UPC · Release
Various Artists
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5099950753826 is the Universal Product Code (UPC barcode) for the release “Élections classiques” by Various Artists, released 2007-10-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 50 tracks, each with its own ISRC. Tracks include GBAYC0700547, GBAYC0202794, GBAYC8702386.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Piano Trio no. 2 in E-flat major, D. 929: II. Andante con moto | Frank Braley, Renaud Capuçon, Gautier Capuçon | T-918.982.163-4 | |
| 2 | Symphonie no. 9 en ré mineur, op. 125 : Ode à la joie (extrait) | Wiener Philharmoniker | — | |
| 3 | Requiem in D minor, K. 626 (Süßmayr completion): IIIa. Sequenz: "Dies irae" | Berliner Philharmoniker, Riccardo Muti | T-924.404.440-4 | |
| 4 | The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude | Bob van Asperen | T-910.415.372-2 | |
| 5 | Piano Concerto no. 5 "Emperor": II. Adagio un poco mosso (excerpt) | Christian Zacharias, Staatskapelle Dresden, Hans Vonk | — | |
| 6 | Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — | |
| 7 | Pavane, Op. 50 | Edinburgh Festival Chorus, Brad Smith, Orchestre de Paris, Daniel Barenboim | T-909.340.218-7 | |
| 8 | Concerto for Piano and Orchestra no. 23 in A major, K. 488: II. Andante | Jean-Bernard Pommier, Sinfonia Varsovia | T-915.711.586-1 | |
| 9 | Symphony no. 3 in F major, op. 90: III. Poco allegretto | Deutsche Kammerphilharmonie, Daniel Harding | — | |
| 10 | Rinaldo : « Lascia ch’io pianga » | Orchestra of the Royal Opera House, Covent Garden | — | |
| 11 | Herz und Mund und Tat und Leben, BWV 147: No. 10 "Jesus bleibet meine Freude" | Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks | T-905.387.081-8 | |
| 12 | La Moldau | Herbert von Karajan | — | |
| 13 | La traviata: Atto II. Coro: "Noi siamo zingarelle" (Zingarelle, Flora, Marchese) | Richard van Allan, Ambrosian Opera Chorus, Sarah Walker, Philharmonia Orchestra, Riccardo Muti | — | |
| 14 | Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah” | Philharmonia Chorus, Philharmonia Orchestra, Otto Klemperer | — | |
| 15 | Cello Suite no. 1 in G major, BWV 1007: I. Prélude | Mstislav Rostropovich | — | |
| 2-1 | Boléro (extrait) | Orchestre de Paris | T-003.006.377-4 | |
| 2-2 | Suite de jazz n°2 : Valse | Orchestre philharmonique de Radio France, Paavo Järvi | — | |
| 2-3 | Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile | Stephen Kovacevich | — | |
| 2-4 | Le Beau Danube bleu (extrait) | Wiener Johann Strauss Orchester | T-916.104.233-7 | |
| 2-5 | Toccata in D minor, BWV 565 | Lionel Rogg | — | |
| 2-6 | Carmen : Air du toréador « Votre toast, je peux vous le rendre » | Élizabeth Vidal | T-911.507.740-2 | |
| 2-7 | Étude en mi majeur, op. 10 no. 3 « Tristesse » | François-René Duchâble | — | |
| 2-8 | Symphony no. 40 in G minor, K. 550: I. Molto allegro | Sinfonia Varsovia, Yehudi Menuhin | — | |
| 2-9 | Tosca: Atto II. “Vissi d’arte” | Victor de Sabata | T-005.000.838-2 | |
| 2-10 | Concerto pour piano no. 2 en ut mineur, op. 18 : II. Adagio sostenuto (extrait) | St. Petersburg Philharmonic | — | |
| 2-11 | Ave Maria, D. 839 | Barbara Hendricks, Erik Lundkvist, Orchestre de Chambre de Stockholm, Eric Ericson | — | |
| 2-12 | The Nutcracker: Waltz of the Flowers | Orchestre philharmonique de Radio France, Paavo Järvi | T-918.336.772-8 | |
| 2-13 | Die Zauberflöte, K. 620: Act II, Scene VIII. no. 14 Aria “Der Hölle Rache kocht in meinem Herzen” (Königin der Nacht) | Natalie Dessay, Les Arts Florissants, William Christie | — | |
| 2-14 | Violin Concerto in E minor, op. 64: I. Allegro molto appassionato | Nigel Kennedy, English Chamber Orchestra, Jeffrey Tate | — | |
| 2-15 | St. Matthew Passion, BWV 244: Part I, I. Chor "Kommt, ihr Töchter" | Wilhelm Pitz, Elisabeth Schwarzkopf, Hampstead Parish Church Choir, Philharmonia Choir, Philharmonia Orchestra, Otto Klemperer | — | |
| 3-1 | Keyboard Suite no. 4 in D minor, HWV 437: III. Sarabande | Academy of St Martin in the Fields, Alexander Briger | — | |
| 3-2 | Symphony no. 9 in E minor, op. 95 “From the New World”: IV. Allegro con fuoco | Philadelphia Orchestra, Wolfgang Sawallisch | — | |
| 3-3 | Don Giovanni: Atto I. “Madamina, il catalogo è questo” | Samuel Ramey, Wiener Philharmoniker, Riccardo Muti | T-929.621.870-7 | |
| 3-4 | Symphonie No. 5: Allegro con brio | [unknown] | T-905.312.587-4 | |
| 3-5 | Te Deum : Prélude | [unknown] | — | |
| 3-6 | Les 4 saisons : Le Printemps | [unknown] | — | |
| 3-7 | Die Walküre: Ride of the Valkyries | Berliner Philharmoniker, Klaus Tennstedt | T-905.393.693-9 | |
| 3-8 | Grande valse brillante | [unknown] | T-930.825.003-5 | |
| 3-9 | Carmina Burana: Fortuna Imperatrix Mundi: 1. O Fortuna | London Philharmonic Chorus, London Philharmonic Orchestra, Franz Welser-Möst | T-800.639.771-4 | |
| 3-10 | Marche Hongroise | [unknown] | — | |
| 4-1 | Rigoletto: Atto III. “La donna è mobile” | Rolando Villazón, Münchner Rundfunkorchester, Marcello Viotti | T-912.866.624-0 | |
| 4-2 | Aïda: Marcia Trionfale - Ballabile | [unknown] | — | |
| 4-3 | Serenade in G, K. 525 "Eine kleine Nachtmusik": I. Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 4-4 | Pierre et le Loup | [unknown] | — | |
| 4-5 | Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 4-6 | Le Barbier de Séville: Largo al factotum | [unknown] | — | |
| 4-7 | Peer Gynt, op. 23: Act 4: No. 13. Prelude. Morning Mood | Eesti Riiklik Sümfooniaorkester, Paavo Järvi | — | |
| 4-8 | Adagio for Strings, Op. 11 | Saint Louis Symphony Orchestra, Leonard Slatkin | T-070.000.199-5 | |
| 4-9 | Danse Hongroise pour violon et Orchestre n°5 en fa dièse mineur | Patrice Fontanarosa, Jan Talich Chamber Orchestra | — | |
| 4-10 | Symphony No. 7 in A major, Op. 92: II. Allegretto | The Philadelphia Orchestra, Riccardo Muti | T-314.638.300-4 |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Piano Concerto no. 5 "Emperor": II. Adagio un poco mosso | Christian Zacharias, Staatskapelle Dresden, Hans Vonk | — |
| Toccata in D minor, BWV 565 | Lionel Rogg | T-922.052.362-6 |
| Ave Maria, D. 839 | Barbara Hendricks, Erik Lundkvist, Orchestre de Chambre de Stockholm, Eric Ericson | — |
| Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah” | Philharmonia Chorus, Philharmonia Orchestra, Otto Klemperer | — |
| St. Matthew Passion, BWV 244: Part I, I. Chor "Kommt, ihr Töchter" | Wilhelm Pitz, Elisabeth Schwarzkopf, Hampstead Parish Church Choir, Philharmonia Choir, Philharmonia Orchestra, Otto Klemperer | — |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | T-071.541.764-3 |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — |
| Serenade in G, K. 525 "Eine kleine Nachtmusik": I. Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Norma: Atto I, scena 1. “Costa Diva” (Norma, Oroveso, Coro) | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | T-071.422.062-8 |
| Serenade in G, K. 525 "Eine kleine Nachtmusik": I. Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | T-931.280.185-7 |
| Cello Suite no. 1 in G major, BWV 1007: I. Prélude | Mstislav Rostropovich | — |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | T-071.541.764-3 |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
5099950753826 is a Universal Product Code (UPC) assigned to Élections classiques by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 50 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
5099950753826 is the Universal Product Code (UPC barcode) for the release “Élections classiques” by Various Artists, released 2007-10-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 50 tracks, each with its own ISRC. Tracks include GBAYC0700547, GBAYC0202794, GBAYC8702386.
