UPC · Release
Dietrich Fischer‐Dieskau
Last verified:
The UPC for “Recordings from the Archives” by Dietrich Fischer‐Dieskau is 5099945543128. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2010-03-08. Label: EMI Classics. This release contains 109 tracks, each with its own ISRC. Tracks include GBAYC0500935.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Schilderung eines Mädchens, WoO 107 | — | ||
| 2 | Selbstgespräch, WoO 114 | — | ||
| 3 | Feuerfarb, op. 52 no. 2 | — | ||
| 4 | Das Liedchen von der Ruhe, op. 52 no. 3 | — | ||
| 5 | Mailied, op. 52 no. 4 | — | ||
| 6 | Die Liebe, op. 52 no. 6 | — | ||
| 7 | Marmotte, op. 52 no. 7 | — | ||
| 8 | Das Blümchen Wunderhold, op. 52 no. 8 | — | ||
| 9 | Seufzer eines Ungeliebten und Gegenliebe, WoO 118 | — | ||
| 10 | Opferlied, WoO 126 | — | ||
| 11 | La partenza, WoO 124 | — | ||
| 12 | Adelaide, op. 46 | — | ||
| 13 | Zärtliche Liebe, WoO 123 | — | ||
| 14 | Der Kuss, op. 128 | — | ||
| 15 | Aus Goethes Faust, op. 75 no. 3 | — | ||
| 16 | Sechs Lieder, op. 48: 1. Bitten | — | ||
| 17 | Sechs Lieder, op. 48: 2. Die Liebe des Nächsten | — | ||
| 18 | Sechs Lieder, op. 48: 3. Vom Tode | — | ||
| 19 | Sechs Lieder, op. 48: 4 Die Ehre Gottes aus der Natur | — | ||
| 20 | Sechs Lieder, op. 48: 5. Gottes Macht und Vorsehung | — | ||
| 21 | Sechs Lieder, op. 48: 6. Bußlied | — | ||
| 22 | Der Wachtelschlag, WoO 129 | — | ||
| 23 | Gedenke mein!, WoO 130 | — | ||
| 24 | An die Hoffnung, op. 32 | — | ||
| 25 | Als die Geliebte sich trennen wollte, WoO 132 | — | ||
| 26 | In questa tomba oscura, WoO 133 | — | ||
| 27 | Der laute Klage, WoO 135 | — | ||
| 28 | Andenken, WoO 136 | — | ||
| 2-1 | Lied aus der Ferne, WoO 137 | — | ||
| 2-2 | Der Jüngling in der Fremde, WoO 138 | — | ||
| 2-3 | Der Liebende, WoO 139 | — | ||
| 2-4 | Neue Liebe, neues Leben, op. 75 no. 2 | — | ||
| 2-5 | Der Zufriedene, op. 75 no. 6 | — | ||
| 2-6 | Hoffnung, op. 82 no. 1 | — | ||
| 2-7 | Liebes-Klage, op. 82 no. 2 | — | ||
| 2-8 | Arietta buffa (L’amante impaziente), op. 82 no. 3 | — | ||
| 2-9 | Arietta assai seriosa (L’amante impaziente), op. 82 no. 4 | — | ||
| 2-10 | Wonne der Wehmut, op. 83 no. 1 | — | ||
| 2-11 | Sehnsucht, op. 83 no. 2 | — | ||
| 2-12 | Mit einem gemalten Band, op. 83 no. 3 | — | ||
| 2-13 | An die Geliebte, WoO 140 | — | ||
| 2-14 | Der Bardengeist, WoO 142 | — | ||
| 2-15 | An die Hoffnung, op. 94 | — | ||
| 2-16 | Das Geheimnis, WoO 145 | — | ||
| 2-17 | Sehnsucht, WoO 146 | — | ||
| 2-18 | An die ferne Geliebte, op. 98: Auf dem Hügel sitz’ich, spähend | — | ||
| 2-19 | An die ferne Geliebte, op. 98: Wo die Berge so blau | — | ||
| 2-20 | An die ferne Geliebte, op. 98: Leichte Segler in den Höhen | — | ||
| 2-21 | An die ferne Geliebte, op. 98: Diese Wolken in den Höhen | — | ||
| 2-22 | An die ferne Geliebte, op. 98: Es kehret der Maien | — | ||
| 2-23 | An die ferne Geliebte, op. 98: Nimm sie hin denn, diese Lieder | — | ||
| 2-24 | Ruf vom Berge, WoO 147 | — | ||
| 2-25 | Resignation, WoO 149 | — | ||
| 2-26 | Abendlied unter’m gestirnten Himmel, WoO 150 | — | ||
| 2-27 | The Parting Kiss, WoO 155 no. 25 | — | ||
| 2-28 | Good Night, WoO 155 no. 26 | — | ||
| 2-29 | The return to Ulster, WoO 152 no. 1 | — | ||
| 2-30 | Once more I hail three, WoO 152 no. 3 | — | ||
| 2-31 | The morning air plays on my Face, WoO 152 no. 4 | — | ||
| 3-1 | The Soldier’s Dream, WoO 152 no. 9 | — | ||
| 3-2 | O Harp of Erin, WoO 154 no. 2 | — | ||
| 3-3 | The pulse of an Irishman, WoO 154 no. 4 | — | ||
| 3-4 | Sunset, WoO 108 no. 2 | — | ||
| 3-5 | Oh, sweet were the hours, WoO 108 no. 3 | — | ||
| 3-6 | Bonny laddie, highland laddie, WoO 108 no. 7 | — | ||
| 3-7 | Oh, had my fate been join’d with thine, WoO 108 no. 12 | — | ||
| 3-8 | Come fill, fill, my good fellow, WoO 108 no. 13 | — | ||
| 3-9 | Could this ill world have been contriv’d, WoO 108 no. 16 | — | ||
| 3-10 | Faithfu’ Johnie, op. 108 no. 20 | — | ||
| 3-11 | La Gondoletta, WoO 157 no. 12 | — | ||
| 3-12 | An die Hoffnung, K 390 | — | ||
| 3-13 | Wie unglücklich bin ich nit, K 147 | — | ||
| 3-14 | An die Freundschaft, K. 148/125h | Dietrich Fischer-Dieskau, Daniel Barenboim | — | |
| 3-15 | Die großmütige Gelassenheit, K 149 (125d) | — | ||
| 3-16 | Geheime Liebe, K 150 (125e) | — | ||
| 3-17 | Die Zufriedenheit im niedrigen Stande, K 151 (125f) | — | ||
| 3-18 | Gesellenreise (Freimauerlied), K 468 | — | ||
| 3-19 | Die Zufriedenheit, K 473 | — | ||
| 3-20 | Die betrogene Welt, K 474 | — | ||
| 3-21 | Das Veilchen, K 476 | — | ||
| 3-22 | Lied der Freiheit, K 506 | — | ||
| 3-23 | Das Lied der Trennung, K 519 | — | ||
| 3-24 | Abendempfindung, K 523 | — | ||
| 3-25 | An Chloë, K 524 | — | ||
| 3-26 | Das Traumbild, K 530 | — | ||
| 3-27 | Die ihr des unermesslichen Weltalls Schöpfer ehrt, K 619 | — | ||
| 4-1 | Eine sehr gewöhnliche Geschichte, Hob. XXVIa:4 | — | ||
| 4-2 | Der Gleichsinn, Hob. XXVIa:6 | — | ||
| 4-3 | Die zu späte Ankunft der Mutter, Hob. XXVIa:12 | — | ||
| 4-4 | Gegeliebe, Hob. XXVIa:16 | — | ||
| 4-5 | Geistliches Lied, Hob. XXVIa:17 | — | ||
| 4-6 | Auch die Sprödeste der Schönen, Hob. XXVIa:18 | — | ||
| 4-7 | Zufreidenheit, Hob. XXVIa:20 | — | ||
| 4-8 | Das Leben ist ein Traum, Hob. XXVIa:21 | — | ||
| 4-9 | Lob der Faulheit, Hob. XXVIa:22 | — | ||
| 4-10 | Recollection, Hob. XXVIa:26 | — | ||
| 4-11 | Fidelity, Hob. XXVIa:30 | — | ||
| 4-12 | Sailor’s Song, Hob. XXVIa:31 | — | ||
| 4-13 | The Wanderer, Hob. XXVIa:32 | — | ||
| 4-14 | She Never Told Her Love, Hob. XXVIa:34 | — | ||
| 4-15 | Piercing Eyes, Hob. XXVIa:35 | — | ||
| 4-16 | The Spirit’s Song, Hob. XXVIa:41 | — | ||
| 4-17 | Gott erhalte Franz den Kaiser, Hob. XXVIa:43 | — | ||
| 4-18 | Abschiedslied, Hob. XXVIa:F1 | — | ||
| 4-19 | Dank, op. 1 no. 1 | — | ||
| 4-20 | Abschied, op. 1 no. 2 | — | ||
| 4-21 | Wo der Goldregen steht, op. 2 no. 2 | — | ||
| 4-22 | Abschied, op. 2 no. 4 | — | ||
| 4-23 | Grenzen der Menschheit | — |
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
5099945543128 is a Universal Product Code (UPC) assigned to Recordings from the Archives by Dietrich Fischer‐Dieskau. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 109 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Recordings from the Archives” by Dietrich Fischer‐Dieskau is 5099945543128. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2010-03-08. Label: EMI Classics. This release contains 109 tracks, each with its own ISRC. Tracks include GBAYC0500935.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Schilderung eines Mädchens, WoO 107 | — | ||
| 2 | Selbstgespräch, WoO 114 | — | ||
| 3 | Feuerfarb, op. 52 no. 2 | — | ||
| 4 | Das Liedchen von der Ruhe, op. 52 no. 3 | — | ||
| 5 | Mailied, op. 52 no. 4 | — | ||
| 6 | Die Liebe, op. 52 no. 6 | — | ||
| 7 | Marmotte, op. 52 no. 7 | — | ||
| 8 | Das Blümchen Wunderhold, op. 52 no. 8 | — | ||
| 9 | Seufzer eines Ungeliebten und Gegenliebe, WoO 118 | — | ||
| 10 | Opferlied, WoO 126 | — | ||
| 11 | La partenza, WoO 124 | — | ||
| 12 | Adelaide, op. 46 | — | ||
| 13 | Zärtliche Liebe, WoO 123 | — | ||
| 14 | Der Kuss, op. 128 | — | ||
| 15 | Aus Goethes Faust, op. 75 no. 3 | — | ||
| 16 | Sechs Lieder, op. 48: 1. Bitten | — | ||
| 17 | Sechs Lieder, op. 48: 2. Die Liebe des Nächsten | — | ||
| 18 | Sechs Lieder, op. 48: 3. Vom Tode | — | ||
| 19 | Sechs Lieder, op. 48: 4 Die Ehre Gottes aus der Natur | — | ||
| 20 | Sechs Lieder, op. 48: 5. Gottes Macht und Vorsehung | — | ||
| 21 | Sechs Lieder, op. 48: 6. Bußlied | — | ||
| 22 | Der Wachtelschlag, WoO 129 | — | ||
| 23 | Gedenke mein!, WoO 130 | — | ||
| 24 | An die Hoffnung, op. 32 | — | ||
| 25 | Als die Geliebte sich trennen wollte, WoO 132 | — | ||
| 26 | In questa tomba oscura, WoO 133 | — | ||
| 27 | Der laute Klage, WoO 135 | — | ||
| 28 | Andenken, WoO 136 | — | ||
| 2-1 | Lied aus der Ferne, WoO 137 | — | ||
| 2-2 | Der Jüngling in der Fremde, WoO 138 | — | ||
| 2-3 | Der Liebende, WoO 139 | — | ||
| 2-4 | Neue Liebe, neues Leben, op. 75 no. 2 | — | ||
| 2-5 | Der Zufriedene, op. 75 no. 6 | — | ||
| 2-6 | Hoffnung, op. 82 no. 1 | — | ||
| 2-7 | Liebes-Klage, op. 82 no. 2 | — | ||
| 2-8 | Arietta buffa (L’amante impaziente), op. 82 no. 3 | — | ||
| 2-9 | Arietta assai seriosa (L’amante impaziente), op. 82 no. 4 | — | ||
| 2-10 | Wonne der Wehmut, op. 83 no. 1 | — | ||
| 2-11 | Sehnsucht, op. 83 no. 2 | — | ||
| 2-12 | Mit einem gemalten Band, op. 83 no. 3 | — | ||
| 2-13 | An die Geliebte, WoO 140 | — | ||
| 2-14 | Der Bardengeist, WoO 142 | — | ||
| 2-15 | An die Hoffnung, op. 94 | — | ||
| 2-16 | Das Geheimnis, WoO 145 | — | ||
| 2-17 | Sehnsucht, WoO 146 | — | ||
| 2-18 | An die ferne Geliebte, op. 98: Auf dem Hügel sitz’ich, spähend | — | ||
| 2-19 | An die ferne Geliebte, op. 98: Wo die Berge so blau | — | ||
| 2-20 | An die ferne Geliebte, op. 98: Leichte Segler in den Höhen | — | ||
| 2-21 | An die ferne Geliebte, op. 98: Diese Wolken in den Höhen | — | ||
| 2-22 | An die ferne Geliebte, op. 98: Es kehret der Maien | — | ||
| 2-23 | An die ferne Geliebte, op. 98: Nimm sie hin denn, diese Lieder | — | ||
| 2-24 | Ruf vom Berge, WoO 147 | — | ||
| 2-25 | Resignation, WoO 149 | — | ||
| 2-26 | Abendlied unter’m gestirnten Himmel, WoO 150 | — | ||
| 2-27 | The Parting Kiss, WoO 155 no. 25 | — | ||
| 2-28 | Good Night, WoO 155 no. 26 | — | ||
| 2-29 | The return to Ulster, WoO 152 no. 1 | — | ||
| 2-30 | Once more I hail three, WoO 152 no. 3 | — | ||
| 2-31 | The morning air plays on my Face, WoO 152 no. 4 | — | ||
| 3-1 | The Soldier’s Dream, WoO 152 no. 9 | — | ||
| 3-2 | O Harp of Erin, WoO 154 no. 2 | — | ||
| 3-3 | The pulse of an Irishman, WoO 154 no. 4 | — | ||
| 3-4 | Sunset, WoO 108 no. 2 | — | ||
| 3-5 | Oh, sweet were the hours, WoO 108 no. 3 | — | ||
| 3-6 | Bonny laddie, highland laddie, WoO 108 no. 7 | — | ||
| 3-7 | Oh, had my fate been join’d with thine, WoO 108 no. 12 | — | ||
| 3-8 | Come fill, fill, my good fellow, WoO 108 no. 13 | — | ||
| 3-9 | Could this ill world have been contriv’d, WoO 108 no. 16 | — | ||
| 3-10 | Faithfu’ Johnie, op. 108 no. 20 | — | ||
| 3-11 | La Gondoletta, WoO 157 no. 12 | — | ||
| 3-12 | An die Hoffnung, K 390 | — | ||
| 3-13 | Wie unglücklich bin ich nit, K 147 | — | ||
| 3-14 | An die Freundschaft, K. 148/125h | Dietrich Fischer-Dieskau, Daniel Barenboim | — | |
| 3-15 | Die großmütige Gelassenheit, K 149 (125d) | — | ||
| 3-16 | Geheime Liebe, K 150 (125e) | — | ||
| 3-17 | Die Zufriedenheit im niedrigen Stande, K 151 (125f) | — | ||
| 3-18 | Gesellenreise (Freimauerlied), K 468 | — | ||
| 3-19 | Die Zufriedenheit, K 473 | — | ||
| 3-20 | Die betrogene Welt, K 474 | — | ||
| 3-21 | Das Veilchen, K 476 | — | ||
| 3-22 | Lied der Freiheit, K 506 | — | ||
| 3-23 | Das Lied der Trennung, K 519 | — | ||
| 3-24 | Abendempfindung, K 523 | — | ||
| 3-25 | An Chloë, K 524 | — | ||
| 3-26 | Das Traumbild, K 530 | — | ||
| 3-27 | Die ihr des unermesslichen Weltalls Schöpfer ehrt, K 619 | — | ||
| 4-1 | Eine sehr gewöhnliche Geschichte, Hob. XXVIa:4 | — | ||
| 4-2 | Der Gleichsinn, Hob. XXVIa:6 | — | ||
| 4-3 | Die zu späte Ankunft der Mutter, Hob. XXVIa:12 | — | ||
| 4-4 | Gegeliebe, Hob. XXVIa:16 | — | ||
| 4-5 | Geistliches Lied, Hob. XXVIa:17 | — | ||
| 4-6 | Auch die Sprödeste der Schönen, Hob. XXVIa:18 | — | ||
| 4-7 | Zufreidenheit, Hob. XXVIa:20 | — | ||
| 4-8 | Das Leben ist ein Traum, Hob. XXVIa:21 | — | ||
| 4-9 | Lob der Faulheit, Hob. XXVIa:22 | — | ||
| 4-10 | Recollection, Hob. XXVIa:26 | — | ||
| 4-11 | Fidelity, Hob. XXVIa:30 | — | ||
| 4-12 | Sailor’s Song, Hob. XXVIa:31 | — | ||
| 4-13 | The Wanderer, Hob. XXVIa:32 | — | ||
| 4-14 | She Never Told Her Love, Hob. XXVIa:34 | — | ||
| 4-15 | Piercing Eyes, Hob. XXVIa:35 | — | ||
| 4-16 | The Spirit’s Song, Hob. XXVIa:41 | — | ||
| 4-17 | Gott erhalte Franz den Kaiser, Hob. XXVIa:43 | — | ||
| 4-18 | Abschiedslied, Hob. XXVIa:F1 | — | ||
| 4-19 | Dank, op. 1 no. 1 | — | ||
| 4-20 | Abschied, op. 1 no. 2 | — | ||
| 4-21 | Wo der Goldregen steht, op. 2 no. 2 | — | ||
| 4-22 | Abschied, op. 2 no. 4 | — | ||
| 4-23 | Grenzen der Menschheit | — |
