UPC · Release
Best Encores 100
Various Artists
5099926475226
19 tracks
Last verified:
5099926475226 is the Universal Product Code (UPC barcode) for the release “Best Encores 100” by Various Artists. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 19 tracks, each with its own ISRC. Tracks include FRZ119504710, GBAYC0600510, GBAYC0201520.
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509GS1 prefix
9926Company prefix
47522Product
6Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
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Credit Chain
UPCBest Encores 100
ISRC19 recordings
ISWC31 works
IPI3 songwriters
Track List (19)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 5-1 | Les Filles de Cadiz "Chanson Espagnole" | Barbara Hendricks, Michel Dalberto | — | |
| 5-2 | Danny Boy "Londonderry Air" | Elisabeth Schwarzkopf, Gerald Moore | T0100647593 | |
| 5-3 | Earth and Air and Rain, op. 15: No. 6. Rollicum-rorum | Jonathan Lemalu, Roger Vignoles | — | |
| 5-4 | Clavelitos (Cadenas) | Victoria de los Ángeles, Gerald Moore | T3095168693 | |
| 5-5 | Danse macabre in G minor, op. 40 | José van Dam, Jean-Philippe Collard | T0030081607 | |
| 5-6 | Folksongs, Volume 3: No. 3. Sweet Polly Oliver | Sarah Brightman, Geoffrey Parsons | — | |
| 5-7 | Duetto buffo di due gatti | Felicity Lott, Ann Murray | — | |
| 5-8 | Jeannie with the light brown hair | Thomas Hampson, David Alpher, Molly Mason, Michael Parloff, Jay Ungar | T9097014829 | |
| 5-9 | Swing low, sweet chariot | Barbara Hendricks, Dmitri Alexeev | — | |
| 5-10 | Les Soirées musicales: No. 8. La danza | Lawrence Brownlee, Martin Katz | T0117744065 | |
| 5-11 | L'Invitation au voyage | Christine Rice, Roger Vignoles | — | |
| 5-12 | La Barque légère | Thomas Hampson, Geoffrey Parsons | — | |
| 5-13 | An die Musik, D 547 | Dame Janet Baker, Geoffrey Parsons | — | |
| 5-14 | Ständchen, D 889 | Ian Bostridge, Leif Ove Andsnes | T3016952204 | |
| 5-15 | Russian Folksongs, op. 104: No. 4. White snowflakes | Galina Vishnevskaya, Mstislav Rostropovich | — | |
| 5-16 | Liebesträume for Piano, S 541: No. 3. O Lieb, so lang | James Lockhart | — | |
| 5-17 | Les Soirées musicales: No. 9. La regata veneziana | Elisabeth Schwarzkopf, Gerald Moore | — | |
| 5-18 | Schwanengesang, D 957: no. 7, Abschied | Dietrich Fischer-Dieskau, Gerald Moore | — | |
| 5-19 | La tempranica: Zapateado "La tarántula é un bicho mú malo" | Victoria de los Ángeles, Alicia de Larrocha | — |
Les Filles de Cadiz "Chanson Espagnole"
Barbara Hendricks, Michel Dalberto
—
Earth and Air and Rain, op. 15: No. 6. Rollicum-rorum
Jonathan Lemalu, Roger Vignoles
—
Folksongs, Volume 3: No. 3. Sweet Polly Oliver
Sarah Brightman, Geoffrey Parsons
—
Duetto buffo di due gatti
Felicity Lott, Ann Murray
—
Thomas Hampson, David Alpher, Molly Mason, Michael Parloff, Jay Ungar
Swing low, sweet chariot
Barbara Hendricks, Dmitri Alexeev
—
L'Invitation au voyage
Christine Rice, Roger Vignoles
—
La Barque légère
Thomas Hampson, Geoffrey Parsons
—
An die Musik, D 547
Dame Janet Baker, Geoffrey Parsons
—
Russian Folksongs, op. 104: No. 4. White snowflakes
Galina Vishnevskaya, Mstislav Rostropovich
—
Liebesträume for Piano, S 541: No. 3. O Lieb, so lang
James Lockhart
—
Les Soirées musicales: No. 9. La regata veneziana
Elisabeth Schwarzkopf, Gerald Moore
—
Schwanengesang, D 957: no. 7, Abschied
Dietrich Fischer-Dieskau, Gerald Moore
—
La tempranica: Zapateado "La tarántula é un bicho mú malo"
Victoria de los Ángeles, Alicia de Larrocha
—
Additional database matches (91)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Intermezzo and Tarantella for Double Bass and Piano, op. 9: No. 2. Tarantella | Božo Paradžik, Ulrich Rademacher | — |
| Bartered Bride, B 143/T 93: Dance of the Comedians | Royal Philharmonic Orchestra, Rudolf Kempe | — |
| Choros no. 1 in E minor | Manuel Barrueco | T9102661870 |
| Copenhagen Steam Railway Galop | Copenhagen Symphony Orchestra, Lavard Friisholm | — |
| Sonata for Saxophone and Piano in E-flat major, op. 19: III. Avec gaîté | [unknown] | — |
| La traviata: Sempre libera | June Anderson, Alfredo Kraus, Orchestre de l’Opéra National de Paris, Michaelangelo Veltri | — |
| Lucia di Lammermoor: Sulla tomba che rinserra...Verranno a te | June Anderson, Alfredo Kraus, Orchestre de l’Opéra National de Paris, Michaelangelo Veltri | — |
| Faust: Salut! demeure chaste et pure | Alfredo Kraus, Orchestre de l’Opéra National de Paris, Michaelangelo Veltri | — |
| Gymnopédie no. 1 | Aldo Ciccolini | T9209804988 |
| Herz und Mund und Tat und Leben, BWV 147: Jesu bleibet meine Freude | Alexis Weissenberg | T9235790188 |
| Pictures at an Exhibition (Kartinki s vïstavski), for piano : The Great Gate of Kiev | Alexis Weissenberg | — |
| Berceuse for violin and piano, Op. 16 | Jean-Philippe Collard, Augustin Dumay | — |
| Gymnopédie no. 1 | Aldo Ciccolini | T0500183403 |
| Pièces for Harp Solo: Scherzetto | Markus Klinko | — |
| Nocturne no. 5 in F‐sharp major, op. 15 no. 2 | Maurizio Pollini | T3062308338 |
| La Ronde des lutins, op. 25 | Maxim Vengerov, Vag Papian, Virtuosi | — |
| Lyric Pieces, Book 8, op. 65: No. 6. Wedding day at Trolhaugen | Leif Ove Andsnes | — |
| Valse-Scherzo for Violin and Orchestra in C major, op. 34 | David Oistrakh, Vladimir Yampolsky | — |
| Csárdás | Nigel Kennedy | T0091522905 |
| Wir danken dir, Gott, BWV 29: No. 5. Gedenk an uns mit deiner Liebe | Léon Goossens, Gerald Moore | T9059980868 |
| Solo de concours | Julian Bliss, Julien Quentin | — |
| La Gitana (Zigeunerlied) | John Lenehan, Tasmin Little | — |
| Eugene Onegin: Polonaise (Act III) | Orchestre philharmonique de Radio France, Paavo Järvi | — |
| Tahiti Trot, op. 16 "Tea for Two" | Orchestre philharmonique de Radio France, Paavo Järvi | — |
| Polonaise Brillante, no. 1 in D, op. 4 | Ian Brown, Maxim Vengerov | — |
| Introduction and Tarantella, op. 43 | Ian Brown, Maxim Vengerov | — |
| Chôros no. 2 for Flute and Clarinet | Paul Meyer, Emmanuel Pahud | — |
| España | Philharmonia Orchestra, Herbert von Karajan | — |
| Suite for Orchestra no. 2 in B minor, BWV 1067: Badinerie | Alison Balsom | T0025886672 |
| Flourish with Fireworks, op. 22 | City of Birmingham Symphony Orchestra, Simon Rattle | — |
| Suite for Harpsichord in D minor, HWV 437: No. 4. Sarabande with Variations | Gabriela Montero | — |
| Transcendental Etudes after Paganini, S 140: No. 3 "La Campanella" | John Ogdon | — |
| La Damnation de Faust, op. 24, H 111: Marche hongroise | Herbert von Karajan | — |
| Beethoven: Violin Sonata No. 5 in F Major, Op. 24 “Spring”: IV. Rondo. Allegro ma non troppo | Yehudi Menuhin | — |
| Candide: Overture | London Symphony Orchestra, André Previn | T-903.288.559-9 |
| Polonaise for Piano in A-flat major, B 147/op. 53 "Heroic" | Martha Argerich | — |
| Lieutenant Kijé, op. 60: IV. Troika | London Philharmonic Orchestra, Klaus Tennstedt | — |
| Suite in D major: Prince of Denmark's March "Trumpet Voluntary" | Maurice André, Jane Parker-Smith | T0711566583 |
| Carnival of the Animals: The Swan | The Nash Ensemble | — |
| Kinderszenen, Op. 15: Träumerei | Dame Moura Lympany | — |
| Simple Symphony for Strings, op. 4: II. Playful Pizzicato | London Chamber Orchestra, Christopher Warren-Green | — |
| Die Fledermaus: Klänge der Heimat "Czardas" | Cheryl Studer, Orchestra of the Royal Opera House, Covent Garden, John Barker | — |
| Sabre Dance (Gayaneh) | Pavel Gililov, Dmitry Sitkovetsky | — |
| Children's Corner: No. 6. Golliwogg's Cake-walk | Moura Lympany | — |
| El amor brujo: Danza ritual del fuego | Moura Lympany | T0414890633 |
| La chulapona: Noche madrileña | Plácido Domingo, Juliet Oppenheimer, Orchestra of the Royal Opera House, Covent Garden, John Barker | — |
| La traviata: Libiamo ne' lieti calici "Brindisi" | Plácido Domingo, Cheryl Studer, Orchestra of the Royal Opera House, Covent Garden, John Barker | — |
| Festive Overture in A major, op. 96 | London Philharmonic Orchestra, Andrew Litton | — |
| La Damnation de Faust, op. 24: Hungarian March | Berliner Philharmoniker, Herbert von Karajan | — |
| Symphony for Organ no. 5 in F minor, op. 42 no. 1: V. Toccata | Wayne Marshall | — |
| Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto | Moura Lympany | — |
| Leichtes Blut, op. 319 | Vienna Philharmonic Orchestra, Rudolf Kempe | — |
| Gadfly, op. 97: Romance | Tasmin Little, Piers Lane | — |
| Joyeuse marche "Marche française" | Royal Philharmonic Orchestra, Sir Thomas Beecham | T9000132172 |
| From Violin Sonata no. 5, op. 24, "Spring": Rondo. Allegro ma non troppo | Yehudi Menuhin, Hephzibah Menuhin | — |
| Il barbiere di Siviglia: Largo al factotum | Thomas Hampson, Orchestra of St. Luke’s, Sir Roger Norrington | — |
| Andante and Variations for Violin and Piano | Andrei Gavrilov, Gidon Kremer | — |
| Valurile Dunari: Muzica | Angela Gheorghiu, Orchestra of the Royal Opera House, Covent Garden, Asher Fisch | — |
| Tu ca nun chiagne | Roberto Alagna, London Philharmonic Orchestra, Asher Fisch | — |
| Tango | James Crabb, Geir Draugsvoll | T0701780484 |
| Concert Etude for Trumpet and Piano, op. 49 | Ole Edvard Antonsen, Wolfgang Sawallisch | — |
| Slavonic Dances, op. 72, B. 145: Kolo | Oslo Philharmonic Orchestra, Mariss Jansons | — |
| Suite from Zorba: Finale | Lakis Karnezis, Oslo Philharmonic Orchestra, Mariss Jansons | — |
| Sonata for Flute and Piano: III. Presto giocoso | Éric Le Sage, Emmanuel Pahud | — |
| Miroirs: Alborada del gracioso | Colin Currie, Sam Walton | T3042291378 |
| L'amour masque: J'ai deux amants | Felicity Lott, London Philharmonic Orchestra, Franz Welser-Möst | T0030054444 |
| Die Zauberflöte, K 620: Dies Bildnis ist bezaubernd schön | Ian Bostridge, London Philharmonic Orchestra, Franz Welser-Möst | — |
| Die Zauberflöte, K 620: Der Vogelfänger bin ich ja | Olaf Bär, London Philharmonic Orchestra, Franz Welser-Möst | — |
| Rusalka, op. 114/B 203: O moon high up "Song to the moon" | London Philharmonic Orchestra, Franz Welser-Möst | T9226102018 |
| Semele, HWV 58: Where'er you walk | John Mark Ainsley, London Philharmonic Orchestra, Andrew Davis | — |
| Giuditta: Meine Lippen, sie küssen so heiss | Barbara Hendricks, London Philharmonic Orchestra, Andrew Davis | — |
| Candide : Glitter and Be Gay | Natalie Dessay, London Philharmonic Orchestra, Andrew Davis | T-070.064.357-7 |
| Ave Maria | Kyung-Wha Chung, Itamar Golan | T3057155763 |
| Thaïs: Meditation | Kyung-Wha Chung, Itamar Golan | T0101948746 |
| Sonata for Solo Violin No. 3 in C major, BWV 1005: IV. Allegro assai | Nigel Kennedy | — |
| Impromptu for Piano no. 4 in C-sharp minor, B 87/op. 66 "Fantaisie-Impromptu" | Daniel Adni | — |
| Waltz no. 1 in E-flat major, op. 18 “Grande Valse Brilliante” | Dmitri Alexeev | T9308250035 |
| Prelude in C-sharp minor, op. 3 no. 2 | John Ogdon | — |
| Gadfly, op. 97: Romance | Tasmin Little, Piers Lane | — |
| Alla caccia for Horn and Piano | Philip Fowke, Michael Thompson | — |
| Hungarian Dances for Orchestra, WoO 1: No. 5 in G minor | Piers Lane, Tasmin Little | T9095738275 |
| Blue Bells of Scotland | Ian Bousfield, Alison Proctor | — |
| From Violin Sonata no. 5, op. 24, "Spring": Rondo. Allegro ma non troppo | Yehudi Menuhin, Hephzibah Menuhin | T9095732835 |
| Russlan and Ludmilla: Overture | Bayerisches Staatsorchester, Wolfgang Sawallisch | T0701601844 |
| España | Philharmonia Orchestra, Herbert von Karajan | — |
| 24 Caprices, op. 1: No. 24 in A minor | Michael Rabin | — |
| 24 Caprices, op. 1: No. 24 in A minor | Michael Rabin | — |
| 24 Caprices, op. 1: No. 24 in A minor | Michael Rabin | — |
| Suite española, op. 47: No. 1. Granada | Alicia de Larrocha | — |
| Nocturne no. 5 in F‐sharp major, op. 15 no. 2 | Maurizio Pollini | T3062308338 |
| Candide: Overture | London Symphony Orchestra, André Previn | T-903.288.559-9 |
Intermezzo and Tarantella for Double Bass and Piano, op. 9: No. 2. Tarantella
Božo Paradžik, Ulrich Rademacher
—
Bartered Bride, B 143/T 93: Dance of the Comedians
Royal Philharmonic Orchestra, Rudolf Kempe
—
Manuel Barrueco
Copenhagen Steam Railway Galop
Copenhagen Symphony Orchestra, Lavard Friisholm
—
Sonata for Saxophone and Piano in E-flat major, op. 19: III. Avec gaîté
[unknown]
—
La traviata: Sempre libera
June Anderson, Alfredo Kraus, Orchestre de l’Opéra National de Paris, Michaelangelo Veltri
—
Lucia di Lammermoor: Sulla tomba che rinserra...Verranno a te
June Anderson, Alfredo Kraus, Orchestre de l’Opéra National de Paris, Michaelangelo Veltri
—
Faust: Salut! demeure chaste et pure
Alfredo Kraus, Orchestre de l’Opéra National de Paris, Michaelangelo Veltri
—
Aldo Ciccolini
Pictures at an Exhibition (Kartinki s vïstavski), for piano : The Great Gate of Kiev
Alexis Weissenberg
—
Berceuse for violin and piano, Op. 16
Jean-Philippe Collard, Augustin Dumay
—
Aldo Ciccolini
Pièces for Harp Solo: Scherzetto
Markus Klinko
—
Maurizio Pollini
La Ronde des lutins, op. 25
Maxim Vengerov, Vag Papian, Virtuosi
—
Lyric Pieces, Book 8, op. 65: No. 6. Wedding day at Trolhaugen
Leif Ove Andsnes
—
Valse-Scherzo for Violin and Orchestra in C major, op. 34
David Oistrakh, Vladimir Yampolsky
—
Nigel Kennedy
Léon Goossens, Gerald Moore
Solo de concours
Julian Bliss, Julien Quentin
—
La Gitana (Zigeunerlied)
John Lenehan, Tasmin Little
—
Eugene Onegin: Polonaise (Act III)
Orchestre philharmonique de Radio France, Paavo Järvi
—
Tahiti Trot, op. 16 "Tea for Two"
Orchestre philharmonique de Radio France, Paavo Järvi
—
Polonaise Brillante, no. 1 in D, op. 4
Ian Brown, Maxim Vengerov
—
Introduction and Tarantella, op. 43
Ian Brown, Maxim Vengerov
—
Chôros no. 2 for Flute and Clarinet
Paul Meyer, Emmanuel Pahud
—
España
Philharmonia Orchestra, Herbert von Karajan
—
Flourish with Fireworks, op. 22
City of Birmingham Symphony Orchestra, Simon Rattle
—
Suite for Harpsichord in D minor, HWV 437: No. 4. Sarabande with Variations
Gabriela Montero
—
Transcendental Etudes after Paganini, S 140: No. 3 "La Campanella"
John Ogdon
—
La Damnation de Faust, op. 24, H 111: Marche hongroise
Herbert von Karajan
—
Beethoven: Violin Sonata No. 5 in F Major, Op. 24 “Spring”: IV. Rondo. Allegro ma non troppo
Yehudi Menuhin
—
London Symphony Orchestra, André Previn
Polonaise for Piano in A-flat major, B 147/op. 53 "Heroic"
Martha Argerich
—
Lieutenant Kijé, op. 60: IV. Troika
London Philharmonic Orchestra, Klaus Tennstedt
—
Maurice André, Jane Parker-Smith
Carnival of the Animals: The Swan
The Nash Ensemble
—
Kinderszenen, Op. 15: Träumerei
Dame Moura Lympany
—
Simple Symphony for Strings, op. 4: II. Playful Pizzicato
London Chamber Orchestra, Christopher Warren-Green
—
Die Fledermaus: Klänge der Heimat "Czardas"
Cheryl Studer, Orchestra of the Royal Opera House, Covent Garden, John Barker
—
Sabre Dance (Gayaneh)
Pavel Gililov, Dmitry Sitkovetsky
—
Children's Corner: No. 6. Golliwogg's Cake-walk
Moura Lympany
—
Moura Lympany
La chulapona: Noche madrileña
Plácido Domingo, Juliet Oppenheimer, Orchestra of the Royal Opera House, Covent Garden, John Barker
—
La traviata: Libiamo ne' lieti calici "Brindisi"
Plácido Domingo, Cheryl Studer, Orchestra of the Royal Opera House, Covent Garden, John Barker
—
Festive Overture in A major, op. 96
London Philharmonic Orchestra, Andrew Litton
—
La Damnation de Faust, op. 24: Hungarian March
Berliner Philharmoniker, Herbert von Karajan
—
Symphony for Organ no. 5 in F minor, op. 42 no. 1: V. Toccata
Wayne Marshall
—
Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto
Moura Lympany
—
Leichtes Blut, op. 319
Vienna Philharmonic Orchestra, Rudolf Kempe
—
Gadfly, op. 97: Romance
Tasmin Little, Piers Lane
—
Royal Philharmonic Orchestra, Sir Thomas Beecham
From Violin Sonata no. 5, op. 24, "Spring": Rondo. Allegro ma non troppo
Yehudi Menuhin, Hephzibah Menuhin
—
Il barbiere di Siviglia: Largo al factotum
Thomas Hampson, Orchestra of St. Luke’s, Sir Roger Norrington
—
Andante and Variations for Violin and Piano
Andrei Gavrilov, Gidon Kremer
—
Valurile Dunari: Muzica
Angela Gheorghiu, Orchestra of the Royal Opera House, Covent Garden, Asher Fisch
—
Tu ca nun chiagne
Roberto Alagna, London Philharmonic Orchestra, Asher Fisch
—
James Crabb, Geir Draugsvoll
Concert Etude for Trumpet and Piano, op. 49
Ole Edvard Antonsen, Wolfgang Sawallisch
—
Slavonic Dances, op. 72, B. 145: Kolo
Oslo Philharmonic Orchestra, Mariss Jansons
—
Suite from Zorba: Finale
Lakis Karnezis, Oslo Philharmonic Orchestra, Mariss Jansons
—
Sonata for Flute and Piano: III. Presto giocoso
Éric Le Sage, Emmanuel Pahud
—
Colin Currie, Sam Walton
Felicity Lott, London Philharmonic Orchestra, Franz Welser-Möst
Die Zauberflöte, K 620: Dies Bildnis ist bezaubernd schön
Ian Bostridge, London Philharmonic Orchestra, Franz Welser-Möst
—
Die Zauberflöte, K 620: Der Vogelfänger bin ich ja
Olaf Bär, London Philharmonic Orchestra, Franz Welser-Möst
—
London Philharmonic Orchestra, Franz Welser-Möst
Semele, HWV 58: Where'er you walk
John Mark Ainsley, London Philharmonic Orchestra, Andrew Davis
—
Giuditta: Meine Lippen, sie küssen so heiss
Barbara Hendricks, London Philharmonic Orchestra, Andrew Davis
—
Natalie Dessay, London Philharmonic Orchestra, Andrew Davis
Kyung-Wha Chung, Itamar Golan
Kyung-Wha Chung, Itamar Golan
Sonata for Solo Violin No. 3 in C major, BWV 1005: IV. Allegro assai
Nigel Kennedy
—
Impromptu for Piano no. 4 in C-sharp minor, B 87/op. 66 "Fantaisie-Impromptu"
Daniel Adni
—
Prelude in C-sharp minor, op. 3 no. 2
John Ogdon
—
Gadfly, op. 97: Romance
Tasmin Little, Piers Lane
—
Alla caccia for Horn and Piano
Philip Fowke, Michael Thompson
—
Piers Lane, Tasmin Little
Blue Bells of Scotland
Ian Bousfield, Alison Proctor
—
Yehudi Menuhin, Hephzibah Menuhin
Bayerisches Staatsorchester, Wolfgang Sawallisch
España
Philharmonia Orchestra, Herbert von Karajan
—
24 Caprices, op. 1: No. 24 in A minor
Michael Rabin
—
24 Caprices, op. 1: No. 24 in A minor
Michael Rabin
—
24 Caprices, op. 1: No. 24 in A minor
Michael Rabin
—
Suite española, op. 47: No. 1. Granada
Alicia de Larrocha
—
Maurizio Pollini
London Symphony Orchestra, André Previn
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000043031633000000005514673700000000552169260000000055217427000000005553698900000000592843790000000063083158000000006308963X00000000724825640000000073210536
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0000000078415442000000007844488400000000785142480000000078651816000000008092041300000000810627720000000081210173000000008121028800000000814128240000000081697153000000008181935X000000008218478X00000000834506990000000083744611000000008398109400000000841271560000000090771001000000009943326000000001072421740000000107832238000000010863356400000001086751230000000108675166000000010878577900000001089353430000000109064295000000010910663500000001091441130000000109161028000000010922378600000001092820730000000109287288000000010930050X0000000109300665000000010935013600000001093830420000000109535181000000010962414100000001100624810000000110142625
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What is UPC 5099926475226?
5099926475226 is a Universal Product Code (UPC) assigned to Best Encores 100 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 19 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm