UPC · Release
Pure Opera: 57 Original Hits by the Original Artists
Various Artists
5099950833221
19 tracksReleased 2007-01-01EMI
Last verified:
5099950833221 is the Universal Product Code (UPC barcode) for the release “Pure Opera: 57 Original Hits by the Original Artists” by Various Artists, released 2007-01-01 on EMI. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 19 tracks, each with its own ISRC. Tracks include GBAYC8602668, GBAYC0201550, GBAYC9200418.
Format
509GS1 prefix
9950Company prefix
83322Product
1Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCPure Opera: 57 Original Hits by the Original Artists
ISRC6 recordings
ISWC7 works
IPI1 songwriter
Track List (19)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 3-1 | Turandot: Act 3. “Nessun dorma!” (Calaf, Chorus) | José Carreras, Chœur de l'Opéra national du Rhin, Orchestre philharmonique de Strasbourg, Alain Lombard | — | |
| 3-2 | An ihre Plätze, meine Damen und Herren! (from Ariadne auf Naxos) | — | ||
| 3-3 | Madama Butterfly: Atto II. “Un bel dí vedremo” (Butterfly) | Renata Scotto, Orchestra del Teatro dell’Opera di Roma, Sir John Barbirolli | — | |
| 3-4 | Gianni Schicchi: “O mio babbino caro” (Lauretta) | Victoria de los Ángeles, Orchestra del Teatro dell'Opera di Roma, Gabriele Santini | T9012225013 | |
| 3-5 | La traviata: “Libiamo ne’ lieti calici” (Alfredo, Violetta, Chœurs) | Alfredo Kraus, Renata Scotto, Ambrosian Opera Chorus, Philharmonia Orchestra, Riccardo Muti | — | |
| 3-6 | Che gelida manina (from La bohème) | — | ||
| 3-7 | L’amico Fritz: Atto II. Duettino “Suzel, buon dì” (Fritz, Suzel) | Mirella Freni, Luciano Pavarotti, Orchestra of the Royal Opera House, Covent Garden, Gianandrea Gavazzeni | — | |
| 3-8 | Pa‐pa‐gena! … Pa‐pa‐geno! (from Die Zauberflöte) | — | ||
| 3-9 | Lucevan le stelle (from Tosca) | — | ||
| 3-10 | Le nozze di Figaro, K. 492: “Non più andrai” (Figaro) | Sir Thomas Allen, Wiener Philharmoniker, Riccardo Muti | T0116641281 | |
| 3-11 | Madamina, il catalogo è questo (from Don Giovanni) | — | ||
| 3-12 | Marie Theres’! Hab’ mir’s gelobt (from Der Rosenkavalier) | — | ||
| 3-13 | Da geh’ ich zu Maxim (from Die lustige Witwe) | — | ||
| 3-14 | Che farò senza Euridice? (from Orfeo ed Euridice) | — | ||
| 3-15 | Ah Belinda, I am press’d with torment (from Dido and Aeneas) | — | ||
| 3-16 | I wants to stay here (from Porgy and Bess) | — | ||
| 3-17 | Summertime (from Porgy and Bess) | — | ||
| 3-18 | I have a reas’nable good ear in music (from A Midsummer Night’s Dream) | — | ||
| 3-19 | Pur ti miro (from L’incoronazione di Poppea) | — |
Turandot: Act 3. “Nessun dorma!” (Calaf, Chorus)
José Carreras, Chœur de l'Opéra national du Rhin, Orchestre philharmonique de Strasbourg, Alain Lombard
—
An ihre Plätze, meine Damen und Herren! (from Ariadne auf Naxos)
—
Madama Butterfly: Atto II. “Un bel dí vedremo” (Butterfly)
Renata Scotto, Orchestra del Teatro dell’Opera di Roma, Sir John Barbirolli
—
Victoria de los Ángeles, Orchestra del Teatro dell'Opera di Roma, Gabriele Santini
La traviata: “Libiamo ne’ lieti calici” (Alfredo, Violetta, Chœurs)
Alfredo Kraus, Renata Scotto, Ambrosian Opera Chorus, Philharmonia Orchestra, Riccardo Muti
—
Che gelida manina (from La bohème)
—
L’amico Fritz: Atto II. Duettino “Suzel, buon dì” (Fritz, Suzel)
Mirella Freni, Luciano Pavarotti, Orchestra of the Royal Opera House, Covent Garden, Gianandrea Gavazzeni
—
Pa‐pa‐gena! … Pa‐pa‐geno! (from Die Zauberflöte)
—
Lucevan le stelle (from Tosca)
—
Sir Thomas Allen, Wiener Philharmoniker, Riccardo Muti
Madamina, il catalogo è questo (from Don Giovanni)
—
Marie Theres’! Hab’ mir’s gelobt (from Der Rosenkavalier)
—
Da geh’ ich zu Maxim (from Die lustige Witwe)
—
Che farò senza Euridice? (from Orfeo ed Euridice)
—
Ah Belinda, I am press’d with torment (from Dido and Aeneas)
—
I wants to stay here (from Porgy and Bess)
—
Summertime (from Porgy and Bess)
—
I have a reas’nable good ear in music (from A Midsummer Night’s Dream)
—
Pur ti miro (from L’incoronazione di Poppea)
—
Additional database matches (12)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| La Rondine: Chi il bel sogno di Doretta | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | — |
| Madama Butterfly: Atto II. “Un bel dí vedremo” (Butterfly) | Renata Scotto, Orchestra del Teatro dell’Opera di Roma, Sir John Barbirolli | — |
| La Rondine, Atto I. “Chi il bel sogno di Doretta?” (Magda) | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | — |
| Die Zauberflöte: Akt II. No. 14: Aria: „Der Hölle Rache kocht in meinem Herzen“ (Queen of the Night) | Edita Gruberová, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink | T9182451178 |
| Die Zauberflöte: Akt II. No. 14: Aria: „Der Hölle Rache kocht in meinem Herzen“ (Queen of the Night) | Edita Gruberová, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink | — |
| Die Zauberflöte: Akt II. No. 14: Aria: „Der Hölle Rache kocht in meinem Herzen“ (Queen of the Night) | Edita Gruberová, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink | T-071522859-3 |
| Le nozze di Figaro, K. 492: “Non più andrai” (Figaro) | Sir Thomas Allen, Wiener Philharmoniker, Riccardo Muti | — |
| Tosca: “Vissi d'arte” (Tosca) | Maria Callas, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre | T-321286864-5 |
| Nessun Dorma from 'Turandot' | José Carreras, Chœur de l'Opéra national du Rhin, Orchestre philharmonique de Strasbourg, Alain Lombard | T-900798623-4 |
| Madama Butterfly: Atto II. “Un bel dí vedremo” (Butterfly) | Renata Scotto, Orchestra del Teatro dell’Opera di Roma, Sir John Barbirolli | — |
| La Rondine, Atto I. “Chi il bel sogno di Doretta?” (Magda) | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | — |
| Tosca: “Vissi d'arte” (Tosca) | Maria Callas, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre | T9001458760 |
La Rondine: Chi il bel sogno di Doretta
Montserrat Caballé, London Symphony Orchestra, Charles Mackerras
—
Madama Butterfly: Atto II. “Un bel dí vedremo” (Butterfly)
Renata Scotto, Orchestra del Teatro dell’Opera di Roma, Sir John Barbirolli
—
La Rondine, Atto I. “Chi il bel sogno di Doretta?” (Magda)
Montserrat Caballé, London Symphony Orchestra, Charles Mackerras
—
Die Zauberflöte: Akt II. No. 14: Aria: „Der Hölle Rache kocht in meinem Herzen“ (Queen of the Night)
Edita Gruberová, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink
Die Zauberflöte: Akt II. No. 14: Aria: „Der Hölle Rache kocht in meinem Herzen“ (Queen of the Night)
Edita Gruberová, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink
—
Die Zauberflöte: Akt II. No. 14: Aria: „Der Hölle Rache kocht in meinem Herzen“ (Queen of the Night)
Edita Gruberová, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink
Le nozze di Figaro, K. 492: “Non più andrai” (Figaro)
Sir Thomas Allen, Wiener Philharmoniker, Riccardo Muti
—
Maria Callas, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre
José Carreras, Chœur de l'Opéra national du Rhin, Orchestre philharmonique de Strasbourg, Alain Lombard
Madama Butterfly: Atto II. “Un bel dí vedremo” (Butterfly)
Renata Scotto, Orchestra del Teatro dell’Opera di Roma, Sir John Barbirolli
—
La Rondine, Atto I. “Chi il bel sogno di Doretta?” (Magda)
Montserrat Caballé, London Symphony Orchestra, Charles Mackerras
—
Maria Callas, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000059435173000000006097350X00000000631029960000000081062772000000008155430400000000816924320000000081824810000000008349143100000000836685320000000084118145
+40 more
000000010661744800000001086066030000000108635957000000010865367X000000010871021600000001088546230000000109127479000000010920127X00000001092237860000000109282073000000010938538X00000001094265240000000109447560000000010980009600000001100969210000000110136575000000011020812900000001102098420000000110235047000000011031228400000001106334830000000110829427000000011082996100000001108831830000000110933953000000011439796700000001144094030000000114507628000000011453367400000001145531300000000114554862000000011462217500000001147122500000000114725481000000011476352500000001148027660000000114947965000000011495995800000001157320930000000116585187
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What is UPC 5099950833221?
5099950833221 is a Universal Product Code (UPC) assigned to Pure Opera: 57 Original Hits by the Original Artists by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 19 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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