UPC · Release
Various Artists
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The UPC for “50 Best Romantic Classics” by Various Artists is 5099945755552. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2010-02-26. This release contains 49 tracks, each with its own ISRC. Tracks include GBAYC8600596, GBAYC0002613, GBAYC0202607.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Les Contes d’Hoffmann : Acte IV. « Belle nuit, ô nuit d’amour » | Ann Murray, Jessye Norman, Choeurs de l’Opéra Royal de la Monnaie, Orchestre de l’Opéra National du Théâtre Royal de la Monnaie de Bruxelles, Sylvain Cambreling | T-071.153.499-4 | |
| 2 | Le Carnaval des animaux: XIII. "Le cygne" | Aline Brewer, Han-Na Chang, Philharmonia Orchestra, Leonard Slatkin | T-317.671.333-6 | |
| 3 | Carmen : Acte I. Habanera « L’amour est un oiseau rebelle » (Carmen, Chœur) | Maria Callas, Chœurs René Duclos, Orchestre du Théâtre National de l’Opéra de Paris, Georges Prêtre | T-305.625.648-1 | |
| 4 | Suite bergamasque, CD 82, L. 75: III. Clair de lune | The Philadelphia Orchestra, Wolfgang Sawallisch | T-906.638.690-1 | |
| 5 | Lakmé : Acte I. « Dôme épais, le jasmin » (Lakmé, Mallika) | Natalie Dessay, Delphine Haidan, Orchestre du Capitole de Toulouse, Michel Plasson | — | |
| 6 | Faust: Act V. "Les Nubiennes" | New Philharmonia Orchestra, Charles Mackerras | — | |
| 7 | Samson et Dalila : Acte II. « Mon cœur s’ouvre à ta voix » | Maria Callas, Orchestre national de la radiodiffusion française, Georges Prêtre | — | |
| 8 | Pavane in F-sharp minor, op. 50 | Gareth Morris, New Philharmonia Orchestra, Sir David Willcocks | T-909.340.218-7 | |
| 9 | Plaisir d'amour | Barbara Hendricks, Michel Dalberto | T-101.112.665-9 | |
| 11 | Dolly, op. 56. I. Berceuse | Jean-Philippe Collard, Bruno Rigutto | — | |
| 12 | Carmen: Act 3 Prelude "Intermezzo" | Orchestre national de France, Seiji Ozawa | T-902.300.465-1 | |
| 13 | Chanson d’amour, op. 27. No 1 | Natasha Marsh, London Symphony Orchestra, Michael Francis | — | |
| 14 | Gymnopédie no. 1 | City of Birmingham Symphony Orchestra, Louis Frémaux | T-003.010.186-0 | |
| 15 | Sylvia - Suite: II. Intermezzo et Valse lente | New Philharmonia Orchestra, Charles Mackerras | — | |
| 16 | Les Deux Pigeons: Suite "Pas de deux pigeons" | Orchestra of the Royal Opera House, Covent Garden, Charles Mackerras | — | |
| 17 | Thais: Méditation | Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan | — | |
| 2-1 | Peer Gynt, op. 23: Act 4: No. 13, Prelude. Morning Mood | Academy of St Martin in the Fields, Sir Neville Marriner | T-061.409.365-0 | |
| 2-2 | Ma vlast: Vltava (extract) | Staatskapelle Dresden, Paavo Berglund | — | |
| 2-3 | Piano Concerto in A Minor, Op. 16: II. Adagio | Dmitri Alexeev, Yuri Temirkanov | T-927.972.087-5 | |
| 2-4 | Symphony No. 9 in E minor, "From the New World", Op. 95: II. Largo | Oslo Philharmonic Orchestra, Mariss Jansons | — | |
| 2-5 | Bryllupsdag på Troldhaugen, Op. 65/6 | Daniel Adni | — | |
| 2-6 | Rusalka: Song to the Moon | Lesley Garrett, Lucia Popp, Munich Radio Symphony Orchestra, Philharmonia Orchestra, Andrew Greenwood, Stefan Soltész | T-922.610.201-8 | |
| 2-7 | Piano Concerto no. 1 in E minor, op. 11: II. Romance - Larghetto (opening) | Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit | T-308.381.369-4 | |
| 2-8 | Humoresque no. 7 for piano in G flat major, B. 187/7 (op. 101/7) | Dame Moura Lympany | T-106.687.877-9 | |
| 2-9 | Prelude No. 7 in A major, "Les sylphides", Op. 28 | Philharmonia Orchestra, Robert Irving | — | |
| 2-10 | Piano Concerto No. 1 in E flat major, S. 124: II. Quasi adagio | Michel Béroff, Gewandhausorchester Leipzig, Kurt Masur | — | |
| 2-11 | Pelléas och Mélisande, op. 46: I. Vid slotttsporten | Bournemouth Symphony Orchestra, Paavo Berglund | — | |
| 2-12 | Berceuse for piano in D-flat major, op. 57 | Peter Donohoe | — | |
| 2-13 | Jalousie "Tango tzigane" | Stig Nilsson, Oslo Philharmonic Orchestra, Mariss Jansons | T-000.374.053-1 | |
| 2-14 | Nocturne for Piano no. 2 in E‐flat major, op. 9/2, CT. 109 | John Ogdon | T-316.578.060-5 | |
| 2-15 | 3 Liebesträume, S. 541: No. 3. "O lieb, so lang du lieben kannst!" | Leif Ove Andsnes | T-306.229.968-3 | |
| 2-16 | Die lustige Witwe: Akt II. »Nun lasst uns aber wie daheim« | [unknown] | — | |
| 3-1 | Cavalleria rusticana: Intermezzo | Philharmonia Orchestra, Riccardo Muti | T-921.418.457-3 | |
| 3-2 | Gianni Schicchi: Aria “O mio babbino caro” (Lauretta) | Angela Gheorghiu, London Symphony Orchestra, Antonio Pappano | T-901.222.501-3 | |
| 3-3 | España, op. 165: No. 2. Tango | Leif Ove Andsnes | — | |
| 3-4 | La Rondine: Chi il bel sogno di Doretta | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | — | |
| 3-5 | Violin Concerto in E major “The Four Seasons: Spring”, op. 8 no. 1: I. Allegro | Yehudi Menuhin, Paul Crocker, Camerata Lysy Gstaad, Alberto Lysy | — | |
| 3-6 | L’incoronazione di Poppea: Atto III. “Pur ti miro” | Fernando Lima, Natasha Marsh, London Symphony Orchestra, Craig Leon | — | |
| 3-7 | String Quintet in E major, op. 13 no. 5: Minuet | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 3-8 | L’Amico Fritz: Atto III: “O amore, o bella luce del core” | Luciano Pavarotti, Orchestra of the Royal Opera House, Covent Garden, Gianandrea Gavazzeni | — | |
| 3-9 | Recuerdos de la Alhambra | Christopher Parkening | — | |
| 3-10 | Ai Giochi Addio (love theme from the Zeffirelli film Romeo & Juliet) | Natasha Marsh, London Symphony Orchestra, François-Xavier Roth | T-070.932.859-5 | |
| 3-11 | Concierto de Aranjuez: II. Adagio (opening) | Julian Bream, City of Birmingham Symphony Orchestra, Simon Rattle | T-041.489.061-1 | |
| 3-12 | Madama Butterfly: Atto I. “Vogliatemi bene, un bene piccolino” (Butterfly, Pinkerton) | Carlo Bergonzi, Renata Scotto, Orchestra del Teatro dell’Opera di Roma, John Barbirolli | — | |
| 3-13 | Guitar Concerto in D: II. Largo (arr. Pujol) | Sharon Isbin, Orchestre de Chambre de Lausanne, Lawrence Foster | — | |
| 3-14 | Zigeunerweisen, op. 20 | Anne-Sophie Mutter, Orchestre national de France, Seiji Ozawa | T-921.161.772-0 | |
| 3-15 | Time To Say Goodbye | Amy Nuttall | T-005.000.672-8 | |
| 3-16 | Suite española No. 1 Op. 47 (arr. Byzantine): III. Sevilla (Sevillanas) | Julian Byzantine | — | |
| 3-17 | Turandot: Act 3. “Nessun dorma!” (Calaf, Chorus) | José Carreras, Chœur de l'Opéra national du Rhin, Orchestre philharmonique de Strasbourg, Alain Lombard | — |
Identifier Graph
5099945755552 is a Universal Product Code (UPC) assigned to 50 Best Romantic Classics by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 49 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Romance en Ré bémol majeur, op. 37 | Ulf Hoelscher, New Philharmonia Orchestra, Pierre Dervaux | — |
| Lakmé : Acte I. « Dôme épais, le jasmin » (Lakmé, Mallika) | Natalie Dessay, Delphine Haidan, Orchestre du Capitole de Toulouse, Michel Plasson | T-900.142.826-8 |
| Sylvia - Suite: II. Intermezzo et Valse lente | New Philharmonia Orchestra, Charles Mackerras | T-070.140.357-7 |
| La Rondine, Atto I. “Chi il bel sogno di Doretta?” (Magda) | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | — |
| String Quintet in E major, op. 13 no. 5: Minuet | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Thais: Méditation | Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan | T-306.705.438-6 |
| Thais: Méditation | Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan | — |
| Peer Gynt, op. 23: Act 4: No. 13, Prelude. Morning Mood | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Carmen: Act 3 Prelude "Intermezzo" | Orchestre national de France, Seiji Ozawa | — |
| Humoresque no. 7 for piano in G flat major, B. 187/7 (op. 101/7) | Dame Moura Lympany | T-106.610.454-7 |
| Nessun Dorma from 'Turandot' | José Carreras, Chœur de l'Opéra national du Rhin, Orchestre philharmonique de Strasbourg, Alain Lombard | T-900.798.623-4 |
| La Rondine, Atto I. “Chi il bel sogno di Doretta?” (Magda) | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | — |
| Cavalleria rusticana: Intermezzo | Philharmonia Orchestra, Riccardo Muti | — |
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
The UPC for “50 Best Romantic Classics” by Various Artists is 5099945755552. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2010-02-26. This release contains 49 tracks, each with its own ISRC. Tracks include GBAYC8600596, GBAYC0002613, GBAYC0202607.
