UPC · Release
50 Best Romantic Classics
Various Artists
5099945755552
17 tracksReleased 2010-02-26
Last verified:
5099945755552 is the Universal Product Code (UPC barcode) for the release “50 Best Romantic Classics” by Various Artists, released 2010-02-26. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 17 tracks, each with its own ISRC. Tracks include GBAYC8701817, GBAYC9702826, GBAYC0502710.
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509GS1 prefix
9945Company prefix
75555Product
2Check digit
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- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
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- Product:
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Credit Chain
UPC50 Best Romantic Classics
ISRC17 recordings
ISWC31 works
IPI4 songwriters
Track List (17)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 3-1 | Cavalleria rusticana: Intermezzo | Philharmonia Orchestra, Riccardo Muti | T9214184573 | |
| 3-2 | Gianni Schicchi: Aria “O mio babbino caro” (Lauretta) | Angela Gheorghiu, London Symphony Orchestra, Antonio Pappano | T-901222501-3 | |
| 3-3 | España, op. 165: No. 2. Tango | Leif Ove Andsnes | — | |
| 3-4 | La Rondine: Chi il bel sogno di Doretta | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | — | |
| 3-5 | Violin Concerto in E major “The Four Seasons: Spring”, op. 8 no. 1: I. Allegro | Yehudi Menuhin, Paul Crocker, Camerata Lysy Gstaad, Alberto Lysy | — | |
| 3-6 | L’incoronazione di Poppea: Atto III. “Pur ti miro” | Fernando Lima, Natasha Marsh, London Symphony Orchestra, Craig Leon | — | |
| 3-7 | String Quintet in E major, op. 13 no. 5: Minuet | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 3-8 | L’Amico Fritz: Atto III: “O amore, o bella luce del core” | Luciano Pavarotti, Orchestra of the Royal Opera House, Covent Garden, Gianandrea Gavazzeni | — | |
| 3-9 | Recuerdos de la Alhambra | Christopher Parkening | — | |
| 3-10 | Ai Giochi Addio (love theme from the Zeffirelli film Romeo & Juliet) | Natasha Marsh, London Symphony Orchestra, François-Xavier Roth | T-070.932.859-5 | |
| 3-11 | Concierto de Aranjuez: II. Adagio (opening) | Julian Bream, City of Birmingham Symphony Orchestra, Simon Rattle | T-041489061-1 | |
| 3-12 | Madama Butterfly: Atto I. “Vogliatemi bene, un bene piccolino” (Butterfly, Pinkerton) | Carlo Bergonzi, Renata Scotto, Orchestra del Teatro dell’Opera di Roma, John Barbirolli | — | |
| 3-13 | Guitar Concerto in D: II. Largo (arr. Pujol) | Sharon Isbin, Orchestre de Chambre de Lausanne, Lawrence Foster | — | |
| 3-14 | Zigeunerweisen, op. 20 | Anne-Sophie Mutter, Orchestre national de France, Seiji Ozawa | T9211617720 | |
| 3-15 | Time To Say Goodbye | Amy Nuttall | T-005.000.672-8 | |
| 3-16 | Suite española No. 1 Op. 47 (arr. Byzantine): III. Sevilla (Sevillanas) | Julian Byzantine | — | |
| 3-17 | Turandot: Act 3. “Nessun dorma!” (Calaf, Chorus) | José Carreras, Chœur de l'Opéra national du Rhin, Orchestre philharmonique de Strasbourg, Alain Lombard | — |
Angela Gheorghiu, London Symphony Orchestra, Antonio Pappano
España, op. 165: No. 2. Tango
Leif Ove Andsnes
—
La Rondine: Chi il bel sogno di Doretta
Montserrat Caballé, London Symphony Orchestra, Charles Mackerras
—
Violin Concerto in E major “The Four Seasons: Spring”, op. 8 no. 1: I. Allegro
Yehudi Menuhin, Paul Crocker, Camerata Lysy Gstaad, Alberto Lysy
—
L’incoronazione di Poppea: Atto III. “Pur ti miro”
Fernando Lima, Natasha Marsh, London Symphony Orchestra, Craig Leon
—
String Quintet in E major, op. 13 no. 5: Minuet
Academy of St Martin in the Fields, Sir Neville Marriner
—
L’Amico Fritz: Atto III: “O amore, o bella luce del core”
Luciano Pavarotti, Orchestra of the Royal Opera House, Covent Garden, Gianandrea Gavazzeni
—
Recuerdos de la Alhambra
Christopher Parkening
—
Natasha Marsh, London Symphony Orchestra, François-Xavier Roth
Julian Bream, City of Birmingham Symphony Orchestra, Simon Rattle
Madama Butterfly: Atto I. “Vogliatemi bene, un bene piccolino” (Butterfly, Pinkerton)
Carlo Bergonzi, Renata Scotto, Orchestra del Teatro dell’Opera di Roma, John Barbirolli
—
Guitar Concerto in D: II. Largo (arr. Pujol)
Sharon Isbin, Orchestre de Chambre de Lausanne, Lawrence Foster
—
Suite española No. 1 Op. 47 (arr. Byzantine): III. Sevilla (Sevillanas)
Julian Byzantine
—
Turandot: Act 3. “Nessun dorma!” (Calaf, Chorus)
José Carreras, Chœur de l'Opéra national du Rhin, Orchestre philharmonique de Strasbourg, Alain Lombard
—
Additional database matches (47)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Lakmé : Acte I. « Dôme épais, le jasmin » (Lakmé, Mallika) | Natalie Dessay, Delphine Haidan, Orchestre du Capitole de Toulouse, Michel Plasson | — |
| Dolly, op. 56. I. Berceuse | Jean-Philippe Collard, Bruno Rigutto | — |
| Plaisir d'amour | Barbara Hendricks, Michel Dalberto | T1011126659 |
| Lakmé : Acte I. « Dôme épais, le jasmin » (Lakmé, Mallika) | Natalie Dessay, Delphine Haidan, Orchestre du Capitole de Toulouse, Michel Plasson | T9001428268 |
| Die lustige Witwe: Akt II. »Nun lasst uns aber wie daheim« | [unknown] | — |
| Le Carnaval des animaux: XIII. "Le cygne" | Aline Brewer, Han-Na Chang, Philharmonia Orchestra, Leonard Slatkin | T-317671333-6 |
| Sylvia - Suite: II. Intermezzo et Valse lente | New Philharmonia Orchestra, Charles Mackerras | — |
| Les Deux Pigeons: Suite "Pas de deux pigeons" | Orchestra of the Royal Opera House, Covent Garden, Charles Mackerras | — |
| Faust: Act V. "Les Nubiennes" | New Philharmonia Orchestra, Charles Mackerras | — |
| Carmen : Acte I. Habanera « L’amour est un oiseau rebelle » (Carmen, Chœur) | Maria Callas, Chœurs René Duclos, Orchestre du Théâtre National de l’Opéra de Paris, Georges Prêtre | T-305625648-1 |
| 3 Liebesträume, S. 541: No. 3. "O lieb, so lang du lieben kannst!" | Leif Ove Andsnes | T-306229968-3 |
| Sylvia - Suite: II. Intermezzo et Valse lente | New Philharmonia Orchestra, Charles Mackerras | T0701403577 |
| Thais: Méditation | Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan | — |
| La Rondine, Atto I. “Chi il bel sogno di Doretta?” (Magda) | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | — |
| String Quintet in E major, op. 13 no. 5: Minuet | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Thais: Méditation | Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan | T-306705438-6 |
| Thais: Méditation | Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan | — |
| Peer Gynt, op. 23: Act 4: No. 13, Prelude. Morning Mood | Academy of St Martin in the Fields, Sir Neville Marriner | T0614093650 |
| Peer Gynt, op. 23: Act 4: No. 13, Prelude. Morning Mood | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Carmen: Act 3 Prelude "Intermezzo" | Orchestre national de France, Seiji Ozawa | T9023004651 |
| Carmen: Act 3 Prelude "Intermezzo" | Orchestre national de France, Seiji Ozawa | — |
| Les Contes d’Hoffmann : Acte IV. « Belle nuit, ô nuit d’amour » | Ann Murray, Jessye Norman, Choeurs de l’Opéra Royal de la Monnaie, Orchestre de l’Opéra National du Théâtre Royal de la Monnaie de Bruxelles, Sylvain Cambreling | T0711534994 |
| Rusalka: Song to the Moon | Lesley Garrett, Lucia Popp, Munich Radio Symphony Orchestra, Philharmonia Orchestra, Andrew Greenwood, Stefan Soltész | T-922610201-8 |
| Humoresque no. 7 for piano in G flat major, B. 187/7 (op. 101/7) | Dame Moura Lympany | T1066878779 |
| Symphony No. 9 in E minor, "From the New World", Op. 95: II. Largo | Oslo Philharmonic Orchestra, Mariss Jansons | — |
| Humoresque no. 7 for piano in G flat major, B. 187/7 (op. 101/7) | Dame Moura Lympany | T1066104547 |
| Gymnopédie no. 1 | City of Birmingham Symphony Orchestra, Louis Frémaux | T-003.010.186-0 |
| Piano Concerto No. 1 in E flat major, S. 124: II. Quasi adagio | Michel Béroff, Gewandhausorchester Leipzig, Kurt Masur | — |
| Nessun Dorma from 'Turandot' | José Carreras, Chœur de l'Opéra national du Rhin, Orchestre philharmonique de Strasbourg, Alain Lombard | T-900798623-4 |
| Nocturne for Piano no. 2 in E‐flat major, op. 9/2, CT. 109 | John Ogdon | T-316578060-5 |
| Romance en Ré bémol majeur, op. 37 | Ulf Hoelscher, New Philharmonia Orchestra, Pierre Dervaux | — |
| Prelude No. 7 in A major, "Les sylphides", Op. 28 | Philharmonia Orchestra, Robert Irving | — |
| Ma vlast: Vltava (extract) | Staatskapelle Dresden, Paavo Berglund | — |
| Suite bergamasque, CD 82, L. 75: III. Clair de lune | The Philadelphia Orchestra, Wolfgang Sawallisch | T9066386901 |
| La Rondine, Atto I. “Chi il bel sogno di Doretta?” (Magda) | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | — |
| Cavalleria rusticana: Intermezzo | Philharmonia Orchestra, Riccardo Muti | — |
| Jalousie "Tango tzigane" | Stig Nilsson, Oslo Philharmonic Orchestra, Mariss Jansons | T-000374053-1 |
| Samson et Dalila : Acte II. « Mon cœur s’ouvre à ta voix » | Maria Callas, Orchestre national de la radiodiffusion française, Georges Prêtre | — |
| Piano Concerto no. 1 in E minor, op. 11: II. Romance - Larghetto (opening) | Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit | T-308381369-4 |
| Piano Concerto in A Minor, Op. 16: II. Adagio | Dmitri Alexeev, Yuri Temirkanov | T9279720875 |
| Berceuse for piano in D-flat major, op. 57 | Peter Donohoe | — |
| Bryllupsdag på Troldhaugen, Op. 65/6 | Daniel Adni | — |
| Pavane in F-sharp minor, op. 50 | Gareth Morris, New Philharmonia Orchestra, Sir David Willcocks | T9093402187 |
| Pelléas och Mélisande, op. 46: I. Vid slotttsporten | Bournemouth Symphony Orchestra, Paavo Berglund | — |
| Chanson d’amour, op. 27. No 1 | Natasha Marsh, London Symphony Orchestra, Michael Francis | — |
| Carmen : Acte I. Habanera « L’amour est un oiseau rebelle » (Carmen, Chœur) | Maria Callas, Chœurs René Duclos, Orchestre du Théâtre National de l’Opéra de Paris, Georges Prêtre | T-305625648-1 |
| Gymnopédie no. 1 | City of Birmingham Symphony Orchestra, Louis Frémaux | T-003.010.186-0 |
Lakmé : Acte I. « Dôme épais, le jasmin » (Lakmé, Mallika)
Natalie Dessay, Delphine Haidan, Orchestre du Capitole de Toulouse, Michel Plasson
—
Dolly, op. 56. I. Berceuse
Jean-Philippe Collard, Bruno Rigutto
—
Barbara Hendricks, Michel Dalberto
Natalie Dessay, Delphine Haidan, Orchestre du Capitole de Toulouse, Michel Plasson
Die lustige Witwe: Akt II. »Nun lasst uns aber wie daheim«
[unknown]
—
Aline Brewer, Han-Na Chang, Philharmonia Orchestra, Leonard Slatkin
Sylvia - Suite: II. Intermezzo et Valse lente
New Philharmonia Orchestra, Charles Mackerras
—
Les Deux Pigeons: Suite "Pas de deux pigeons"
Orchestra of the Royal Opera House, Covent Garden, Charles Mackerras
—
Faust: Act V. "Les Nubiennes"
New Philharmonia Orchestra, Charles Mackerras
—
Maria Callas, Chœurs René Duclos, Orchestre du Théâtre National de l’Opéra de Paris, Georges Prêtre
New Philharmonia Orchestra, Charles Mackerras
Thais: Méditation
Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan
—
La Rondine, Atto I. “Chi il bel sogno di Doretta?” (Magda)
Montserrat Caballé, London Symphony Orchestra, Charles Mackerras
—
String Quintet in E major, op. 13 no. 5: Minuet
Academy of St Martin in the Fields, Sir Neville Marriner
—
Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan
Thais: Méditation
Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan
—
Academy of St Martin in the Fields, Sir Neville Marriner
Peer Gynt, op. 23: Act 4: No. 13, Prelude. Morning Mood
Academy of St Martin in the Fields, Sir Neville Marriner
—
Orchestre national de France, Seiji Ozawa
Carmen: Act 3 Prelude "Intermezzo"
Orchestre national de France, Seiji Ozawa
—
Ann Murray, Jessye Norman, Choeurs de l’Opéra Royal de la Monnaie, Orchestre de l’Opéra National du Théâtre Royal de la Monnaie de Bruxelles, Sylvain Cambreling
Lesley Garrett, Lucia Popp, Munich Radio Symphony Orchestra, Philharmonia Orchestra, Andrew Greenwood, Stefan Soltész
Symphony No. 9 in E minor, "From the New World", Op. 95: II. Largo
Oslo Philharmonic Orchestra, Mariss Jansons
—
City of Birmingham Symphony Orchestra, Louis Frémaux
Piano Concerto No. 1 in E flat major, S. 124: II. Quasi adagio
Michel Béroff, Gewandhausorchester Leipzig, Kurt Masur
—
José Carreras, Chœur de l'Opéra national du Rhin, Orchestre philharmonique de Strasbourg, Alain Lombard
Romance en Ré bémol majeur, op. 37
Ulf Hoelscher, New Philharmonia Orchestra, Pierre Dervaux
—
Prelude No. 7 in A major, "Les sylphides", Op. 28
Philharmonia Orchestra, Robert Irving
—
Ma vlast: Vltava (extract)
Staatskapelle Dresden, Paavo Berglund
—
The Philadelphia Orchestra, Wolfgang Sawallisch
La Rondine, Atto I. “Chi il bel sogno di Doretta?” (Magda)
Montserrat Caballé, London Symphony Orchestra, Charles Mackerras
—
Cavalleria rusticana: Intermezzo
Philharmonia Orchestra, Riccardo Muti
—
Stig Nilsson, Oslo Philharmonic Orchestra, Mariss Jansons
Samson et Dalila : Acte II. « Mon cœur s’ouvre à ta voix »
Maria Callas, Orchestre national de la radiodiffusion française, Georges Prêtre
—
Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit
Dmitri Alexeev, Yuri Temirkanov
Berceuse for piano in D-flat major, op. 57
Peter Donohoe
—
Bryllupsdag på Troldhaugen, Op. 65/6
Daniel Adni
—
Gareth Morris, New Philharmonia Orchestra, Sir David Willcocks
Pelléas och Mélisande, op. 46: I. Vid slotttsporten
Bournemouth Symphony Orchestra, Paavo Berglund
—
Chanson d’amour, op. 27. No 1
Natasha Marsh, London Symphony Orchestra, Michael Francis
—
Maria Callas, Chœurs René Duclos, Orchestre du Théâtre National de l’Opéra de Paris, Georges Prêtre
City of Birmingham Symphony Orchestra, Louis Frémaux
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000027655470000000003568857100000000551305240000000055174463000000005518041700000000551869740000000055192274000000006097350X00000000631116220000000078231002
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000000008169243200000000816971530000000081773005000000008181935X000000008188811X000000008411814500000000841631220000000108606603000000010861735300000001091274790000000109144113000000010930050X0000000109350136000000010940677700000001101426250000000110164752000000011031228400000001103401620000000110552771000000011059202800000001107366180000000110736669000000011082322800000001108299610000000110852010000000011092886300000001109339530000000114394889000000011439722X00000001143979670000000114409403000000011449965600000001145244280000000114550183000000011455125800000001145531300000000114553392000000011462217500000001146304900000000114725481
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What is UPC 5099945755552?
5099945755552 is a Universal Product Code (UPC) assigned to 50 Best Romantic Classics by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 17 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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