UPC · Release
100 Best Carols
Choir of King’s College, Cambridge
5099951037123
99 tracksReleased 2007-01-01EMI
Last verified:
5099951037123 is the Universal Product Code (UPC barcode) for the release “100 Best Carols” by Choir of King’s College, Cambridge, released 2007-01-01 on EMI. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 99 tracks, each with its own ISRC. Tracks include GBAYD8500036, GBAYD8500198, GBAYD8500394.
Format
509GS1 prefix
9951Company prefix
03712Product
3Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPC100 Best Carols
ISRC99 recordings
ISWC57 works
IPI4 songwriters
Track List (99)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The First Nowell | Choir of King’s College, Cambridge, Francis Grier, Philip Ledger | T-906.025.765-0 | |
| 2 | Away in a Manger | Choir of King’s College, Cambridge | T-011.737.680-3 | |
| 3 | Up! Good Christen Folk, and Listen | Choir of King’s College, Cambridge, Francis Grier, Philip Ledger | — | |
| 4 | O Little Town of Bethlehem | Choir of King’s College, Cambridge, Thomas Armstrong, Francis Grier, Sir Philip Ledger | T-308.192.515-3 | |
| 5 | I Sing of a Maiden | Choir of King’s College, Cambridge, Francis Grier, Philip Ledger | T-900.197.442-1 | |
| 6 | A Spotless Rose | Gareth Morrell, Stephen Cleobury, Choir of King’s College, Cambridge | T-010.434.901-0 | |
| 7 | Once in Royal David’s City | Choir of King’s College, Cambridge, Ian Hare, Sir David Willcocks | — | |
| 8 | Personent Hodie | Choir of King’s College, Cambridge | — | |
| 9 | Myn Lyking | Choir of King’s College, Cambridge, Ian Hare | — | |
| 10 | O Come, O Come, Emmanuel (Arr. Sir David Willcocks) | Sir David Willcocks, Ian Hare, Choir of King’s College, Cambridge | T-915.262.415-2 | |
| 11 | The Holly and the Ivy | Choir of King’s College, Cambridge, Sir David Willcocks | T-010.424.545-5 | |
| 12 | Silent Night | Choir of King’s College, Cambridge, Stephen Varcoe, John Wells, Sir David Willcocks | T-902.269.941-8 | |
| 13 | While Shepherds Watched (Descant Willcocks) | Choir of King’s College, Cambridge, John Wells, Sir David Willcocks | T-900.117.175-1 | |
| 14 | It Came Upon the Midnight Clear | Choir of King’s College, Cambridge, John Wells, Sir David Willcocks | T-922.038.347-1 | |
| 15 | The Lord at First Did Adam Make | Choir of King’s College, Cambridge, Stephen Varcoe, John Wells, Sir David Willcocks | T-902.512.889-6 | |
| 16 | Hark! The Herald Angels Sing | Choir of King’s College, Cambridge, Ian Hare, Philip Jones Brass Ensemble, Sir David Willcocks | T-011.669.768-7 | |
| 2-1 | Shepherd's Pipe Carol | Clare College Singers, Orchestra | — | |
| 2-2 | Infant holy, infant lowly | Clare College Singers, Orchestra | — | |
| 2-3 | Quelle est cette odeur agréable? | Clare College Singers, Orchestra | — | |
| 2-4 | Quelle est cette odeur agréable? | Clare College Singers, Orchestra | — | |
| 2-5 | I Saw Three Ships | John Rutter, Clare College Singers, Orchestra | T-010.443.900-0 | |
| 2-6 | Nativity Carol | John Rutter, Clare College Singers, Orchestra | — | |
| 2-7 | Quem pastores laudavere | Clare College Singers, Orchestra | T-905.874.895-1 | |
| 2-8 | Here we come a-wassailing | Clare College Singers, Orchestra | — | |
| 2-9 | Here we come a-wassailing | Clare College Singers, Orchestra | — | |
| 2-10 | The Coming of our King | Clare College Singers, Orchestra | — | |
| 2-11 | The Infant King | Clare College Singers, Orchestra | — | |
| 2-12 | Shepherds' Noël | Clare College Singers, Orchestra | — | |
| 2-13 | Gabriel's Message | Clare College Singers, Orchestra | T-050.099.979-0 | |
| 2-15 | Sans Day Carol | Clare College Singers, Orchestra | — | |
| 2-16 | Past three o'clock | Clare College Singers, Orchestra | — | |
| 3-1 | Methinks I see an heav'nly host (Billings) | The Taverner Choir, Consort & Players | — | |
| 3-2 | Los que fueren de buen gusto (Francisco de Vidales) | The Taverner Choir, Consort & Players | — | |
| 3-3 | A Virgin Unspotted | Taverner Consort Choir | — | |
| 3-4 | The Babe of Bethlehem (Walker) | The Taverner Choir, Consort & Players | — | |
| 3-5 | Thys endere nyghth (trad.) | The Taverner Choir, Consort & Players | — | |
| 3-6 | Riu, riu, chiu (Mateo Flecha the elder) | The Taverner Choir, Consort & Players | — | |
| 3-7 | Christum wir sollen loben schon (trad. arr. Osiander) | The Taverner Choir, Consort & Players | — | |
| 3-8 | Gaudete! (anon. 16th century) | The Taverner Choir, Consort & Players | T-010.888.763-3 | |
| 3-9 | Verbum caro: In hac anni circulo (anon. medieval) | The Taverner Choir, Consort & Players | — | |
| 3-10 | Alleluya: A nywe werk is come on honde (anon. 15th century) | The Taverner Choir, Consort & Players | — | |
| 3-11 | The Old Year now away is fled (trad.) | The Taverner Choir, Consort & Players | — | |
| 3-12 | Hodie nobis celorum rex (a 4) (Tallis) | The Taverner Choir, Consort & Players | T-011.717.720-4 | |
| 3-13 | Audite principes a 16 | Taverner Consort, Taverner Players, Andrew Parrott | — | |
| 3-14 | In dulci jubilo (a 16) Pars II (Praetorius) | The Taverner Choir, Consort & Players | — | |
| 4-1 | The Little Drummer Boy | The King’s Singers | T-031.804.690-0 | |
| 4-2 | El Niño Querido | The King’s Singers | — | |
| 4-3 | The Gift (Simple gifts) | The King’s Singers | T-070.284.144-8 | |
| 4-4 | Maria Wiegenlied | Barbara Hendricks | — | |
| 4-5 | Go Tell It on the Mountain | Barbara Hendricks | T-072.765.762-6 | |
| 4-6 | Joy to the world | Barbara Hendricks | T-072.913.515-2 | |
| 4-7 | Tochter Zion, freue dich | Hermann Prey, Tölzer Knabenchor | T-800.322.781-5 | |
| 4-8 | Zu Bethlehem geboren | Hermann Prey, Tölzer Knabenchor | — | |
| 4-9 | Mary's boy child | Wiener Sängerknaben | T-070.112.980-7 | |
| 4-10 | Ukraine Bell Carol | Wiener Sängerknaben | — | |
| 4-11 | Il est né le divin enfant | Roberto Alagna | — | |
| 4-12 | Minuit, Chrétiens | Roberto Alagna | — | |
| 4-13 | Marche des Rois | Les Petits Chanteurs à la croix de bois | T-900.396.754-2 | |
| 4-14 | Noël des îles | Les Petits Chanteurs à la croix de bois | T-004.020.414-5 | |
| 4-15 | Chanson joyeuse de Noël | Les Petits Chanteurs à la croix de bois | — | |
| 4-16 | Weihnachten | Elisabeth Schwarzkopf | T-303.108.950-2 | |
| 4-17 | Vom Himmel hoch | Elisabeth Schwarzkopf | T-800.536.989-2 | |
| 4-18 | In the bleak midwinter | Kiri Te Kanawa | T-010.995.898-6 | |
| 4-19 | O tannenbaum | Roberto Alagna | — | |
| 4-20 | The twelve days of Christmas | Thomas Hampson | T-306.035.512-2 | |
| 5-1 | God Rest You Merry, Gentlemen | The Huddersfield Choral Society | — | |
| 5-2 | Good King Wenceslas | The Huddersfield Choral Society | — | |
| 5-3 | We Three Kings of Orient Are | The Huddersfield Choral Society | T-900.234.959-9 | |
| 5-4 | Angels from the realms of Glory | The Huddersfield Choral Society | T-011.793.125-5 | |
| 5-5 | As With Gladness Men of Old | The Huddersfield Choral Society | T-900.048.829-9 | |
| 5-6 | Coventry Carol | The Bach Choir, Jacques Orchestra | — | |
| 5-7 | We've been a while a-wandering | The Bach Choir, Jacques Orchestra | — | |
| 5-8 | Masters in this hall | The Bach Choir, Jacques Orchestra | T-922.042.545-6 | |
| 5-9 | See amid the winter's snow | The Bach Choir, Jacques Orchestra | T-011.800.754-7 | |
| 5-10 | Sussex Carol | The Bach Choir, Jacques Orchestra | — | |
| 5-11 | Ding dong! merrily on high | The Bach Choir, Jacques Orchestra | T-314.158.040-3 | |
| 5-12 | O little one sweet | The Bach Choir, Jacques Orchestra | — | |
| 5-13 | Wassail Song | The Bach Choir, Jacques Orchestra | T-071.000.879-9 | |
| 5-14 | Carol With Lullaby | The Bach Choir, Jacques Orchestra | — | |
| 5-15 | Cowboy Carol | Hallé Choir, Orchestra | — | |
| 5-16 | The Shepherds' Farewell (from The Childhood of Christ) | Hallé Choir, Orchestra | — | |
| 5-17 | We Wish You a Merry Christmas | Hallé Choir, Orchestra | — | |
| 6-1 | Nowell! Nowell! Nowell! | Choir of King’s College, Cambridge | T-010.436.926-7 | |
| 6-2 | And All in the Morning | Choir of King’s College, Cambridge, Sir David Willcocks | T-011.570.543-5 | |
| 6-3 | I Saw a Maiden | Choir of King’s College, Cambridge, Stephen Varcoe, John Wells, Sir David Willcocks | — | |
| 6-4 | A Child Is Born in Bethlehem | Choir of King’s College, Cambridge, John Wells, Sir David Willcocks | T-011.772.751-1 | |
| 6-5 | Where riches is everlastingly | Choir of King’s College, Cambridge, Andrew Davis, Sir David Willcocks | — | |
| 6-6 | How Far Is it to Bethlehem? | Choir of King’s College, Cambridge | — | |
| 6-7 | Of the Father's Heart Begotten | Choir of King’s College, Cambridge | T-924.635.331-1 | |
| 6-8 | Resonemus laudibus | Choir of King’s College, Cambridge | — | |
| 6-9 | The Shepherd's Cradle Song | Choir of King’s College, Cambridge, Sir David Willcocks | — | |
| 6-10 | Quittez, Pasteurs (Arr. Ledger) | Choir of King’s College, Cambridge | — | |
| 6-11 | Lully, Lulla, Thou Little Tiny Child | Choir of King’s College, Cambridge | — | |
| 6-12 | Remember, o Thou Man (Ravenscroft) | Choir of King’s College, Cambridge | — | |
| 6-13 | Hodie Christus natus est | Choir of King’s College, Cambridge, Sir David Willcocks | T-905.316.214-4 | |
| 6-14 | Hosanna to the Son of David | Choir of King’s College, Cambridge, Sir David Willcocks | T-912.620.171-6 | |
| 6-15 | Angelus Ad Virginem | Choir of King’s College, Cambridge | T-333.486.401-2 | |
| 6-16 | My Dancing Day | Choir of King’s College, Cambridge | T-326.687.158-9 | |
| 6-17 | O Come, All Ye Faithful | Choir of King’s College, Cambridge, Ian Hare, Philip Jones Brass Ensemble, Sir David Willcocks | T-900.032.816-5 |
Up! Good Christen Folk, and Listen
Choir of King’s College, Cambridge, Francis Grier, Philip Ledger
—
Choir of King’s College, Cambridge, Thomas Armstrong, Francis Grier, Sir Philip Ledger
Once in Royal David’s City
Choir of King’s College, Cambridge, Ian Hare, Sir David Willcocks
—
Personent Hodie
Choir of King’s College, Cambridge
—
Myn Lyking
Choir of King’s College, Cambridge, Ian Hare
—
Sir David Willcocks, Ian Hare, Choir of King’s College, Cambridge
Choir of King’s College, Cambridge, Stephen Varcoe, John Wells, Sir David Willcocks
Choir of King’s College, Cambridge, John Wells, Sir David Willcocks
Choir of King’s College, Cambridge, John Wells, Sir David Willcocks
Choir of King’s College, Cambridge, Stephen Varcoe, John Wells, Sir David Willcocks
Choir of King’s College, Cambridge, Ian Hare, Philip Jones Brass Ensemble, Sir David Willcocks
Shepherd's Pipe Carol
Clare College Singers, Orchestra
—
Infant holy, infant lowly
Clare College Singers, Orchestra
—
Quelle est cette odeur agréable?
Clare College Singers, Orchestra
—
Quelle est cette odeur agréable?
Clare College Singers, Orchestra
—
Nativity Carol
John Rutter, Clare College Singers, Orchestra
—
Here we come a-wassailing
Clare College Singers, Orchestra
—
Here we come a-wassailing
Clare College Singers, Orchestra
—
The Coming of our King
Clare College Singers, Orchestra
—
The Infant King
Clare College Singers, Orchestra
—
Shepherds' Noël
Clare College Singers, Orchestra
—
Sans Day Carol
Clare College Singers, Orchestra
—
Past three o'clock
Clare College Singers, Orchestra
—
Methinks I see an heav'nly host (Billings)
The Taverner Choir, Consort & Players
—
Los que fueren de buen gusto (Francisco de Vidales)
The Taverner Choir, Consort & Players
—
A Virgin Unspotted
Taverner Consort Choir
—
The Babe of Bethlehem (Walker)
The Taverner Choir, Consort & Players
—
Thys endere nyghth (trad.)
The Taverner Choir, Consort & Players
—
Riu, riu, chiu (Mateo Flecha the elder)
The Taverner Choir, Consort & Players
—
Christum wir sollen loben schon (trad. arr. Osiander)
The Taverner Choir, Consort & Players
—
Verbum caro: In hac anni circulo (anon. medieval)
The Taverner Choir, Consort & Players
—
Alleluya: A nywe werk is come on honde (anon. 15th century)
The Taverner Choir, Consort & Players
—
The Old Year now away is fled (trad.)
The Taverner Choir, Consort & Players
—
Audite principes a 16
Taverner Consort, Taverner Players, Andrew Parrott
—
In dulci jubilo (a 16) Pars II (Praetorius)
The Taverner Choir, Consort & Players
—
El Niño Querido
The King’s Singers
—
Maria Wiegenlied
Barbara Hendricks
—
Zu Bethlehem geboren
Hermann Prey, Tölzer Knabenchor
—
Ukraine Bell Carol
Wiener Sängerknaben
—
Il est né le divin enfant
Roberto Alagna
—
Minuit, Chrétiens
Roberto Alagna
—
Chanson joyeuse de Noël
Les Petits Chanteurs à la croix de bois
—
O tannenbaum
Roberto Alagna
—
God Rest You Merry, Gentlemen
The Huddersfield Choral Society
—
Good King Wenceslas
The Huddersfield Choral Society
—
Coventry Carol
The Bach Choir, Jacques Orchestra
—
We've been a while a-wandering
The Bach Choir, Jacques Orchestra
—
Sussex Carol
The Bach Choir, Jacques Orchestra
—
O little one sweet
The Bach Choir, Jacques Orchestra
—
Carol With Lullaby
The Bach Choir, Jacques Orchestra
—
Cowboy Carol
Hallé Choir, Orchestra
—
The Shepherds' Farewell (from The Childhood of Christ)
Hallé Choir, Orchestra
—
We Wish You a Merry Christmas
Hallé Choir, Orchestra
—
I Saw a Maiden
Choir of King’s College, Cambridge, Stephen Varcoe, John Wells, Sir David Willcocks
—
Choir of King’s College, Cambridge, John Wells, Sir David Willcocks
Where riches is everlastingly
Choir of King’s College, Cambridge, Andrew Davis, Sir David Willcocks
—
How Far Is it to Bethlehem?
Choir of King’s College, Cambridge
—
Resonemus laudibus
Choir of King’s College, Cambridge
—
The Shepherd's Cradle Song
Choir of King’s College, Cambridge, Sir David Willcocks
—
Quittez, Pasteurs (Arr. Ledger)
Choir of King’s College, Cambridge
—
Lully, Lulla, Thou Little Tiny Child
Choir of King’s College, Cambridge
—
Remember, o Thou Man (Ravenscroft)
Choir of King’s College, Cambridge
—
Choir of King’s College, Cambridge, Ian Hare, Philip Jones Brass Ensemble, Sir David Willcocks
Additional database matches (12)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Hodie Christus natus est | Choir of King’s College, Cambridge, Sir David Willcocks | — |
| Myn Lyking | Choir of King’s College, Cambridge | — |
| O Come, O Come, Emmanuel | Ian Hare, Choir of King’s College, Cambridge, Sir David Willcocks | T-909.840.159-3 |
| It Came Upon the Midnight Clear | Choir of King’s College, Cambridge, John Wells, Sir David Willcocks | — |
| The Holly and the Ivy | Choir of King’s College, Cambridge, Sir David Willcocks | T-900.011.393-9 |
| Personent hodie | Sir David Willcocks, Ian Hare, Choir of King’s College, Cambridge | — |
| It Came upon the Midnight Clear (Arr. Arthur Sullivan) | Sir David Willcocks, John Wells, Choir of King’s College, Cambridge | T-922.038.347-1 |
| I Saw a Maiden | Choir of King’s College, Cambridge, Stephen Varcoe, John Wells, Sir David Willcocks | — |
| Nativity Carol | John Rutter, Clare College Singers, Orchestra | — |
| O little town of Bethlehem (feat. descant Armstrong) | Choir of King’s College, Cambridge | T-072.366.054-5 |
| Away in a Manger (Arr. Ledger) | Choir of King’s College, Cambridge | T-011.737.680-3 |
| Up! Good Christen Folk and Listen (Arr. Woodward) | Philip Ledger, Choir of King’s College, Cambridge | — |
Hodie Christus natus est
Choir of King’s College, Cambridge, Sir David Willcocks
—
Myn Lyking
Choir of King’s College, Cambridge
—
Ian Hare, Choir of King’s College, Cambridge, Sir David Willcocks
It Came Upon the Midnight Clear
Choir of King’s College, Cambridge, John Wells, Sir David Willcocks
—
Choir of King’s College, Cambridge, Sir David Willcocks
Personent hodie
Sir David Willcocks, Ian Hare, Choir of King’s College, Cambridge
—
Sir David Willcocks, John Wells, Choir of King’s College, Cambridge
I Saw a Maiden
Choir of King’s College, Cambridge, Stephen Varcoe, John Wells, Sir David Willcocks
—
Nativity Carol
John Rutter, Clare College Singers, Orchestra
—
Choir of King’s College, Cambridge
Choir of King’s College, Cambridge
Up! Good Christen Folk and Listen (Arr. Woodward)
Philip Ledger, Choir of King’s College, Cambridge
—
What other identifiers does this connect to?
Musical Works (ISWC)
T-010.434.901-0T-010.443.900-0T-010.434.901-0T-010.443.900-0T-011.570.543-5T-011.669.768-7T-011.570.543-5T-011.669.768-7T-031.804.690-0T-031.804.690-0
+47 more
T-072.290.055-1T-900.032.816-5T-900.117.175-1T-900.032.816-5T-900.117.175-1T-900.136.933-1T-902.269.941-8T-902.269.941-8T-902.305.770-7T-912.620.171-6T-912.620.171-6T-915.711.372-9T-004.020.414-5T-010.424.545-5T-010.436.926-7T-010.888.763-3T-010.995.898-6T-011.737.680-3T-011.772.751-1T-011.793.125-5T-011.800.754-7T-050.099.979-0T-070.112.980-7T-070.284.144-8T-071.000.879-9T-072.366.054-5T-072.765.762-6T-072.913.515-2T-303.108.950-2T-306.035.512-2T-308.192.515-3T-314.158.040-3T-800.536.989-2T-900.011.393-9T-900.048.829-9T-900.197.442-1T-900.234.959-9T-900.396.754-2T-902.512.889-6T-905.316.214-4T-905.874.895-1T-906.025.765-0T-909.840.159-3T-915.262.415-2T-922.038.347-1T-922.042.545-6T-924.635.331-1
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000025703627000000007825397300000000784103930000000081700869000000008177300500000000819492260000000109282073000000010940027900000001094502170000000109878520
+22 more
00000001101298420000000110177537000000011020812900000001104260970000000110880417000000011092887100000001109348410000000114523548000000011455424800000001147122500000000114806898000000011703490X0000000118744110000000011938871X00000001193903690000000120342735000000012102828900000001214193350000000121892333000000012193057100000001233675400000000374393209
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People also ask
What is UPC 5099951037123?
5099951037123 is a Universal Product Code (UPC) assigned to 100 Best Carols by Choir of King’s College, Cambridge. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 99 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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