UPC · Release
Various Artists
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The UPC for “Pure Opera: 57 Original Hits by the Original Artists” by Various Artists is 5099950833221. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2007-01-01. Label: EMI. This release contains 57 tracks, each with its own ISRC. Tracks include GBAYC8100061, GBAYC8901973, GBAYC0801962.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | La ran la le ra… Largo al factotum (from Il barbiere di Siviglia) | — | ||
| 2 | Là ci darem la mano (from Don Giovanni) | — | ||
| 3 | Song to the Moon (from Rusalka) | — | ||
| 4 | Humming Chorus (from Madama Butterfly) | — | ||
| 5 | Si, mi chiamano Mimì (from La bohème) | — | ||
| 6 | Mein Herr Marquis, ein Mann wie Sie… (from Die Fledermaus) | — | ||
| 7 | Sempre libera (from La traviata) | — | ||
| 8 | La donna è mobile (from Rigoletto) | — | ||
| 9 | Die Zauberflöte: Akt II. No. 14: Aria: „Der Hölle Rache kocht in meinem Herzen“ (Queen of the Night) | Edita Gruberová, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink | T-918.245.117-8 | |
| 10 | Ach, ich fühl’s, es ist entschwunden… (from Die Zauberflöte) | — | ||
| 11 | La mamma morta (from Andrea Chenier) | — | ||
| 12 | En fermant les yeux je vois là bas (from Manon) | — | ||
| 13 | Le nozze di Figaro | — | ||
| 14 | Inneggiamo, il signor non e’ morto (from Cavalleria rusticana) | — | ||
| 15 | Cette somme t’est due (from Benvenuto Cellini) | — | ||
| 16 | L’amour! l’amour!… Ah! Lève‐toi, soleil (from Romèo et Giuliette) | — | ||
| 17 | Tosca: “Vissi d'arte” (Tosca) | Maria Callas, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre | T-321.286.864-5 | |
| 18 | Au fond du temple saint (from Les Pêcheurs de perles) | — | ||
| 19 | Ride of the Valkyries (from Die Walküre) | — | ||
| 2-1 | Overture from Die Fledermaus | — | ||
| 2-2 | Gloria all’Egitto, ad Iside (from Aida) | — | ||
| 2-3 | Marcia trionfale from Aida | — | ||
| 2-4 | Votre toast, je peux vous le rendre (from Carmen) | — | ||
| 2-5 | L’amour est un oiseau rebelle (from Carmen) | — | ||
| 2-6 | Intermezzo from Cavalleria rusticana | — | ||
| 2-7 | Belle nuit, ö nuit d’amour (from Les Contes d’Hoffman) | — | ||
| 2-8 | Oh! Quante volte (from I Capuleti e i Montecchi) | — | ||
| 2-9 | Come scoglio (from Così fan tutte) | — | ||
| 2-10 | Prelude from Lohengrin | — | ||
| 2-11 | Treulich geführt ziehet dahin (from Lohengrin) | — | ||
| 2-12 | Gloire immortelle (from Faust) | — | ||
| 2-13 | Tornami a dir che m’ami (from Don Pasquale) | — | ||
| 2-14 | Pourquoi me réveiller, ô souffle du printemps? (from Werther) | — | ||
| 2-15 | Di due figli vivea padre beato (from Il trovatore) | — | ||
| 2-16 | Ah! Per sempre io ti perderei (from I puritani) | — | ||
| 2-17 | La Rondine: Chi il bel sogno di Doretta | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | — | |
| 2-18 | Recitar! … Vesti la giubba (from I pagliacci) | — | ||
| 2-19 | Tutto nel mondo e’ burla (from Falstaff) | — | ||
| 3-1 | Turandot: Act 3. “Nessun dorma!” (Calaf, Chorus) | José Carreras, Chœur de l'Opéra national du Rhin, Orchestre philharmonique de Strasbourg, Alain Lombard | — | |
| 3-2 | An ihre Plätze, meine Damen und Herren! (from Ariadne auf Naxos) | — | ||
| 3-3 | Madama Butterfly: Atto II. “Un bel dí vedremo” (Butterfly) | Renata Scotto, Orchestra del Teatro dell’Opera di Roma, Sir John Barbirolli | — | |
| 3-4 | Gianni Schicchi: “O mio babbino caro” (Lauretta) | Victoria de los Ángeles, Orchestra del Teatro dell'Opera di Roma, Gabriele Santini | T-901.222.501-3 | |
| 3-5 | La traviata: “Libiamo ne’ lieti calici” (Alfredo, Violetta, Chœurs) | Alfredo Kraus, Renata Scotto, Ambrosian Opera Chorus, Philharmonia Orchestra, Riccardo Muti | — | |
| 3-6 | Che gelida manina (from La bohème) | — | ||
| 3-7 | L’amico Fritz: Atto II. Duettino “Suzel, buon dì” (Fritz, Suzel) | Mirella Freni, Luciano Pavarotti, Orchestra of the Royal Opera House, Covent Garden, Gianandrea Gavazzeni | — | |
| 3-8 | Pa‐pa‐gena! … Pa‐pa‐geno! (from Die Zauberflöte) | — | ||
| 3-9 | Lucevan le stelle (from Tosca) | — | ||
| 3-10 | Le nozze di Figaro, K. 492: “Non più andrai” (Figaro) | Sir Thomas Allen, Wiener Philharmoniker, Riccardo Muti | T-011.664.128-1 | |
| 3-11 | Madamina, il catalogo è questo (from Don Giovanni) | — | ||
| 3-12 | Marie Theres’! Hab’ mir’s gelobt (from Der Rosenkavalier) | — | ||
| 3-13 | Da geh’ ich zu Maxim (from Die lustige Witwe) | — | ||
| 3-14 | Che farò senza Euridice? (from Orfeo ed Euridice) | — | ||
| 3-15 | Ah Belinda, I am press’d with torment (from Dido and Aeneas) | — | ||
| 3-16 | I wants to stay here (from Porgy and Bess) | — | ||
| 3-17 | Summertime (from Porgy and Bess) | — | ||
| 3-18 | I have a reas’nable good ear in music (from A Midsummer Night’s Dream) | — | ||
| 3-19 | Pur ti miro (from L’incoronazione di Poppea) | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Madama Butterfly: Atto II. “Un bel dí vedremo” (Butterfly) | Renata Scotto, Orchestra del Teatro dell’Opera di Roma, Sir John Barbirolli | — |
| La Rondine, Atto I. “Chi il bel sogno di Doretta?” (Magda) | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | — |
| Die Zauberflöte: Akt II. No. 14: Aria: „Der Hölle Rache kocht in meinem Herzen“ (Queen of the Night) | Edita Gruberová, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink | — |
| Die Zauberflöte: Akt II. No. 14: Aria: „Der Hölle Rache kocht in meinem Herzen“ (Queen of the Night) | Edita Gruberová, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink | T-071.522.859-3 |
| Le nozze di Figaro, K. 492: “Non più andrai” (Figaro) | Sir Thomas Allen, Wiener Philharmoniker, Riccardo Muti | — |
| Nessun Dorma from 'Turandot' | José Carreras, Chœur de l'Opéra national du Rhin, Orchestre philharmonique de Strasbourg, Alain Lombard | T-900.798.623-4 |
| Madama Butterfly: Atto II. “Un bel dí vedremo” (Butterfly) | Renata Scotto, Orchestra del Teatro dell’Opera di Roma, Sir John Barbirolli | — |
| La Rondine, Atto I. “Chi il bel sogno di Doretta?” (Magda) | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | — |
| Tosca: “Vissi d'arte” (Tosca) | Maria Callas, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre | T-900.145.876-0 |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
5099950833221 is a Universal Product Code (UPC) assigned to Pure Opera: 57 Original Hits by the Original Artists by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 57 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Pure Opera: 57 Original Hits by the Original Artists” by Various Artists is 5099950833221. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2007-01-01. Label: EMI. This release contains 57 tracks, each with its own ISRC. Tracks include GBAYC8100061, GBAYC8901973, GBAYC0801962.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | La ran la le ra… Largo al factotum (from Il barbiere di Siviglia) | — | ||
| 2 | Là ci darem la mano (from Don Giovanni) | — | ||
| 3 | Song to the Moon (from Rusalka) | — | ||
| 4 | Humming Chorus (from Madama Butterfly) | — | ||
| 5 | Si, mi chiamano Mimì (from La bohème) | — | ||
| 6 | Mein Herr Marquis, ein Mann wie Sie… (from Die Fledermaus) | — | ||
| 7 | Sempre libera (from La traviata) | — | ||
| 8 | La donna è mobile (from Rigoletto) | — | ||
| 9 | Die Zauberflöte: Akt II. No. 14: Aria: „Der Hölle Rache kocht in meinem Herzen“ (Queen of the Night) | Edita Gruberová, Sinfonie-Orchester des Bayerischen Rundfunks, Bernard Haitink | T-918.245.117-8 | |
| 10 | Ach, ich fühl’s, es ist entschwunden… (from Die Zauberflöte) | — | ||
| 11 | La mamma morta (from Andrea Chenier) | — | ||
| 12 | En fermant les yeux je vois là bas (from Manon) | — | ||
| 13 | Le nozze di Figaro | — | ||
| 14 | Inneggiamo, il signor non e’ morto (from Cavalleria rusticana) | — | ||
| 15 | Cette somme t’est due (from Benvenuto Cellini) | — | ||
| 16 | L’amour! l’amour!… Ah! Lève‐toi, soleil (from Romèo et Giuliette) | — | ||
| 17 | Tosca: “Vissi d'arte” (Tosca) | Maria Callas, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre | T-321.286.864-5 | |
| 18 | Au fond du temple saint (from Les Pêcheurs de perles) | — | ||
| 19 | Ride of the Valkyries (from Die Walküre) | — | ||
| 2-1 | Overture from Die Fledermaus | — | ||
| 2-2 | Gloria all’Egitto, ad Iside (from Aida) | — | ||
| 2-3 | Marcia trionfale from Aida | — | ||
| 2-4 | Votre toast, je peux vous le rendre (from Carmen) | — | ||
| 2-5 | L’amour est un oiseau rebelle (from Carmen) | — | ||
| 2-6 | Intermezzo from Cavalleria rusticana | — | ||
| 2-7 | Belle nuit, ö nuit d’amour (from Les Contes d’Hoffman) | — | ||
| 2-8 | Oh! Quante volte (from I Capuleti e i Montecchi) | — | ||
| 2-9 | Come scoglio (from Così fan tutte) | — | ||
| 2-10 | Prelude from Lohengrin | — | ||
| 2-11 | Treulich geführt ziehet dahin (from Lohengrin) | — | ||
| 2-12 | Gloire immortelle (from Faust) | — | ||
| 2-13 | Tornami a dir che m’ami (from Don Pasquale) | — | ||
| 2-14 | Pourquoi me réveiller, ô souffle du printemps? (from Werther) | — | ||
| 2-15 | Di due figli vivea padre beato (from Il trovatore) | — | ||
| 2-16 | Ah! Per sempre io ti perderei (from I puritani) | — | ||
| 2-17 | La Rondine: Chi il bel sogno di Doretta | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | — | |
| 2-18 | Recitar! … Vesti la giubba (from I pagliacci) | — | ||
| 2-19 | Tutto nel mondo e’ burla (from Falstaff) | — | ||
| 3-1 | Turandot: Act 3. “Nessun dorma!” (Calaf, Chorus) | José Carreras, Chœur de l'Opéra national du Rhin, Orchestre philharmonique de Strasbourg, Alain Lombard | — | |
| 3-2 | An ihre Plätze, meine Damen und Herren! (from Ariadne auf Naxos) | — | ||
| 3-3 | Madama Butterfly: Atto II. “Un bel dí vedremo” (Butterfly) | Renata Scotto, Orchestra del Teatro dell’Opera di Roma, Sir John Barbirolli | — | |
| 3-4 | Gianni Schicchi: “O mio babbino caro” (Lauretta) | Victoria de los Ángeles, Orchestra del Teatro dell'Opera di Roma, Gabriele Santini | T-901.222.501-3 | |
| 3-5 | La traviata: “Libiamo ne’ lieti calici” (Alfredo, Violetta, Chœurs) | Alfredo Kraus, Renata Scotto, Ambrosian Opera Chorus, Philharmonia Orchestra, Riccardo Muti | — | |
| 3-6 | Che gelida manina (from La bohème) | — | ||
| 3-7 | L’amico Fritz: Atto II. Duettino “Suzel, buon dì” (Fritz, Suzel) | Mirella Freni, Luciano Pavarotti, Orchestra of the Royal Opera House, Covent Garden, Gianandrea Gavazzeni | — | |
| 3-8 | Pa‐pa‐gena! … Pa‐pa‐geno! (from Die Zauberflöte) | — | ||
| 3-9 | Lucevan le stelle (from Tosca) | — | ||
| 3-10 | Le nozze di Figaro, K. 492: “Non più andrai” (Figaro) | Sir Thomas Allen, Wiener Philharmoniker, Riccardo Muti | T-011.664.128-1 | |
| 3-11 | Madamina, il catalogo è questo (from Don Giovanni) | — | ||
| 3-12 | Marie Theres’! Hab’ mir’s gelobt (from Der Rosenkavalier) | — | ||
| 3-13 | Da geh’ ich zu Maxim (from Die lustige Witwe) | — | ||
| 3-14 | Che farò senza Euridice? (from Orfeo ed Euridice) | — | ||
| 3-15 | Ah Belinda, I am press’d with torment (from Dido and Aeneas) | — | ||
| 3-16 | I wants to stay here (from Porgy and Bess) | — | ||
| 3-17 | Summertime (from Porgy and Bess) | — | ||
| 3-18 | I have a reas’nable good ear in music (from A Midsummer Night’s Dream) | — | ||
| 3-19 | Pur ti miro (from L’incoronazione di Poppea) | — |
