UPC · Release
The Best Smooth Jazz …Ever! Vol. 3
Various Artists
Last verified:
5099952165528 is the Universal Product Code (UPC barcode) for the release “The Best Smooth Jazz …Ever! Vol. 3” by Various Artists, released 2008-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 15 tracks, each with its own ISRC. Tracks include DEU241001067, USEM39800102, USCA20401001.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (15)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 3-1 | Memories Are Made of This | Dean Martin | T-070.242.146-2 | |
| 3-2 | Diamonds Are a Girl’s Best Friend | Julie London | T-070.038.925-8 | |
| 3-3 | A Taste of Honey | Peggy Lee | T-070.178.113-6 | |
| 3-4 | Just a Gigolo / I Ain’t Got Nobody | Louis Prima, Keely Smith, Sam Butera & the Witnesses | — | |
| 3-5 | Ev’ry Time We Say Goodbye | — | ||
| 3-6 | The Very Thought of You | — | ||
| 3-7 | It Had to Be You | Dinah Shore, André Previn | T-010275498-2 | |
| 3-8 | Mona Lisa | Nat King Cole | T-070.109.772-4 | |
| 3-9 | Careless Hands | — | ||
| 3-10 | Portrait of My Love | — | ||
| 3-11 | It’s Only Love | — | ||
| 3-12 | Little Girl Blue | — | ||
| 3-13 | Falling | — | ||
| 3-14 | For the Love of You, Parts 1 & 2 | Joss Stone | T-070.057.219-5 | |
| 3-15 | Somebody | — |
Additional database matches (28)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Kiss Me, Honey Honey, Kiss Me | Shirley Bassey, Wally Stott & His Orchestra | — |
| Dreamboat | Alma Cogan | T-070.040.214-7 |
| Magic Moments | Ronnie Hilton | T-070.080.006-1 |
| Kiss Me, Honey Honey, Kiss Me | Shirley Bassey, Wally Stott & His Orchestra | — |
| Cheek to Cheek | Fred Astaire | T-900.755.439-4 |
| Kiss Me, Honey Honey, Kiss Me | Shirley Bassey, Wally Stott & His Orchestra | — |
| The Thousand and One Nights | Gabin, China Moses | T2004284776 |
| Ill Wind | Lee Morgan | T-070.905.643-8 |
| Wives and Lovers | Nancy Wilson | T-070.201.183-3 |
| Just a Gigolo / I Ain’t Got Nobody | Louis Prima, Keely Smith, Sam Butera & the Witnesses | — |
| Just a Gigolo / I Ain’t Got Nobody | Louis Prima, Keely Smith, Sam Butera & the Witnesses | — |
| L‐O‐V‐E | Nat King Cole | T-070.098.237-1 |
| Zing! Went the Strings of My Heart | Judy Garland | T-070.214.254-8 |
| Time Is on My Side | Irma Thomas | T-072.313.106-3 |
| On Days Like These | Matt Monro | T-070160682-7 |
| Tom Dooley | The Kingston Trio | T9000767420 |
| The Poor People of Paris (Jean’s Song) | Les Baxter, His Chorus and Orchestra | T-914.823.720-1 |
| Just a Gigolo / I Ain’t Got Nobody | Louis Prima, Keely Smith, Sam Butera & the Witnesses | T-900076742-0 |
| Zambezi | Lou Busch & His Orchestra | T-071.194.507-1 |
| Kiss | Dean Martin | T-070.092.565-0 |
| Love Letters | Julie London | T-070.097.372-3 |
| Dreamboat | Alma Cogan | T-070.040.214-7 |
| L‐O‐V‐E | Nat King Cole | T-070.098.237-1 |
| L‐O‐V‐E | Nat King Cole | T-070098237-1 |
| L‐O‐V‐E | Nat King Cole | T-070.098.237-1 |
| L‐O‐V‐E | Nat King Cole | T-070098237-1 |
| Zing! Went the Strings of My Heart | Judy Garland | T-070.214.254-8 |
| Time Is on My Side | Irma Thomas | T-072.313.106-3 |
What other identifiers does this connect to?
Musical Works (ISWC)
+40 more
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
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People also ask
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What is UPC 5099952165528?
5099952165528 is a Universal Product Code (UPC) assigned to The Best Smooth Jazz …Ever! Vol. 3 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 15 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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