UPC · Release
Élections classiques
Various Artists
5099950753826
30 tracksReleased 2007-10-01
Last verified:
5099950753826 is the Universal Product Code (UPC barcode) for the release “Élections classiques” by Various Artists, released 2007-10-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 30 tracks, each with its own ISRC. Tracks include GBAYC0700547, GBAYC0202794, GBAYC8702386.
Format
509GS1 prefix
9950Company prefix
75382Product
6Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCÉlections classiques
ISRC30 recordings
ISWC25 works
IPI2 songwriters
Track List (30)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Piano Trio no. 2 in E-flat major, D. 929: II. Andante con moto | Frank Braley, Renaud Capuçon, Gautier Capuçon | T-918982163-4 | |
| 2 | Symphonie no. 9 en ré mineur, op. 125 : Ode à la joie (extrait) | Wiener Philharmoniker | — | |
| 3 | Requiem in D minor, K. 626 (Süßmayr completion): IIIa. Sequenz: "Dies irae" | Berliner Philharmoniker, Riccardo Muti | T9244044404 | |
| 4 | The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude | Bob van Asperen | T-910.415.372-2 | |
| 5 | Piano Concerto no. 5 "Emperor": II. Adagio un poco mosso (excerpt) | Christian Zacharias, Staatskapelle Dresden, Hans Vonk | — | |
| 6 | Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — | |
| 7 | Pavane, Op. 50 | Edinburgh Festival Chorus, Brad Smith, Orchestre de Paris, Daniel Barenboim | T9093402187 | |
| 8 | Concerto for Piano and Orchestra no. 23 in A major, K. 488: II. Andante | Jean-Bernard Pommier, Sinfonia Varsovia | T-915711586-1 | |
| 9 | Symphony no. 3 in F major, op. 90: III. Poco allegretto | Deutsche Kammerphilharmonie, Daniel Harding | — | |
| 10 | Rinaldo : « Lascia ch’io pianga » | Orchestra of the Royal Opera House, Covent Garden | — | |
| 11 | Herz und Mund und Tat und Leben, BWV 147: No. 10 "Jesus bleibet meine Freude" | Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks | T-905387081-8 | |
| 12 | La Moldau | Herbert von Karajan | — | |
| 13 | La traviata: Atto II. Coro: "Noi siamo zingarelle" (Zingarelle, Flora, Marchese) | Richard van Allan, Ambrosian Opera Chorus, Sarah Walker, Philharmonia Orchestra, Riccardo Muti | — | |
| 14 | Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah” | Philharmonia Chorus, Philharmonia Orchestra, Otto Klemperer | — | |
| 15 | Cello Suite no. 1 in G major, BWV 1007: I. Prélude | Mstislav Rostropovich | — | |
| 2-1 | Boléro (extrait) | Orchestre de Paris | T0030063774 | |
| 2-2 | Suite de jazz n°2 : Valse | Orchestre philharmonique de Radio France, Paavo Järvi | — | |
| 2-3 | Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile | Stephen Kovacevich | — | |
| 2-4 | Le Beau Danube bleu (extrait) | Wiener Johann Strauss Orchester | T-916104233-7 | |
| 2-5 | Toccata in D minor, BWV 565 | Lionel Rogg | — | |
| 2-6 | Carmen : Air du toréador « Votre toast, je peux vous le rendre » | Élizabeth Vidal | T9115077402 | |
| 2-7 | Étude en mi majeur, op. 10 no. 3 « Tristesse » | François-René Duchâble | — | |
| 2-8 | Symphony no. 40 in G minor, K. 550: I. Molto allegro | Sinfonia Varsovia, Yehudi Menuhin | — | |
| 2-9 | Tosca: Atto II. “Vissi d’arte” | Victor de Sabata | T0050008382 | |
| 2-10 | Concerto pour piano no. 2 en ut mineur, op. 18 : II. Adagio sostenuto (extrait) | St. Petersburg Philharmonic | — | |
| 2-11 | Ave Maria, D. 839 | Barbara Hendricks, Erik Lundkvist, Orchestre de Chambre de Stockholm, Eric Ericson | — | |
| 2-12 | The Nutcracker: Waltz of the Flowers | Orchestre philharmonique de Radio France, Paavo Järvi | T-918336772-8 | |
| 2-13 | Die Zauberflöte, K. 620: Act II, Scene VIII. no. 14 Aria “Der Hölle Rache kocht in meinem Herzen” (Königin der Nacht) | Natalie Dessay, Les Arts Florissants, William Christie | — | |
| 2-14 | Violin Concerto in E minor, op. 64: I. Allegro molto appassionato | Nigel Kennedy, English Chamber Orchestra, Jeffrey Tate | — | |
| 2-15 | St. Matthew Passion, BWV 244: Part I, I. Chor "Kommt, ihr Töchter" | Wilhelm Pitz, Elisabeth Schwarzkopf, Hampstead Parish Church Choir, Philharmonia Choir, Philharmonia Orchestra, Otto Klemperer | — |
Frank Braley, Renaud Capuçon, Gautier Capuçon
Symphonie no. 9 en ré mineur, op. 125 : Ode à la joie (extrait)
Wiener Philharmoniker
—
Berliner Philharmoniker, Riccardo Muti
Bob van Asperen
Piano Concerto no. 5 "Emperor": II. Adagio un poco mosso (excerpt)
Christian Zacharias, Staatskapelle Dresden, Hans Vonk
—
Norma: “Casta Diva”
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
—
Edinburgh Festival Chorus, Brad Smith, Orchestre de Paris, Daniel Barenboim
Jean-Bernard Pommier, Sinfonia Varsovia
Symphony no. 3 in F major, op. 90: III. Poco allegretto
Deutsche Kammerphilharmonie, Daniel Harding
—
Rinaldo : « Lascia ch’io pianga »
Orchestra of the Royal Opera House, Covent Garden
—
Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks
La Moldau
Herbert von Karajan
—
La traviata: Atto II. Coro: "Noi siamo zingarelle" (Zingarelle, Flora, Marchese)
Richard van Allan, Ambrosian Opera Chorus, Sarah Walker, Philharmonia Orchestra, Riccardo Muti
—
Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah”
Philharmonia Chorus, Philharmonia Orchestra, Otto Klemperer
—
Cello Suite no. 1 in G major, BWV 1007: I. Prélude
Mstislav Rostropovich
—
Suite de jazz n°2 : Valse
Orchestre philharmonique de Radio France, Paavo Järvi
—
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile
Stephen Kovacevich
—
Toccata in D minor, BWV 565
Lionel Rogg
—
Étude en mi majeur, op. 10 no. 3 « Tristesse »
François-René Duchâble
—
Symphony no. 40 in G minor, K. 550: I. Molto allegro
Sinfonia Varsovia, Yehudi Menuhin
—
Concerto pour piano no. 2 en ut mineur, op. 18 : II. Adagio sostenuto (extrait)
St. Petersburg Philharmonic
—
Ave Maria, D. 839
Barbara Hendricks, Erik Lundkvist, Orchestre de Chambre de Stockholm, Eric Ericson
—
Orchestre philharmonique de Radio France, Paavo Järvi
Die Zauberflöte, K. 620: Act II, Scene VIII. no. 14 Aria “Der Hölle Rache kocht in meinem Herzen” (Königin der Nacht)
Natalie Dessay, Les Arts Florissants, William Christie
—
Violin Concerto in E minor, op. 64: I. Allegro molto appassionato
Nigel Kennedy, English Chamber Orchestra, Jeffrey Tate
—
St. Matthew Passion, BWV 244: Part I, I. Chor "Kommt, ihr Töchter"
Wilhelm Pitz, Elisabeth Schwarzkopf, Hampstead Parish Church Choir, Philharmonia Choir, Philharmonia Orchestra, Otto Klemperer
—
Additional database matches (37)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Piano Concerto no. 5 "Emperor": II. Adagio un poco mosso | Christian Zacharias, Staatskapelle Dresden, Hans Vonk | — |
| Pierre et le Loup | [unknown] | — |
| Toccata in D minor, BWV 565 | Lionel Rogg | T9220523626 |
| Grande valse brillante | [unknown] | T9308250035 |
| Ave Maria, D. 839 | Barbara Hendricks, Erik Lundkvist, Orchestre de Chambre de Stockholm, Eric Ericson | — |
| Carmina Burana: Fortuna Imperatrix Mundi: 1. O Fortuna | London Philharmonic Chorus, London Philharmonic Orchestra, Franz Welser-Möst | T-800639771-4 |
| Danse Hongroise pour violon et Orchestre n°5 en fa dièse mineur | Patrice Fontanarosa, Jan Talich Chamber Orchestra | — |
| Keyboard Suite no. 4 in D minor, HWV 437: III. Sarabande | Academy of St Martin in the Fields, Alexander Briger | — |
| Rigoletto: Atto III. “La donna è mobile” | Rolando Villazón, Münchner Rundfunkorchester, Marcello Viotti | T-912866624-0 |
| Peer Gynt, op. 23: Act 4: No. 13. Prelude. Morning Mood | Eesti Riiklik Sümfooniaorkester, Paavo Järvi | — |
| Les 4 saisons : Le Printemps | [unknown] | — |
| Aïda: Marcia Trionfale - Ballabile | [unknown] | — |
| Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah” | Philharmonia Chorus, Philharmonia Orchestra, Otto Klemperer | — |
| St. Matthew Passion, BWV 244: Part I, I. Chor "Kommt, ihr Töchter" | Wilhelm Pitz, Elisabeth Schwarzkopf, Hampstead Parish Church Choir, Philharmonia Choir, Philharmonia Orchestra, Otto Klemperer | — |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Serenade in G, K. 525 "Eine kleine Nachtmusik": I. Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Te Deum : Prélude | [unknown] | — |
| Die Walküre: Ride of the Valkyries | Berliner Philharmoniker, Klaus Tennstedt | T9053936939 |
| Symphonie No. 5: Allegro con brio | [unknown] | T9053125874 |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | T0715417643 |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — |
| Symphony no. 9 in E minor, op. 95 “From the New World”: IV. Allegro con fuoco | Philadelphia Orchestra, Wolfgang Sawallisch | — |
| Symphony No. 7 in A major, Op. 92: II. Allegretto | The Philadelphia Orchestra, Riccardo Muti | T3146383004 |
| Serenade in G, K. 525 "Eine kleine Nachtmusik": I. Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Don Giovanni: Atto I. “Madamina, il catalogo è questo” | Samuel Ramey, Wiener Philharmoniker, Riccardo Muti | T-929621870-7 |
| Le Barbier de Séville: Largo al factotum | [unknown] | — |
| Marche Hongroise | [unknown] | — |
| Norma: Atto I, scena 1. “Costa Diva” (Norma, Oroveso, Coro) | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | T-071422062-8 |
| Serenade in G, K. 525 "Eine kleine Nachtmusik": I. Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | T-931280185-7 |
| Cello Suite no. 1 in G major, BWV 1007: I. Prélude | Mstislav Rostropovich | — |
| Adagio for Strings, Op. 11 | Saint Louis Symphony Orchestra, Leonard Slatkin | T-070.000.199-5 |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | T0715417643 |
Piano Concerto no. 5 "Emperor": II. Adagio un poco mosso
Christian Zacharias, Staatskapelle Dresden, Hans Vonk
—
Pierre et le Loup
[unknown]
—
Lionel Rogg
[unknown]
Ave Maria, D. 839
Barbara Hendricks, Erik Lundkvist, Orchestre de Chambre de Stockholm, Eric Ericson
—
London Philharmonic Chorus, London Philharmonic Orchestra, Franz Welser-Möst
Danse Hongroise pour violon et Orchestre n°5 en fa dièse mineur
Patrice Fontanarosa, Jan Talich Chamber Orchestra
—
Keyboard Suite no. 4 in D minor, HWV 437: III. Sarabande
Academy of St Martin in the Fields, Alexander Briger
—
Rolando Villazón, Münchner Rundfunkorchester, Marcello Viotti
Peer Gynt, op. 23: Act 4: No. 13. Prelude. Morning Mood
Eesti Riiklik Sümfooniaorkester, Paavo Järvi
—
Les 4 saisons : Le Printemps
[unknown]
—
Aïda: Marcia Trionfale - Ballabile
[unknown]
—
Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah”
Philharmonia Chorus, Philharmonia Orchestra, Otto Klemperer
—
St. Matthew Passion, BWV 244: Part I, I. Chor "Kommt, ihr Töchter"
Wilhelm Pitz, Elisabeth Schwarzkopf, Hampstead Parish Church Choir, Philharmonia Choir, Philharmonia Orchestra, Otto Klemperer
—
Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon
Academy of St Martin in the Fields, Sir Neville Marriner
—
Norma: “Casta Diva”
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
—
Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon
Academy of St Martin in the Fields, Sir Neville Marriner
—
Serenade in G, K. 525 "Eine kleine Nachtmusik": I. Allegro
Academy of St Martin in the Fields, Sir Neville Marriner
—
Te Deum : Prélude
[unknown]
—
Berliner Philharmoniker, Klaus Tennstedt
Academy of St Martin in the Fields, Sir Neville Marriner
Norma: “Casta Diva”
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
—
Symphony no. 9 in E minor, op. 95 “From the New World”: IV. Allegro con fuoco
Philadelphia Orchestra, Wolfgang Sawallisch
—
The Philadelphia Orchestra, Riccardo Muti
Serenade in G, K. 525 "Eine kleine Nachtmusik": I. Allegro
Academy of St Martin in the Fields, Sir Neville Marriner
—
Samuel Ramey, Wiener Philharmoniker, Riccardo Muti
Le Barbier de Séville: Largo al factotum
[unknown]
—
Marche Hongroise
[unknown]
—
Norma: Atto I, scena 1. “Costa Diva” (Norma, Oroveso, Coro)
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
—
Norma: “Casta Diva”
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
—
Academy of St Martin in the Fields, Sir Neville Marriner
Serenade in G, K. 525 "Eine kleine Nachtmusik": I. Allegro
Academy of St Martin in the Fields, Sir Neville Marriner
—
Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
Cello Suite no. 1 in G major, BWV 1007: I. Prélude
Mstislav Rostropovich
—
Saint Louis Symphony Orchestra, Leonard Slatkin
Academy of St Martin in the Fields, Sir Neville Marriner
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
000000005511863X000000005513554400000000551434210000000059512917000000007365856800000000783980720000000081773005000000008185359000000000837446110000000106617448
+40 more
000000010866418400000001086751070000000108716423000000010911104700000001092820730000000109388660000000010942652400000001094421370000000109519034000000010958783800000001101647520000000110235047000000011027501400000001103472920000000110736669000000011082996100000001109288630000000114550183000000011457082X000000011468668900000001147463380000000114802440000000011511660200000001158093370000000117041093000000011880813700000001194083030000000119422113000000011945647900000001195461750000000119549085000000012019149800000001202311380000000120342735000000012097801200000001210680020000000121140369000000012114424700000001211745930000000121188266
Identifier Graph
People also ask
SourcesMLCMusicBrainz2 sources
Verified on
What is UPC 5099950753826?
5099950753826 is a Universal Product Code (UPC) assigned to Élections classiques by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 30 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm