UPC · Release
The Collector’s Edition
Edward Elgar
5099950360321
403 tracksReleased 2007-01-01EMI Classics
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5099950360321 is the Universal Product Code (UPC barcode) for the release “The Collector’s Edition” by Edward Elgar, released 2007-01-01 on EMI Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 403 tracks, each with its own ISRC. Tracks include GBAYC2000166, GBAYC2000167, GBAYC2000168.
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Credit Chain
UPCThe Collector’s Edition
ISRC73 recordings
ISWC28 works
IPI2 songwriters
Track List (403)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 1 in A‐flat, op. 55: I. Andante, nobilmente e semplice – Allegro | Philharmonia Orchestra, Sir John Barbirolli | — | |
| 2 | Symphony no. 1 in A‐flat, op. 55: II. Allegro molto | Philharmonia Orchestra, Sir John Barbirolli | — | |
| 3 | Symphony no. 1 in A‐flat, op. 55: III. Adagio | Philharmonia Orchestra, Sir John Barbirolli | T-913.999.561-2 | |
| 4 | Symphony no. 1 in A‐flat, op. 55: IV. Lento – Allegro | Philharmonia Orchestra, Sir John Barbirolli | — | |
| 5 | Introduction and Allegro, op. 147 | Allegri String Quartet, Sinfonia of London, Sir John Barbirolli | — | |
| 2-1 | Symphony no. 2 in E-flat, op. 63: I. Allegro vivace e nobilmente | Hallé Orchestra, Sir John Barbirolli | — | |
| 2-2 | Symphony no. 2 in E-flat, op. 63: II. Larghetto | Hallé Orchestra, Sir John Barbirolli | — | |
| 2-3 | Symphony no. 2 in E-flat, op. 63: III. Rondo: Presto | Hallé Orchestra, Sir John Barbirolli | — | |
| 2-4 | Symphony no. 2 in E-flat, op. 63: IV. Moderato e maestoso | Hallé Orchestra, Sir John Barbirolli | — | |
| 2-5 | Elegy, op. 58 | Philharmonia Orchestra, Sir John Barbirolli | — | |
| 2-6 | Sospiri, op. 70 | Philharmonia Orchestra, Sir John Barbirolli | T-011.613.873-8 | |
| 3-1 | Falstaff Symphonic Study in C minor, op. 68: I. Falstaff and Prince Henry | Hallé Orchestra, Sir John Barbirolli | — | |
| 3-2 | Falstaff Symphonic Study in C minor, op. 68: II. Eastcheap - Gadshill - The Boar's Head, revelry and sleep | Hallé Orchestra, Sir John Barbirolli | — | |
| 3-3 | Falstaff Symphonic Study in C minor, op. 68: II. Dream Interlude: "Jack Falstaff, now Sir John, a boy, and page to Thomas Mowbray, Duke of Norfolk" | Hallé Orchestra, Sir John Barbirolli | — | |
| 3-4 | Falstaff Symphonic Study in C minor, op. 68: III. Falstaff's march | Hallé Orchestra, Sir John Barbirolli | — | |
| 3-5 | Falstaff Symphonic Study in C minor, op. 68: III. Interlude: Gloucestershire. Shallow's orchard (Allegretto) - The new king - The hurried ride to London | Hallé Orchestra, Sir John Barbirolli | — | |
| 3-6 | Falstaff Symphonic Study in C minor, op. 68: IV. King Henry V's progress - the repudiation of Falstaff, and his death | Hallé Orchestra, Sir John Barbirolli | — | |
| 3-7 | Concert Overture: Cockaigne (in London Town), op. 40 | Philharmonia Orchestra, Sir John Barbirolli | T-010.035.109-4 | |
| 3-8 | Froissart Concert Overture, op. 19 | Philharmonia Orchestra, Sir John Barbirolli | T-010.162.592-6 | |
| 4-1 | Variations on an Original Theme “Enigma”, op. 36: Theme | Philharmonia Orchestra, Sir John Barbirolli | — | |
| 4-2 | Variations on an Original Theme “Enigma”, op. 36: I. C.A.E. (Caroline Alice Edgar) | Philharmonia Orchestra, Sir John Barbirolli | — | |
| 4-3 | Variations on an Original Theme “Enigma”, op. 36: II. H.D.S.P. (Hew David Steuart‐Powell) | Philharmonia Orchestra, Sir John Barbirolli | — | |
| 4-4 | Variations on an Original Theme “Enigma”, op. 36: III. R.B.T. (Richard Baxter Townshend) | Philharmonia Orchestra, Sir John Barbirolli | — | |
| 4-5 | Variations on an Original Theme “Enigma”, op. 36: IV. W.M.B. (William Meath Baker) | Philharmonia Orchestra, Sir John Barbirolli | — | |
| 4-6 | Variations on an Original Theme “Enigma”, op. 36: V. R.P.A. (Richard Penrose Arnold) | Philharmonia Orchestra, Sir John Barbirolli | — | |
| 4-7 | Variations on an Original Theme “Enigma”, op. 36: VI. Ysobel (Isabel Fitton) | Philharmonia Orchestra, Sir John Barbirolli | — | |
| 4-8 | Variations on an Original Theme “Enigma”, op. 36: VII. Troyte (Troyte Griffith) | Philharmonia Orchestra, Sir John Barbirolli | — | |
| 4-9 | Variations on an Original Theme “Enigma”, op. 36: VIII. W.N. (Winifred Norbury) | Philharmonia Orchestra, Sir John Barbirolli | — | |
| 4-10 | Variations on an Original Theme “Enigma”, op. 36: IX. Nimrod (A.J. Jaeger) | Philharmonia Orchestra, Sir John Barbirolli | T-010.115.427-1 | |
| 4-11 | Variations on an Original Theme “Enigma”, op. 36: X. Intermezzo: Dorabella (Dora Penny) | Philharmonia Orchestra, Sir John Barbirolli | — | |
| 4-12 | Variations on an Original Theme “Enigma”, op. 36: XI. G.R.S. (George Robertson Sinclair) | Philharmonia Orchestra, Sir John Barbirolli | — | |
| 4-13 | Variations on an Original Theme “Enigma”, op. 36: XII. B.G.N. (Basil G. Nevinson) | Philharmonia Orchestra, Sir John Barbirolli | — | |
| 4-14 | Variations on an Original Theme “Enigma”, op. 36: XIII. Romanza: *** (Lady Mary Lygon) | Philharmonia Orchestra, Sir John Barbirolli | — | |
| 4-15 | Variations on an Original Theme “Enigma”, op. 36: XIV. Finale: E.D.U. (the composer) | Philharmonia Orchestra, Sir John Barbirolli | — | |
| 4-16 | Pomp and Circumstance Marches, op. 39: No. 1 in D major | Philharmonia Orchestra, Sir John Barbirolli | — | |
| 4-17 | Pomp and Circumstance Marches, op. 39: No. 2 in A minor | New Philharmonia Orchestra, Sir John Barbirolli | — | |
| 4-18 | Pomp and Circumstance Marches, op. 39: No. 3 in C minor | New Philharmonia Orchestra, Sir John Barbirolli | — | |
| 4-19 | Pomp and Circumstance Marches, op. 39: No. 4 in G major | Philharmonia Orchestra, Sir John Barbirolli | — | |
| 4-20 | Pomp and Circumstance Marches, op. 39: No. 5 in C major | New Philharmonia Orchestra, Sir John Barbirolli | — | |
| 4-21 | Serenade in E minor, op. 20: I. Allegro piacevole | Sinfonia of London, Sir John Barbirolli | — | |
| 4-22 | Serenade in E minor, op. 20: II. Larghetto | Sinfonia of London, Sir John Barbirolli | — | |
| 4-23 | Serenade in E minor, op. 20: III. Allegretto – Come prima | Sinfonia of London, Sir John Barbirolli | — | |
| 5-1 | Sea Pictures, op. 37: I. Sea Slumber-Song | Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — | |
| 5-2 | Sea Pictures, op. 37: II. In Haven (Capri) | Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — | |
| 5-3 | Sea Pictures, op. 37: III. Sabbath Morning at Sea | Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — | |
| 5-4 | Sea Pictures, op. 37: IV. Where Corals Lie | Dame Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — | |
| 5-5 | Sea Pictures, op. 37: V. The Swimmer | Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — | |
| 5-6 | Cello Concerto in E minor Op. 85 I. Adagio - Moderato | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | T-919.860.418-1 | |
| 5-7 | Cello Concerto in E minor, op. 85: II. Lento – Allegro molto | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | T-010.115.156-7 | |
| 5-8 | Cello Concerto in E minor, op. 85: III. Adagio | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | T-010.115.155-6 | |
| 5-9 | Cello Concerto in E minor, op. 85: IV. Allegro – Moderato – Allegro ma non troppo | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | T-010.115.154-5 | |
| 6-1 | Violin Sonata in E minor, op. 82: I. Allegro | — | ||
| 6-2 | Violin Sonata in E minor, op. 82: II. Romance: Andante | — | ||
| 6-3 | Violin Sonata in E minor, op. 82: III. Allegro non troppo | — | ||
| 6-4 | Violin Concerto in B minor, op. 61: I. Allegro | — | ||
| 6-5 | Violin Concerto in B minor, op. 61: II. Andante | — | ||
| 6-6 | Violin Concerto in B minor, op. 61: III. Allegro molto – Cadenza (Accompagnata: Lento) – Allegro molto (Tempo I) | — | ||
| 7-1 | Nursery Suite: I. Aubade (Awake) (Allegretto) | — | ||
| 7-2 | Nursery Suite: II. The Serious Doll (Andantino) | — | ||
| 7-3 | Nursery Suite: III. Busy‐ness (Allegro molto) | — | ||
| 7-4 | Nursery Suite: IV. The Sad Doll (Andantino) | — | ||
| 7-5 | Nursery Suite: V. The Wagon (Passes) (Allegretto) | — | ||
| 7-6 | Nursery Suite: VI. The Merry Doll (Allegro molto) | — | ||
| 7-7 | Nursery Suite: VII. Dreaming (Lento) | — | ||
| 7-8 | Nursery Suite: VIII. Envoy (Coda) | — | ||
| 7-9 | Severn Suite, op. 87: I. Worcester Castle (Introduction) | — | ||
| 7-10 | Severn Suite, op. 87: II. Tournament (Toccata) | — | ||
| 7-11 | Severn Suite, op. 87: III. Cathedral (Fugue) | — | ||
| 7-12 | Severn Suite, op. 87: IV. Commandery (Minuet) | — | ||
| 7-13 | Severn Suite, op. 87: V. Coda | — | ||
| 7-14 | Suite From ‘The Crown of India’, op. 66: Ia. Introduction (Allegro) | — | ||
| 7-15 | Suite From ‘The Crown of India’, op. 66: Ib. Dance of Nautch Girls (Allegretto) | — | ||
| 7-16 | Suite From ‘The Crown of India’, op. 66: II. Menuetto (Moderato) | — | ||
| 7-17 | Suite From ‘The Crown of India’, op. 66: III. Warriors’ Dance (Allegro) | — | ||
| 7-18 | Suite From ‘The Crown of India’, op. 66: IV. Intermezzo (Andantino) | — | ||
| 7-19 | Suite From ‘The Crown of India’, op. 66: V. March of the Mogul Emperors (Moderato maestoso) | — | ||
| 7-20 | Coronation March, op. 65 | — | ||
| 8-1 | Organ Sonata in G, op. 28: I. Allegro maestoso | — | ||
| 8-2 | Organ Sonata in G, op. 28: II. Allegretto | — | ||
| 8-3 | Organ Sonata in G, op. 28: III. Andante espressivo | — | ||
| 8-4 | Organ Sonata in G, op. 28: IV. Presto (comodo) | — | ||
| 8-5 | The Wand of Youth, First Suite, op. 1a: I. Overture: Allegro molto | — | ||
| 8-6 | The Wand of Youth, First Suite, op. 1a: II. Serenade: Andantino | — | ||
| 8-7 | The Wand of Youth, First Suite, op. 1a: III. Minuet (Old Style): Andante | — | ||
| 8-8 | The Wand of Youth, First Suite, op. 1a: IV. Sun Dance: Presto | — | ||
| 8-9 | The Wand of Youth, First Suite, op. 1a: V. Fairy Pipers: Allegretto | — | ||
| 8-10 | The Wand of Youth, First Suite, op. 1a: VI. Slumber Scene: Moderato | — | ||
| 8-11 | The Wand of Youth, First Suite, op. 1a: VII. Fairies and Giants: Presto | — | ||
| 8-12 | The Wand of Youth, Second Suite, op. 1b: I. March: Alla marcia (Allegro moderato) | — | ||
| 8-13 | The Wand of Youth, Second Suite, op. 1b: II. The Little Bells (Scherzino): Allegro molto | — | ||
| 8-14 | The Wand of Youth, Second Suite, op. 1b: III. Moths and Butterflies (Dance): Allegretto | — | ||
| 8-15 | The Wand of Youth, Second Suite, op. 1b: IV. Fountain Dance: Allegretto comodo | — | ||
| 8-16 | The Wand of Youth, Second Suite, op. 1b: V. The Tame Bear: Allegretto moderato | — | ||
| 8-17 | The Wand of Youth, Second Suite, op. 1b: VI. The Wild Bears: Presto | — | ||
| 9-1 | Three Bavarian Dances: The Dance (Sonnenbichi): Allegretto giocoso | — | ||
| 9-2 | Three Bavarian Dances: Lullaby (In Hammersbach): Moderato | — | ||
| 9-3 | Three Bavarian Dances: The Marksman (Bei Murnau): Allegro vivace | — | ||
| 9-4 | Chanson de nuit, op. 15 no. 1 | — | ||
| 9-5 | Chanson de matin, op. 15 no. 2 | London Philharmonic Orchestra, Sir Adrian Boult | — | |
| 9-6 | Fantasia and Fugue in C minor, op. 86: Fantasia | — | ||
| 9-7 | Fantasia and Fugue in C minor, op. 86: Fugue | — | ||
| 9-8 | Overture in D minor | — | ||
| 9-9 | In the South (Alassio) Concert Overture, op. 50 | — | ||
| 10-1 | Carillon, op. 75 | — | ||
| 10-2 | Funeral March From Piano Sonata no. 2 in B‐flat minor, op. 35 | — | ||
| 10-3 | Grania and Diarmid Incidental Music, op. 42: Incidental Music | — | ||
| 10-4 | Grania and Diarmid Incidental Music, op. 42: Funeral March | — | ||
| 10-5 | Polonia Symphonic Prelude, op. 76 | — | ||
| 10-6 | Triumphal March From Caractacus, op. 35 | — | ||
| 10-7 | Imperial March, op. 32 | — | ||
| 10-8 | Empire March | — | ||
| 11-1 | Minuet (From Beau Brummel) | — | ||
| 11-2 | Dream Children: Two Pieces for Small Orchestra, op. 43: I. Allegro maestoso | — | ||
| 11-3 | Dream Children: Two Pieces for Small Orchestra, op. 43: II. Allegretto piacevole | — | ||
| 11-4 | Salut d’amour, op. 12 | — | ||
| 11-5 | Minuet, op. 21 | — | ||
| 11-6 | May Song | — | ||
| 11-7 | Rosemary (‘That’s for Remembrance’) | — | ||
| 11-8 | Romance for Bassoon and Orchestra, op. 62 | — | ||
| 11-9 | Sevillana, op. 7 | — | ||
| 11-10 | Sérénade lyrique | — | ||
| 11-11 | Three Characteristic Pieces, op. 10: I. Mazurka | — | ||
| 11-12 | Three Characteristic Pieces, op. 10: II. Serenade mauresque | — | ||
| 11-13 | Three Characteristic Pieces, op. 10: III. Contrasts: The Gavotte AD 1700 and 1900 | — | ||
| 11-14 | Carissima | — | ||
| 11-15 | Mina | — | ||
| 12-1 | Piano Quintet in A minor, op. 84: I. Moderato – Allegro | — | ||
| 12-2 | Piano Quintet in A minor, op. 84: II. Adagio | — | ||
| 12-3 | Piano Quintet in A minor, op. 84: III. Andante – Allegro | — | ||
| 12-4 | String Quartet in E minor, op. 83: I. Allegro moderato | — | ||
| 12-5 | String Quartet in E minor, op. 83: II. Piacevole: Poco andante | — | ||
| 12-6 | String Quartet in E minor, op. 83: III. Finale: Allegro molto | — | ||
| 12-7 | Serenade | — | ||
| 12-8 | Concert Allegro, op. 46 | — | ||
| 13-1 | The Dream of Gerontius, Op. 38: Part I (a) Prelude (Lento, mistico - Moderato - Andantino - Come prima) | Hallé Orchestra, Sir John Barbirolli | — | |
| 13-2 | The Dream of Gerontius, Op. 38: Part I. "Jesu, Maria - I am near to death" (Gerontius) | — | ||
| 13-3 | The Dream of Gerontius, Op. 38: Part I. "So pray for me... Kyrie eleison...Holy Mary, pray for him" (Gerontius, semi-chorus, chorus) | — | ||
| 13-4 | The Dream of Gerontius, Op. 38: Part I. "Rouse thee, my fainting soul... Be merciful" (Gerontius, chorus) | — | ||
| 13-5 | The Dream of Gerontius, Op. 38: Part I (e) (Gerontius) Sanctus fortis, Sanctus Deus | Richard Lewis, Hallé Orchestra, Sir John Barbirolli | — | |
| 13-6 | The Dream of Gerontius, Op. 38: Part I. "I can no more... Rescue him, O Lord" (Gerontius, chorus) | — | ||
| 13-7 | The Dream of Gerontius, Op. 38: Part I. "Noe from the waters... Novissima hora est" (semi-chorus, chorus, Gerontius) | — | ||
| 13-8 | The Dream of Gerontius, op. 38: Part One. X. “Proficiscere, anima Christiana” (Priest) | Kim Borg, Hallé Orchestra, Sir John Barbirolli | — | |
| 13-9 | The Dream of Gerontius, op. 38: Part One. XI. “Go in the name of Angels and Archangels” (chorus, Priest, semi-chorus) | Ambrosian Singers, Kim Borg, Hallé Choir, Sheffield Philharmonic Chorus, Hallé Orchestra, Sir John Barbirolli | — | |
| 14-1 | The Dream of Gerontius, Op. 38: Part II (a) (Andantino) | Hallé Orchestra, Sir John Barbirolli | — | |
| 14-2 | The Dream of Gerontius, Op. 38: Part II. "I went to sleep" (Soul of Gerontius) | — | ||
| 14-3 | The Dream of Gerontius, Op. 38: Part II. "Another marvel... My work is done" (Soul, Angel) | — | ||
| 14-4 | The Dream of Gerontius, Op. 38: Part II. "It is a member of that family... A presage falls upon thee" (Angel, Soul) | — | ||
| 14-5 | The Dream of Gerontius, Op. 38: Part II (e) (Soul, Angel, chorus) But hark!...Low-born clods of brute earth | Janet Baker, Hallé Choir, Richard Lewis, Sheffield Philharmonic Chorus, Hallé Orchestra, Sir John Barbirolli | — | |
| 14-6 | The Dream of Gerontius, Op. 38: Part II. "Dispossessed, aside thrust" (chorus) | — | ||
| 14-7 | The Dream of Gerontius, Op. 38: Part II. "I see not those false spirits" (Soul, Angel) | — | ||
| 14-8 | The Dream of Gerontius, Op. 38: Part II. "There was a mortal... Praise to the holiest" (Angel, semi-chorus, chorus, Soul) | — | ||
| 14-9 | The Dream of Gerontius, Op. 38: Part II. "But hark! A grand mysterious harmony" (Soul, Angel, chorus) | — | ||
| 14-10 | The Dream of Gerontius, Op. 38: Part II. "Thy judgement now is near" (Angel, Soul) | — | ||
| 14-11 | The Dream of Gerontius, Op. 38: Part II. "Jesu! by that shuddering dread" (Angel of the Agony, Soul, semi-chorus, chorus) | — | ||
| 14-12 | The Dream of Gerontius, Op. 38: Part II. "Praise to his Name... Take me away" (Angel, Soul, chorus) | — | ||
| 14-13 | The Dream of Gerontius, Op. 38: Part II (m) (Angel, chorus, semi-chorus) Softly and gently | Ambrosian Singers, Janet Baker, Hallé Choir, Sheffield Philharmonic Chorus, Hallé Orchestra, Sir John Barbirolli | — | |
| 15-1 | The Apostles, Op. 49: Prologue | — | ||
| 15-2 | The Apostles, Op. 49: Part I, I. The Calling of the Apostles "And it came to pass in those days" | — | ||
| 15-3 | The Apostles, Op. 49: Part I, I. The Calling of the Apostles "The dawn" | — | ||
| 15-4 | The Apostles, Op. 49: Part I, I. The Calling of the Apostles "Morning psalm" | — | ||
| 15-5 | The Apostles, Op. 49: Part I, I. The Calling of the Apostles "The Lord hath chosen them" | — | ||
| 15-6 | The Apostles, Op. 49: Part I, II. By the Wayside | — | ||
| 15-7 | The Apostles, Op. 49: Part I, III. By the Sea of Galilee "And straightway Jesus constrained his disciples" | — | ||
| 15-8 | The Apostles, Op. 49: Part I, III. By the Sea of Galilee "In the tower of Magdala" | — | ||
| 15-9 | The Apostles, Op. 49: Part I, III. By the Sea of Galilee "This shall ye have of mine hand" | — | ||
| 15-10 | The Apostles, Op. 49: Part I, III. By the Sea of Galilee "When Jesus came into the parts of Caesarea Philippi" | — | ||
| 15-11 | The Apostles, Op. 49: Part I, III. By the Sea of Galilee "And I will give unto thee" | — | ||
| 15-12 | The Apostles, Op. 49: Part I, III. By the Sea of Galilee "Turn you to the stronghold" | — | ||
| 16-1 | The Apostles, Op. 49: Part II. Introduction | — | ||
| 16-2 | The Apostles, Op. 49: Part II, IV. The Betrayal "And it came to pass" | — | ||
| 16-3 | The Apostles, Op. 49: Part II, IV. The Betrayal "Then gathered the Chief Priests and Pharisees" | — | ||
| 16-4 | The Apostles, Op. 49: Part II, IV. The Betrayal "Hail, Master!" | — | ||
| 16-5 | The Apostles, Op. 49: Part II, IV. The Betrayal "Then Judas, which had betrayed him" | — | ||
| 16-6 | The Apostles, Op. 49: Part II, IV. The Betrayal "Without the temple" | — | ||
| 16-7 | The Apostles, Op. 49: Part II, V. Golgotha | — | ||
| 16-8 | The Apostles, Op. 49: Part II, VI. At the Sepulchre | — | ||
| 16-9 | The Apostles, Op. 49: Part II, VII. The Ascension "We trusted that it had Been He" | — | ||
| 16-10 | The Apostles, Op. 49: Part II, VII. The Ascension "Give us one heart" | — | ||
| 16-11 | The Apostles and the Kingdom: An Illustrated Introduction by Adrian Boult: General Introduction | — | ||
| 16-12 | The Apostles and the Kingdom: An Illustrated Introduction by Adrian Boult: Introduction to the Apostles and the Kingdom | — | ||
| 16-13 | The Apostles and the Kingdom: An Illustrated Introduction by Adrian Boult: Motto themes used for the principal characters: Christ, the man of sorrows | — | ||
| 16-14 | The Apostles and the Kingdom: An Illustrated Introduction by Adrian Boult: Motto themes used for the principal characters: The spirit of the Lord | — | ||
| 16-15 | The Apostles and the Kingdom: An Illustrated Introduction by Adrian Boult: Motto themes used for the principal characters: Christ's loneliness | — | ||
| 16-16 | The Apostles and the Kingdom: An Illustrated Introduction by Adrian Boult: Motto themes used for the principal characters: The Beatitudes | — | ||
| 16-17 | The Apostles and the Kingdom: An Illustrated Introduction by Adrian Boult: Motto themes used for the principal characters: Judas | — | ||
| 16-18 | The Apostles and the Kingdom: An Illustrated Introduction by Adrian Boult: Motto themes used for the principal characters: St. Peter | — | ||
| 16-19 | The Apostles and the Kingdom: An Illustrated Introduction by Adrian Boult: Motto themes used for abstract ideas: The Gospel | — | ||
| 16-20 | The Apostles and the Kingdom: An Illustrated Introduction by Adrian Boult: Motto themes used for abstract ideas: The Church | — | ||
| 16-21 | The Apostles and the Kingdom: An Illustrated Introduction by Adrian Boult: Motto themes used for abstract ideas: The Fellowship of the Apostles | — | ||
| 16-22 | The Apostles and the Kingdom: An Illustrated Introduction by Adrian Boult: Motto themes used only in The Kingdom: The New Faith (Christianity) | — | ||
| 16-23 | The Apostles and the Kingdom: An Illustrated Introduction by Adrian Boult: Motto themes used only in The Kingdom: In the name of Jesus Christ | — | ||
| 16-24 | The Apostles and the Kingdom: An Illustrated Introduction by Adrian Boult: Motto themes used only in The Kingdom: The Real Presence (Christ) | — | ||
| 16-25 | The Apostles and the Kingdom: An Illustrated Introduction by Adrian Boult: Motto theme quoted from The Light of Life | — | ||
| 16-26 | The Apostles and the Kingdom: An Illustrated Introduction by Adrian Boult: Motto theme quoted from The Dream of Gerontius | — | ||
| 17-1 | The Kingdom, Op. 51: Prelude | — | ||
| 17-2 | The Kingdom, Op. 51: I. In the Upper Room "Seek first the Kingdom of God" | — | ||
| 17-3 | The Kingdom, Op. 51: I. In the Upper Room "Men and brethren" | — | ||
| 17-4 | The Kingdom, Op. 51: I. In the Upper Room "O ye priests!" | — | ||
| 17-5 | The Kingdom, Op. 51: II. At the Beautiful Gate | — | ||
| 17-6 | The Kingdom, Op. 51: III. Pentecost "And when the day of Pentecost" | — | ||
| 17-7 | The Kingdom, Op. 51: III. Pentecost "And suddenly there came from Heaven" | — | ||
| 17-8 | The Kingdom, Op. 51: III. Pentecost "Repent, and be baptised" | — | ||
| 18-1 | The Kingdom, Op. 51: IV. The Sign of Healing "Then they that gladly received his word" | — | ||
| 18-2 | The Kingdom, Op. 51: IV. The Sign of Healing "And as they spake...The Sun goeth down" | — | ||
| 18-3 | The Kingdom, Op. 51: V. The Upper Room "The voice of joy" | — | ||
| 18-4 | The Kingdom, Op. 51: V. The Upper Room "Thou, almighty Lord" | — | ||
| 18-5 | The Kingdom, Op. 51: V. The Upper Room "Our Father" | — | ||
| 18-6 | Coronation Ode, op. 44: I. Crown the King | Cambridge University Musical Society Chorus, Choir of King’s College, Cambridge, Alfreda Hodgson, Felicity Lott, Richard Morton, Stephen Roberts, Band of the Royal Military School of Music (Kneller Hall), New Philharmonia Orchestra, Philip Ledger | — | |
| 18-7 | Coronation Ode, op. 44: IIa. The Queen | Cambridge University Musical Society Chorus, Choir of King’s College, Cambridge, Alfreda Hodgson, Felicity Lott, Richard Morton, Stephen Roberts, Band of the Royal Military School of Music (Kneller Hall), New Philharmonia Orchestra, Philip Ledger | — | |
| 18-8 | Coronation Ode, op. 44: IIb. Daughter of ancient Kings | Cambridge University Musical Society Chorus, Choir of King’s College, Cambridge, Alfreda Hodgson, Felicity Lott, Richard Morton, Stephen Roberts, Band of the Royal Military School of Music (Kneller Hall), New Philharmonia Orchestra, Philip Ledger | — | |
| 18-9 | Coronation Ode, op. 44: III. Britain, ask thyself | Cambridge University Musical Society Chorus, Choir of King’s College, Cambridge, Alfreda Hodgson, Felicity Lott, Richard Morton, Stephen Roberts, Band of the Royal Military School of Music (Kneller Hall), New Philharmonia Orchestra, Philip Ledger | — | |
| 18-10 | Coronation Ode, op. 44: IV. Hark, upon the hallowed air…Only let the heart be pure | Cambridge University Musical Society Chorus, Choir of King’s College, Cambridge, Alfreda Hodgson, Felicity Lott, Richard Morton, Stephen Roberts, Band of the Royal Military School of Music (Kneller Hall), New Philharmonia Orchestra, Philip Ledger | — | |
| 18-11 | Coronation Ode, op. 44: V. Peace, gentle Peace | Cambridge University Musical Society Chorus, Choir of King’s College, Cambridge, Alfreda Hodgson, Felicity Lott, Richard Morton, Stephen Roberts, Band of the Royal Military School of Music (Kneller Hall), New Philharmonia Orchestra, Philip Ledger | — | |
| 18-12 | Coronation Ode, op. 44: VI. Land of Hope and Glory | Cambridge University Musical Society Chorus, Choir of King’s College, Cambridge, Alfreda Hodgson, Felicity Lott, Richard Morton, Stephen Roberts, Band of the Royal Military School of Music (Kneller Hall), New Philharmonia Orchestra, Philip Ledger | — | |
| 19-1 | The Light of Life, Op. 29: No. 1 "Meditation" | — | ||
| 19-2 | The Light of Life, Op. 29: No. 2 "Seek Him that maketh the seven stars" | — | ||
| 19-3 | The Light of Life, Op. 29: No. 3 "As Jesus passed by" | — | ||
| 19-4 | The Light of Life, Op. 29: No. 4 "Be not extreme, O Lord" | — | ||
| 19-5 | The Light of Life, Op. 29: No. 5 "Neither hath this man sinned" | — | ||
| 19-6 | The Light of Life, Op. 29: No. 6 "Light out of darkness" | — | ||
| 19-7 | The Light of Life, Op. 29: No. 7 "And when He had thus spoken" | — | ||
| 19-8 | The Light of Life, Op. 29: No. 8 "Doubt not thy father's care!" | — | ||
| 19-9 | The Light of Life, Op. 29: No. 9 "He went His way therefore" | — | ||
| 19-10 | The Light of Life, Op. 29: No. 10 "As a spirit didst thou pass before mine eyes" | — | ||
| 19-11 | The Light of Life, Op. 29: No. 11 "They brought him to the Pharisees" | — | ||
| 19-12 | The Light of Life, Op. 29: No. 12 "Thou only hast the words of life!" | — | ||
| 19-13 | The Light of Life, Op. 29: No. 13 "But the Jews did not believe" | — | ||
| 19-14 | The Light of Life, Op. 29: No. 14 "Woe to the shepherds of the flock!" | — | ||
| 19-15 | The Light of Life, Op. 29: No. 15a "Jesus heard that they had cast him out" | — | ||
| 19-16 | The Light of Life, Op. 29: No. 15b "I am the good shepherd" | — | ||
| 19-17 | The Light of Life, Op. 29: No. 16 "Light of the world, we know thy praise" | — | ||
| 20-1 | The Black Knight, Op. 25: Scene I. "'Twas Pentecost" | — | ||
| 20-2 | The Black Knight, Op. 25: Scene II. "To the barrier of the fight" | — | ||
| 20-3 | The Black Knight, Op. 25: Scene III. "Pipe and viol all call the dances" | — | ||
| 20-4 | The Black Knight, Op. 25: Scene IV. "To the sumptuous banquet | — | ||
| 20-5 | Scenes from the Saga of King Olaf, Op. 30: Introduction: "There is a wondrous brook" (soloists, chorus) | — | ||
| 20-6 | Scenes from the Saga of King Olaf, Op. 30: No. 1 Recitative "Summon now the God of Thunder" (bass) | — | ||
| 20-7 | Scenes from the Saga of King Olaf, Op. 30: No. 2 "The challege of Thor" (chorus) | — | ||
| 20-8 | Scenes from the Saga of King Olaf, Op. 30: No. 3 "King Olaf's return" (tenor) | — | ||
| 20-9 | Scenes from the Saga of King Olaf, Op. 30: No. 4 Recitative "Tell how Olaf bore the cross" (bass) | — | ||
| 20-10 | Scenes from the Saga of King Olaf, Op. 30: No. 5 The Conversion: "King Olaf's prows at Nidaros" (chorus) | — | ||
| 20-11 | Scenes from the Saga of King Olaf, Op. 30: No. 5 The Conversion: "Behold me, my people" (tenor, bass, chorus) | — | ||
| 20-12 | Scenes from the Saga of King Olaf, Op. 30: No. 5 The Conversion: "As leap the lights of winter" (chorus, bass) | — | ||
| 20-13 | Scenes from the Saga of King Olaf, Op. 30: No. 5 The Conversion: "Then o'er the blood-stained Horg-stone" (chorus) | — | ||
| 20-14 | Scenes from the Saga of King Olaf, Op. 30: No. 5 The Conversion: "O brothers of Iceland" (tenor, chorus) | — | ||
| 21-1 | Scenes from the Saga of King Olaf, Op. 30: No. 6. Recitative "Now the child of ironbeard dead" (bass) | — | ||
| 21-2 | Scenes from the Saga of King Olaf, Op. 30: No. 7 "Gudrun" (soprano, chorus, tenor) | — | ||
| 21-3 | Scenes from the Saga of King Olaf, Op. 30: No. 8 Recitative "How the wraith of Odin old" (bass) | — | ||
| 21-4 | Scenes from the Saga of King Olaf, Op. 30: No. 9 "The Wraith of Odin" | — | ||
| 21-5 | Scenes from the Saga of King Olaf, Op. 30: No. 10 "Sisters, sing ye now the song" (bass) | — | ||
| 21-6 | Scenes from the Saga of King Olaf, Op. 30: No. 11 "Sigrid" (chorus, tenor, soprano) | — | ||
| 21-7 | Scenes from the Saga of King Olaf, Op. 30: No. 12 "Hark! she flies from Wendland forth" (bass) | — | ||
| 21-8 | Scenes from the Saga of King Olaf, Op. 30: No. 13 Thyri (chorus) | — | ||
| 21-9 | Scenes from the Saga of King Olaf, Op. 30: No. 14 "The gray land breaks to lively green" (soprano, tenor) | — | ||
| 21-10 | Scenes from the Saga of King Olaf, Op. 30: No. 15 Recitative "After Queen Gunhild's death" (chorus) | — | ||
| 21-11 | Scenes from the Saga of King Olaf, Op. 30: No. 16 "The death of Olav" (chorus) | — | ||
| 21-12 | Scenes from the Saga of King Olaf, Op. 30: Epilogue "In the convent of Drontheim" (soloists, chorus) | — | ||
| 21-13 | Scenes from the Saga of King Olaf, Op. 30: Epilogue "As torrents in summer" (soloists, chorus) | — | ||
| 21-14 | Scenes from the Saga of King Olaf, Op. 30: Epilogue "Stronger than steel" (soloists, chorus) | — | ||
| 21-15 | Spanish Serenade, Op. 23 | — | ||
| 21-16 | The Snow, Op. 26 No. 1 | — | ||
| 21-17 | Fly, Singing Bird Op. 26 No. 2 | — | ||
| 22-1 | Caractacus, Op. 35: Scene I. "Watchmen, Alert!" (British Host) | — | ||
| 22-2 | Caractacus, Op. 35: Scene I. "Watchmen, Alert! The king is here" (Caractacus, Sentries) | — | ||
| 22-3 | Caractacus, Op. 35: Scene I. "Father! Sire and king" (Eigen, Caractacus, Orbin, Sentries) | — | ||
| 22-4 | Caractacus, Op. 35: Scene I. "At eve to the Greenwood" (Eigen) | — | ||
| 22-5 | Caractacus, Op. 35: Scene I. "On the ocean and the river" (Orbin, Caractacus, Eigen) | — | ||
| 22-6 | Caractacus, Op. 35: Scene I. "Rest, weary monarch" (Sprits of the Hill, Sentries) | — | ||
| 22-7 | Caractacus, Op. 35: Scene II. "Tread the mystic circle around" (Arch-Druid, Druids, Druid Maidens) | — | ||
| 22-8 | Caractacus, Op. 35: Scene II. "Lord of Dread" (Arch-Druid, Orbin, Druids, Druid Maidens, Caractacus) | — | ||
| 22-9 | Caractacus, Op. 35: Scene II. "Bard, What read Ye?" (Caractacus, Soldiers, Arch-Druid, Orbin) | — | ||
| 22-10 | Caractacus, Op. 35: Scene II. "Leap to the light" (Caractacus, Soldiers, Arch-Druid, Orbin) | — | ||
| 22-11 | Caractacus, Op. 35: Scene II. "Hence, ere the Druid's wrath is woke" (Druids, Druid Maidens, Orbin, Soldiers) | — | ||
| 23-1 | Caractacus, Op. 35: Scene III. Introduction (Woodland Interlude) | — | ||
| 23-2 | Caractacus, Op. 35: Scene III. "Come! beneath our woodland bow'rs" (Youths, Maidens) | — | ||
| 23-3 | Caractacus, Op. 35: Scene III. "O'er-arched by leaves" (Eigen, Orbin) | — | ||
| 23-4 | Caractacus, Op. 35: Scene III. "Last night beneath sacred oak" (Orbin) | — | ||
| 23-5 | Caractacus, Op. 35: Scene III. "Come! beneath our woodland bow'rs" (Youths, Maidens, Orbin, Eigen) | — | ||
| 23-6 | Caractacus, Op. 35: Scene IV. "Wild rumours shake our calm retreat" (Maidens) | — | ||
| 23-7 | Caractacus, Op. 35: Scene IV. "When the glow of the evening had died" (Eigen, Maidens) | — | ||
| 23-8 | Caractacus, Op. 35: Scene IV. "We were gather'd by the river" (Soldiers) | — | ||
| 23-9 | Caractacus, Op. 35: Scene IV. "O my soldiers, tell me truly" (Caractacus, Soldiers) | — | ||
| 23-10 | Caractacus, Op. 35: Scene V. "Captive Britons, see them!" (Druid Maidens, A Bard) | — | ||
| 23-11 | Caractacus, Op. 35: Scene VI. The march triumphal thunders (chorus) | — | ||
| 23-12 | Caractacus, Op. 35: Scene VI. "Unbind his hands" (Claudius) | — | ||
| 23-13 | Caractacus, Op. 35: Scene VI. "Heap torment upon torment" (Caractacus, Eigen, Orbin) | — | ||
| 23-14 | Caractacus, Op. 35: Scene VI. "Slay, slay the Briton" (Roman Citizens, Claudius) | — | ||
| 23-15 | Caractacus, Op. 35: Scene VI. "I plead not for myself" (Caractacus, Orbin, Eigen, Roman Citizens, Claudius) | — | ||
| 23-16 | Caractacus, Op. 35: Scene VI. "Grace from the Roman!" (Eigen, Claudius, Orbin, Caractacus) | — | ||
| 23-17 | Caractacus, Op. 35: Scene VI. "The clang of arms is over (chorus) | — | ||
| 24-1 | The Banner of St George, Op. 33: Scene I | — | ||
| 24-2 | The Banner of St George, Op. 33: Scene II - Epilogue (March) | — | ||
| 24-3 | Great is the Lord (Psalm 48), Op. 67 | — | ||
| 24-4 | Te Deum and Benedictus, Op. 34: Te Deum | — | ||
| 24-5 | Te Deum and Benedictus, Op. 34: Benedictus | — | ||
| 25-1 | The Spirit of England, op. 80: I. The Fourth of August | London Symphony Chorus, Felicity Lott, Northern Sinfonia, Richard Hickox | — | |
| 25-2 | The Spirit of England, op. 80: II. To Women | London Symphony Chorus, Felicity Lott, Northern Sinfonia, Richard Hickox | — | |
| 25-3 | The Spirit of England, op. 80: III. For the Fallen | London Symphony Chorus, Felicity Lott, Northern Sinfonia, Richard Hickox | — | |
| 25-4 | Give Unto the Lord (Psalm 29), Op. 74 | — | ||
| 25-5 | O Hearken Thou, op. 64 | London Symphony Chorus, Northern Sinfonia, Richard Hickox | — | |
| 25-6 | Land of Hope and Glory | — | ||
| 26-1 | Ave Verum Corpus, Op. 2 No. 1 | — | ||
| 26-2 | Ave Maria, Op. 2 No. 2 | — | ||
| 26-3 | Ave Maris Stella, Op. 2 No. 3 | — | ||
| 26-4 | Vesper Voluntaries, Op. 14: I. Introduction | — | ||
| 26-5 | Vesper Voluntaries, Op. 14: II. Andante | — | ||
| 26-6 | Angelus, Op. 56 No. 1 | — | ||
| 26-7 | Give Unto the Lord (Psalm 29), Op. 74 | — | ||
| 26-8 | O Hearken Thou, Op. 64 | — | ||
| 26-9 | Te Deum and Benedictus, Op. 34: Te Deum | — | ||
| 26-10 | Te Deum and Benedictus, Op. 34: Benedictus | — | ||
| 26-11 | Organ Sonata No. 1 in G major, Op. 28: I. Allegro Maestoso | — | ||
| 26-12 | Organ Sonata No. 1 in G major, Op. 28: II. Allegretto | — | ||
| 26-13 | Organ Sonata No. 1 in G major, Op. 28: III. Andante Espressivo | — | ||
| 26-14 | Organ Sonata No. 1 in G major, Op. 28: IV. Presto (Comodo) | — | ||
| 27-1 | The Music Makers, Op. 69: (Moderato e nobilmente) | — | ||
| 27-2 | The Music Makers, Op. 69: We are the music makers | — | ||
| 27-3 | The Music Makers, Op. 69: With wonderful deathless ditties | — | ||
| 27-4 | The Music Makers, Op. 69: We, in the ages lying | — | ||
| 27-5 | The Music Makers, Op. 69: A breath of our inspiration | — | ||
| 27-6 | The Music Makers, Op. 69: They had no vision amazing | — | ||
| 27-7 | The Music Makers, Op. 69: And therefore to-day is thrilling | — | ||
| 27-8 | The Music Makers, Op. 69: But we, with our dreaming and singing | — | ||
| 27-9 | The Music Makers, Op. 69: For we are afar with the dawning | — | ||
| 27-10 | The Music Makers, Op. 69: Great wall we cry to the corners | — | ||
| 27-11 | The Sanguine Fan, Op. 81: A glade | — | ||
| 27-12 | The Sanguine Fan, Op. 81: Pan enters piping, then curls up to sleep | — | ||
| 27-13 | The Sanguine Fan, Op. 81: A Young Man enters, awaiting someone | — | ||
| 27-14 | The Sanguine Fan, Op. 81: Two girls enter gaily; the Young Man returns the fan which the First Girl has dropped in the excitement of meeting | — | ||
| 27-15 | The Sanguine Fan, Op. 81: The Young Man declared his passion for the First Girl and is blindfolded; a quarrel | — | ||
| 27-16 | The Sanguine Fan, Op. 81: Echo awakes Pan, who falls in love with her; they dance till exhausted | — | ||
| 27-17 | The Sanguine Fan, Op. 81: Three Shepherdesses bring gifts for Pan | — | ||
| 27-18 | The Sanguine Fan, Op. 81: The First Girl and the Young Man enter, she angry, he pleading; thunder | — | ||
| 27-19 | The Sanguine Fan, Op. 81: Echo snatches Pan's pipes and tempts the Young Man | — | ||
| 27-20 | The Sanguine Fan, Op. 81: Echo, now disguised as a mortal, captivates the Young Man | — | ||
| 27-21 | The Sanguine Fan, Op. 81: Pan rouses and, full of jealous wrath, pursues the Young Man; thunder and lightning; the Young Man falls unconscious | — | ||
| 27-22 | The Sanguine Fan, Op. 81: Echo, sans disguise, run back to Pan; they embrace madly and run off; the girl kneels by he prostrate lover; Pan glances back and laughs sardonically | — | ||
| 28-1 | Starlight Express, op. 78: No. 1 First Prelude: Overture & Organ-Grinder's Song 1: “To the children” | — | ||
| 28-2 | Starlight Express, op. 78: Act I, Scene I. Nos 2-5 The Earth had forgotten it's a star – The Lamplighter passes – Light and hope – The Organ-Grinder is heard – The Star Society | — | ||
| 28-3 | Starlight Express, op. 78: Act I, Scene I. Nos. 6-7 Daddy's star story – The star cave | — | ||
| 28-4 | Starlight Express, op. 78: Act I, Scene I. Nos. 8-10 The gardener comes – A great Un-Wumbler's coming – Jinny tries on the veil | — | ||
| 28-5 | Starlight Express, op. 78: Act I, Scene I. No. 11 Interlude: The Organ-Grinder and the sprites bring Henry's luggage | — | ||
| 28-6 | Starlight Express, op. 78: Act I, Scene II. Nos. 12,14 What jolly stars! – Goodnight | — | ||
| 28-7 | Starlight Express, op. 78: Act I, Scene II. No. 15 Second Prelude: Organ-Grinder's Song 2: “The Blue-Eyes Fairy” | — | ||
| 28-8 | Starlight Express, op. 78: Act II, Scene I. Nos. 17-18 Orion and the Pleiades (Melody) – Organ-Grinder's Song 3: “The Curfew Song” | — | ||
| 28-9 | Starlight Express, op. 78: Act II, Scene I. No. 19 Interlude (Home to sleep) | — | ||
| 28-10 | Starlight Express, op. 78: Act II, Scene I. Nos. 20-22 Outside the Star Cave – The Wumbled People call out for Star-Dust – Arrival of the Starlight Express | — | ||
| 28-11 | Starlight Express, op. 78: Act II, Scene I. Nos. 23-25 Entry of the Sweep – Entry of the Organ-Grinder – Entry of the Gardener | — | ||
| 28-12 | Starlight Express, op. 78: Act II, Scene I. Nos. 26-28 Entry of the Laugher – Laugher's Song 1: “I'm Everywhere” – Entry of the Lamplighter – Let's ask the Organ-Grinder | — | ||
| 28-13 | Starlight Express, op. 78: Act II, Scene I. No. 29 Organ-Grinder's Song 4: “Wake up, you little Night Winds” | — | ||
| 28-14 | Starlight Express, op. 78: Act II, Scene I. No. 30 Ballet: The Dance of the Little Winds | — | ||
| 28-15 | Starlight Express, op. 78: Act II, Scene I. Nos. 31-32 The kind old Dustman – Into the Star Cave | — | ||
| 28-16 | Starlight Express, op. 78: Act II, Scene I. No. 33 Loading up with Star-Dust (Sun-Dance from The Wand of Youth, Suite 1) | — | ||
| 28-17 | Starlight Express, op. 78: Act II, Scene I. No. 34 Interlude: The Wistaria Pension at night | — | ||
| 28-18 | Starlight Express, op. 78: Act II, Scene II. Nos. 35-36 The Lamplighter at work – Off again | — | ||
| 28-19 | Starlight Express, op. 78: Act II, Scene III. Nos. 37-38 The Den at Night – Un-wumbling Daddy and Laugher's Songs 2 & 3: “Oh, stars, shine brightly” – “They'll listen to my song” | — | ||
| 28-20 | Starlight Express, op. 78: Act II, Scene III. Nos. 39-41 The Lamplighter at work again – Departure of the Sprites – The Dawn Song | — | ||
| 28-21 | Starlight Express, op. 78: Act II, Scene III. No. 42 Third Prelude: Organ-Grinder's Song 5: “My old tunes” | — | ||
| 28-22 | Starlight Express, op. 78: Act III, Scene I. Nos. 43-45 Jane-Anne's song – Miss Waghorn – The source of life; Daddy's inspiration | — | ||
| 28-23 | Starlight Express, op. 78: Act III, Scene I. No. 46 Interlude: The waltz of the Blue-Eyes Fairy | — | ||
| 28-24 | Starlight Express, op. 78: Act III, Scene II. No. 47 Outside the Star-Cave again…Laugher's Song 4: “Laugh a little ev'ry day”…Organ-Grinder's Song 6: “They all soft-shiny now” – Arrival of Grannie | — | ||
| 28-25 | Starlight Express, op. 78: Act III, Scene II. No. 48 The spirit of Miss Waghorn – Daddy's tender light – Daddy Enters | — | ||
| 28-26 | Starlight Express, op. 78: Act III, Scene II. No. 49 Our fairyland – Ensemble | — | ||
| 28-27 | Starlight Express, op. 78: Act III, Scene II. No. 50 Finale: The dance of the Pleiades – Song (soprano) – Song (baritone) – The rising of the Star | — | ||
| 29-1 | From the Bavarian Highlands, op. 27: 1. The Dance (Sonnenbichl) | — | ||
| 29-2 | From the Bavarian Highlands, op. 27: 2. False Love (Wamberg) | — | ||
| 29-3 | From the Bavarian Highlands, op. 27: 3. Lullaby (In Hammersbach) | — | ||
| 29-4 | From the Bavarian Highlands, op. 27: 4. Aspiration (Bei Sankt Anton) | — | ||
| 29-5 | From the Bavarian Highlands, op. 27: 5. On the Alm (Hoch Alp) | — | ||
| 29-6 | From the Bavarian Highlands, op. 27: 6. The Marksman (Bei Murnau) | — | ||
| 29-7 | Pleading, op. 48 no. 1 | — | ||
| 29-8 | Songs, op. 59: 3. “Was it some golden star?” | — | ||
| 29-9 | Songs, op. 59: 1. “Oh, soft was the song” | — | ||
| 29-10 | Songs, op. 59: 6. “Twilight” | — | ||
| 29-11 | Two Songs, op. 60: 1. “The Torch” | — | ||
| 29-12 | Two Songs, op. 60: 2. “The River” | — | ||
| 29-13 | The Shower, op. 71 no. 1 | — | ||
| 29-14 | My Love Dwelt in a Northern Land | — | ||
| 29-15 | Five Part‐Songs From the Greek Anthology, op. 45: 1. “Yea, cast me from heights of the mountains” | — | ||
| 29-16 | Five Part‐Songs From the Greek Anthology, op. 45: 2. “Whether I find thee” | — | ||
| 29-17 | Five Part‐Songs From the Greek Anthology, op. 45: 3. “After many a dusty mile” | — | ||
| 29-18 | Five Part‐Songs From the Greek Anthology, op. 45: 4. “It’s oh! To be a wild wind” | — | ||
| 29-19 | Five Part‐Songs From the Greek Anthology, op. 45: 5. “Feasting I watch” | — | ||
| 29-20 | The Wanderer | — | ||
| 29-21 | The Reveille, op. 54 | — | ||
| 29-22 | Deep in My Soul, op. 53 no. 2 | — | ||
| 29-23 | Jerusalem | — | ||
| 29-24 | National Anthem | — | ||
| 30-1 | Pomp and Circumstance Military Marches, op. 39: No. 1 in D | — | ||
| 30-2 | Pomp and Circumstance Military Marches, op. 39: No. 2 in A minor | — | ||
| 30-3 | Pomp and Circumstance Military Marches, op. 39: No. 3 in C minor | — | ||
| 30-4 | Pomp and Circumstance Military Marches, op. 39: No. 4 in G | — | ||
| 30-5 | Pomp and Circumstance Military Marches, op. 39: No. 5 in C | — | ||
| 30-6 | The Dream of Gerontius, op. 32: Prelude | — | ||
| 30-7 | Serenade in E minor, op. 20: I. Allegro piacevole | Sinfonia of London, Sir John Barbirolli | — | |
| 30-8 | Serenade in E minor, op. 20: II. Larghetto | Sinfonia of London, Sir John Barbirolli | — | |
| 30-9 | Serenade in E minor, op. 20: III. Allegretto – Come prima | Sinfonia of London, Sir John Barbirolli | — | |
| 30-10 | Piano Improvisation no. 4 | — | ||
| 30-11 | Salut d’amour, op. 12 | — | ||
| 30-12 | Chanson de nuit, op. 15 no. 1 | — | ||
| 30-13 | Chanson de matin, op. 15 no. 2 | — | ||
| 30-14 | Land of Home and Glory | — | ||
| 30-15 | Cockaigne (In London Town), op. 40 | — |
Symphony no. 1 in A‐flat, op. 55: I. Andante, nobilmente e semplice – Allegro
Philharmonia Orchestra, Sir John Barbirolli
—
Symphony no. 1 in A‐flat, op. 55: II. Allegro molto
Philharmonia Orchestra, Sir John Barbirolli
—
Philharmonia Orchestra, Sir John Barbirolli
Symphony no. 1 in A‐flat, op. 55: IV. Lento – Allegro
Philharmonia Orchestra, Sir John Barbirolli
—
Introduction and Allegro, op. 147
Allegri String Quartet, Sinfonia of London, Sir John Barbirolli
—
Symphony no. 2 in E-flat, op. 63: I. Allegro vivace e nobilmente
Hallé Orchestra, Sir John Barbirolli
—
Symphony no. 2 in E-flat, op. 63: II. Larghetto
Hallé Orchestra, Sir John Barbirolli
—
Symphony no. 2 in E-flat, op. 63: III. Rondo: Presto
Hallé Orchestra, Sir John Barbirolli
—
Symphony no. 2 in E-flat, op. 63: IV. Moderato e maestoso
Hallé Orchestra, Sir John Barbirolli
—
Elegy, op. 58
Philharmonia Orchestra, Sir John Barbirolli
—
Falstaff Symphonic Study in C minor, op. 68: I. Falstaff and Prince Henry
Hallé Orchestra, Sir John Barbirolli
—
Falstaff Symphonic Study in C minor, op. 68: II. Eastcheap - Gadshill - The Boar's Head, revelry and sleep
Hallé Orchestra, Sir John Barbirolli
—
Falstaff Symphonic Study in C minor, op. 68: II. Dream Interlude: "Jack Falstaff, now Sir John, a boy, and page to Thomas Mowbray, Duke of Norfolk"
Hallé Orchestra, Sir John Barbirolli
—
Falstaff Symphonic Study in C minor, op. 68: III. Falstaff's march
Hallé Orchestra, Sir John Barbirolli
—
Falstaff Symphonic Study in C minor, op. 68: III. Interlude: Gloucestershire. Shallow's orchard (Allegretto) - The new king - The hurried ride to London
Hallé Orchestra, Sir John Barbirolli
—
Falstaff Symphonic Study in C minor, op. 68: IV. King Henry V's progress - the repudiation of Falstaff, and his death
Hallé Orchestra, Sir John Barbirolli
—
Philharmonia Orchestra, Sir John Barbirolli
Variations on an Original Theme “Enigma”, op. 36: Theme
Philharmonia Orchestra, Sir John Barbirolli
—
Variations on an Original Theme “Enigma”, op. 36: I. C.A.E. (Caroline Alice Edgar)
Philharmonia Orchestra, Sir John Barbirolli
—
Variations on an Original Theme “Enigma”, op. 36: II. H.D.S.P. (Hew David Steuart‐Powell)
Philharmonia Orchestra, Sir John Barbirolli
—
Variations on an Original Theme “Enigma”, op. 36: III. R.B.T. (Richard Baxter Townshend)
Philharmonia Orchestra, Sir John Barbirolli
—
Variations on an Original Theme “Enigma”, op. 36: IV. W.M.B. (William Meath Baker)
Philharmonia Orchestra, Sir John Barbirolli
—
Variations on an Original Theme “Enigma”, op. 36: V. R.P.A. (Richard Penrose Arnold)
Philharmonia Orchestra, Sir John Barbirolli
—
Variations on an Original Theme “Enigma”, op. 36: VI. Ysobel (Isabel Fitton)
Philharmonia Orchestra, Sir John Barbirolli
—
Variations on an Original Theme “Enigma”, op. 36: VII. Troyte (Troyte Griffith)
Philharmonia Orchestra, Sir John Barbirolli
—
Variations on an Original Theme “Enigma”, op. 36: VIII. W.N. (Winifred Norbury)
Philharmonia Orchestra, Sir John Barbirolli
—
Philharmonia Orchestra, Sir John Barbirolli
Variations on an Original Theme “Enigma”, op. 36: X. Intermezzo: Dorabella (Dora Penny)
Philharmonia Orchestra, Sir John Barbirolli
—
Variations on an Original Theme “Enigma”, op. 36: XI. G.R.S. (George Robertson Sinclair)
Philharmonia Orchestra, Sir John Barbirolli
—
Variations on an Original Theme “Enigma”, op. 36: XII. B.G.N. (Basil G. Nevinson)
Philharmonia Orchestra, Sir John Barbirolli
—
Variations on an Original Theme “Enigma”, op. 36: XIII. Romanza: *** (Lady Mary Lygon)
Philharmonia Orchestra, Sir John Barbirolli
—
Variations on an Original Theme “Enigma”, op. 36: XIV. Finale: E.D.U. (the composer)
Philharmonia Orchestra, Sir John Barbirolli
—
Pomp and Circumstance Marches, op. 39: No. 1 in D major
Philharmonia Orchestra, Sir John Barbirolli
—
Pomp and Circumstance Marches, op. 39: No. 2 in A minor
New Philharmonia Orchestra, Sir John Barbirolli
—
Pomp and Circumstance Marches, op. 39: No. 3 in C minor
New Philharmonia Orchestra, Sir John Barbirolli
—
Pomp and Circumstance Marches, op. 39: No. 4 in G major
Philharmonia Orchestra, Sir John Barbirolli
—
Pomp and Circumstance Marches, op. 39: No. 5 in C major
New Philharmonia Orchestra, Sir John Barbirolli
—
Serenade in E minor, op. 20: I. Allegro piacevole
Sinfonia of London, Sir John Barbirolli
—
Serenade in E minor, op. 20: II. Larghetto
Sinfonia of London, Sir John Barbirolli
—
Serenade in E minor, op. 20: III. Allegretto – Come prima
Sinfonia of London, Sir John Barbirolli
—
Sea Pictures, op. 37: I. Sea Slumber-Song
Janet Baker, London Symphony Orchestra, Sir John Barbirolli
—
Sea Pictures, op. 37: II. In Haven (Capri)
Janet Baker, London Symphony Orchestra, Sir John Barbirolli
—
Sea Pictures, op. 37: III. Sabbath Morning at Sea
Janet Baker, London Symphony Orchestra, Sir John Barbirolli
—
Sea Pictures, op. 37: IV. Where Corals Lie
Dame Janet Baker, London Symphony Orchestra, Sir John Barbirolli
—
Sea Pictures, op. 37: V. The Swimmer
Janet Baker, London Symphony Orchestra, Sir John Barbirolli
—
Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli
Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli
Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli
Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli
Violin Sonata in E minor, op. 82: I. Allegro
—
Violin Sonata in E minor, op. 82: II. Romance: Andante
—
Violin Sonata in E minor, op. 82: III. Allegro non troppo
—
Violin Concerto in B minor, op. 61: I. Allegro
—
Violin Concerto in B minor, op. 61: II. Andante
—
Violin Concerto in B minor, op. 61: III. Allegro molto – Cadenza (Accompagnata: Lento) – Allegro molto (Tempo I)
—
Nursery Suite: I. Aubade (Awake) (Allegretto)
—
Nursery Suite: II. The Serious Doll (Andantino)
—
Nursery Suite: III. Busy‐ness (Allegro molto)
—
Nursery Suite: IV. The Sad Doll (Andantino)
—
Nursery Suite: V. The Wagon (Passes) (Allegretto)
—
Nursery Suite: VI. The Merry Doll (Allegro molto)
—
Nursery Suite: VII. Dreaming (Lento)
—
Nursery Suite: VIII. Envoy (Coda)
—
Severn Suite, op. 87: I. Worcester Castle (Introduction)
—
Severn Suite, op. 87: II. Tournament (Toccata)
—
Severn Suite, op. 87: III. Cathedral (Fugue)
—
Severn Suite, op. 87: IV. Commandery (Minuet)
—
Severn Suite, op. 87: V. Coda
—
Suite From ‘The Crown of India’, op. 66: Ia. Introduction (Allegro)
—
Suite From ‘The Crown of India’, op. 66: Ib. Dance of Nautch Girls (Allegretto)
—
Suite From ‘The Crown of India’, op. 66: II. Menuetto (Moderato)
—
Suite From ‘The Crown of India’, op. 66: III. Warriors’ Dance (Allegro)
—
Suite From ‘The Crown of India’, op. 66: IV. Intermezzo (Andantino)
—
Suite From ‘The Crown of India’, op. 66: V. March of the Mogul Emperors (Moderato maestoso)
—
Coronation March, op. 65
—
Organ Sonata in G, op. 28: I. Allegro maestoso
—
Organ Sonata in G, op. 28: II. Allegretto
—
Organ Sonata in G, op. 28: III. Andante espressivo
—
Organ Sonata in G, op. 28: IV. Presto (comodo)
—
The Wand of Youth, First Suite, op. 1a: I. Overture: Allegro molto
—
The Wand of Youth, First Suite, op. 1a: II. Serenade: Andantino
—
The Wand of Youth, First Suite, op. 1a: III. Minuet (Old Style): Andante
—
The Wand of Youth, First Suite, op. 1a: IV. Sun Dance: Presto
—
The Wand of Youth, First Suite, op. 1a: V. Fairy Pipers: Allegretto
—
The Wand of Youth, First Suite, op. 1a: VI. Slumber Scene: Moderato
—
The Wand of Youth, First Suite, op. 1a: VII. Fairies and Giants: Presto
—
The Wand of Youth, Second Suite, op. 1b: I. March: Alla marcia (Allegro moderato)
—
The Wand of Youth, Second Suite, op. 1b: II. The Little Bells (Scherzino): Allegro molto
—
The Wand of Youth, Second Suite, op. 1b: III. Moths and Butterflies (Dance): Allegretto
—
The Wand of Youth, Second Suite, op. 1b: IV. Fountain Dance: Allegretto comodo
—
The Wand of Youth, Second Suite, op. 1b: V. The Tame Bear: Allegretto moderato
—
The Wand of Youth, Second Suite, op. 1b: VI. The Wild Bears: Presto
—
Three Bavarian Dances: The Dance (Sonnenbichi): Allegretto giocoso
—
Three Bavarian Dances: Lullaby (In Hammersbach): Moderato
—
Three Bavarian Dances: The Marksman (Bei Murnau): Allegro vivace
—
Chanson de nuit, op. 15 no. 1
—
Chanson de matin, op. 15 no. 2
London Philharmonic Orchestra, Sir Adrian Boult
—
Fantasia and Fugue in C minor, op. 86: Fantasia
—
Fantasia and Fugue in C minor, op. 86: Fugue
—
Overture in D minor
—
In the South (Alassio) Concert Overture, op. 50
—
Carillon, op. 75
—
Funeral March From Piano Sonata no. 2 in B‐flat minor, op. 35
—
Grania and Diarmid Incidental Music, op. 42: Incidental Music
—
Grania and Diarmid Incidental Music, op. 42: Funeral March
—
Polonia Symphonic Prelude, op. 76
—
Triumphal March From Caractacus, op. 35
—
Imperial March, op. 32
—
Empire March
—
Minuet (From Beau Brummel)
—
Dream Children: Two Pieces for Small Orchestra, op. 43: I. Allegro maestoso
—
Dream Children: Two Pieces for Small Orchestra, op. 43: II. Allegretto piacevole
—
Salut d’amour, op. 12
—
Minuet, op. 21
—
May Song
—
Rosemary (‘That’s for Remembrance’)
—
Romance for Bassoon and Orchestra, op. 62
—
Sevillana, op. 7
—
Sérénade lyrique
—
Three Characteristic Pieces, op. 10: I. Mazurka
—
Three Characteristic Pieces, op. 10: II. Serenade mauresque
—
Three Characteristic Pieces, op. 10: III. Contrasts: The Gavotte AD 1700 and 1900
—
Carissima
—
Mina
—
Piano Quintet in A minor, op. 84: I. Moderato – Allegro
—
Piano Quintet in A minor, op. 84: II. Adagio
—
Piano Quintet in A minor, op. 84: III. Andante – Allegro
—
String Quartet in E minor, op. 83: I. Allegro moderato
—
String Quartet in E minor, op. 83: II. Piacevole: Poco andante
—
String Quartet in E minor, op. 83: III. Finale: Allegro molto
—
Serenade
—
Concert Allegro, op. 46
—
The Dream of Gerontius, Op. 38: Part I (a) Prelude (Lento, mistico - Moderato - Andantino - Come prima)
Hallé Orchestra, Sir John Barbirolli
—
The Dream of Gerontius, Op. 38: Part I. "Jesu, Maria - I am near to death" (Gerontius)
—
The Dream of Gerontius, Op. 38: Part I. "So pray for me... Kyrie eleison...Holy Mary, pray for him" (Gerontius, semi-chorus, chorus)
—
The Dream of Gerontius, Op. 38: Part I. "Rouse thee, my fainting soul... Be merciful" (Gerontius, chorus)
—
The Dream of Gerontius, Op. 38: Part I (e) (Gerontius) Sanctus fortis, Sanctus Deus
Richard Lewis, Hallé Orchestra, Sir John Barbirolli
—
The Dream of Gerontius, Op. 38: Part I. "I can no more... Rescue him, O Lord" (Gerontius, chorus)
—
The Dream of Gerontius, Op. 38: Part I. "Noe from the waters... Novissima hora est" (semi-chorus, chorus, Gerontius)
—
The Dream of Gerontius, op. 38: Part One. X. “Proficiscere, anima Christiana” (Priest)
Kim Borg, Hallé Orchestra, Sir John Barbirolli
—
The Dream of Gerontius, op. 38: Part One. XI. “Go in the name of Angels and Archangels” (chorus, Priest, semi-chorus)
Ambrosian Singers, Kim Borg, Hallé Choir, Sheffield Philharmonic Chorus, Hallé Orchestra, Sir John Barbirolli
—
The Dream of Gerontius, Op. 38: Part II (a) (Andantino)
Hallé Orchestra, Sir John Barbirolli
—
The Dream of Gerontius, Op. 38: Part II. "I went to sleep" (Soul of Gerontius)
—
The Dream of Gerontius, Op. 38: Part II. "Another marvel... My work is done" (Soul, Angel)
—
The Dream of Gerontius, Op. 38: Part II. "It is a member of that family... A presage falls upon thee" (Angel, Soul)
—
The Dream of Gerontius, Op. 38: Part II (e) (Soul, Angel, chorus) But hark!...Low-born clods of brute earth
Janet Baker, Hallé Choir, Richard Lewis, Sheffield Philharmonic Chorus, Hallé Orchestra, Sir John Barbirolli
—
The Dream of Gerontius, Op. 38: Part II. "Dispossessed, aside thrust" (chorus)
—
The Dream of Gerontius, Op. 38: Part II. "I see not those false spirits" (Soul, Angel)
—
The Dream of Gerontius, Op. 38: Part II. "There was a mortal... Praise to the holiest" (Angel, semi-chorus, chorus, Soul)
—
The Dream of Gerontius, Op. 38: Part II. "But hark! A grand mysterious harmony" (Soul, Angel, chorus)
—
The Dream of Gerontius, Op. 38: Part II. "Thy judgement now is near" (Angel, Soul)
—
The Dream of Gerontius, Op. 38: Part II. "Jesu! by that shuddering dread" (Angel of the Agony, Soul, semi-chorus, chorus)
—
The Dream of Gerontius, Op. 38: Part II. "Praise to his Name... Take me away" (Angel, Soul, chorus)
—
The Dream of Gerontius, Op. 38: Part II (m) (Angel, chorus, semi-chorus) Softly and gently
Ambrosian Singers, Janet Baker, Hallé Choir, Sheffield Philharmonic Chorus, Hallé Orchestra, Sir John Barbirolli
—
The Apostles, Op. 49: Prologue
—
The Apostles, Op. 49: Part I, I. The Calling of the Apostles "And it came to pass in those days"
—
The Apostles, Op. 49: Part I, I. The Calling of the Apostles "The dawn"
—
The Apostles, Op. 49: Part I, I. The Calling of the Apostles "Morning psalm"
—
The Apostles, Op. 49: Part I, I. The Calling of the Apostles "The Lord hath chosen them"
—
The Apostles, Op. 49: Part I, II. By the Wayside
—
The Apostles, Op. 49: Part I, III. By the Sea of Galilee "And straightway Jesus constrained his disciples"
—
The Apostles, Op. 49: Part I, III. By the Sea of Galilee "In the tower of Magdala"
—
The Apostles, Op. 49: Part I, III. By the Sea of Galilee "This shall ye have of mine hand"
—
The Apostles, Op. 49: Part I, III. By the Sea of Galilee "When Jesus came into the parts of Caesarea Philippi"
—
The Apostles, Op. 49: Part I, III. By the Sea of Galilee "And I will give unto thee"
—
The Apostles, Op. 49: Part I, III. By the Sea of Galilee "Turn you to the stronghold"
—
The Apostles, Op. 49: Part II. Introduction
—
The Apostles, Op. 49: Part II, IV. The Betrayal "And it came to pass"
—
The Apostles, Op. 49: Part II, IV. The Betrayal "Then gathered the Chief Priests and Pharisees"
—
The Apostles, Op. 49: Part II, IV. The Betrayal "Hail, Master!"
—
The Apostles, Op. 49: Part II, IV. The Betrayal "Then Judas, which had betrayed him"
—
The Apostles, Op. 49: Part II, IV. The Betrayal "Without the temple"
—
The Apostles, Op. 49: Part II, V. Golgotha
—
The Apostles, Op. 49: Part II, VI. At the Sepulchre
—
The Apostles, Op. 49: Part II, VII. The Ascension "We trusted that it had Been He"
—
The Apostles, Op. 49: Part II, VII. The Ascension "Give us one heart"
—
The Apostles and the Kingdom: An Illustrated Introduction by Adrian Boult: General Introduction
—
The Apostles and the Kingdom: An Illustrated Introduction by Adrian Boult: Introduction to the Apostles and the Kingdom
—
The Apostles and the Kingdom: An Illustrated Introduction by Adrian Boult: Motto themes used for the principal characters: Christ, the man of sorrows
—
The Apostles and the Kingdom: An Illustrated Introduction by Adrian Boult: Motto themes used for the principal characters: The spirit of the Lord
—
The Apostles and the Kingdom: An Illustrated Introduction by Adrian Boult: Motto themes used for the principal characters: Christ's loneliness
—
The Apostles and the Kingdom: An Illustrated Introduction by Adrian Boult: Motto themes used for the principal characters: The Beatitudes
—
The Apostles and the Kingdom: An Illustrated Introduction by Adrian Boult: Motto themes used for the principal characters: Judas
—
The Apostles and the Kingdom: An Illustrated Introduction by Adrian Boult: Motto themes used for the principal characters: St. Peter
—
The Apostles and the Kingdom: An Illustrated Introduction by Adrian Boult: Motto themes used for abstract ideas: The Gospel
—
The Apostles and the Kingdom: An Illustrated Introduction by Adrian Boult: Motto themes used for abstract ideas: The Church
—
The Apostles and the Kingdom: An Illustrated Introduction by Adrian Boult: Motto themes used for abstract ideas: The Fellowship of the Apostles
—
The Apostles and the Kingdom: An Illustrated Introduction by Adrian Boult: Motto themes used only in The Kingdom: The New Faith (Christianity)
—
The Apostles and the Kingdom: An Illustrated Introduction by Adrian Boult: Motto themes used only in The Kingdom: In the name of Jesus Christ
—
The Apostles and the Kingdom: An Illustrated Introduction by Adrian Boult: Motto themes used only in The Kingdom: The Real Presence (Christ)
—
The Apostles and the Kingdom: An Illustrated Introduction by Adrian Boult: Motto theme quoted from The Light of Life
—
The Apostles and the Kingdom: An Illustrated Introduction by Adrian Boult: Motto theme quoted from The Dream of Gerontius
—
The Kingdom, Op. 51: Prelude
—
The Kingdom, Op. 51: I. In the Upper Room "Seek first the Kingdom of God"
—
The Kingdom, Op. 51: I. In the Upper Room "Men and brethren"
—
The Kingdom, Op. 51: I. In the Upper Room "O ye priests!"
—
The Kingdom, Op. 51: II. At the Beautiful Gate
—
The Kingdom, Op. 51: III. Pentecost "And when the day of Pentecost"
—
The Kingdom, Op. 51: III. Pentecost "And suddenly there came from Heaven"
—
The Kingdom, Op. 51: III. Pentecost "Repent, and be baptised"
—
The Kingdom, Op. 51: IV. The Sign of Healing "Then they that gladly received his word"
—
The Kingdom, Op. 51: IV. The Sign of Healing "And as they spake...The Sun goeth down"
—
The Kingdom, Op. 51: V. The Upper Room "The voice of joy"
—
The Kingdom, Op. 51: V. The Upper Room "Thou, almighty Lord"
—
The Kingdom, Op. 51: V. The Upper Room "Our Father"
—
Coronation Ode, op. 44: I. Crown the King
Cambridge University Musical Society Chorus, Choir of King’s College, Cambridge, Alfreda Hodgson, Felicity Lott, Richard Morton, Stephen Roberts, Band of the Royal Military School of Music (Kneller Hall), New Philharmonia Orchestra, Philip Ledger
—
Coronation Ode, op. 44: IIa. The Queen
Cambridge University Musical Society Chorus, Choir of King’s College, Cambridge, Alfreda Hodgson, Felicity Lott, Richard Morton, Stephen Roberts, Band of the Royal Military School of Music (Kneller Hall), New Philharmonia Orchestra, Philip Ledger
—
Coronation Ode, op. 44: IIb. Daughter of ancient Kings
Cambridge University Musical Society Chorus, Choir of King’s College, Cambridge, Alfreda Hodgson, Felicity Lott, Richard Morton, Stephen Roberts, Band of the Royal Military School of Music (Kneller Hall), New Philharmonia Orchestra, Philip Ledger
—
Coronation Ode, op. 44: III. Britain, ask thyself
Cambridge University Musical Society Chorus, Choir of King’s College, Cambridge, Alfreda Hodgson, Felicity Lott, Richard Morton, Stephen Roberts, Band of the Royal Military School of Music (Kneller Hall), New Philharmonia Orchestra, Philip Ledger
—
Coronation Ode, op. 44: IV. Hark, upon the hallowed air…Only let the heart be pure
Cambridge University Musical Society Chorus, Choir of King’s College, Cambridge, Alfreda Hodgson, Felicity Lott, Richard Morton, Stephen Roberts, Band of the Royal Military School of Music (Kneller Hall), New Philharmonia Orchestra, Philip Ledger
—
Coronation Ode, op. 44: V. Peace, gentle Peace
Cambridge University Musical Society Chorus, Choir of King’s College, Cambridge, Alfreda Hodgson, Felicity Lott, Richard Morton, Stephen Roberts, Band of the Royal Military School of Music (Kneller Hall), New Philharmonia Orchestra, Philip Ledger
—
Coronation Ode, op. 44: VI. Land of Hope and Glory
Cambridge University Musical Society Chorus, Choir of King’s College, Cambridge, Alfreda Hodgson, Felicity Lott, Richard Morton, Stephen Roberts, Band of the Royal Military School of Music (Kneller Hall), New Philharmonia Orchestra, Philip Ledger
—
The Light of Life, Op. 29: No. 1 "Meditation"
—
The Light of Life, Op. 29: No. 2 "Seek Him that maketh the seven stars"
—
The Light of Life, Op. 29: No. 3 "As Jesus passed by"
—
The Light of Life, Op. 29: No. 4 "Be not extreme, O Lord"
—
The Light of Life, Op. 29: No. 5 "Neither hath this man sinned"
—
The Light of Life, Op. 29: No. 6 "Light out of darkness"
—
The Light of Life, Op. 29: No. 7 "And when He had thus spoken"
—
The Light of Life, Op. 29: No. 8 "Doubt not thy father's care!"
—
The Light of Life, Op. 29: No. 9 "He went His way therefore"
—
The Light of Life, Op. 29: No. 10 "As a spirit didst thou pass before mine eyes"
—
The Light of Life, Op. 29: No. 11 "They brought him to the Pharisees"
—
The Light of Life, Op. 29: No. 12 "Thou only hast the words of life!"
—
The Light of Life, Op. 29: No. 13 "But the Jews did not believe"
—
The Light of Life, Op. 29: No. 14 "Woe to the shepherds of the flock!"
—
The Light of Life, Op. 29: No. 15a "Jesus heard that they had cast him out"
—
The Light of Life, Op. 29: No. 15b "I am the good shepherd"
—
The Light of Life, Op. 29: No. 16 "Light of the world, we know thy praise"
—
The Black Knight, Op. 25: Scene I. "'Twas Pentecost"
—
The Black Knight, Op. 25: Scene II. "To the barrier of the fight"
—
The Black Knight, Op. 25: Scene III. "Pipe and viol all call the dances"
—
The Black Knight, Op. 25: Scene IV. "To the sumptuous banquet
—
Scenes from the Saga of King Olaf, Op. 30: Introduction: "There is a wondrous brook" (soloists, chorus)
—
Scenes from the Saga of King Olaf, Op. 30: No. 1 Recitative "Summon now the God of Thunder" (bass)
—
Scenes from the Saga of King Olaf, Op. 30: No. 2 "The challege of Thor" (chorus)
—
Scenes from the Saga of King Olaf, Op. 30: No. 3 "King Olaf's return" (tenor)
—
Scenes from the Saga of King Olaf, Op. 30: No. 4 Recitative "Tell how Olaf bore the cross" (bass)
—
Scenes from the Saga of King Olaf, Op. 30: No. 5 The Conversion: "King Olaf's prows at Nidaros" (chorus)
—
Scenes from the Saga of King Olaf, Op. 30: No. 5 The Conversion: "Behold me, my people" (tenor, bass, chorus)
—
Scenes from the Saga of King Olaf, Op. 30: No. 5 The Conversion: "As leap the lights of winter" (chorus, bass)
—
Scenes from the Saga of King Olaf, Op. 30: No. 5 The Conversion: "Then o'er the blood-stained Horg-stone" (chorus)
—
Scenes from the Saga of King Olaf, Op. 30: No. 5 The Conversion: "O brothers of Iceland" (tenor, chorus)
—
Scenes from the Saga of King Olaf, Op. 30: No. 6. Recitative "Now the child of ironbeard dead" (bass)
—
Scenes from the Saga of King Olaf, Op. 30: No. 7 "Gudrun" (soprano, chorus, tenor)
—
Scenes from the Saga of King Olaf, Op. 30: No. 8 Recitative "How the wraith of Odin old" (bass)
—
Scenes from the Saga of King Olaf, Op. 30: No. 9 "The Wraith of Odin"
—
Scenes from the Saga of King Olaf, Op. 30: No. 10 "Sisters, sing ye now the song" (bass)
—
Scenes from the Saga of King Olaf, Op. 30: No. 11 "Sigrid" (chorus, tenor, soprano)
—
Scenes from the Saga of King Olaf, Op. 30: No. 12 "Hark! she flies from Wendland forth" (bass)
—
Scenes from the Saga of King Olaf, Op. 30: No. 13 Thyri (chorus)
—
Scenes from the Saga of King Olaf, Op. 30: No. 14 "The gray land breaks to lively green" (soprano, tenor)
—
Scenes from the Saga of King Olaf, Op. 30: No. 15 Recitative "After Queen Gunhild's death" (chorus)
—
Scenes from the Saga of King Olaf, Op. 30: No. 16 "The death of Olav" (chorus)
—
Scenes from the Saga of King Olaf, Op. 30: Epilogue "In the convent of Drontheim" (soloists, chorus)
—
Scenes from the Saga of King Olaf, Op. 30: Epilogue "As torrents in summer" (soloists, chorus)
—
Scenes from the Saga of King Olaf, Op. 30: Epilogue "Stronger than steel" (soloists, chorus)
—
Spanish Serenade, Op. 23
—
The Snow, Op. 26 No. 1
—
Fly, Singing Bird Op. 26 No. 2
—
Caractacus, Op. 35: Scene I. "Watchmen, Alert!" (British Host)
—
Caractacus, Op. 35: Scene I. "Watchmen, Alert! The king is here" (Caractacus, Sentries)
—
Caractacus, Op. 35: Scene I. "Father! Sire and king" (Eigen, Caractacus, Orbin, Sentries)
—
Caractacus, Op. 35: Scene I. "At eve to the Greenwood" (Eigen)
—
Caractacus, Op. 35: Scene I. "On the ocean and the river" (Orbin, Caractacus, Eigen)
—
Caractacus, Op. 35: Scene I. "Rest, weary monarch" (Sprits of the Hill, Sentries)
—
Caractacus, Op. 35: Scene II. "Tread the mystic circle around" (Arch-Druid, Druids, Druid Maidens)
—
Caractacus, Op. 35: Scene II. "Lord of Dread" (Arch-Druid, Orbin, Druids, Druid Maidens, Caractacus)
—
Caractacus, Op. 35: Scene II. "Bard, What read Ye?" (Caractacus, Soldiers, Arch-Druid, Orbin)
—
Caractacus, Op. 35: Scene II. "Leap to the light" (Caractacus, Soldiers, Arch-Druid, Orbin)
—
Caractacus, Op. 35: Scene II. "Hence, ere the Druid's wrath is woke" (Druids, Druid Maidens, Orbin, Soldiers)
—
Caractacus, Op. 35: Scene III. Introduction (Woodland Interlude)
—
Caractacus, Op. 35: Scene III. "Come! beneath our woodland bow'rs" (Youths, Maidens)
—
Caractacus, Op. 35: Scene III. "O'er-arched by leaves" (Eigen, Orbin)
—
Caractacus, Op. 35: Scene III. "Last night beneath sacred oak" (Orbin)
—
Caractacus, Op. 35: Scene III. "Come! beneath our woodland bow'rs" (Youths, Maidens, Orbin, Eigen)
—
Caractacus, Op. 35: Scene IV. "Wild rumours shake our calm retreat" (Maidens)
—
Caractacus, Op. 35: Scene IV. "When the glow of the evening had died" (Eigen, Maidens)
—
Caractacus, Op. 35: Scene IV. "We were gather'd by the river" (Soldiers)
—
Caractacus, Op. 35: Scene IV. "O my soldiers, tell me truly" (Caractacus, Soldiers)
—
Caractacus, Op. 35: Scene V. "Captive Britons, see them!" (Druid Maidens, A Bard)
—
Caractacus, Op. 35: Scene VI. The march triumphal thunders (chorus)
—
Caractacus, Op. 35: Scene VI. "Unbind his hands" (Claudius)
—
Caractacus, Op. 35: Scene VI. "Heap torment upon torment" (Caractacus, Eigen, Orbin)
—
Caractacus, Op. 35: Scene VI. "Slay, slay the Briton" (Roman Citizens, Claudius)
—
Caractacus, Op. 35: Scene VI. "I plead not for myself" (Caractacus, Orbin, Eigen, Roman Citizens, Claudius)
—
Caractacus, Op. 35: Scene VI. "Grace from the Roman!" (Eigen, Claudius, Orbin, Caractacus)
—
Caractacus, Op. 35: Scene VI. "The clang of arms is over (chorus)
—
The Banner of St George, Op. 33: Scene I
—
The Banner of St George, Op. 33: Scene II - Epilogue (March)
—
Great is the Lord (Psalm 48), Op. 67
—
Te Deum and Benedictus, Op. 34: Te Deum
—
Te Deum and Benedictus, Op. 34: Benedictus
—
The Spirit of England, op. 80: I. The Fourth of August
London Symphony Chorus, Felicity Lott, Northern Sinfonia, Richard Hickox
—
The Spirit of England, op. 80: II. To Women
London Symphony Chorus, Felicity Lott, Northern Sinfonia, Richard Hickox
—
The Spirit of England, op. 80: III. For the Fallen
London Symphony Chorus, Felicity Lott, Northern Sinfonia, Richard Hickox
—
Give Unto the Lord (Psalm 29), Op. 74
—
O Hearken Thou, op. 64
London Symphony Chorus, Northern Sinfonia, Richard Hickox
—
Land of Hope and Glory
—
Ave Verum Corpus, Op. 2 No. 1
—
Ave Maria, Op. 2 No. 2
—
Ave Maris Stella, Op. 2 No. 3
—
Vesper Voluntaries, Op. 14: I. Introduction
—
Vesper Voluntaries, Op. 14: II. Andante
—
Angelus, Op. 56 No. 1
—
Give Unto the Lord (Psalm 29), Op. 74
—
O Hearken Thou, Op. 64
—
Te Deum and Benedictus, Op. 34: Te Deum
—
Te Deum and Benedictus, Op. 34: Benedictus
—
Organ Sonata No. 1 in G major, Op. 28: I. Allegro Maestoso
—
Organ Sonata No. 1 in G major, Op. 28: II. Allegretto
—
Organ Sonata No. 1 in G major, Op. 28: III. Andante Espressivo
—
Organ Sonata No. 1 in G major, Op. 28: IV. Presto (Comodo)
—
The Music Makers, Op. 69: (Moderato e nobilmente)
—
The Music Makers, Op. 69: We are the music makers
—
The Music Makers, Op. 69: With wonderful deathless ditties
—
The Music Makers, Op. 69: We, in the ages lying
—
The Music Makers, Op. 69: A breath of our inspiration
—
The Music Makers, Op. 69: They had no vision amazing
—
The Music Makers, Op. 69: And therefore to-day is thrilling
—
The Music Makers, Op. 69: But we, with our dreaming and singing
—
The Music Makers, Op. 69: For we are afar with the dawning
—
The Music Makers, Op. 69: Great wall we cry to the corners
—
The Sanguine Fan, Op. 81: A glade
—
The Sanguine Fan, Op. 81: Pan enters piping, then curls up to sleep
—
The Sanguine Fan, Op. 81: A Young Man enters, awaiting someone
—
The Sanguine Fan, Op. 81: Two girls enter gaily; the Young Man returns the fan which the First Girl has dropped in the excitement of meeting
—
The Sanguine Fan, Op. 81: The Young Man declared his passion for the First Girl and is blindfolded; a quarrel
—
The Sanguine Fan, Op. 81: Echo awakes Pan, who falls in love with her; they dance till exhausted
—
The Sanguine Fan, Op. 81: Three Shepherdesses bring gifts for Pan
—
The Sanguine Fan, Op. 81: The First Girl and the Young Man enter, she angry, he pleading; thunder
—
The Sanguine Fan, Op. 81: Echo snatches Pan's pipes and tempts the Young Man
—
The Sanguine Fan, Op. 81: Echo, now disguised as a mortal, captivates the Young Man
—
The Sanguine Fan, Op. 81: Pan rouses and, full of jealous wrath, pursues the Young Man; thunder and lightning; the Young Man falls unconscious
—
The Sanguine Fan, Op. 81: Echo, sans disguise, run back to Pan; they embrace madly and run off; the girl kneels by he prostrate lover; Pan glances back and laughs sardonically
—
Starlight Express, op. 78: No. 1 First Prelude: Overture & Organ-Grinder's Song 1: “To the children”
—
Starlight Express, op. 78: Act I, Scene I. Nos 2-5 The Earth had forgotten it's a star – The Lamplighter passes – Light and hope – The Organ-Grinder is heard – The Star Society
—
Starlight Express, op. 78: Act I, Scene I. Nos. 6-7 Daddy's star story – The star cave
—
Starlight Express, op. 78: Act I, Scene I. Nos. 8-10 The gardener comes – A great Un-Wumbler's coming – Jinny tries on the veil
—
Starlight Express, op. 78: Act I, Scene I. No. 11 Interlude: The Organ-Grinder and the sprites bring Henry's luggage
—
Starlight Express, op. 78: Act I, Scene II. Nos. 12,14 What jolly stars! – Goodnight
—
Starlight Express, op. 78: Act I, Scene II. No. 15 Second Prelude: Organ-Grinder's Song 2: “The Blue-Eyes Fairy”
—
Starlight Express, op. 78: Act II, Scene I. Nos. 17-18 Orion and the Pleiades (Melody) – Organ-Grinder's Song 3: “The Curfew Song”
—
Starlight Express, op. 78: Act II, Scene I. No. 19 Interlude (Home to sleep)
—
Starlight Express, op. 78: Act II, Scene I. Nos. 20-22 Outside the Star Cave – The Wumbled People call out for Star-Dust – Arrival of the Starlight Express
—
Starlight Express, op. 78: Act II, Scene I. Nos. 23-25 Entry of the Sweep – Entry of the Organ-Grinder – Entry of the Gardener
—
Starlight Express, op. 78: Act II, Scene I. Nos. 26-28 Entry of the Laugher – Laugher's Song 1: “I'm Everywhere” – Entry of the Lamplighter – Let's ask the Organ-Grinder
—
Starlight Express, op. 78: Act II, Scene I. No. 29 Organ-Grinder's Song 4: “Wake up, you little Night Winds”
—
Starlight Express, op. 78: Act II, Scene I. No. 30 Ballet: The Dance of the Little Winds
—
Starlight Express, op. 78: Act II, Scene I. Nos. 31-32 The kind old Dustman – Into the Star Cave
—
Starlight Express, op. 78: Act II, Scene I. No. 33 Loading up with Star-Dust (Sun-Dance from The Wand of Youth, Suite 1)
—
Starlight Express, op. 78: Act II, Scene I. No. 34 Interlude: The Wistaria Pension at night
—
Starlight Express, op. 78: Act II, Scene II. Nos. 35-36 The Lamplighter at work – Off again
—
Starlight Express, op. 78: Act II, Scene III. Nos. 37-38 The Den at Night – Un-wumbling Daddy and Laugher's Songs 2 & 3: “Oh, stars, shine brightly” – “They'll listen to my song”
—
Starlight Express, op. 78: Act II, Scene III. Nos. 39-41 The Lamplighter at work again – Departure of the Sprites – The Dawn Song
—
Starlight Express, op. 78: Act II, Scene III. No. 42 Third Prelude: Organ-Grinder's Song 5: “My old tunes”
—
Starlight Express, op. 78: Act III, Scene I. Nos. 43-45 Jane-Anne's song – Miss Waghorn – The source of life; Daddy's inspiration
—
Starlight Express, op. 78: Act III, Scene I. No. 46 Interlude: The waltz of the Blue-Eyes Fairy
—
Starlight Express, op. 78: Act III, Scene II. No. 47 Outside the Star-Cave again…Laugher's Song 4: “Laugh a little ev'ry day”…Organ-Grinder's Song 6: “They all soft-shiny now” – Arrival of Grannie
—
Starlight Express, op. 78: Act III, Scene II. No. 48 The spirit of Miss Waghorn – Daddy's tender light – Daddy Enters
—
Starlight Express, op. 78: Act III, Scene II. No. 49 Our fairyland – Ensemble
—
Starlight Express, op. 78: Act III, Scene II. No. 50 Finale: The dance of the Pleiades – Song (soprano) – Song (baritone) – The rising of the Star
—
From the Bavarian Highlands, op. 27: 1. The Dance (Sonnenbichl)
—
From the Bavarian Highlands, op. 27: 2. False Love (Wamberg)
—
From the Bavarian Highlands, op. 27: 3. Lullaby (In Hammersbach)
—
From the Bavarian Highlands, op. 27: 4. Aspiration (Bei Sankt Anton)
—
From the Bavarian Highlands, op. 27: 5. On the Alm (Hoch Alp)
—
From the Bavarian Highlands, op. 27: 6. The Marksman (Bei Murnau)
—
Pleading, op. 48 no. 1
—
Songs, op. 59: 3. “Was it some golden star?”
—
Songs, op. 59: 1. “Oh, soft was the song”
—
Songs, op. 59: 6. “Twilight”
—
Two Songs, op. 60: 1. “The Torch”
—
Two Songs, op. 60: 2. “The River”
—
The Shower, op. 71 no. 1
—
My Love Dwelt in a Northern Land
—
Five Part‐Songs From the Greek Anthology, op. 45: 1. “Yea, cast me from heights of the mountains”
—
Five Part‐Songs From the Greek Anthology, op. 45: 2. “Whether I find thee”
—
Five Part‐Songs From the Greek Anthology, op. 45: 3. “After many a dusty mile”
—
Five Part‐Songs From the Greek Anthology, op. 45: 4. “It’s oh! To be a wild wind”
—
Five Part‐Songs From the Greek Anthology, op. 45: 5. “Feasting I watch”
—
The Wanderer
—
The Reveille, op. 54
—
Deep in My Soul, op. 53 no. 2
—
Jerusalem
—
National Anthem
—
Pomp and Circumstance Military Marches, op. 39: No. 1 in D
—
Pomp and Circumstance Military Marches, op. 39: No. 2 in A minor
—
Pomp and Circumstance Military Marches, op. 39: No. 3 in C minor
—
Pomp and Circumstance Military Marches, op. 39: No. 4 in G
—
Pomp and Circumstance Military Marches, op. 39: No. 5 in C
—
The Dream of Gerontius, op. 32: Prelude
—
Serenade in E minor, op. 20: I. Allegro piacevole
Sinfonia of London, Sir John Barbirolli
—
Serenade in E minor, op. 20: II. Larghetto
Sinfonia of London, Sir John Barbirolli
—
Serenade in E minor, op. 20: III. Allegretto – Come prima
Sinfonia of London, Sir John Barbirolli
—
Piano Improvisation no. 4
—
Salut d’amour, op. 12
—
Chanson de nuit, op. 15 no. 1
—
Chanson de matin, op. 15 no. 2
—
Land of Home and Glory
—
Cockaigne (In London Town), op. 40
—
Additional database matches (42)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Cello Concerto in E minor Op. 85 I. Adagio - Moderato | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | — |
| Sea Pictures, op. 37: I. Sea Slumber-Song | Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — |
| Sea Pictures, op. 37: II. In Haven (Capri) | Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — |
| Sea Pictures, op. 37: III. Sabbath Morning at Sea | Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — |
| Sea Pictures, op. 37: IV. Where Corals Lie | Dame Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — |
| Sea Pictures, op. 37: V. The Swimmer | Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — |
| Pomp and Circumstance Marches, op. 39: No. 4 in G major | Philharmonia Orchestra, Sir John Barbirolli | — |
| Pomp and Circumstance Marches, op. 39: No. 1 in D major | Philharmonia Orchestra, Sir John Barbirolli | — |
| Pomp and Circumstance Marches, op. 39: No. 3 in C minor | New Philharmonia Orchestra, Sir John Barbirolli | — |
| Pomp and Circumstance Marches, op. 39: No. 2 in A minor | New Philharmonia Orchestra, Sir John Barbirolli | — |
| Pomp and Circumstance Marches, op. 39: No. 5 in C major | New Philharmonia Orchestra, Sir John Barbirolli | — |
| Variations on an Original Theme “Enigma”, op. 36: Theme | Philharmonia Orchestra, Sir John Barbirolli | — |
| Variations on an Original Theme “Enigma”, op. 36: I. C.A.E. (Caroline Alice Edgar) | Philharmonia Orchestra, Sir John Barbirolli | — |
| Variations on an Original Theme “Enigma”, op. 36: II. H.D.S.P. (Hew David Steuart‐Powell) | Philharmonia Orchestra, Sir John Barbirolli | — |
| Variations on an Original Theme “Enigma”, op. 36: III. R.B.T. (Richard Baxter Townshend) | Philharmonia Orchestra, Sir John Barbirolli | — |
| Variations on an Original Theme “Enigma”, op. 36: IV. W.M.B. (William Meath Baker) | Philharmonia Orchestra, Sir John Barbirolli | — |
| Variations on an Original Theme “Enigma”, op. 36: V. R.P.A. (Richard Penrose Arnold) | Philharmonia Orchestra, Sir John Barbirolli | — |
| Variations on an Original Theme “Enigma”, op. 36: VI. Ysobel (Isabel Fitton) | Philharmonia Orchestra, Sir John Barbirolli | — |
| Variations on an Original Theme “Enigma”, op. 36: VII. Troyte (Troyte Griffith) | Philharmonia Orchestra, Sir John Barbirolli | — |
| Variations on an Original Theme “Enigma”, op. 36: VIII. W.N. (Winifred Norbury) | Philharmonia Orchestra, Sir John Barbirolli | — |
| Variations on an Original Theme “Enigma”, op. 36: X. Intermezzo: Dorabella (Dora Penny) | Philharmonia Orchestra, Sir John Barbirolli | — |
| Variations on an Original Theme “Enigma”, op. 36: XI. G.R.S. (George Robertson Sinclair) | Philharmonia Orchestra, Sir John Barbirolli | — |
| Variations on an Original Theme “Enigma”, op. 36: XII. B.G.N. (Basil G. Nevinson) | Philharmonia Orchestra, Sir John Barbirolli | — |
| Variations on an Original Theme “Enigma”, op. 36: XIII. Romanza: *** (Lady Mary Lygon) | Philharmonia Orchestra, Sir John Barbirolli | — |
| Variations on an Original Theme “Enigma”, op. 36: XIV. Finale: E.D.U. (the composer) | Philharmonia Orchestra, Sir John Barbirolli | — |
| Falstaff Symphonic Study in C minor, op. 68: I. Falstaff and Prince Henry | Hallé Orchestra, Sir John Barbirolli | — |
| Falstaff Symphonic Study in C minor, op. 68: II. Eastcheap - Gadshill - The Boar's Head, revelry and sleep | Hallé Orchestra, Sir John Barbirolli | — |
| Falstaff Symphonic Study in C minor, op. 68: II. Dream Interlude: "Jack Falstaff, now Sir John, a boy, and page to Thomas Mowbray, Duke of Norfolk" | Hallé Orchestra, Sir John Barbirolli | — |
| Falstaff Symphonic Study in C minor, op. 68: III. Falstaff's march | Hallé Orchestra, Sir John Barbirolli | — |
| Falstaff Symphonic Study in C minor, op. 68: III. Interlude: Gloucestershire. Shallow's orchard (Allegretto) - The new king - The hurried ride to London | Hallé Orchestra, Sir John Barbirolli | — |
| Falstaff Symphonic Study in C minor, op. 68: IV. King Henry V's progress - the repudiation of Falstaff, and his death | Hallé Orchestra, Sir John Barbirolli | — |
| Symphony no. 1 in A‐flat, op. 55: I. Andante, nobilmente e semplice – Allegro | Philharmonia Orchestra, Sir John Barbirolli | — |
| Symphony no. 1 in A‐flat, op. 55: II. Allegro molto | Philharmonia Orchestra, Sir John Barbirolli | — |
| Symphony no. 1 in A‐flat, op. 55: IV. Lento – Allegro | Philharmonia Orchestra, Sir John Barbirolli | — |
| Cello Concerto in E minor Op. 85 I. Adagio - Moderato | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | — |
| Sea Pictures, op. 37: IV. Where Corals Lie | Dame Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — |
| Sea Pictures, op. 37: I. Sea Slumber-Song | Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — |
| Sea Pictures, op. 37: II. In Haven (Capri) | Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — |
| Sea Pictures, op. 37: III. Sabbath Morning at Sea | Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — |
| Sea Pictures, op. 37: IV. Where Corals Lie | Dame Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — |
| Sea Pictures, op. 37: V. The Swimmer | Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — |
| Elegy, op. 58 | Philharmonia Orchestra, Sir John Barbirolli | — |
Cello Concerto in E minor Op. 85 I. Adagio - Moderato
Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli
—
Sea Pictures, op. 37: I. Sea Slumber-Song
Janet Baker, London Symphony Orchestra, Sir John Barbirolli
—
Sea Pictures, op. 37: II. In Haven (Capri)
Janet Baker, London Symphony Orchestra, Sir John Barbirolli
—
Sea Pictures, op. 37: III. Sabbath Morning at Sea
Janet Baker, London Symphony Orchestra, Sir John Barbirolli
—
Sea Pictures, op. 37: IV. Where Corals Lie
Dame Janet Baker, London Symphony Orchestra, Sir John Barbirolli
—
Sea Pictures, op. 37: V. The Swimmer
Janet Baker, London Symphony Orchestra, Sir John Barbirolli
—
Pomp and Circumstance Marches, op. 39: No. 4 in G major
Philharmonia Orchestra, Sir John Barbirolli
—
Pomp and Circumstance Marches, op. 39: No. 1 in D major
Philharmonia Orchestra, Sir John Barbirolli
—
Pomp and Circumstance Marches, op. 39: No. 3 in C minor
New Philharmonia Orchestra, Sir John Barbirolli
—
Pomp and Circumstance Marches, op. 39: No. 2 in A minor
New Philharmonia Orchestra, Sir John Barbirolli
—
Pomp and Circumstance Marches, op. 39: No. 5 in C major
New Philharmonia Orchestra, Sir John Barbirolli
—
Variations on an Original Theme “Enigma”, op. 36: Theme
Philharmonia Orchestra, Sir John Barbirolli
—
Variations on an Original Theme “Enigma”, op. 36: I. C.A.E. (Caroline Alice Edgar)
Philharmonia Orchestra, Sir John Barbirolli
—
Variations on an Original Theme “Enigma”, op. 36: II. H.D.S.P. (Hew David Steuart‐Powell)
Philharmonia Orchestra, Sir John Barbirolli
—
Variations on an Original Theme “Enigma”, op. 36: III. R.B.T. (Richard Baxter Townshend)
Philharmonia Orchestra, Sir John Barbirolli
—
Variations on an Original Theme “Enigma”, op. 36: IV. W.M.B. (William Meath Baker)
Philharmonia Orchestra, Sir John Barbirolli
—
Variations on an Original Theme “Enigma”, op. 36: V. R.P.A. (Richard Penrose Arnold)
Philharmonia Orchestra, Sir John Barbirolli
—
Variations on an Original Theme “Enigma”, op. 36: VI. Ysobel (Isabel Fitton)
Philharmonia Orchestra, Sir John Barbirolli
—
Variations on an Original Theme “Enigma”, op. 36: VII. Troyte (Troyte Griffith)
Philharmonia Orchestra, Sir John Barbirolli
—
Variations on an Original Theme “Enigma”, op. 36: VIII. W.N. (Winifred Norbury)
Philharmonia Orchestra, Sir John Barbirolli
—
Variations on an Original Theme “Enigma”, op. 36: X. Intermezzo: Dorabella (Dora Penny)
Philharmonia Orchestra, Sir John Barbirolli
—
Variations on an Original Theme “Enigma”, op. 36: XI. G.R.S. (George Robertson Sinclair)
Philharmonia Orchestra, Sir John Barbirolli
—
Variations on an Original Theme “Enigma”, op. 36: XII. B.G.N. (Basil G. Nevinson)
Philharmonia Orchestra, Sir John Barbirolli
—
Variations on an Original Theme “Enigma”, op. 36: XIII. Romanza: *** (Lady Mary Lygon)
Philharmonia Orchestra, Sir John Barbirolli
—
Variations on an Original Theme “Enigma”, op. 36: XIV. Finale: E.D.U. (the composer)
Philharmonia Orchestra, Sir John Barbirolli
—
Falstaff Symphonic Study in C minor, op. 68: I. Falstaff and Prince Henry
Hallé Orchestra, Sir John Barbirolli
—
Falstaff Symphonic Study in C minor, op. 68: II. Eastcheap - Gadshill - The Boar's Head, revelry and sleep
Hallé Orchestra, Sir John Barbirolli
—
Falstaff Symphonic Study in C minor, op. 68: II. Dream Interlude: "Jack Falstaff, now Sir John, a boy, and page to Thomas Mowbray, Duke of Norfolk"
Hallé Orchestra, Sir John Barbirolli
—
Falstaff Symphonic Study in C minor, op. 68: III. Falstaff's march
Hallé Orchestra, Sir John Barbirolli
—
Falstaff Symphonic Study in C minor, op. 68: III. Interlude: Gloucestershire. Shallow's orchard (Allegretto) - The new king - The hurried ride to London
Hallé Orchestra, Sir John Barbirolli
—
Falstaff Symphonic Study in C minor, op. 68: IV. King Henry V's progress - the repudiation of Falstaff, and his death
Hallé Orchestra, Sir John Barbirolli
—
Symphony no. 1 in A‐flat, op. 55: I. Andante, nobilmente e semplice – Allegro
Philharmonia Orchestra, Sir John Barbirolli
—
Symphony no. 1 in A‐flat, op. 55: II. Allegro molto
Philharmonia Orchestra, Sir John Barbirolli
—
Symphony no. 1 in A‐flat, op. 55: IV. Lento – Allegro
Philharmonia Orchestra, Sir John Barbirolli
—
Cello Concerto in E minor Op. 85 I. Adagio - Moderato
Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli
—
Sea Pictures, op. 37: IV. Where Corals Lie
Dame Janet Baker, London Symphony Orchestra, Sir John Barbirolli
—
Sea Pictures, op. 37: I. Sea Slumber-Song
Janet Baker, London Symphony Orchestra, Sir John Barbirolli
—
Sea Pictures, op. 37: II. In Haven (Capri)
Janet Baker, London Symphony Orchestra, Sir John Barbirolli
—
Sea Pictures, op. 37: III. Sabbath Morning at Sea
Janet Baker, London Symphony Orchestra, Sir John Barbirolli
—
Sea Pictures, op. 37: IV. Where Corals Lie
Dame Janet Baker, London Symphony Orchestra, Sir John Barbirolli
—
Sea Pictures, op. 37: V. The Swimmer
Janet Baker, London Symphony Orchestra, Sir John Barbirolli
—
Elegy, op. 58
Philharmonia Orchestra, Sir John Barbirolli
—
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000055159386000000005518504X000000006302211X000000006310386800000000809693050000000081085464000000008166938X000000008411097900000000907683550000000098905326
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000000010658144900000001066174480000000107882972000000010806151900000001086941480000000109127479000000010912752400000001094265240000000109519069000000010962414100000001103861010000000110408614000000011050401600000001108520100000000110880417000000011437372X0000000114439020000000011450260800000001145329540000000114533084000000011454017X000000011455575000000001146815890000000116287438000000011938871X00000001194505280000000119546175000000011955055300000001201899960000000120342735000000012097840X000000012102494X00000001210394200000000121174593000000012161503700000001216773770000000121695196000000012181735X00000001219305710000000121960578
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5099950360321 is a Universal Product Code (UPC) assigned to The Collector’s Edition by Edward Elgar. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
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