UPC · Album
NME: Classics
Various Artists
Last verified:
5099952199127 is the Universal Product Code (UPC barcode) for the release “NME: Classics” by Various Artists, released 2008-01-01 on Rhino Records (2). UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 61 tracks, each with its own ISRC. Tracks include ARF411501282, AUEM00400015, GB01A0700152.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (175)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| Mirror in the Bathroom | The Beat | ARF411501282 |
| (This) Perfect Day | The Saints | AUEM00400015 |
| Suspect Device | Stiff Little Fingers | GB01A0700152 |
| Psycho Killer | Talking Heads | GB01A8400033 |
| Girl From Mars | Ash | GB5KW1904118 |
| Girl From Mars | Ash | GB5KW2202985 |
| This Is Pop? | XTC | GBAAA0200067 |
| Setting Sun (radio edit) | The Chemical Brothers | GBAAA0300528 |
| Bitter Sweet Symphony | The Verve | GBAAA0400535 |
| Unfinished Sympathy | Massive Attack | GBAAA0600014 |
| Shot by Both Sides | Magazine | GBAAA0700206 |
| Unfinished Sympathy | Massive Attack | GBAAA1200649 |
| Shot by Both Sides | Magazine | GBAAA7800009 |
| This Is Pop? | XTC | GBAAA7800181 |
| One Step Beyond | Madness | GBAAA7900004 |
| Buffalo Gals | Malcolm McLaren | GBAAA8300092 |
| Unfinished Sympathy | Massive Attack | GBAAA9100034 |
| Setting Sun (radio edit) | The Chemical Brothers | GBAAA9600055 |
| Bitter Sweet Symphony | The Verve | GBAAA9700049 |
| One Step Beyond | Madness | GBAAA9900549 |
| Common People (7″ edit) | Pulp | GBAAN9500080 |
| Blue Monday | New Order | GBAAP0001115 |
| Step On | Happy Mondays | GBAAP0200811 |
| Step On | Happy Mondays | GBAAP0700180 |
| Step On | Happy Mondays | GBAAP1200076 |
| Blue Monday | New Order | GBAAP1500066 |
| Chime | Orbital | GBAAP2400011 |
| Step On | Happy Mondays | GBAAP2400303 |
| Mirror in the Bathroom | The Beat | GBAAP8000005 |
| Mirror in the Bathroom | The Beat | GBAAP8000439 |
| Step On | Happy Mondays | GBAAP9000008 |
| Atmosphere | Joy Division | GBAAP9500273 |
| Blue Monday | New Order | GBAAP9500301 |
| Step On (Twistin’ My Melon mix) | Happy Mondays | GBAAP9500439 |
| Atmosphere | Joy Division | GBAAP9700187 |
| Movin’ On Up | Primal Scream | GBAAW9100556 |
| Live Forever | Oasis | GBAAW9400140 |
| She Bangs the Drums | The Stone Roses | GBAHJ9500035 |
| Special Brew | Bad Manners | GBAHS0004365 |
| Girl From Mars | Ash | GBAHS0401206 |
| Special Brew | Bad Manners | GBAHS1200457 |
| Brass in Pocket | Pretenders | GBAHT0105688 |
| The Back of Love | Echo & the Bunnymen | GBAHT0200117 |
| Just Like Honey | The Jesus and Mary Chain | GBAHT0200220 |
| Brass in Pocket | Pretenders | GBAHT0600747 |
| Brass in Pocket | Pretenders | GBAHT0900195 |
| Brass in Pocket | Pretenders | GBAHT1200599 |
| Brass in Pocket | Pretenders | GBAHT1300202 |
| Brass in Pocket | Pretenders | GBAHT1800263 |
| Blue Monday | New Order | GBAHT1900427 |
| Atmosphere | Joy Division | GBAHT2000133 |
| The Back of Love | Echo & the Bunnymen | GBAHT2200027 |
| The Back of Love | Echo & the Bunnymen | GBAHT8302298 |
| Walk Out to Winter | Aztec Camera | GBAHT8403349 |
| Brass in Pocket | Pretenders | GBAHT9500545 |
| Neat Neat Neat | The Damned | GBAJE0415018 |
| Neat Neat Neat | The Damned | GBAJE0505614 |
| Oh Bondage Up Yours! | X-Ray Spex | GBAJE7700069 |
| Neat Neat Neat | The Damned | GBAJE7700141 |
| This Is How It Feels | Inspiral Carpets | GBAJH0300083 |
| Enjoy the Silence | Depeche Mode | GBAJH0400045 |
| Enjoy the Silence | Depeche Mode | GBAJH0500361 |
| Enjoy the Silence | Depeche Mode | GBAJH0602198 |
| Enjoy the Silence | Depeche Mode | GBAJH9800146 |
| Going Underground | The Jam | GBAKW8001001 |
| Hong Kong Garden | Siouxsie and the Banshees | GBAKW8101058 |
| The Lovecats | The Cure | GBALB0000100 |
| The Lovecats | The Cure | GBALB8300001 |
| Chime | Orbital | GBANB9600008 |
| Mirror in the Bathroom | The Beat | GBARK8000002 |
| A Design for Life | Manic Street Preachers | GBARL0601097 |
| Movin’ On Up | Primal Scream | GBARL1001510 |
| A Design for Life | Manic Street Preachers | GBARL1100958 |
| I Fought the Law | The Clash | GBARL1201017 |
| I Fought the Law | The Clash | GBARL1202535 |
| I Fought the Law (live) | The Clash | GBARL1300630 |
| A Design for Life | Manic Street Preachers | GBARL1501661 |
| Movin’ On Up | Primal Scream | GBARL1900118 |
| Ever Fallen in Love (With Someone You Shouldn’t Have) | Buzzcocks | GBAYE0100702 |
| Song 2 | Blur | GBAYE1200348 |
| Song 2 | Blur | GBAYE1400841 |
| Caught by the Fuzz | Supergrass | GBAYE1500310 |
| Caught by the Fuzz | Supergrass | GBAYE1500370 |
| “Heroes” (single version) | David Bowie | GBAYE7700025 |
| (This) Perfect Day | The Saints | GBAYE7700120 |
| Ever Fallen in Love (With Someone You Shouldn’t Have) | Buzzcocks | GBAYE7800085 |
| Turning Japanese | The Vapors | GBAYE8000027 |
| Just | Radiohead | GBAYE9400060 |
| Caught by the Fuzz | Supergrass | GBAYE9400169 |
| Just | Radiohead | GBAYE9500669 |
| Song 2 | Blur | GBAYE9600015 |
| Ever Fallen in Love (With Someone You Shouldn’t Have) | Buzzcocks | GBAYE9600248 |
| Ever Fallen in Love (With Someone You Shouldn’t Have) | Buzzcocks | GBAYE9600428 |
| On My Radio | The Selecter | GBAYK7900002 |
| Ghost Town | The Specials | GBAYK8100051 |
| A Design for Life | Manic Street Preachers | GBBBM9600003 |
| Live Forever | Oasis | GBBBN0009485 |
| A Design for Life | Manic Street Preachers | GBBBN0009586 |
| Another Girl, Another Planet | The Only Ones | GBBBN0900002 |
| Another Girl Another Planet | The Only Ones | GBBBN7802048 |
| I Fought the Law | The Clash | GBBBN7902001 |
| I Fought the Law | The Clash | GBBBN9902206 |
| I Fought the Law | The Clash | GBBBN9902483 |
| Another Girl, Another Planet | The Only Ones | GBBBN9999940 |
| Live Forever | Oasis | GBBQY9902016 |
| Girl From Mars | Ash | GBBUG9600403 |
| Ever Fallen in Love (With Someone You Shouldn’t Have) | Buzzcocks | GBCEL1900050 |
| Blue Monday | New Order | GBCRL0800419 |
| Girl From Mars | Ash | GBCRL0800522 |
| Blue Monday | New Order | GBCRL0900182 |
| Atmosphere | Joy Division | GBCRL1000170 |
| Girl From Mars | Ash | GBCRL1200274 |
| One Step Beyond | Madness | GBCZR7900004 |
| One Step Beyond | Madness | GBCZR9900020 |
| Going Underground | The Jam | GBF068000010 |
| One Step Beyond | Madness | GBHVK0900409 |
| One Step Beyond | Madness | GBHVK0900421 |
| Live Forever | Oasis | GBQCP1400011 |
| Live Forever | Oasis | GBQCP1400055 |
| Bitter Sweet Symphony | The Verve | GBUM71601816 |
| The Lovecats | The Cure | GBUM72004963 |
| Common People (7″ edit) | Pulp | GBUM72306977 |
| Turning Japanese | The Vapors | QZF392100047 |
| On My Radio | The Selecter | USA371169394 |
| Gloria | Patti Smith | USAR19600008 |
| Gloria | Patti Smith | USAR19901260 |
| What’s the Frequency, Kenneth? | R.E.M. | USC4R1901433 |
| ONE WAY OR ANOTHER (2001 REMASTER) | BLONDIE | USCH30100029 |
| ONE WAY OR ANOTHER - LIVE | BLONDIE | USCH37800010 |
| One Way or Another | Blondie | USCH37800020 |
| ONE WAY OR ANOTHER [BLONDIE] | VARIOUS ARTISTS | USCH38500014 |
| No Fun | The Stooges | USEE10000950 |
| Marquee Moon | Television | USEE10300236 |
| No Fun | The Stooges | USEE10501249 |
| L.A. Woman | The Doors | USEE19900768 |
| “Heroes” (single version) | David Bowie | USJT10200034 |
| HEROES | David Bowie | USJT10500037 |
| “Heroes” (single version) | David Bowie | USJT11400012 |
| “Heroes” (single version) | David Bowie | USJT11700325 |
| Turning Japanese | The Vapors | USLS51547906 |
| No Fun | The Stooges | USNPD0714428 |
| I’m Waiting for the Man | The Velvet Underground | USPR36702760 |
| Jet Boy | New York Dolls | USPR37300053 |
| Blue Monday | New Order | USQW10000004 |
| No Fun | The Stooges | USRH11605501 |
| Blank Generation | Richard Hell & the Voidoids | USRH11702643 |
| Sheena Is a Punk Rocker | Ramones | USRH11703067 |
| Sign “☮︎” the Times | Prince | USRH12000001 |
| L.A. Woman | The Doors | USRH12101320 |
| Psycho Killer | Talking Heads | USRH12300819 |
| Mirror in the Bathroom | The Beat | USRH12304477 |
| One Step Beyond | Madness | USRH12504995 |
| Song 2 | Blur | USRHD0708242 |
| What’s the Frequency, Kenneth? | R.E.M. | USSM19920608 |
| Lust for Life | Iggy Pop | USTM39200001 |
| Lust for Life | Iggy Pop | USVI29000046 |
| Sheena Is a Punk Rocker | Ramones | USWB10106563 |
| Sheena Is a Punk Rocker | Ramones | USWB10201790 |
| Sonic Reducer | Dead Boys | USWB10301384 |
| Blank Generation | Richard Hell & the Voidoids | USWB10302153 |
| Sonic Reducer | Dead Boys | USWB10302155 |
| Sheena Is a Punk Rocker | Ramones | USWB10302157 |
| Blank Generation | Richard Hell & the Voidoids | USWB11202718 |
| Blank Generation | Richard Hell | USWB11304090 |
| What’s the Frequency, Kenneth? | R.E.M. | USWB11400966 |
| Enjoy the Silence | Depeche Mode | USWB11901534 |
| Brass in Pocket | Pretenders | USWB19900763 |
| Sheena Is a Punk Rocker | Ramones | USWB19900893 |
| What’s the Frequency, Kenneth? | R.E.M. | USWB19901508 |
| Psycho Killer | Talking Heads | USWB19901863 |
| Sign “☮︎” the Times | Prince | USWB19903192 |
| Sonic Reducer | Dead Boys | USWB19903971 |
| Movin’ On Up | Primal Scream | USWB19903982 |
| Blank Generation | Richard Hell & the Voidoids | USWB19904285 |
| Hong Kong Garden | Siouxsie and the Banshees | USWWW0133891 |
What other identifiers does this connect to?
Musical Works (ISWC)
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Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
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People also ask
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What is UPC 5099952199127?
5099952199127 is a Universal Product Code (UPC) assigned to NME: Classics by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 61 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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