-03-04. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 41 tracks, each with its own ISRC. Tracks include GBAYC0201084, GBAYC0201087, GBAYC0201088.
Format
509GS1 prefix
9924Company prefix
84685Product
1Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCWagner: Operatic Highlights; R. Strauss: Tone Poems
ISRC25 recordings
ISWC7 works
Track List (41)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Rienzi: Overture | Otto Klemperer, Philharmonia Orchestra | — | |
| 2 | Tannhäuser: Overture | Otto Klemperer, Philharmonia Orchestra | — | |
| 3 | Tannhäuser: Act III. Prelude | Otto Klemperer, Philharmonia Orchestra | T-900.113.195-9 | |
| 4 | Lohengrin: Act I. Prelude | Otto Klemperer, Philharmonia Orchestra | — | |
| 5 | Lohengrin: Act III. Prelude | Otto Klemperer, Philharmonia Orchestra | — | |
| 6 | Die Meistersinger von Nürnberg : Ouvertüre | Otto Klemperer, Philharmonia Orchestra | — | |
| 7 | Die Meistersinger von Nürnberg - Act III: Dance of the Apprentices & Entry of the Masters | Otto Klemperer, Philharmonia Orchestra | — | |
| 8 | Parsifal: Act I. Prelude | Otto Klemperer, Philharmonia Orchestra | — | |
| 2-1 | Der fliegende Holländer: Overture | Otto Klemperer, Philharmonia Orchestra | T-031.672.821-8 | |
| 2-2 | Das Rheingold: 4. Scene: Entry of the Gods into Valhalla | Otto Klemperer, Philharmonia Orchestra | — | |
| 2-3 | Die Walküre: Act III: Ride of the Valkyries | Otto Klemperer, Philharmonia Orchestra | T-905.393.693-9 | |
| 2-4 | Siegfried‐Idyll | Otto Klemperer, Philharmonia Orchestra | T-306.482.955-2 | |
| 2-5 | Siegfried: Act II: Forest Murmurs | Otto Klemperer, Philharmonia Orchestra | — | |
| 2-6 | Götterdämmerung: Interlude: Siegfried's Rhine Journey | Otto Klemperer, Philharmonia Orchestra | — | |
| 2-7 | Götterdämmerung: Act III: Siegfried's Funeral March | Otto Klemperer, Philharmonia Orchestra | T-903.273.484-2 | |
| 2-8 | Tristan und Isolde: Prelude | Otto Klemperer, Philharmonia Orchestra | — | |
| 3-1 | Die Walküre: Prelude (Orchester) | — | ||
| 3-2 | Die Walküre, Scene 1: Wes Herd dies auch sei (Siegmund) | — | ||
| 3-3 | Die Walküre, Scene 1: Einen Unseligen labtest du (Siegmund/Sieglinde)) | — | ||
| 3-4 | Die Walküre, Scene 2: Müde am Herd fand ich den Mann (Sieglinde) | — | ||
| 3-5 | Die Walküre, Scene 2: Friedmund darf ich nicht heißen (Siegmund) | — | ||
| 3-6 | Die Walküre, Scene 2: Die so leidig Los dir beschied (Sieglinde/Hunding/Siegmund) | — | ||
| 3-7 | Die Walküre, Scene 2: Ich weiss ein wildes Geschlecht (Hunding) | — | ||
| 3-8 | Die Walküre, Scene 3: Ein Schwert verheiß mir der Vater (Siegmund) | — | ||
| 3-9 | Die Walküre, Scene 3: Schläfst du, Gast? (Sieglinde) | — | ||
| 3-10 | Die Walküre, Scene 3: Winterstürme wichen dem Wonnemond (Siegmund) | — | ||
| 3-11 | Die Walküre, Scene 3: Du bist der Lenz (Sieglinde) | — | ||
| 3-12 | Die Walküre, Scene 3: O süßeste Wonne! Seligstes Weib! (Siegmund) | — | ||
| 3-13 | Die Walküre, Scene 3: Siegmund heiß’ ich und Siegmund bin ich! (Siegmund/Sieglinde) | — | ||
| 4-1 | Die Walküre, ACT 3, Dritte Szene: Leb’ wohl, du kühnes, herrliches Kind! (Wotan’s farewell) | — | ||
| 4-2 | Wesendonck-Lieder: I. Der Engel | Christa Ludwig, Philharmonia Orchestra, Otto Klemperer | — | |
| 4-3 | Wesendonck-Lieder: II. Stehe still! | Christa Ludwig, Philharmonia Orchestra, Otto Klemperer | — | |
| 4-4 | Wesendonck-Lieder: III. Treibhaus | Christa Ludwig, Philharmonia Orchestra, Otto Klemperer | — | |
| 4-5 | Wesendonck-Lieder: IV. Schmerzen | Christa Ludwig, Philharmonia Orchestra, Otto Klemperer | — | |
| 4-6 | Wesendonck-Lieder: V. Träume | Christa Ludwig, Philharmonia Orchestra, Otto Klemperer | — | |
| 4-7 | Tristan und Isolde: Mild und leise (III. Akt) | Christa Ludwig, New Philharmonia Orchestra, Otto Klemperer | — | |
| 4-8 | “Metamorphosen”: Study for 23 solo strings | Philharmonia Orchestra, Otto Klemperer | — | |
| 5-1 | Don Juan, Op. 20 | Philharmonia Orchestra, Otto Klemperer | T-801.916.776-2 | |
| 5-2 | Tod und Verklärung, Op. 24 | — | ||
| 5-3 | Salome, Op. 54, Scene 4: Dance of the Seven Veils | — | ||
| 5-4 | Till Eulenspiegels lustige Streiche, Op. 28 | Philharmonia Orchestra, Otto Klemperer | — |
Rienzi: Overture
Otto Klemperer, Philharmonia Orchestra
—
Tannhäuser: Overture
Otto Klemperer, Philharmonia Orchestra
—
Lohengrin: Act I. Prelude
Otto Klemperer, Philharmonia Orchestra
—
Lohengrin: Act III. Prelude
Otto Klemperer, Philharmonia Orchestra
—
Die Meistersinger von Nürnberg : Ouvertüre
Otto Klemperer, Philharmonia Orchestra
—
Die Meistersinger von Nürnberg - Act III: Dance of the Apprentices & Entry of the Masters
Otto Klemperer, Philharmonia Orchestra
—
Parsifal: Act I. Prelude
Otto Klemperer, Philharmonia Orchestra
—
Das Rheingold: 4. Scene: Entry of the Gods into Valhalla
Otto Klemperer, Philharmonia Orchestra
—
Siegfried: Act II: Forest Murmurs
Otto Klemperer, Philharmonia Orchestra
—
Götterdämmerung: Interlude: Siegfried's Rhine Journey
Otto Klemperer, Philharmonia Orchestra
—
Otto Klemperer, Philharmonia Orchestra
Tristan und Isolde: Prelude
Otto Klemperer, Philharmonia Orchestra
—
Die Walküre: Prelude (Orchester)
—
Die Walküre, Scene 1: Wes Herd dies auch sei (Siegmund)
—
Die Walküre, Scene 1: Einen Unseligen labtest du (Siegmund/Sieglinde))
—
Die Walküre, Scene 2: Müde am Herd fand ich den Mann (Sieglinde)
—
Die Walküre, Scene 2: Friedmund darf ich nicht heißen (Siegmund)
—
Die Walküre, Scene 2: Die so leidig Los dir beschied (Sieglinde/Hunding/Siegmund)
—
Die Walküre, Scene 2: Ich weiss ein wildes Geschlecht (Hunding)
—
Die Walküre, Scene 3: Ein Schwert verheiß mir der Vater (Siegmund)
—
Die Walküre, Scene 3: Schläfst du, Gast? (Sieglinde)
—
Die Walküre, Scene 3: Winterstürme wichen dem Wonnemond (Siegmund)
—
Die Walküre, Scene 3: Du bist der Lenz (Sieglinde)
—
Die Walküre, Scene 3: O süßeste Wonne! Seligstes Weib! (Siegmund)
—
Die Walküre, Scene 3: Siegmund heiß’ ich und Siegmund bin ich! (Siegmund/Sieglinde)
—
Die Walküre, ACT 3, Dritte Szene: Leb’ wohl, du kühnes, herrliches Kind! (Wotan’s farewell)
—
Wesendonck-Lieder: I. Der Engel
Christa Ludwig, Philharmonia Orchestra, Otto Klemperer
—
Wesendonck-Lieder: II. Stehe still!
Christa Ludwig, Philharmonia Orchestra, Otto Klemperer
—
Wesendonck-Lieder: III. Treibhaus
Christa Ludwig, Philharmonia Orchestra, Otto Klemperer
—
Wesendonck-Lieder: IV. Schmerzen
Christa Ludwig, Philharmonia Orchestra, Otto Klemperer
—
Wesendonck-Lieder: V. Träume
Christa Ludwig, Philharmonia Orchestra, Otto Klemperer
—
Tristan und Isolde: Mild und leise (III. Akt)
Christa Ludwig, New Philharmonia Orchestra, Otto Klemperer
—
“Metamorphosen”: Study for 23 solo strings
Philharmonia Orchestra, Otto Klemperer
—
Tod und Verklärung, Op. 24
—
Salome, Op. 54, Scene 4: Dance of the Seven Veils
—
Till Eulenspiegels lustige Streiche, Op. 28
Philharmonia Orchestra, Otto Klemperer
—
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What is UPC 5099924846851?
5099924846851 is a Universal Product Code (UPC) assigned to Wagner: Operatic Highlights; R. Strauss: Tone Poems by Richard Wagner, Richard Strauss, Otto Klemperer. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 41 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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