UPC · Release
Passion Opéra
Various Artists
Last verified:
5099926448329 is the Universal Product Code (UPC barcode) for the release “Passion Opéra” by Various Artists, released 2008-01-01 on EMI Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 18 tracks, each with its own ISRC. Tracks include DEC628600585, GBAYC8100412, GBAYC8000072.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (18)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Die Zauberflöte: Zweiter Aufzug: Nr. 14: Arie: Der Hölle Rache kocht in meinem Herzen (Königin der Nacht) | Edda Moser, Orchester der Bayerischen Staatsoper München, Wolfgang Sawallisch | — | |
| 2 | Les Noces de Figaro: Air de Chérubin “Voi che sapete” | — | ||
| 3 | Orfeo ed Euridice: “Che farò senza Euridice?” | Agnes Baltsa, Leslie Pearson, Philharmonia Orchestra, Riccardo Muti | — | |
| 4 | Le barbier de Séville: Cavatine de Figaro “Largo al factotum” | — | ||
| 5 | Norma: Cavatine de Norma “Casta Diva” | — | ||
| 6 | La traviata: “Libiamo ne’ lieti calici” (Alfredo, Violetta, Chœurs) | Alfredo Kraus, Renata Scotto, Ambrosian Opera Chorus, Philharmonia Orchestra, Riccardo Muti | — | |
| 7 | Aïda: Scène et romance de Radamès “Se quel guerriero io fossi … Celeste Aida” | — | ||
| 8 | Rigoletto: “La Donna è mobile” (Duke of Mantua) | Alfredo Kraus, Philharmonia Orchestra, Julius Rudel | T-001455377-5 | |
| 9 | Lakmé : Air des clochettes « Où va la jeune hindoue » | Orchestre du Théâtre National de l’Opéra-Comique, Mady Mesplé, Alain Lombard | — | |
| 10 | Les Contes d’Hoffmann : Barcarolle “Belle nuit, ô nuit d’amour” | — | ||
| 11 | Carmen : Habanera “L’amour est un oiseau rebelle” | — | ||
| 12 | Les Pêcheurs de perles : Récit et romance de Nadir “A cette voix... Je crois entendre encore” | — | ||
| 13 | Samson et Dalila : Air de Dalila “Mon cœur s’ouvre à ta voix” | — | ||
| 14 | Tosca: Air de Cavarodossi “E lucevan le stelle” | — | ||
| 15 | Tosca: “Vissi d'arte” (Tosca) | Maria Callas, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre | T-321286864-5 | |
| 16 | Gianni Schicchi: “O mio babbino caro” (Lauretta) | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | T-901222501-3 | |
| 17 | Turandot : Air de Calaf (avec chœurs) “Nessun dorma” | — | ||
| 18 | Tristan und Isolde, Act III, Scene 3: Mild und leise wie er lachelt (Isolde) | Helga Dernesch, Berlin Philharmonic Orchestra, Herbert von Karajan | — |
Additional database matches (4)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Tristan und Isolde, Act III, Scene 3: Mild und leise wie er lachelt (Isolde) | Helga Dernesch, Berlin Philharmonic Orchestra, Herbert von Karajan | — |
| Tosca: “Vissi d'arte” (Tosca) | Maria Callas, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre | T9001458760 |
| Orfeo ed Euridice: “Che farò senza Euridice?” | Agnes Baltsa, Leslie Pearson, Philharmonia Orchestra, Riccardo Muti | — |
| Die Zauberflöte: Zweiter Aufzug: Nr. 14: Arie: Der Hölle Rache kocht in meinem Herzen (Königin der Nacht) | Edda Moser, Orchester der Bayerischen Staatsoper München, Wolfgang Sawallisch | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
People also ask
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What is UPC 5099926448329?
5099926448329 is a Universal Product Code (UPC) assigned to Passion Opéra by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 18 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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