UPC · Release
Ses 100 chefs-d'œuvre
Ludwig van Beethoven
5099950202720
20 tracksReleased 2007-08-24
Last verified:
5099950202720 is the Universal Product Code (UPC barcode) for the release “Ses 100 chefs-d'œuvre” by Ludwig van Beethoven, released 2007-08-24. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 20 tracks, each with its own ISRC. Tracks include GBAYC9302881, GBAYC9302882, GBAYC8801951.
Format
509GS1 prefix
9950Company prefix
20272Product
0Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCSes 100 chefs-d'œuvre
ISRC5 recordings
ISWC3 works
IPI1 songwriter
Track List (20)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 6-1 | Ich liebe dich (Herrosee) | — | ||
| 6-2 | Wonne der Wehmut (Goethe) | — | ||
| 6-3 | Der Kuß, Op. 128 (Weiß) | — | ||
| 6-4 | Der Kloh, Op. 75 No. 3 (Goethe) | — | ||
| 6-5 | Irish Songs, WoO 154: No. 9. Oh! Would I were but that sweet linnet (Smyth) | Dietrich Fischer-Dieskau, Victoria de los Ángeles, Eduard Drolc, Gerald Moore, Irmgard Poppen | — | |
| 6-6 | Irish Songs, WoO 154: No. 12. He promised me at parting (Smyth) | Dietrich Fischer-Dieskau, Victoria de los Ángeles, Eduard Drolc, Gerald Moore, Irmgard Poppen | — | |
| 6-7 | Adelaïde (Matthison) | — | ||
| 6-8 | Marmotte (Goethe) | — | ||
| 6-9 | Die Ehre Gottes aus der Natur (Die Himmel rühmen), Op. 48 No. 4 orch. Mottl | — | ||
| 6-10 | Messe en ut, Op. 86: Kyrie | — | ||
| 6-11 | Missa solemnis en ré mineur, Op. 123: Gloria in excelsis Deo - Gratias agimus tibi | — | ||
| 6-12 | Missa solemnis en ré mineur, Op. 123: Et resurrexit tertia die - Credo in Spiritum Sanctum | — | ||
| 6-13 | Fidelio: Ouverture | — | ||
| 6-14 | Fidelio, op. 72: Act I, no. 2. Aria "O wär' ich schon mit dir vereint" (Marzelline) | Helen Donath, Berliner Philharmoniker, Herbert von Karajan | — | |
| 6-15 | Fidelio, op. 72: Act I, no. 3. Quartet “Mir ist so wunderbar” (Marzelline, Leonore, Rocco, Jaquino) | Helen Donath, Helga Dernesch, José van Dam, Horst Laubenthal, Berliner Philharmoniker, Herbert von Karajan | — | |
| 6-16 | Fidelio : Acte I: Ha! Welch ein Augenblick! (Pizarro/Chœur) | — | ||
| 6-17 | Fidelio : Acte I: Abscheulicher!... Komm, Hoffnung (Léonore) | — | ||
| 6-18 | Fidelio, op. 72: Act I, no. 10. Prisoner’s Chorus “O welche Lust” | Werner Hollweg, Siegfried Rudolf Frese, Chor der Deutschen Oper Berlin, Berliner Philharmoniker, Herbert von Karajan | — | |
| 6-19 | Fidelio : Acte II: O namenlose Freude (Léonore/Florestan) | — | ||
| 6-20 | Fidelio : Acte II: Wer ein holdes Weib errungen (Finale) (tutti) | — |
Ich liebe dich (Herrosee)
—
Wonne der Wehmut (Goethe)
—
Der Kuß, Op. 128 (Weiß)
—
Der Kloh, Op. 75 No. 3 (Goethe)
—
Irish Songs, WoO 154: No. 9. Oh! Would I were but that sweet linnet (Smyth)
Dietrich Fischer-Dieskau, Victoria de los Ángeles, Eduard Drolc, Gerald Moore, Irmgard Poppen
—
Irish Songs, WoO 154: No. 12. He promised me at parting (Smyth)
Dietrich Fischer-Dieskau, Victoria de los Ángeles, Eduard Drolc, Gerald Moore, Irmgard Poppen
—
Adelaïde (Matthison)
—
Marmotte (Goethe)
—
Die Ehre Gottes aus der Natur (Die Himmel rühmen), Op. 48 No. 4 orch. Mottl
—
Messe en ut, Op. 86: Kyrie
—
Missa solemnis en ré mineur, Op. 123: Gloria in excelsis Deo - Gratias agimus tibi
—
Missa solemnis en ré mineur, Op. 123: Et resurrexit tertia die - Credo in Spiritum Sanctum
—
Fidelio: Ouverture
—
Fidelio, op. 72: Act I, no. 2. Aria "O wär' ich schon mit dir vereint" (Marzelline)
Helen Donath, Berliner Philharmoniker, Herbert von Karajan
—
Fidelio, op. 72: Act I, no. 3. Quartet “Mir ist so wunderbar” (Marzelline, Leonore, Rocco, Jaquino)
Helen Donath, Helga Dernesch, José van Dam, Horst Laubenthal, Berliner Philharmoniker, Herbert von Karajan
—
Fidelio : Acte I: Ha! Welch ein Augenblick! (Pizarro/Chœur)
—
Fidelio : Acte I: Abscheulicher!... Komm, Hoffnung (Léonore)
—
Fidelio, op. 72: Act I, no. 10. Prisoner’s Chorus “O welche Lust”
Werner Hollweg, Siegfried Rudolf Frese, Chor der Deutschen Oper Berlin, Berliner Philharmoniker, Herbert von Karajan
—
Fidelio : Acte II: O namenlose Freude (Léonore/Florestan)
—
Fidelio : Acte II: Wer ein holdes Weib errungen (Finale) (tutti)
—
Additional database matches (16)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Cello Sonata no. 2 in G minor, op. 5 no. 2: I. Adagio sostenuto ed espressivo - | Éric Heidsieck, Paul Tortelier | — |
| Triple Concerto in C major, op. 56: II. Largo | David Oistrakh, Sviatoslav Richter, Mstislav Rostropovich, Herbert von Karajan | — |
| Septet in E-flat major, op. 20: III. Tempo di Menuetto & Trio | Melos Ensemble of London | — |
| Symphony No. 6, Op. 68 "Pastoral": V. Allegretto "Shepherds' Hymn" (extract) | Philadelphia Orchestra, Riccardo Muti | — |
| Minuet In G | Vrouwenkoor Malle Babbe | T9021372792 |
| Bagatelle for Piano in A minor ("Für Elise"), WoO 59 | Dame Moura Lympany | T-031590855-4 |
| Minuet in G major, WoO 10 no. 2 | Dame Moura Lympany | — |
| Fidelio, op. 72: Act I, no. 3. Quartet “Mir ist so wunderbar” (Marzelline, Leonore, Rocco, Jaquino) | Helen Donath, Helga Dernesch, José van Dam, Horst Laubenthal, Berliner Philharmoniker, Herbert von Karajan | — |
| Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto | Moura Lympany | — |
| Piano Sonata no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio | Dame Moura Lympany | — |
| Romance for Violin and Orchestra no. 1 in G major, op. 40 | Yehudi Menuhin, Philharmonia Orchestra, Sir John Pritchard | T8017685654 |
| Concerto pour piano No. 1 en ut majeur, Op. 15: II. Largo (ouverture) | Herbert von Karajan | — |
| Triple Concerto in C major, op. 56: II. Largo | David Oistrakh, Sviatoslav Richter, Mstislav Rostropovich, Herbert von Karajan | — |
| Triple Concerto in C major, op. 56: II. Largo | David Oistrakh, Sviatoslav Richter, Mstislav Rostropovich, Herbert von Karajan | — |
| Symphony no. 5 in C minor, op. 67: I. Allegro con brio | Philharmonia Orchestra, Kurt Sanderling | — |
| Bagatelle for Piano in A minor ("Für Elise"), WoO 59 | Dame Moura Lympany | T0315908554 |
Cello Sonata no. 2 in G minor, op. 5 no. 2: I. Adagio sostenuto ed espressivo -
Éric Heidsieck, Paul Tortelier
—
Triple Concerto in C major, op. 56: II. Largo
David Oistrakh, Sviatoslav Richter, Mstislav Rostropovich, Herbert von Karajan
—
Septet in E-flat major, op. 20: III. Tempo di Menuetto & Trio
Melos Ensemble of London
—
Symphony No. 6, Op. 68 "Pastoral": V. Allegretto "Shepherds' Hymn" (extract)
Philadelphia Orchestra, Riccardo Muti
—
Vrouwenkoor Malle Babbe
Dame Moura Lympany
Minuet in G major, WoO 10 no. 2
Dame Moura Lympany
—
Fidelio, op. 72: Act I, no. 3. Quartet “Mir ist so wunderbar” (Marzelline, Leonore, Rocco, Jaquino)
Helen Donath, Helga Dernesch, José van Dam, Horst Laubenthal, Berliner Philharmoniker, Herbert von Karajan
—
Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto
Moura Lympany
—
Piano Sonata no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio
Dame Moura Lympany
—
Yehudi Menuhin, Philharmonia Orchestra, Sir John Pritchard
Concerto pour piano No. 1 en ut majeur, Op. 15: II. Largo (ouverture)
Herbert von Karajan
—
Triple Concerto in C major, op. 56: II. Largo
David Oistrakh, Sviatoslav Richter, Mstislav Rostropovich, Herbert von Karajan
—
Triple Concerto in C major, op. 56: II. Largo
David Oistrakh, Sviatoslav Richter, Mstislav Rostropovich, Herbert von Karajan
—
Symphony no. 5 in C minor, op. 67: I. Allegro con brio
Philharmonia Orchestra, Kurt Sanderling
—
Dame Moura Lympany
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000055134007000000005514673700000000551924850000000063084943000000006311145400000000773180930000000078386127000000007839718400000000810854640000000081116101
+40 more
00000000839840250000000084111584000000008413581800000000857016740000000090771001000000010367095600000001087164230000000108770067000000010882351X0000000108839108000000010885463100000001088546740000000108935343000000010893537800000001090587330000000109178196000000010928728800000001093006650000000109373768000000010943724X0000000109447560000000010962415X0000000109953690000000011016475200000001102256660000000110273895000000011027501400000001103176240000000110332568000000011034165900000001103861010000000110592028000000011062494X000000011082996100000001109287910000000110934796000000011297410X000000011436541200000001144062880000000114411546
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What is UPC 5099950202720?
5099950202720 is a Universal Product Code (UPC) assigned to Ses 100 chefs-d'œuvre by Ludwig van Beethoven. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 20 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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