UPC · Release
100 Hits Disco
Various Artists
Last verified:
5099951068820 is the Universal Product Code (UPC barcode) for the release “100 Hits Disco” by Various Artists, released 2007-01-01 on EMI Music France. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 98 tracks, each with its own ISRC. Tracks include FR58F7900020, FR22F7800350, UKDNQ1507001.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (98)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | D.I.S.C.O. | Ottawan | T-003.031.363-3 | |
| 2 | Y.M.C.A. | Village People | T-071.017.471-2 | |
| 3 | Born to Be Alive | — | ||
| 4 | I Will Survive | Gloria Gaynor | T-070.081.926-6 | |
| 5 | I Love to Love | — | ||
| 6 | That’s the Way (I Like It) | KC and the Sunshine Band | T-070.940.528-6 | |
| 7 | Flashdance… What a Feeling | Irene Cara | T-071.393.470-3 | |
| 8 | You Sexy Thing | Hot Chocolate | T-010.459.942-9 | |
| 9 | Music and Lights | — | ||
| 10 | Black Is Black | — | ||
| 11 | Somebody Else’s Guy | Jocelyn Brown | T-070.145.687-2 | |
| 12 | She Can’t Love You | — | ||
| 13 | Double Dutch Bus | — | ||
| 14 | Gonna Get Along Without You Now | — | ||
| 15 | Move On Up | — | ||
| 16 | Boogie Oogie Oogie | — | ||
| 17 | The Best Disco in Town | — | ||
| 18 | Cube | — | ||
| 19 | Let’s All Chant | — | ||
| 20 | Gym Tonix – Toutoutouyoutou | — | ||
| 2-1 | Last Night a DJ Saved My Life | Indeep | T-042.631.355-4 | |
| 2-2 | Ring My Bell | Anita Ward | T-070.243.185-3 | |
| 2-3 | The Bomb! (These Sounds Fall Into My Mind) | Kenny “Dope”, The Bucketheads | T-070.885.126-6 | |
| 2-4 | I Am What I Am | Gloria Gaynor | T-070.083.143-1 | |
| 2-5 | High Energy | Evelyn Thomas | T-011.294.428-1 | |
| 2-6 | It’s Good to Be the King | — | ||
| 2-7 | Murphy’s Law | — | ||
| 2-8 | Act Like You Know | — | ||
| 2-9 | Just an Illusion | Imagination | T-010.183.106-4 | |
| 2-10 | Keep on Dancin’ | — | ||
| 2-11 | Gonna Get Over You | — | ||
| 2-12 | Where Is My Man? | — | ||
| 2-13 | T’Es O.K. (T’Es O.K, T’Es Bath, T’Es in) | — | ||
| 2-14 | Do It for Me | — | ||
| 2-15 | Darlin’ (I Think About You) | — | ||
| 2-16 | Que sera mi vida (If You Should Go) | Gibson Brothers | T-900.344.266-8 | |
| 2-17 | In the Navy | Village People | T-070.919.157-0 | |
| 2-18 | Knock on Wood | Amii Stewart | T-070.241.510-8 | |
| 2-19 | Your Love | — | ||
| 2-20 | Do Ya Wanna Funk? | — | ||
| 3-1 | Solid | Ashford & Simpson | T-070.145.869-6 | |
| 3-2 | On the Beat (original 12″ version) | The B.B. & Q. Band | T-900.771.560-8 | |
| 3-3 | Get Down Tonight | KC and the Sunshine Band | T-070.881.560-4 | |
| 3-4 | Ain’t No Stoppin’ Us Now | McFadden & Whitehead | T-911.053.586-9 | |
| 3-5 | Strut Your Funky Stuff | — | ||
| 3-6 | Can You Handle It? | — | ||
| 3-7 | Fly, Robin, Fly | — | ||
| 3-8 | Weekend | — | ||
| 3-9 | Let’s Start II Dance Again | — | ||
| 3-10 | More Than a Woman | Tavares | T-011.363.824-6 | |
| 3-11 | Haven't Stopped Dancing Yet | Gonzalez | T-903.285.734-4 | |
| 3-12 | Can’t Fake the Feeling | — | ||
| 3-13 | Hot Shot | — | ||
| 3-14 | Hit’n Run Lover | — | ||
| 3-15 | I Hear Music in the Streets | — | ||
| 3-16 | Dancing at the Disco | — | ||
| 3-17 | Dancin’ the Night Away (radio edit) | Voggue | — | |
| 3-18 | Long Train Runnin’ | Traks | T-070.241.827-6 | |
| 3-19 | Menergy | — | ||
| 3-20 | So Many Men, So Little Time | — | ||
| 4-1 | Pop Corn | — | ||
| 4-2 | Haut Les Mains | — | ||
| 4-3 | Où est ma ch’mise grise? (You’re the One That I Want) | — | ||
| 4-4 | Macho Man | Village People | T-071.000.886-8 | |
| 4-5 | Mea Culpa | — | ||
| 4-6 | Pop Concerto Show | — | ||
| 4-7 | Bein’ With You | — | ||
| 4-9 | Do You Speak French? | — | ||
| 4-10 | Brazil | — | ||
| 4-11 | Flashback | Imagination | T-010.182.890-3 | |
| 4-12 | Body Music | — | ||
| 4-13 | Must Be the Music | — | ||
| 4-14 | Keep Giving Me Love | — | ||
| 4-15 | Keep On Jumpin’ | — | ||
| 4-16 | You’re Lying | Linx | — | |
| 4-17 | Is It Too Late? | — | ||
| 4-18 | Movin | — | ||
| 4-19 | Right on Target | — | ||
| 4-20 | Babe We’re Gonna Love Tonight | — | ||
| 5-1 | Magic Fly | Space | T-003.025.285-7 | |
| 5-2 | Can’t Take My Eyes Off You | Boys Town Gang | T-070.881.004-1 | |
| 5-3 | A.I.E. (A’mwana) | — | ||
| 5-4 | Nice’n Slow | — | ||
| 5-5 | Saddle Up | — | ||
| 5-6 | Aimer d’amour | — | ||
| 5-7 | Heaven Must Be Missing an Angel | Tavares | T-070.076.698-8 | |
| 5-8 | Come to Me | — | ||
| 5-9 | Come on Dance, Dance | — | ||
| 5-10 | Disco Showdown | — | ||
| 5-12 | San Francisco (You’ve Got Me) | Village People | — | |
| 5-13 | The Woman in Me | — | ||
| 5-14 | Why Me? | — | ||
| 5-15 | Daddy Cool | — | ||
| 5-16 | Ooh, What a Life | — | ||
| 5-17 | (Shake, Shake, Shake) Shake Your Booty | KC and the Sunshine Band | T-071.214.654-7 | |
| 5-18 | Never Can Say Goodbye | — | ||
| 5-19 | Rocky Woman | — | ||
| 5-20 | Don't Drop My Love | Anita Ward | — |
Additional database matches (4)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Que será mi vida | Gibson Brothers | T-900.344.266-8 |
| Dancin’ the Night Away (radio edit) | Voggue | — |
| Knock on Wood (1985 7" remix) | Amii Stewart | T-070.241.510-8 |
| Macho Man | Village People | — |
What other identifiers does this connect to?
Musical Works (ISWC)
+68 more
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
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People also ask
What is UPC 5099951068820?
5099951068820 is a Universal Product Code (UPC) assigned to 100 Hits Disco by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 98 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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