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Various Artists
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5099950025824 is the Universal Product Code (UPC barcode) for the release “100 Best Romantic Classics” by Various Artists, released 2007-01-01 on EMI Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 100 tracks, each with its own ISRC. Tracks include GBAYC9400647, GBAYC8100025, GBAYC9101134.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Piano Concerto no. 1 in B‐flat minor, op. 23: I. Allegro non troppo e molto maestoso (opening) | Horacio Gutiérrez, London Symphony Orchestra, André Previn | — | |
| 2 | Romeo and Juliet, Op. 64: Balcony Scene (Excerpt) | The Philadelphia Orchestra, Riccardo Muti | T-003.506.743-6 | |
| 3 | Gadfly, op. 97: Romance | Tasmin Little, Piers Lane | — | |
| 4 | Romeo & Juliet: Fantasy Overture (Excerpt) | Oslo Philharmonic Orchestra, Mariss Jansons | T-010.194.825-7 | |
| 5 | Rhapsody of a Theme of Paganini: Variation 18 | Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle | T-902.858.745-3 | |
| 6 | Masquerade: Waltz | Philharmonia Orchestra, Efrem Kurtz | — | |
| 7 | Vocalise, op. 34 no. 14 | Natalie Clein, Charles Owen | T-900.222.366-7 | |
| 8 | The Nutcracker, op. 71: Act II: No. 14a. Pas de deux | Oslo Philharmonic Orchestra, Mariss Jansons | — | |
| 9 | Piano Concerto no. 2 in F, op. 102: II. Andante | Dmitri Alexeev, English Chamber Orchestra, Jerzy Maksymiuk | — | |
| 10 | Scheherazade: The Story of the Kalender Prince (Opening) | The Philadelphia Orchestra, Riccardo Muti | — | |
| 11 | Adagio of Spartacus and Phrygia (Spartacus) (Extract) | Royal Philharmonic Orchestra, Yuri Temirkanov | — | |
| 12 | Swan Lake, op. 20: Act II: No. 10. Scène. Moderato | London Symphony Orchestra, André Previn | — | |
| 13 | Piano Concerto no. 2 in C minor op. 18: II. Adagio sostenuo (opening) | Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle | — | |
| 14 | Polovtsian Dances (“Prince Igor”): Introduction: Andantino | Beecham Choral Society, Royal Philharmonic Orchestra, Sir Thomas Beecham | T-902.804.388-1 | |
| 15 | Symphony No. 2 in E minor, Op. 27: III. Adagio (Opening) | St Petersburg Philharmonic Orchestra (Leningrad), Mariss Jansons | — | |
| 16 | The Sleeping Beauty, op. 66: Waltz | Philharmonia Orchestra, John Lanchbery | — | |
| 17 | The Firebird (L'Oiseau De Feu) (Conclusion) | Boston Symphony Orchestra, Seiji Ozawa | — | |
| 2-1 | Piano Concerto no. 21 in C major, K. 467 “Elvira Madigan”: II. Andante (excerpt) | Stephen Hough, Hallé Orchestra, Bryden Thomson | — | |
| 2-2 | Serenade in G major, K. 525 "Eine kleine Nachtmusik": II. Romanza (Andante) | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-3 | Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto | Moura Lympany | — | |
| 2-4 | 'Emperor' Concerto Op. 73 - Il Adagio (trans. Craig Leon) | Julia Thornton | — | |
| 2-5 | Horn Concerto No. 4 in E-flat major, K. 495: II. Romanze. Andante cantabile | Radovan Vlatković, English Chamber Orchestra, Jeffrey Tate | — | |
| 2-6 | Così fan tutte: Atto I, scena 3. “Un’aura amorosa” | John Aler, London Philharmonic Orchestra, Bernard Haitink | — | |
| 2-7 | Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile | Stephen Kovacevich | — | |
| 2-8 | Violin Concerto in E minor, op. 64: II. Andante (extract) | Yehudi Menuhin, New Philharmonia Orchestra, Efrem Kurtz | — | |
| 2-9 | Clarinet Concerto in A major, K. 622: II. Adagio | Sabine Meyer, Staatskapelle Dresden, Hans Vonk | — | |
| 2-10 | Frühlingslied, op. 62 no. 6 | Daniel Adni | T-915.714.795-0 | |
| 2-11 | Violin Concerto no. 1 in G minor, op. 26: II. Adagio (opening) | Yehudi Menuhin, Philharmonia Orchestra, Walter Süsskind | T-312.542.566-9 | |
| 2-12 | Ein Sommernachtstraum: Nocturne | Orchestra of the Age of Enlightenment, Charles Mackerras | — | |
| 2-13 | Vier letzte Lieder, TrV 296: Beim Schlafengehen (conclusion) | Lucia Popp, London Philharmonic Orchestra, Klaus Tennstedt | — | |
| 2-14 | On the Beautiful Blue Danube, Waltz, op. 314 (extract) | Berliner Philharmoniker, Herbert von Karajan | — | |
| 2-15 | Liebesleid | Maxim Vengerov, Ian Brown | — | |
| 2-16 | A Midsummer Night's Dream, op. 61: Wedding March | Rotterdam Philharmonic Orchestra, Jeffrey Tate | T-801.353.603-4 | |
| 3-1 | Les Contes d’Hoffmann : Acte IV. « Belle nuit, ô nuit d’amour » | Ann Murray, Jessye Norman, Choeurs de l’Opéra Royal de la Monnaie, Orchestre de l’Opéra National du Théâtre Royal de la Monnaie de Bruxelles, Sylvain Cambreling | T-071.153.499-4 | |
| 3-2 | Le Carnaval des animaux: XIII. "Le cygne" | Aline Brewer, Han-Na Chang, Philharmonia Orchestra, Leonard Slatkin | T-317.671.333-6 | |
| 3-3 | Carmen : Acte I. Habanera « L’amour est un oiseau rebelle » (Carmen, Chœur) | Maria Callas, Chœurs René Duclos, Orchestre du Théâtre National de l’Opéra de Paris, Georges Prêtre | T-305.625.648-1 | |
| 3-4 | Suite bergamasque, CD 82, L. 75: III. Clair de lune | The Philadelphia Orchestra, Wolfgang Sawallisch | T-906.638.690-1 | |
| 3-5 | Lakmé : Acte I. « Dôme épais, le jasmin » (Lakmé, Mallika) | Natalie Dessay, Delphine Haidan, Orchestre du Capitole de Toulouse, Michel Plasson | — | |
| 3-6 | Faust: Act V. "Les Nubiennes" | New Philharmonia Orchestra, Charles Mackerras | — | |
| 3-7 | Samson et Dalila : Acte II. « Mon cœur s’ouvre à ta voix » | Maria Callas, Orchestre national de la radiodiffusion française, Georges Prêtre | — | |
| 3-8 | Pavane in F-sharp minor, op. 50 | Gareth Morris, New Philharmonia Orchestra, Sir David Willcocks | T-909.340.218-7 | |
| 3-9 | Plaisir d'amour | Barbara Hendricks, Michel Dalberto | T-101.112.665-9 | |
| 3-10 | Romance en Ré bémol majeur, op. 37 | Ulf Hoelscher, New Philharmonia Orchestra, Pierre Dervaux | — | |
| 3-11 | Dolly, op. 56. I. Berceuse | Jean-Philippe Collard, Bruno Rigutto | — | |
| 3-12 | Carmen: Act 3 Prelude "Intermezzo" | Orchestre national de France, Seiji Ozawa | T-902.300.465-1 | |
| 3-13 | Chanson d’amour, op. 27. No 1 | Natasha Marsh, London Symphony Orchestra, Michael Francis | — | |
| 3-14 | Gymnopédie no. 1 | City of Birmingham Symphony Orchestra, Louis Frémaux | T-003.010.186-0 | |
| 3-15 | Sylvia - Suite: II. Intermezzo et Valse lente | New Philharmonia Orchestra, Charles Mackerras | — | |
| 3-16 | Les Deux Pigeons: Suite "Pas de deux pigeons" | Orchestra of the Royal Opera House, Covent Garden, Charles Mackerras | — | |
| 3-17 | Thais: Méditation | Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan | — | |
| 4-1 | Peer Gynt, op. 23: Act 4: No. 13, Prelude. Morning Mood | Academy of St Martin in the Fields, Sir Neville Marriner | T-061.409.365-0 | |
| 4-2 | Ma vlast: Vltava (extract) | Staatskapelle Dresden, Paavo Berglund | — | |
| 4-3 | Piano Concerto in A minor, Op. 16: II. Adagio | Dmitri Alexeev, Royal Philharmonic Orchestra, Yuri Temirkanov | — | |
| 4-4 | Symphony No. 9 in E minor, "From the New World", Op. 95: II. Largo | Oslo Philharmonic Orchestra, Mariss Jansons | — | |
| 4-5 | Bryllupsdag på Troldhaugen, Op. 65/6 | Daniel Adni | — | |
| 4-6 | Rusalka: Song to the Moon | Lesley Garrett, Lucia Popp, Munich Radio Symphony Orchestra, Philharmonia Orchestra, Andrew Greenwood, Stefan Soltész | T-922.610.201-8 | |
| 4-7 | Piano Concerto no. 1 in E minor, op. 11: II. Romance - Larghetto (opening) | Martha Argerich, Orchestre symphonique de Montréal, Charles Dutoit | T-308.381.369-4 | |
| 4-8 | Humoresque no. 7 for piano in G flat major, B. 187/7 (op. 101/7) | Dame Moura Lympany | T-106.687.877-9 | |
| 4-9 | Prelude No. 7 in A major, "Les sylphides", Op. 28 | Philharmonia Orchestra, Robert Irving | — | |
| 4-10 | Piano Concerto No. 1 in E flat major, S. 124: II. Quasi adagio | Michel Béroff, Gewandhausorchester Leipzig, Kurt Masur | — | |
| 4-11 | Pelléas och Mélisande, op. 46: I. Vid slotttsporten | Bournemouth Symphony Orchestra, Paavo Berglund | — | |
| 4-12 | Berceuse for piano in D-flat major, op. 57 | Peter Donohoe | — | |
| 4-13 | Jalousie "Tango tzigane" | Stig Nilsson, Oslo Philharmonic Orchestra, Mariss Jansons | T-000.374.053-1 | |
| 4-14 | Nocturne for Piano no. 2 in E‐flat major, op. 9/2, CT. 109 | John Ogdon | T-316.578.060-5 | |
| 4-15 | 3 Liebesträume, S. 541: No. 3. "O lieb, so lang du lieben kannst!" | Leif Ove Andsnes | T-306.229.968-3 | |
| 4-16 | Die lustige Witwe: Akt II. »Nun lasst uns aber wie daheim« | [unknown] | — | |
| 5-1 | Salut d'amour, op. 12 | Northern Sinfonia of England, Richard Hickox | T-900.035.228-3 | |
| 5-2 | Fantasia on “Greensleeves” (Sir John in Love) | Sinfonia of London, Sir John Barbirolli | — | |
| 5-3 | Cello Concerto in E minor: I. Adagio moderato (opening) | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | — | |
| 5-4 | The Lark Ascending (opening) | Hugh Bean, New Philharmonia Orchestra, Sir Adrian Boult | — | |
| 5-5 | Chanson de matin, op. 15 no. 2 | London Philharmonic Orchestra, Sir Adrian Boult | — | |
| 5-6 | Fantasia on a Theme by Thomas Tallis (opening) | London Philharmonic Orchestra, Sir Adrian Boult | — | |
| 5-7 | Michelle | John Lennon, Paul McCartney | T-010.162.984-8 | |
| 5-8 | The Planets: Venus, the Bringer of Peace (conclusion) | London Philharmonic Orchestra, Sir Adrian Boult | — | |
| 5-9 | Standing Stone: IVe. Strings Pluck, Horns Blow, Drums Beat: Celebration (Andante) | London Symphony Chorus, London Symphony Orchestra, Lawrence Foster | — | |
| 5-10 | The Heart Asks Pleasure First / The Promise | Michael Nyman | T-010.203.179-7 | |
| 5-11 | Cavatina (From the Film Deerhunter) | Manuel Barrueco, Steve Morse | T-011.221.528-7 | |
| 5-12 | Any Other Name | Thomas Newman | T-700.232.760-0 | |
| 5-13 | My Heart Will Go On (From the Film Titanic) | Shearman Orchestra, David Abel | T-042.107.751-1 | |
| 5-14 | Sentimental Melody | Sharon Isbin | T-924.594.808-7 | |
| 5-15 | Summertime (Porgy and Bess) | Kiri Te Kanawa, New York Choral Artists, New Princess Theater Orchestra, John McGlinn | T-900.757.862-3 | |
| 5-16 | Symphonic Dances from West Side Story: II. Somewhere | City of Birmingham Symphony Orchestra, Paavo Järvi | T-070.139.164-1 | |
| 5-17 | Rhapsody in Blue (Performed by Andre Previn) | André Previn, London Symphony Orchestra | T-010.244.926-2 | |
| 6-1 | Cavalleria rusticana: Intermezzo | Philharmonia Orchestra, Riccardo Muti | T-921.418.457-3 | |
| 6-2 | Gianni Schicchi: Aria “O mio babbino caro” (Lauretta) | Angela Gheorghiu, London Symphony Orchestra, Antonio Pappano | T-901.222.501-3 | |
| 6-3 | España, op. 165: No. 2. Tango | Leif Ove Andsnes | — | |
| 6-4 | La Rondine: Chi il bel sogno di Doretta | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | — | |
| 6-5 | Violin Concerto in E major “The Four Seasons: Spring”, op. 8 no. 1: I. Allegro | Yehudi Menuhin, Paul Crocker, Camerata Lysy Gstaad, Alberto Lysy | — | |
| 6-6 | L’incoronazione di Poppea: Atto III. “Pur ti miro” | Fernando Lima, Natasha Marsh, London Symphony Orchestra, Craig Leon | — | |
| 6-7 | String Quintet in E major, op. 13 no. 5: Minuet | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 6-8 | L’Amico Fritz: Atto III: “O amore, o bella luce del core” | Luciano Pavarotti, Orchestra of the Royal Opera House, Covent Garden, Gianandrea Gavazzeni | — | |
| 6-9 | Recuerdos de la Alhambra | Christopher Parkening | — | |
| 6-10 | Ai Giochi Addio (love theme from the Zeffirelli film Romeo & Juliet) | Natasha Marsh, London Symphony Orchestra, François-Xavier Roth | T-070.932.859-5 | |
| 6-11 | Concierto de Aranjuez: II. Adagio (opening) | Julian Bream, City of Birmingham Symphony Orchestra, Simon Rattle | T-041.489.061-1 | |
| 6-12 | Madama Butterfly: Atto I. “Vogliatemi bene, un bene piccolino” (Butterfly, Pinkerton) | Carlo Bergonzi, Renata Scotto, Orchestra del Teatro dell’Opera di Roma, John Barbirolli | — | |
| 6-13 | Guitar Concerto in D: II. Largo (arr. Pujol) | Sharon Isbin, Orchestre de Chambre de Lausanne, Lawrence Foster | — | |
| 6-14 | Zigeunerweisen, op. 20 | Anne-Sophie Mutter, Orchestre national de France, Seiji Ozawa | T-921.161.772-0 | |
| 6-15 | Time To Say Goodbye | Amy Nuttall | T-005.000.672-8 | |
| 6-16 | Suite española No. 1 Op. 47 (arr. Byzantine): III. Sevilla (Sevillanas) | Julian Byzantine | — | |
| 6-17 | Turandot: Act 3. “Nessun dorma!” (Calaf, Chorus) | José Carreras, Chœur de l'Opéra national du Rhin, Orchestre philharmonique de Strasbourg, Alain Lombard | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Lakmé : Acte I. « Dôme épais, le jasmin » (Lakmé, Mallika) | Natalie Dessay, Delphine Haidan, Orchestre du Capitole de Toulouse, Michel Plasson | T-900.142.826-8 |
| Sylvia - Suite: II. Intermezzo et Valse lente | New Philharmonia Orchestra, Charles Mackerras | T-070.140.357-7 |
| Swan Lake, op. 20: Act II: No. 10. Scène. Moderato | London Symphony Orchestra, André Previn | — |
| Swan Lake, op. 20: Act II: No. 10. Scène. Moderato | London Symphony Orchestra, André Previn | — |
| Fantasia on “Greensleeves” (Sir John in Love) | Sinfonia of London, Sir John Barbirolli | — |
| La Rondine, Atto I. “Chi il bel sogno di Doretta?” (Magda) | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | — |
| String Quintet in E major, op. 13 no. 5: Minuet | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Thais: Méditation | Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan | T-306.705.438-6 |
| Thais: Méditation | Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan | — |
| Peer Gynt, op. 23: Act 4: No. 13, Prelude. Morning Mood | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Carmen: Act 3 Prelude "Intermezzo" | Orchestre national de France, Seiji Ozawa | — |
| Fantasia on “Greensleeves” (Sir John in Love) | Sinfonia of London, Sir John Barbirolli | — |
| On the Beautiful Blue Danube, Waltz, op. 314 (extract) | Berliner Philharmoniker, Herbert von Karajan | T-035.024.359-2 |
| Swan Lake, op. 20: Act II: No. 10. Scène. Moderato | London Symphony Orchestra, André Previn | — |
| Humoresque no. 7 for piano in G flat major, B. 187/7 (op. 101/7) | Dame Moura Lympany | T-106.610.454-7 |
| Swan Lake, op. 20: Act II: No. 10. Scène. Moderato | London Symphony Orchestra, André Previn | T-900.160.317-4 |
| Piano Sonata no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio | Dame Moura Lympany | — |
| Nessun Dorma from 'Turandot' | José Carreras, Chœur de l'Opéra national du Rhin, Orchestre philharmonique de Strasbourg, Alain Lombard | T-900.798.623-4 |
| La Rondine, Atto I. “Chi il bel sogno di Doretta?” (Magda) | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | — |
| Cavalleria rusticana: Intermezzo | Philharmonia Orchestra, Riccardo Muti | — |
| Serenade in G major, K. 525 "Eine kleine Nachtmusik": II. Romanza (Andante) | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Violin Concerto in E minor, op. 64: II. Andante (extract) | Yehudi Menuhin, New Philharmonia Orchestra, Efrem Kurtz | — |
| Cello Concerto in E minor: I. Adagio moderato (opening) | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | — |
| Fantasia on “Greensleeves” (Sir John in Love) | Sinfonia of London, Sir John Barbirolli | — |
| Piano Concerto no. 2 in F, op. 102: II. Andante | Dmitri Alexeev, English Chamber Orchestra, Jerzy Maksymiuk | T-802.445.410-3 |
| Piano Concerto no. 2 in C minor op. 18: II. Adagio sostenuo (opening) | Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle | — |
| Piano Concerto no. 21 in C major, K. 467 “Elvira Madigan”: II. Andante (excerpt) | Stephen Hough, Hallé Orchestra, Bryden Thomson | T-802.445.410-3 |
| Gadfly, op. 97: Romance | Tasmin Little, Piers Lane | — |
| The Piano, film score : The heart asks pleasure first | Michael Nyman | T-010.203.179-7 |
| Any Other Name | Thomas Newman | T-071.009.265-1 |
Musical Works (ISWC)
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Creative Contributors (ISNI)
Identifier Graph
5099950025824 is a Universal Product Code (UPC) assigned to 100 Best Romantic Classics by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 100 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
5099950025824 is the Universal Product Code (UPC barcode) for the release “100 Best Romantic Classics” by Various Artists, released 2007-01-01 on EMI Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 100 tracks, each with its own ISRC. Tracks include GBAYC9400647, GBAYC8100025, GBAYC9101134.
