UPC · Release
Madama Butterfly
Puccini, Angela Gheorghiu, Jonas Kaufmann, Enkelejda Shkosa, Fabio Capitanucci, Orchestra, Coro dell’Accademia Nazionale di Santa Cecilia, Antonio Pappano
5099945621529
45 tracksReleased 2009-01-01EMI Classics
Last verified:
5099945621529 is the Universal Product Code (UPC barcode) for the release “Madama Butterfly” by Puccini, Angela Gheorghiu, Jonas Kaufmann, Enkelejda Shkosa, Fabio Capitanucci, Orchestra, Coro dell’Accademia Nazionale di Santa Cecilia, Antonio Pappano, released 2009-01-01 on EMI Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 45 tracks, each with its own ISRC.
Format
509GS1 prefix
9945Company prefix
62152Product
9Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (45)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Madama Butterfly: Atto I. “E soffitto… E pareti…” (Pinkerton/Goro) | — | ||
| 2 | Madama Butterfly: Atto I. “Sorride Vostro Onore?” (Suzuki/Pinkerton/Goro/Sharpless) | — | ||
| 3 | Madama Butterfly: Atto I. “Dovunque al mondo” (Pinkerton/Sharpless) | — | ||
| 4 | Madama Butterfly: Atto I. “Ed è bella la sposa?” (Sharpless/Goro/Pinkerton) | — | ||
| 5 | Madama Butterfly: Atto I. “Ier l’altro, il Consolato” (Sharpless/Pinkerton/Goro/Le amiche di butterfly) | — | ||
| 6 | Madama Butterfly: Atto I. “Ah! Quanto cielo! Quanto mar!” … “Ancora un passo or via” (Le amiche/Butterfly/Sharpless) | — | ||
| 7 | Madama Butterfly: Atto I. “Gran ventura” (Butterfly/Le amiche/Pinkerton/Sharpless) | — | ||
| 8 | Madama Butterfly: Atto I. “L’Imperial Commissario” (Goro/Pinkerton/Parenti, amici ed amiche di butterfly/Butterfly/La cugina/La madre/La zia/Yakusidé/Sharpless) | — | ||
| 9 | Madama Butterfly: Atto I. “Vieni, amor mio!” (Pinkerton/Butterfly/Goro) | — | ||
| 10 | Madama Butterfly: Atto I. “Ieri son salita tutta sola” (Butterfly) | — | ||
| 11 | Madama Butterfly: Atto I. “Tutti zitti!” (Goro/Il commissario/Le amiche/Butterfly) | — | ||
| 12 | Madama Butterfly: Atto I. “Auguri molti” (Il commissario/Pinkerton/Sharpless/L’ufficiale/Le amiche/La cugina/La madre) | — | ||
| 13 | Madama Butterfly: Atto I. “Cio‐cio‐san! Abbominazione!” (Bonzo/Butterfly/Parenti, amici ed amiche/Goro/Pinkerton/Yakusidé) | — | ||
| 14 | Madama Butterfly: Atto I. “Bimba, non piangere” (Pinkerton/Le amiche/Butterfly/Suzuki) | — | ||
| 15 | Madama Butterfly: Atto I. “Viene la sera” (Pinkerton/Butterfly/Suzuki) | — | ||
| 16 | Madama Butterfly: Atto I. “Bimba dagli occhi pieni di malìa” (Pinkerton/Butterfly) | — | ||
| 17 | Madama Butterfly: Atto I. “Vogliatemi bene, un bene piccolino” (Butterfly/Pinkerton) | — | ||
| 18 | Madama Butterfly: Atto II, parte 1. Orchestra | — | ||
| 19 | Madama Butterfly: Atto II, parte 1. “E lzaghi ed lzanami” (Suzuki/Butterfly) | — | ||
| 20 | Madama Butterfly: Atto II, parte 1. “Un bel dì, vedremo” (Butterfly) | — | ||
| 2-1 | Madama Butterfly: Atto II, parte 1. “C’è. Entrate” (Goro/Sharpless/Butterfly) | — | ||
| 2-2 | Madama Butterfly: Atto II, parte 1. “Non lo sapete insomma” (Butterfly/Sharpless/Goro/Yamadori) | — | ||
| 2-3 | Madama Butterfly: Atto II, parte 1. “Ora a noi” (Sharpless/Butterfly) | — | ||
| 2-4 | Madama Butterfly: Atto II, parte 1. “Due cose potrei far” (Sharpless/Butterfly) | — | ||
| 2-5 | Madama Butterfly: Atto II, parte 1. “Ah! M’ha scordata?” (Butterfly/Sharpless) | — | ||
| 2-6 | Madama Butterfly: Atto II, parte 1. “Sai cos’ebbe cuore di pensare” … “Che tua madre dovrà” (Butterfly/Sharpless) | — | ||
| 2-7 | Madama Butterfly: Atto II, parte 1. “Io scendo al piano” (Sharpless/Butterfly) | — | ||
| 2-8 | Madama Butterfly: Atto II, parte 1. “Vespa! Rospo maledetto!” (Suzuki/Goro/Butterfly) | — | ||
| 2-9 | Madama Butterfly: Atto II, parte 1. “Una nave da guerra” (Butterfly/Suzuki) | — | ||
| 2-10 | Madama Butterfly: Atto II, parte 1. “Scuoti quella fronda di ciliegio” (Butterfly/Suzuki) | — | ||
| 2-11 | Madama Butterfly: Atto II, parte 1. “Or vienmi ad adornar” (Butterfly/Suzuki) | — | ||
| 2-12 | Madama Butterfly: Atto II, parte 1. “Nello shosi or farem tre forellini” (Butterfly) | — | ||
| 2-13 | Madama Butterfly: Atto II, parte 1. Coro a bocca chiusa (Humming Chorus) | — | ||
| 2-14 | Madama Butterfly: Atto II, parte 2. Orchestra | — | ||
| 2-15 | Madama Butterfly: Atto II, parte 2. “Oh eh! Oh eh!” (Marinai) | — | ||
| 2-17 | Madama Butterfly: Atto II, parte 2. “Gia il sole!” (Suzuki/Butterfly) | — | ||
| 2-18 | Madama Butterfly: Atto II, parte 2. “Povera Butterfly” (Suzuki/Sharpless/Pinkerton) | — | ||
| 2-19 | Madama Butterfly: Atto II, parte 2. “Io so che alle sue pene” (Sharpless/Pinkerton/Suzuki) | — | ||
| 2-20 | Madama Butterfly: Atto II, parte 2. “Non ve l’avevo detto?” (Sharpless/Pinkerton) | — | ||
| 2-21 | Madama Butterfly: Atto II, parte 2. “Addio fiorito asil” (Pinkerton/Sharpless) | — | ||
| 2-22 | Madama Butterfly: Atto II, parte 2. “Glielo dirai?” (Kate/Suzuki/Butterfly) | — | ||
| 2-23 | Madama Butterfly: Atto II, parte 2. “Vespa! Voglio che tu risponda” (Butterfly/Suzuki/Sharpless/Kate) | — | ||
| 2-24 | Madama Butterfly: Atto II, parte 2. “Come una mosca progioniera” (Suzuki/Butterfly) | — | ||
| 2-25 | Madama Butterfly: Atto II, parte 2. “Tu? Tu piccolo iddio!” (Butterfly) | — | ||
| 2-26 | Madama Butterfly: Atto II, parte 2. “Va, gioca, gioca!” (Butterfly/Pinkerton) | — |
Madama Butterfly: Atto I. “E soffitto… E pareti…” (Pinkerton/Goro)
—
Madama Butterfly: Atto I. “Sorride Vostro Onore?” (Suzuki/Pinkerton/Goro/Sharpless)
—
Madama Butterfly: Atto I. “Dovunque al mondo” (Pinkerton/Sharpless)
—
Madama Butterfly: Atto I. “Ed è bella la sposa?” (Sharpless/Goro/Pinkerton)
—
Madama Butterfly: Atto I. “Ier l’altro, il Consolato” (Sharpless/Pinkerton/Goro/Le amiche di butterfly)
—
Madama Butterfly: Atto I. “Ah! Quanto cielo! Quanto mar!” … “Ancora un passo or via” (Le amiche/Butterfly/Sharpless)
—
Madama Butterfly: Atto I. “Gran ventura” (Butterfly/Le amiche/Pinkerton/Sharpless)
—
Madama Butterfly: Atto I. “L’Imperial Commissario” (Goro/Pinkerton/Parenti, amici ed amiche di butterfly/Butterfly/La cugina/La madre/La zia/Yakusidé/Sharpless)
—
Madama Butterfly: Atto I. “Vieni, amor mio!” (Pinkerton/Butterfly/Goro)
—
Madama Butterfly: Atto I. “Ieri son salita tutta sola” (Butterfly)
—
Madama Butterfly: Atto I. “Tutti zitti!” (Goro/Il commissario/Le amiche/Butterfly)
—
Madama Butterfly: Atto I. “Auguri molti” (Il commissario/Pinkerton/Sharpless/L’ufficiale/Le amiche/La cugina/La madre)
—
Madama Butterfly: Atto I. “Cio‐cio‐san! Abbominazione!” (Bonzo/Butterfly/Parenti, amici ed amiche/Goro/Pinkerton/Yakusidé)
—
Madama Butterfly: Atto I. “Bimba, non piangere” (Pinkerton/Le amiche/Butterfly/Suzuki)
—
Madama Butterfly: Atto I. “Viene la sera” (Pinkerton/Butterfly/Suzuki)
—
Madama Butterfly: Atto I. “Bimba dagli occhi pieni di malìa” (Pinkerton/Butterfly)
—
Madama Butterfly: Atto I. “Vogliatemi bene, un bene piccolino” (Butterfly/Pinkerton)
—
Madama Butterfly: Atto II, parte 1. Orchestra
—
Madama Butterfly: Atto II, parte 1. “E lzaghi ed lzanami” (Suzuki/Butterfly)
—
Madama Butterfly: Atto II, parte 1. “Un bel dì, vedremo” (Butterfly)
—
Madama Butterfly: Atto II, parte 1. “C’è. Entrate” (Goro/Sharpless/Butterfly)
—
Madama Butterfly: Atto II, parte 1. “Non lo sapete insomma” (Butterfly/Sharpless/Goro/Yamadori)
—
Madama Butterfly: Atto II, parte 1. “Ora a noi” (Sharpless/Butterfly)
—
Madama Butterfly: Atto II, parte 1. “Due cose potrei far” (Sharpless/Butterfly)
—
Madama Butterfly: Atto II, parte 1. “Ah! M’ha scordata?” (Butterfly/Sharpless)
—
Madama Butterfly: Atto II, parte 1. “Sai cos’ebbe cuore di pensare” … “Che tua madre dovrà” (Butterfly/Sharpless)
—
Madama Butterfly: Atto II, parte 1. “Io scendo al piano” (Sharpless/Butterfly)
—
Madama Butterfly: Atto II, parte 1. “Vespa! Rospo maledetto!” (Suzuki/Goro/Butterfly)
—
Madama Butterfly: Atto II, parte 1. “Una nave da guerra” (Butterfly/Suzuki)
—
Madama Butterfly: Atto II, parte 1. “Scuoti quella fronda di ciliegio” (Butterfly/Suzuki)
—
Madama Butterfly: Atto II, parte 1. “Or vienmi ad adornar” (Butterfly/Suzuki)
—
Madama Butterfly: Atto II, parte 1. “Nello shosi or farem tre forellini” (Butterfly)
—
Madama Butterfly: Atto II, parte 1. Coro a bocca chiusa (Humming Chorus)
—
Madama Butterfly: Atto II, parte 2. Orchestra
—
Madama Butterfly: Atto II, parte 2. “Oh eh! Oh eh!” (Marinai)
—
Madama Butterfly: Atto II, parte 2. “Gia il sole!” (Suzuki/Butterfly)
—
Madama Butterfly: Atto II, parte 2. “Povera Butterfly” (Suzuki/Sharpless/Pinkerton)
—
Madama Butterfly: Atto II, parte 2. “Io so che alle sue pene” (Sharpless/Pinkerton/Suzuki)
—
Madama Butterfly: Atto II, parte 2. “Non ve l’avevo detto?” (Sharpless/Pinkerton)
—
Madama Butterfly: Atto II, parte 2. “Addio fiorito asil” (Pinkerton/Sharpless)
—
Madama Butterfly: Atto II, parte 2. “Glielo dirai?” (Kate/Suzuki/Butterfly)
—
Madama Butterfly: Atto II, parte 2. “Vespa! Voglio che tu risponda” (Butterfly/Suzuki/Sharpless/Kate)
—
Madama Butterfly: Atto II, parte 2. “Come una mosca progioniera” (Suzuki/Butterfly)
—
Madama Butterfly: Atto II, parte 2. “Tu? Tu piccolo iddio!” (Butterfly)
—
Madama Butterfly: Atto II, parte 2. “Va, gioca, gioca!” (Butterfly/Pinkerton)
—
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What is UPC 5099945621529?
5099945621529 is a Universal Product Code (UPC) assigned to Madama Butterfly by Puccini, Angela Gheorghiu, Jonas Kaufmann, Enkelejda Shkosa, Fabio Capitanucci, Orchestra, Coro dell’Accademia Nazionale di Santa Cecilia, Antonio Pappano. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 45 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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