UPC · Release
Classic Experience IV
Various Artists
Last verified:
5099951852351 is the Universal Product Code (UPC barcode) for the release “Classic Experience IV” by Various Artists. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 18 tracks, each with its own ISRC. Tracks include JPTO08858500, GBAYD9100255, FRZ118200890.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (18)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Russlan and Ludmilla: Overture | Bayerisches Staatsorchester, Wolfgang Sawallisch | T0701601844 | |
| 2 | Holberg Suite: Prelude | — | ||
| 3 | O sole mio | — | ||
| 4 | Carnival of the Animals: Aquarium | Philip Fowke, Peter Katin, Royal Scottish National Orchestra, Sir Alexander Gibson | — | |
| 5 | Danse macabre | — | ||
| 6 | Aida: Triumphal March | — | ||
| 7 | Dolly, op. 56. I. Berceuse | Jean-Philippe Collard, Bruno Rigutto | — | |
| 8 | Fantasia on a Theme of Thomas Tallis | — | ||
| 9 | Light Cavalry | — | ||
| 10 | The Swan | — | ||
| 11 | Quartet for Strings No. 2 in D major: III. Andante “Nocturne” | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 12 | Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto | Moura Lympany | — | |
| 13 | Shepherd's Song | — | ||
| 14 | Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) | Plácido Domingo, Philharmonia Orchestra, James Levine | T9100679478 | |
| 15 | Memories of the Alhambra (Recuerdos de la Alhambra) | Christopher Parkening | — | |
| 16 | String Quartet | — | ||
| 17 | La bohème: Atto I. “Che gelida manina” | Nicolai Gedda, Orchestra del Teatro dell’Opera di Roma, Thomas Schippers | — | |
| 18 | The Planets: Neptune, the Mystic | — |
Additional database matches (13)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Karelia Suite, op. 11: III. Alla marcia | Hallé Orchestra, Sir John Barbirolli | — |
| La Damnation de Faust, op. 24, H 111: Marche hongroise | Herbert von Karajan | — |
| Karelia Suite, op. 11: III. Alla marcia | Hallé Orchestra, Sir John Barbirolli | — |
| Quartet for Strings No. 2 in D major: III. Andante “Nocturne” | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| La Wally, Act I: "Ebben? ne andrò lontana" | Ghena Dimitrova, Münchner Rundfunkorchester, Lamberto Gardelli | — |
| Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) | Plácido Domingo, Philharmonia Orchestra, James Levine | — |
| Symphony no. 1 in D major, op. 25 “Classical”: IV. Finale (Molto vivace) | London Symphony Orchestra, André Previn | — |
| Waltz from 'Coppelia' | New Philharmonia Orchestra, Charles Mackerras | — |
| La Damnation de Faust, op. 24: Hungarian March | Berliner Philharmoniker, Herbert von Karajan | — |
| Piano Sonata no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio | Dame Moura Lympany | — |
| La bohème: Atto I. “Che gelida manina” | Nicolai Gedda, Orchestra del Teatro dell’Opera di Roma, Thomas Schippers | — |
| Symphony no. 1 in D major, op. 25 “Classical”: IV. Finale (Molto vivace) | London Symphony Orchestra, André Previn | — |
| Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) | Plácido Domingo, Philharmonia Orchestra, James Levine | — |
What other identifiers does this connect to?
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What is UPC 5099951852351?
5099951852351 is a Universal Product Code (UPC) assigned to Classic Experience IV by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 18 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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