UPC · Release
André Previn
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5099926796925 is the Universal Product Code (UPC barcode) for the release “The Great Recordings: The LSO Years 1971-1980” by André Previn, released 2009-01-01 on EMI Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 149 tracks, each with its own ISRC. Tracks include GBAYC7700041, GBAYC7700042, GBAYC7700043.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Turangalîla-Symphonie: I. Introduction | Michel Béroff, Jeanne Loriod, London Symphony Orchestra, André Previn | T-003.017.772-0 | |
| 2 | Turangalîla-Symphonie: II. Chant d'amour I | Michel Béroff, Jeanne Loriod, London Symphony Orchestra, André Previn | T-003.017.772-0 | |
| 3 | Turangalîla-Symphonie: III. Turangalîla I | Michel Béroff, Jeanne Loriod, London Symphony Orchestra, André Previn | T-003.017.772-0 | |
| 4 | Turangalîla-Symphonie: IV. Chant d'amour II | Michel Béroff, Jeanne Loriod, London Symphony Orchestra, André Previn | T-003.017.772-0 | |
| 5 | Turangalîla-Symphonie: V. Joie du sang des étoiles | Michel Béroff, Jeanne Loriod, London Symphony Orchestra, André Previn | T-003.017.772-0 | |
| 6 | Turangalîla-Symphonie: VI. Jardin du sommeil d'amour | Michel Béroff, Jeanne Loriod, London Symphony Orchestra, André Previn | T-003.017.772-0 | |
| 7 | Turangalîla-Symphonie: VII. Turangalîla II | Michel Béroff, Jeanne Loriod, London Symphony Orchestra, André Previn | T-003.017.772-0 | |
| 8 | Turangalîla-Symphonie: VIII. Développement de l'amour | Michel Béroff, Jeanne Loriod, London Symphony Orchestra, André Previn | T-003.017.772-0 | |
| 9 | Turangalîla-Symphonie: IX. Turangalîla III | Michel Béroff, Jeanne Loriod, London Symphony Orchestra, André Previn | T-003.017.772-0 | |
| 10 | Turangalîla-Symphonie: X. Final | Michel Béroff, Jeanne Loriod, London Symphony Orchestra, André Previn | T-003.017.772-0 | |
| 2-1 | Prélude à l'après-midi d'un faune | — | ||
| 2-2 | Images: I. Gigues | — | ||
| 2-3 | Images: II. Ibéria: 1. Par les rues et par les chemins | — | ||
| 2-4 | Images: II. Ibéria: 2. Les parfums de la nuit | — | ||
| 2-5 | Images pour orchestre: No. 2. Iberia: c) Le matin d’un jour de fête | London Symphony Orchestra, André Previn | — | |
| 2-6 | Images: III. Rondes de printemps | — | ||
| 2-7 | Nocturnes: Nuages | London Symphony Orchestra, André Previn | — | |
| 2-8 | Nocturnes: Fêtes | London Symphony Orchestra, André Previn | — | |
| 2-9 | Nocturnes: Sirènes | The Ambrosian Singers, London Symphony Orchestra, André Previn | — | |
| 3-1 | Symphony no. 2 in E minor, op. 27: I. Largo – Allegro moderato | London Symphony Orchestra, André Previn | — | |
| 3-2 | Symphony no. 2 in E minor, op. 27: II. Scherzo. Allegro molto | London Symphony Orchestra, André Previn | — | |
| 3-3 | Symphony no. 2 in E minor, op. 27: III. Adagio | London Symphony Orchestra, André Previn | — | |
| 3-4 | Symphony no. 2 in E minor, op. 27: IV. Finale. Allegro vivace | London Symphony Orchestra, André Previn | — | |
| 3-5 | Boléro | London Symphony Orchestra, André Previn | T-003.006.377-4 | |
| 4-1 | Symphony no. 8 in C minor, op. 65: I. Adagio - Allegro non troppo - Adagio | — | ||
| 4-2 | Symphony no. 8 in C minor, op. 65: II. Allegretto | — | ||
| 4-3 | Symphony no. 8 in C minor, op. 65: III. Allegro non troppo | — | ||
| 4-4 | Symphony no. 8 in C minor, op. 65: IV. Largo | — | ||
| 4-5 | Symphony no. 8 in C minor, op. 65: V. Allegretto | — | ||
| 4-6 | Symphony no. 1 in D major, op. 25 “Classical”: I. Allegro | London Symphony Orchestra, André Previn | — | |
| 4-7 | Symphony no. 1 in D major, op. 25 “Classical”: II. Larghetto | London Symphony Orchestra, André Previn | — | |
| 4-8 | Symphony no. 1 in D major, op. 25 “Classical”: III. Gavotte (Non troppo allegro) | London Symphony Orchestra, André Previn | — | |
| 4-9 | Symphony no. 1 in D major, op. 25 “Classical”: IV. Finale (Molto vivace) | London Symphony Orchestra, André Previn | — | |
| 5-1 | Romeo and Juliet, op. 64: Act I. Scene I. No. 1 Introduction | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 5-2 | Romeo and Juliet, op. 64: Act I. Scene I. No. 3 The street awakens | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 5-3 | Romeo and Juliet, op. 64: Act I. Scene I. No. 4 Morning Dance | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 5-4 | Romeo and Juliet, op. 64: Act I. Scene II. No. 10 Juliet as a young girl | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 5-5 | Romeo and Juliet, op. 64: Act I. Scene II. No. 12 Masks | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 5-6 | Romeo and Juliet, op. 64: Act I. Scene II. No. 13 Dance of the Knights | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 5-7 | Romeo and Juliet, op. 64: Act I. Scene II. No. 14 Julietʼs variation | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 5-8 | Romeo and Juliet, op. 64: Act I. Scene II. No. 19 Balcony scene | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 5-9 | Romeo and Juliet, op. 64: Act I. Scene II. No. 20 Romeoʼs variation | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 5-10 | Romeo and Juliet, op. 64: Act I. Scene II. No. 21 Love Dance | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 5-11 | Romeo and Juliet, op. 64: Act II. Scene I. No. 23 Romeo and Mercutio | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 5-12 | Romeo and Juliet, op. 64: Act II. Scene I. No. 25 Dance with the mandolins | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 5-13 | Romeo and Juliet, op. 64: Act II. Scene II. No. 28 Romeo with Friar Lawrence | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 5-14 | Romeo and Juliet, op. 64: Act II. Scene II. No. 29 Juliet with Friar Lawrence | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 5-15 | Romeo and Juliet, op. 64: Act: II. Scene III. No. 30 The people continue to make merry | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 5-16 | Romeo and Juliet, op. 64: Act II. Scene III. No. 33 Tybalt and Mercutio fight | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 5-17 | Romeo and Juliet, op. 64: Act II. Scene III. No. 35 Romeo decides to avenge Mercutioʼs death | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 5-18 | Romeo and Juliet, op. 64: Act II. Scene III. No. 36 Finale | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 5-19 | Romeo and Juliet, op. 64: Act III. Scene I. No. 37 Introduction | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 5-20 | Romeo and Juliet, op. 64: Act III. Scene I. No 38 Romeo and Juliet (Julietʼs bedroom) | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 5-21 | Romeo and Juliet, op. 64: Act III. Scene I. No. 39 The last farewell | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 5-22 | Romeo and Juliet, op. 64: Act III. Scene III. No. 48 Morning Serenade | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 5-23 | Romeo and Juliet, op. 64: Act III. Scene III. No. 49 Dance of the girls with the lilies | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 5-24 | Romeo and Juliet, op. 64: Act III. Epilogue. No. 51 Julietʼs funeral | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 5-25 | Romeo and Juliet, op. 64: Act III. Epilogue. No. 52 Death of Juliet | London Symphony Orchestra, André Previn | T-003.506.743-6 | |
| 6-1 | Swan Lake, op. 20: Act II: No. 10. Scène. Moderato | London Symphony Orchestra, André Previn | — | |
| 6-2 | Swan Lake: Act One. No. 2. Waltz (Tempo di valse) | London Symphony Orchestra, André Previn | T-106.673.991-9 | |
| 6-3 | Swan Lake, op. 20, Act II: No. 13. Danse des cygnes: IV. Allegro moderato | London Symphony Orchestra, André Previn | — | |
| 6-4 | Swan Lake, op. 20, Act II: No. 13. Danse des cygnes: V. Andante non troppo - Allegro | — | ||
| 6-5 | Swan Lake, op. 20: Act III, no. 20. Hungarian Dance: Csárdás (Moderato assai - Allegro moderato - Vivace) | London Symphony Orchestra, André Previn | — | |
| 6-6 | Swan Lake, op. 20: Act III, no. 21. Spanish Dance (Allegro non troppo: tempo di Bolero) | London Symphony Orchestra, André Previn | — | |
| 6-7 | Sleeping Beauty: Act One "The Spell": No. 8. Pas d'action: Rose Adagio (Andante - Adagio maestoso) | London Symphony Orchestra, André Previn | — | |
| 6-8 | Sleeping Beauty, op. 66: Act III "The Wedding": No. 24. Pas de caractère: Puss-in-Boots and the White Cat (Allegro moderato) | London Symphony Orchestra, André Previn | — | |
| 6-9 | Sleeping Beauty, op. 66: Act II "The Vision": No. 17. Panorama (Andantino) | London Symphony Orchestra, André Previn | — | |
| 6-10 | Sleeping Beauty, op. 66: Act I "The Spell": No. 6. Waltz (Allegro: Tempo di valse) | London Symphony Orchestra, André Previn | — | |
| 6-11 | Sleeping Beauty: Act Three "The Wedding": No. 28. Pas de deux (Aurora and Florimund): Coda (Allegro vivace) | London Symphony Orchestra, André Previn | — | |
| 6-12 | Sleeping Beauty, op. 66: Act III "The Wedding": No. 30. Finale (Allegro brillante Tempo di mazurka) et Apothéose (Andante molto maestoso) | — | ||
| 6-13 | The Nutcracker, op. 71: Overture | London Symphony Orchestra, André Previn | — | |
| 6-14 | The Nutcracker, op. 71: Act I: No. 2 March | London Symphony Orchestra, André Previn | — | |
| 6-15 | The Nutcracker: Act II: Scene III: Divertissement B: Coffee (Arab dance) | London Symphony Orchestra, André Previn | — | |
| 6-16 | The Nutcracker: Act II: Scene III: Divertissement C: Tea (Chinese dance) | London Symphony Orchestra, André Previn | — | |
| 6-17 | The Nutcracker: Act II: Scene III: Divertissement D: Trepak (Russian dance) | London Symphony Orchestra, André Previn | — | |
| 6-18 | The Nutcracker, op. 71: Act II: No. 12 Divertissement: (e) Dance of the Reed Pipes | London Symphony Orchestra, André Previn | — | |
| 6-19 | The Nutcracker: Act II: Scene III: Pas de Deux | London Symphony Orchestra, André Previn | — | |
| 6-20 | The Nutcracker: Act II: Scene III: Pas de Deux: Variation I: Tarantella | London Symphony Orchestra, André Previn | — | |
| 6-21 | The Nutcracker, op. 71: Act II: No. 14 Pas de deux: (b) Variation II (Dance of the Sugar-Plum Fairy) – Coda | London Symphony Orchestra, André Previn | — | |
| 6-22 | The Nutcracker: Act II: Scene III: Final Waltz and Apotheosis | London Symphony Orchestra, André Previn | — | |
| 7-1 | Belshazzar's Feast: Thus spake Isaiah | London Symphony Chorus, London Symphony Orchestra, André Previn | — | |
| 7-2 | Belshazzar's Feast: If I forget thee, O Jerusalem | John Shirley-Quirk, London Symphony Chorus, London Symphony Orchestra, André Previn | — | |
| 7-3 | Belshazzar's Feast: By the waters of Babylon | London Symphony Chorus, London Symphony Orchestra, André Previn | — | |
| 7-4 | Belshazzar's Feast: Babylon was a great city | John Shirley-Quirk, London Symphony Chorus, London Symphony Orchestra, André Previn | — | |
| 7-5 | Belshazzar's Feast: Praise ye the God of Gold | John Shirley-Quirk, London Symphony Chorus, London Symphony Orchestra, André Previn | — | |
| 7-6 | Belshazzar's Feast: Thus in Babylon the mighty city | London Symphony Chorus, London Symphony Orchestra, André Previn | — | |
| 7-7 | Belshazzar's Feast: And in that same hour, as they feasted | John Shirley-Quirk, London Symphony Chorus, London Symphony Orchestra, André Previn | — | |
| 7-8 | Belshazzar's Feast: Then sing aloud to God our strength | London Symphony Chorus, London Symphony Orchestra, André Previn | — | |
| 7-9 | Belshazzar's Feast: The trumpeters and pipers are silent | London Symphony Chorus, London Symphony Orchestra, André Previn | — | |
| 7-10 | Belshazzar's Feast: Then sing aloud to God our strength | London Symphony Chorus, London Symphony Orchestra, André Previn | — | |
| 7-11 | Variations on an Original Theme ‘Enigma’, op. 36: Theme (Andante) | London Symphony Orchestra, André Previn | — | |
| 7-12 | Variations on an Original Theme ‘Enigma’, op. 36: I. C.A.E. (The Composer’s Wife) [L’istesso Tempo] | London Symphony Orchestra, André Previn | — | |
| 7-13 | Variations on an Original Theme ‘Enigma’, op. 36: II. H.D.S.-P. (Hew David Steuart-Powell) [Allegro] | London Symphony Orchestra, André Previn | — | |
| 7-14 | Variations on an Original Theme ‘Enigma’, op. 36: III. R.B.T. (Richard Baxter Townshend) [Allegretto] | London Symphony Orchestra, André Previn | — | |
| 7-15 | Variations on an Original Theme ‘Enigma’, op. 36: IV. W.M.B. (William Meath Baker) [Allegro di Molto] | London Symphony Orchestra, André Previn | T-318.676.528-2 | |
| 7-16 | Variations on an Original Theme ‘Enigma’, op. 36: V. R.P.A. (Richard Penrose Arnold) [Presto] | London Symphony Orchestra, André Previn | — | |
| 7-17 | Variations on an Original Theme ‘Enigma’, op. 36: VI. Ysobel (Isabel Fitton) [Andantino] | London Symphony Orchestra, André Previn | — | |
| 7-18 | Variations on an Original Theme ‘Enigma’, op. 36: VII. Troyte (Troyte Griffith) [Presto] | London Symphony Orchestra, André Previn | — | |
| 7-19 | Variations on an Original Theme ‘Enigma’, op. 36: VIII. W.N. (Winifred Norbury) [Allegretto] | London Symphony Orchestra, André Previn | — | |
| 7-20 | Variations on an Original Theme ‘Enigma’, op. 36: IX. Nimrod (A. J. Jaeger) [Moderato] | London Symphony Orchestra, André Previn | T-010.115.427-1 | |
| 7-21 | Variations on an Original Theme ‘Enigma’, op. 36: X. Intermezzo: Dorabella (Dora Penny) [Allegretto] | London Symphony Orchestra, André Previn | — | |
| 7-22 | Variations on an Original Theme ‘Enigma’, op. 36: XI. G.R.S. (George Robertson Sinclair) [Allegro di Molto] | London Symphony Orchestra, André Previn | — | |
| 7-23 | Variations on an Original Theme ‘Enigma’, op. 36: XII. B.G.N. (Basil G. Nevinson) [Andante] | London Symphony Orchestra, André Previn | — | |
| 7-24 | Variations on an Original Theme ‘Enigma’, op. 36: XIII. Romanza: * * * [Lady Mary Lygon] (Moderato) | London Symphony Orchestra, André Previn | — | |
| 7-25 | Variations on an Original Theme ‘Enigma’, op. 36: XIV. Finale - E.D.U. (The Composer) [Allegro] | London Symphony Orchestra, André Previn | — | |
| 7-26 | Fantasia on "Greensleeves" | London Symphony Orchestra, André Previn | — | |
| 8-1 | The Planets, op. 32: I. Mars, the Bringer of War | London Symphony Orchestra, André Previn | T-923.663.725-5 | |
| 8-2 | The Planets, op. 32: II. Venus, the Bringer of Peace | London Symphony Orchestra, André Previn | — | |
| 8-3 | The Planets, op. 32: III. Mercury, the Winged Messenger | London Symphony Orchestra, André Previn | — | |
| 8-4 | The Planets, op. 32: IV. Jupiter, the Bringer of Jollity | London Symphony Orchestra, André Previn | — | |
| 8-5 | The Planets, op. 32: V. Saturn, the Bringer of Old Age | London Symphony Orchestra, André Previn | — | |
| 8-6 | The Planets, op. 32: VI. Uranus, the Magician | London Symphony Orchestra, André Previn | — | |
| 8-7 | The Planets, op. 32: VII. Neptune, the Mystic | The Ambrosian Singers, London Symphony Orchestra, André Previn | — | |
| 8-8 | Four Sea Interludes from Peter Grimes, Op. 33a: I. Dawn (Lento e tranquillo) | London Symphony Orchestra, André Previn | — | |
| 8-9 | Four Sea Interludes from Peter Grimes, Op. 33a: II. Sunday Morning (Allegro spiritoso) | London Symphony Orchestra, André Previn | — | |
| 8-10 | Four Sea Interludes from Peter Grimes, Op. 33a: III. Moonlight (Andante comodo e rubato) | London Symphony Orchestra, André Previn | — | |
| 8-11 | Four Sea Interludes from Peter Grimes, Op. 33a: IV. Storm (Presto con fuoco) | London Symphony Orchestra, André Previn | — | |
| 8-12 | Passacaglia from Peter Grimes, Op. 33b | London Symphony Orchestra, André Previn | — | |
| 9-1 | Carmina Burana: Fortuna Imperatrix Mundi: O Fortuna | London Symphony Orchestra Chorus, London Symphony Orchestra, André Previn | T-800.639.771-4 | |
| 9-2 | Carmina Burana: Fortuna Imperatrix Mundi: Fortune plango vulnera | London Symphony Orchestra Chorus, London Symphony Orchestra, André Previn | T-800.639.771-4 | |
| 9-3 | Carmina Burana: I. Primo Vere: Veris leta facies | London Symphony Orchestra Chorus, London Symphony Orchestra, André Previn | T-800.639.771-4 | |
| 9-4 | Carmina Burana: I. Primo Vere: Omnia Sol temperat | Thomas Allen, London Symphony Orchestra, André Previn | T-800.639.771-4 | |
| 9-5 | Carmina Burana: I. Primo Vere: Ecce gratum | London Symphony Orchestra Chorus, London Symphony Orchestra, André Previn | T-800.639.771-4 | |
| 9-6 | Carmina Burana: Uf dem Anger: Tanz | London Symphony Orchestra, André Previn | T-306.378.550-8 | |
| 9-7 | Carmina Burana: Uf dem Anger: Floret Silva | London Symphony Orchestra Chorus, London Symphony Orchestra, André Previn | T-800.639.771-4 | |
| 9-8 | Carmina Burana: Uf dem Anger: Chramer, gip die varwe mir | London Symphony Orchestra Chorus, London Symphony Orchestra, André Previn | T-800.639.771-4 | |
| 9-9 | Carmina Burana: Uf dem Anger: IX. Reie / Swaz hie gat umbe / Chume, chum, geselle min! / Swaz hie gat umbe | London Symphony Orchestra Chorus, London Symphony Orchestra, André Previn | T-800.639.771-4 | |
| 9-10 | Carmina Burana: Uf dem Anger: Were Diu werlt alle min | London Symphony Orchestra Chorus, London Symphony Orchestra, André Previn | T-800.639.771-4 | |
| 9-11 | Carmina Burana: II. In Taberna: Estuans interius | Thomas Allen, London Symphony Orchestra, André Previn | T-800.639.771-4 | |
| 9-12 | Carmina Burana: II. In Taberna: Olim lacus colueram | Gerald English, London Symphony Orchestra Chorus, London Symphony Orchestra, André Previn | T-800.639.771-4 | |
| 9-13 | Carmina Burana: II. In Taberna: Ego sum abbas | Thomas Allen, London Symphony Orchestra Chorus, London Symphony Orchestra, André Previn | T-800.639.771-4 | |
| 9-14 | Carmina Burana: II. In Taberna: In taberna quando sumus | London Symphony Orchestra Chorus, London Symphony Orchestra, André Previn | T-800.639.771-4 | |
| 9-15 | Carmina Burana: III. Cour d’Amour: Amor volat undique | Sheila Armstrong, St. Clement Danes School Boys' Choir, London Symphony Orchestra, André Previn | T-800.639.771-4 | |
| 9-16 | Carmina Burana: III. Cour d’Amour: Dies, nox et omnia | Thomas Allen, London Symphony Orchestra, André Previn | T-800.639.771-4 | |
| 9-17 | Carmina Burana: III. Cour d’Amour: Stetit puella | Sheila Armstrong, London Symphony Orchestra, André Previn | T-800.639.771-4 | |
| 9-18 | Carmina Burana: III. Cour d’Amour: Circa mea pectora | Thomas Allen, London Symphony Orchestra Chorus, London Symphony Orchestra, André Previn | T-800.639.771-4 | |
| 9-19 | Carmina Burana: III. Cour d’Amour: Si puer cum puellula | London Symphony Orchestra Chorus, London Symphony Orchestra, André Previn | T-800.639.771-4 | |
| 9-20 | Carmina Burana: III. Cour d’Amour: Veni, veni, venias | London Symphony Orchestra Chorus, London Symphony Orchestra, André Previn | T-800.639.771-4 | |
| 9-21 | Carmina Burana: III. Cour d’Amour: In trutina | Sheila Armstrong, London Symphony Orchestra, André Previn | T-800.639.771-4 | |
| 9-22 | Carmina Burana: III. Cour d’Amour: Tempus est iocundum | Thomas Allen, Sheila Armstrong, London Symphony Orchestra Chorus, St. Clement Danes School Boys' Choir, London Symphony Orchestra, André Previn | T-800.639.771-4 | |
| 9-23 | Carmina Burana: III. Cour d’Amour: Dulcissime | Sheila Armstrong, London Symphony Orchestra, André Previn | T-800.639.771-4 | |
| 9-24 | Carmina Burana: Blanziflor et Helena: Ave formosissima | London Symphony Orchestra Chorus, London Symphony Orchestra, André Previn | T-800.639.771-4 | |
| 9-26 | Adagio for Strings | London Symphony Orchestra, André Previn | T-070.000.199-5 | |
| 10-1 | Rhapsody in Blue | — | ||
| 10-2 | An American in Paris | — | ||
| 10-3 | Concerto in F: I. Allegro | — | ||
| 10-4 | Concerto in F: II. Adagio - Andante con moto | — | ||
| 10-5 | Piano Concerto in F major: III. Allegro agitato | London Symphony Orchestra, André Previn | — | |
| 10-6 | Cuban Overture | London Symphony Orchestra, André Previn | T-010.086.407-0 |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Carmina Burana: Fortuna Imperatrix Mundi: O Fortuna | London Symphony Orchestra Chorus, London Symphony Orchestra, André Previn | T-800.639.771-4 |
| Swan Lake, op. 20: Act III, no. 20. Hungarian Dance: Csárdás (Moderato assai - Allegro moderato - Vivace) | London Symphony Orchestra, André Previn | — |
| Swan Lake: Act One. No. 2. Waltz (Tempo di valse) | London Symphony Orchestra, André Previn | — |
| Swan Lake, op. 20: Act II: No. 10. Scène. Moderato | London Symphony Orchestra, André Previn | — |
| Swan Lake, op. 20: Act III, no. 20. Hungarian Dance: Csárdás (Moderato assai - Allegro moderato - Vivace) | London Symphony Orchestra, André Previn | — |
| Swan Lake, op. 20: Act III, no. 21. Spanish Dance (Allegro non troppo: tempo di Bolero) | London Symphony Orchestra, André Previn | — |
| Swan Lake: Act One. No. 2. Waltz (Tempo di valse) | London Symphony Orchestra, André Previn | — |
| Swan Lake, op. 20: Act II: No. 10. Scène. Moderato | London Symphony Orchestra, André Previn | — |
| Swan Lake, op. 20, Act II: No. 13. Danse des cygnes: IV. Allegro moderato | London Symphony Orchestra, André Previn | — |
| Swan Lake, op. 20: Act III, no. 20. Hungarian Dance: Csárdás (Moderato assai - Allegro moderato - Vivace) | London Symphony Orchestra, André Previn | — |
| Swan Lake, op. 20: Act III, no. 21. Spanish Dance (Allegro non troppo: tempo di Bolero) | London Symphony Orchestra, André Previn | — |
| Fantasia on "Greensleeves" | London Symphony Orchestra, André Previn | — |
| The Planets, op. 32: I. Mars, the Bringer of War | London Symphony Orchestra, André Previn | — |
| The Planets, op. 32: II. Venus, the Bringer of Peace | London Symphony Orchestra, André Previn | — |
| The Planets, op. 32: III. Mercury, the Winged Messenger | London Symphony Orchestra, André Previn | — |
| The Planets, op. 32: IV. Jupiter, the Bringer of Jollity | London Symphony Orchestra, André Previn | — |
| The Planets, op. 32: V. Saturn, the Bringer of Old Age | London Symphony Orchestra, André Previn | — |
| The Planets, op. 32: VI. Uranus, the Magician | London Symphony Orchestra, André Previn | — |
| The Planets, op. 32: VII. Neptune, the Mystic | The Ambrosian Singers, London Symphony Orchestra, André Previn | — |
| The Nutcracker, op. 71: Act II: No. 12 Divertissement: (e) Dance of the Reed Pipes | London Symphony Orchestra, André Previn | — |
| Swan Lake: Act One. No. 2. Waltz (Tempo di valse) | London Symphony Orchestra, André Previn | — |
| Swan Lake, op. 20: Act II: No. 10. Scène. Moderato | London Symphony Orchestra, André Previn | — |
| Swan Lake, op. 20: Act III, no. 21. Spanish Dance (Allegro non troppo: tempo di Bolero) | London Symphony Orchestra, André Previn | — |
| Swan Lake, op. 20: Act II: No. 10. Scène. Moderato | London Symphony Orchestra, André Previn | T-900.160.317-4 |
| The Nutcracker, op. 71: Overture | London Symphony Orchestra, André Previn | T-312.207.757-6 |
| The Nutcracker, op. 71: Act I: No. 2 March | London Symphony Orchestra, André Previn | T-312.207.757-6 |
| The Nutcracker: Act II: Scene III: Divertissement B: Coffee (Arab dance) | London Symphony Orchestra, André Previn | — |
| The Nutcracker: Act II: Scene III: Divertissement C: Tea (Chinese dance) | London Symphony Orchestra, André Previn | — |
| The Nutcracker: Act II: Scene III: Divertissement D: Trepak (Russian dance) | London Symphony Orchestra, André Previn | — |
| The Nutcracker, op. 71: Act II: No. 12 Divertissement: (e) Dance of the Reed Pipes | London Symphony Orchestra, André Previn | — |
| The Nutcracker: Act II: Scene III: Pas de Deux | London Symphony Orchestra, André Previn | — |
| The Nutcracker: Act II: Scene III: Pas de Deux: Variation I: Tarantella | London Symphony Orchestra, André Previn | — |
| The Nutcracker, op. 71: Act II: No. 14 Pas de deux: (b) Variation II (Dance of the Sugar-Plum Fairy) – Coda | London Symphony Orchestra, André Previn | — |
| The Nutcracker: Act II: Scene III: Final Waltz and Apotheosis | London Symphony Orchestra, André Previn | — |
| Sleeping Beauty, op. 66: Act I "The Spell": No. 6. Waltz (Allegro: Tempo di valse) | London Symphony Orchestra, André Previn | T-905.014.886-2 |
| Sleeping Beauty, op. 66: Act II "The Vision": No. 17. Panorama (Andantino) | London Symphony Orchestra, André Previn | T-905.014.886-2 |
| Sleeping Beauty, op. 66: Act III "The Wedding": No. 24. Pas de caractère: Puss-in-Boots and the White Cat (Allegro moderato) | London Symphony Orchestra, André Previn | — |
| Symphony no. 1 in D major, op. 25 “Classical”: I. Allegro | London Symphony Orchestra, André Previn | T-072.702.653-0 |
| Symphony no. 1 in D major, op. 25 “Classical”: II. Larghetto | London Symphony Orchestra, André Previn | — |
| Symphony no. 1 in D major, op. 25 “Classical”: III. Gavotte (Non troppo allegro) | London Symphony Orchestra, André Previn | — |
| Symphony no. 1 in D major, op. 25 “Classical”: IV. Finale (Molto vivace) | London Symphony Orchestra, André Previn | — |
| Symphony no. 2 in E minor, op. 27: I. Largo – Allegro moderato | London Symphony Orchestra, André Previn | — |
| Symphony no. 2 in E minor, op. 27: II. Scherzo. Allegro molto | London Symphony Orchestra, André Previn | — |
| Symphony no. 2 in E minor, op. 27: III. Adagio | London Symphony Orchestra, André Previn | T-902.717.414-7 |
| Symphony no. 2 in E minor, op. 27: IV. Finale. Allegro vivace | London Symphony Orchestra, André Previn | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
5099926796925 is a Universal Product Code (UPC) assigned to The Great Recordings: The LSO Years 1971-1980 by André Previn. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 149 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
5099926796925 is the Universal Product Code (UPC barcode) for the release “The Great Recordings: The LSO Years 1971-1980” by André Previn, released 2009-01-01 on EMI Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 149 tracks, each with its own ISRC. Tracks include GBAYC7700041, GBAYC7700042, GBAYC7700043.
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Carmina Burana: Fortuna Imperatrix Mundi: O Fortuna | London Symphony Orchestra Chorus, London Symphony Orchestra, André Previn | T-800.639.771-4 |
| Swan Lake, op. 20: Act III, no. 20. Hungarian Dance: Csárdás (Moderato assai - Allegro moderato - Vivace) | London Symphony Orchestra, André Previn | — |
| Swan Lake: Act One. No. 2. Waltz (Tempo di valse) | London Symphony Orchestra, André Previn | — |
| Swan Lake, op. 20: Act II: No. 10. Scène. Moderato | London Symphony Orchestra, André Previn | — |
| Swan Lake, op. 20: Act III, no. 20. Hungarian Dance: Csárdás (Moderato assai - Allegro moderato - Vivace) | London Symphony Orchestra, André Previn | — |
| Swan Lake, op. 20: Act III, no. 21. Spanish Dance (Allegro non troppo: tempo di Bolero) | London Symphony Orchestra, André Previn | — |
| Swan Lake: Act One. No. 2. Waltz (Tempo di valse) | London Symphony Orchestra, André Previn | — |
| Swan Lake, op. 20: Act II: No. 10. Scène. Moderato | London Symphony Orchestra, André Previn | — |
| Swan Lake, op. 20, Act II: No. 13. Danse des cygnes: IV. Allegro moderato | London Symphony Orchestra, André Previn | — |
| Swan Lake, op. 20: Act III, no. 20. Hungarian Dance: Csárdás (Moderato assai - Allegro moderato - Vivace) | London Symphony Orchestra, André Previn | — |
| Swan Lake, op. 20: Act III, no. 21. Spanish Dance (Allegro non troppo: tempo di Bolero) | London Symphony Orchestra, André Previn | — |
| Fantasia on "Greensleeves" | London Symphony Orchestra, André Previn | — |
| The Planets, op. 32: I. Mars, the Bringer of War | London Symphony Orchestra, André Previn | — |
| The Planets, op. 32: II. Venus, the Bringer of Peace | London Symphony Orchestra, André Previn | — |
| The Planets, op. 32: III. Mercury, the Winged Messenger | London Symphony Orchestra, André Previn | — |
| The Planets, op. 32: IV. Jupiter, the Bringer of Jollity | London Symphony Orchestra, André Previn | — |
| The Planets, op. 32: V. Saturn, the Bringer of Old Age | London Symphony Orchestra, André Previn | — |
| The Planets, op. 32: VI. Uranus, the Magician | London Symphony Orchestra, André Previn | — |
| The Planets, op. 32: VII. Neptune, the Mystic | The Ambrosian Singers, London Symphony Orchestra, André Previn | — |
| The Nutcracker, op. 71: Act II: No. 12 Divertissement: (e) Dance of the Reed Pipes | London Symphony Orchestra, André Previn | — |
| Swan Lake: Act One. No. 2. Waltz (Tempo di valse) | London Symphony Orchestra, André Previn | — |
| Swan Lake, op. 20: Act II: No. 10. Scène. Moderato | London Symphony Orchestra, André Previn | — |
| Swan Lake, op. 20: Act III, no. 21. Spanish Dance (Allegro non troppo: tempo di Bolero) | London Symphony Orchestra, André Previn | — |
| Swan Lake, op. 20: Act II: No. 10. Scène. Moderato | London Symphony Orchestra, André Previn | T-900.160.317-4 |
| The Nutcracker, op. 71: Overture | London Symphony Orchestra, André Previn | T-312.207.757-6 |
| The Nutcracker, op. 71: Act I: No. 2 March | London Symphony Orchestra, André Previn | T-312.207.757-6 |
| The Nutcracker: Act II: Scene III: Divertissement B: Coffee (Arab dance) | London Symphony Orchestra, André Previn | — |
| The Nutcracker: Act II: Scene III: Divertissement C: Tea (Chinese dance) | London Symphony Orchestra, André Previn | — |
| The Nutcracker: Act II: Scene III: Divertissement D: Trepak (Russian dance) | London Symphony Orchestra, André Previn | — |
| The Nutcracker, op. 71: Act II: No. 12 Divertissement: (e) Dance of the Reed Pipes | London Symphony Orchestra, André Previn | — |
| The Nutcracker: Act II: Scene III: Pas de Deux | London Symphony Orchestra, André Previn | — |
| The Nutcracker: Act II: Scene III: Pas de Deux: Variation I: Tarantella | London Symphony Orchestra, André Previn | — |
| The Nutcracker, op. 71: Act II: No. 14 Pas de deux: (b) Variation II (Dance of the Sugar-Plum Fairy) – Coda | London Symphony Orchestra, André Previn | — |
| The Nutcracker: Act II: Scene III: Final Waltz and Apotheosis | London Symphony Orchestra, André Previn | — |
| Sleeping Beauty, op. 66: Act I "The Spell": No. 6. Waltz (Allegro: Tempo di valse) | London Symphony Orchestra, André Previn | T-905.014.886-2 |
| Sleeping Beauty, op. 66: Act II "The Vision": No. 17. Panorama (Andantino) | London Symphony Orchestra, André Previn | T-905.014.886-2 |
| Sleeping Beauty, op. 66: Act III "The Wedding": No. 24. Pas de caractère: Puss-in-Boots and the White Cat (Allegro moderato) | London Symphony Orchestra, André Previn | — |
| Symphony no. 1 in D major, op. 25 “Classical”: I. Allegro | London Symphony Orchestra, André Previn | T-072.702.653-0 |
| Symphony no. 1 in D major, op. 25 “Classical”: II. Larghetto | London Symphony Orchestra, André Previn | — |
| Symphony no. 1 in D major, op. 25 “Classical”: III. Gavotte (Non troppo allegro) | London Symphony Orchestra, André Previn | — |
| Symphony no. 1 in D major, op. 25 “Classical”: IV. Finale (Molto vivace) | London Symphony Orchestra, André Previn | — |
| Symphony no. 2 in E minor, op. 27: I. Largo – Allegro moderato | London Symphony Orchestra, André Previn | — |
| Symphony no. 2 in E minor, op. 27: II. Scherzo. Allegro molto | London Symphony Orchestra, André Previn | — |
| Symphony no. 2 in E minor, op. 27: III. Adagio | London Symphony Orchestra, André Previn | T-902.717.414-7 |
| Symphony no. 2 in E minor, op. 27: IV. Finale. Allegro vivace | London Symphony Orchestra, André Previn | — |
