UPC · Release
Various Artists
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5099952215322 is the Universal Product Code (UPC barcode) for the release “Best Guitar 100” by Various Artists, released 2008-01-01 on EMI Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 100 tracks, each with its own ISRC. Tracks include GBAYC9300578, DEA340800047, FRZ110800098.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Lute Partita in E major, BWV 1006a: III. Gavotte en rondeau | — | ||
| 2 | Allemande | — | ||
| 3 | Prelude, Fugue & Allegro in E-flat major, BWV 998: I. Prelude | — | ||
| 4 | Violin Partita no. 2 in D minor, BWV 1004 (Transcr. für Guitarre): IV. Gigue | — | ||
| 5 | Gigue | — | ||
| 6 | Jesu, Joy of Man's Desiring from Cantata | — | ||
| 7 | Guitar Concerto in D major, RV 93: II. Largo | Christopher Parkening, Academy of St Martin in the Fields, Iona Brown | T-801.397.798-6 | |
| 8 | Suite Nr. 11 h-moll | — | ||
| 9 | "O mia cieca e dura sorte" | — | ||
| 10 | Keyboard Sonata in E major, Kk. 380 "Cortège" | — | ||
| 11 | Countess of Pembroke's Paradise (Pavan no. 15) | — | ||
| 12 | Heigh Ho Holiday (Galliard no. 13) | — | ||
| 13 | Variations sur "Guárdame las vacas" | — | ||
| 14 | Pièces de Luth, Denis Gaultier (1597-1672): Pièces en Sol majeur | — | ||
| 15 | Suite in D major (from Terpischore): I. Courante - II. Ballet - VII. Volte | — | ||
| 16 | Harpsichord Concerto on E, BWV 1053: I. Allegro | — | ||
| 17 | Pièces en Fa dièse mineur: La Belle Iris (Allemande) | — | ||
| 18 | Carillon de Village | — | ||
| 19 | Keyboard Sonata in A major, Kk. 322 | — | ||
| 20 | Fantasie | — | ||
| 21 | Mandolin Concerto in C major, RV 425: III. Allegro | — | ||
| 2-1 | Suite española: La miñona de Cataluña | — | ||
| 2-2 | Variations on a Theme of Mozart | — | ||
| 2-3 | Grand solo in D major, op. 14 | — | ||
| 2-4 | Suite española no. 1, op. 47: Granada | — | ||
| 2-5 | Suite española no. 1, op. 47: Sevilla | — | ||
| 2-6 | Capricho árabe (Serenata) | — | ||
| 2-7 | Lágrima (Preludio) | — | ||
| 2-8 | Maria (Gavota) | — | ||
| 2-9 | Mazurken | — | ||
| 2-10 | Recuerdos de la Alhambra | — | ||
| 2-11 | Recuerdos de viaje, op. 71: I. En el mar | — | ||
| 2-12 | Recuerdos de viaje, op. 71: II. Asturias | — | ||
| 2-13 | Recuerdos de viaje, op. 71: V. Puerta de tierra (Bolero) | — | ||
| 2-14 | Recuerdos de viaje, op. 71: VI. Rumores de la caleta (Malagueña) | — | ||
| 2-15 | Serenata española | — | ||
| 2-16 | Canciones populares catalanas | Wulfin Lieske | T-042.645.034-1 | |
| 3-1 | Romance from 'Jeux Interdits' | Pierre Laniau | T-929.588.678-1 | |
| 3-2 | Four Movements from the ballet "El sombrero de tres picos": Die Nacht - Tanz des Müllers | — | ||
| 3-3 | Four Movements from the ballet "El sombrero de tres picos": Tanz des Corregidors - Tanz der Müllerin | — | ||
| 3-4 | Sonata a la española: I. Allegro assai - II. Adagio - III. Allegro moderato | — | ||
| 3-5 | 12 tonadillas en estilo antiguo, H. 136: VIII. La maja de Goya | — | ||
| 3-6 | Andaluza, danse espagnole no.5 | Eliot Fisk | — | |
| 3-7 | Homenaje a Tárrega, op. 69: I. Garrotín - II. Soleares | — | ||
| 3-8 | 8 Valses poeticos: No. 1 Vivace molto and Melodico - no. 6.Quasi ad libitum (sentimental) - no. 8 Presto | — | ||
| 3-9 | Homenaje pour "Le Tombeau de Debussy", G. 56 | — | ||
| 3-10 | Invocación y danza "Homenaje a Manuel de Falla" | — | ||
| 3-11 | Tres piezas españolas: I. Fandango (Allegretto) | — | ||
| 3-12 | Tres piezas españolas: II. Passacaglia (Andante) | — | ||
| 3-13 | Tres piezas españolas: III. Zapateado (Allegro) | — | ||
| 4-1 | Concierto de Aranjuez: I. Allegro con spirito | — | ||
| 4-2 | Concierto de Aranjuez: II. Adagio | — | ||
| 4-3 | Concierto de Aranjuez: III. Allegro gentile | — | ||
| 4-4 | Concierto madrigal: I. Fanfarria (Allegro marziale) | — | ||
| 4-5 | Concierto madrigal: VI. Pastoral (Allegretto) | — | ||
| 4-6 | Concierto madrigal: VII. Fandango (Molto rítmico) | — | ||
| 4-7 | Concierto madrigal: VIII. Arieta (Andante nostalgico) | — | ||
| 4-8 | Concierto madrigal: IX. Zapateado (Allegro vivace) | — | ||
| 4-9 | Concierto andaluz: I. Tiempo de bolero (Allegro vivace) | — | ||
| 4-10 | Fantasía para un gentilhombre: I. Adagietto - Andante (Villano y ricercare) | — | ||
| 4-11 | Fantasía para un gentilhombre: II. Adagio (Españoleta y fanfare de la Caballeria de Nápoles) | — | ||
| 4-12 | Fantasía para un gentilhombre: III. Allegro con brio (Danza de las hachas) | — | ||
| 4-13 | Fantasía para un gentilhombre: IV. Allegro ma non troppo (Canario) | — | ||
| 5-1 | Aconquija | Eliot Fisk | — | |
| 5-2 | Las abejas | Eliot Fisk | T-305.445.636-5 | |
| 5-3 | Choros no. 1 in E minor | Manuel Barrueco | T-910.266.187-0 | |
| 5-4 | Etude no. 1 in E minor | Oscar Ghiglia | T-910.266.132-5 | |
| 5-5 | Cueca (Danza chilena) | — | ||
| 5-6 | La catedral: Preludio - Andante religioso - Allegro solemne | — | ||
| 5-7 | Triste no. 4 | Eliot Fisk | — | |
| 5-8 | Vals, op. 8 no. 4 | — | ||
| 5-9 | Mazurka Apasionata | — | ||
| 5-10 | Five Preludes: No. 1 in E minor | — | ||
| 5-11 | Five Preludes: No. 3 in A minor | — | ||
| 5-12 | Five Preludes: No. 5 in D | — | ||
| 5-13 | 3 Mexican Songs (Allegro-Andante-Allegro) | — | ||
| 5-14 | Estrellita | — | ||
| 5-15 | La muerte del ángel | — | ||
| 5-16 | Suite venezolana: Danza negra | — | ||
| 5-17 | Suite venezolana: Valse | — | ||
| 5-18 | Vals venezolano no. 3 ('Vals criollo') | — | ||
| 6-1 | Concierto de Aranjuez: I. Allegro con spirito | — | ||
| 6-2 | Homenaje a la guitarra | — | ||
| 6-3 | Penny Lane | — | ||
| 6-4 | Concerto for Guitar & Orchestra for Two Christophers: III. Celebration | — | ||
| 6-5 | Yesterday | — | ||
| 6-6 | Bookends | — | ||
| 6-7 | Eleanor Rigby | — | ||
| 6-8 | Koln Concert: Pt IIc | — | ||
| 6-9 | Ojos brujos (Les Yeux sorciers) | — | ||
| 6-10 | Guajira criolla | — | ||
| 6-11 | Estudio sin luz | — | ||
| 6-12 | Madroños | — | ||
| 6-13 | Sonata (Dedicated to Ernesto Bitetti): III. Bárbaro | — | ||
| 6-14 | Sonatina in A: I. Allegretto | — | ||
| 6-15 | 3 Gymnopédies: No. 1. Lent et douloureux | — | ||
| 6-16 | Nocturnal after John Dowland, op. 70: V. March-like (Quasi una marcia) | — | ||
| 6-17 | Five Bagatelles for guitar: IV. [Lento] | — | ||
| 6-18 | Suite Compostelana: Canción (extract)) | — | ||
| 6-19 | Tarentella | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
5099952215322 is a Universal Product Code (UPC) assigned to Best Guitar 100 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 100 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
5099952215322 is the Universal Product Code (UPC barcode) for the release “Best Guitar 100” by Various Artists, released 2008-01-01 on EMI Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 100 tracks, each with its own ISRC. Tracks include GBAYC9300578, DEA340800047, FRZ110800098.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Lute Partita in E major, BWV 1006a: III. Gavotte en rondeau | — | ||
| 2 | Allemande | — | ||
| 3 | Prelude, Fugue & Allegro in E-flat major, BWV 998: I. Prelude | — | ||
| 4 | Violin Partita no. 2 in D minor, BWV 1004 (Transcr. für Guitarre): IV. Gigue | — | ||
| 5 | Gigue | — | ||
| 6 | Jesu, Joy of Man's Desiring from Cantata | — | ||
| 7 | Guitar Concerto in D major, RV 93: II. Largo | Christopher Parkening, Academy of St Martin in the Fields, Iona Brown | T-801.397.798-6 | |
| 8 | Suite Nr. 11 h-moll | — | ||
| 9 | "O mia cieca e dura sorte" | — | ||
| 10 | Keyboard Sonata in E major, Kk. 380 "Cortège" | — | ||
| 11 | Countess of Pembroke's Paradise (Pavan no. 15) | — | ||
| 12 | Heigh Ho Holiday (Galliard no. 13) | — | ||
| 13 | Variations sur "Guárdame las vacas" | — | ||
| 14 | Pièces de Luth, Denis Gaultier (1597-1672): Pièces en Sol majeur | — | ||
| 15 | Suite in D major (from Terpischore): I. Courante - II. Ballet - VII. Volte | — | ||
| 16 | Harpsichord Concerto on E, BWV 1053: I. Allegro | — | ||
| 17 | Pièces en Fa dièse mineur: La Belle Iris (Allemande) | — | ||
| 18 | Carillon de Village | — | ||
| 19 | Keyboard Sonata in A major, Kk. 322 | — | ||
| 20 | Fantasie | — | ||
| 21 | Mandolin Concerto in C major, RV 425: III. Allegro | — | ||
| 2-1 | Suite española: La miñona de Cataluña | — | ||
| 2-2 | Variations on a Theme of Mozart | — | ||
| 2-3 | Grand solo in D major, op. 14 | — | ||
| 2-4 | Suite española no. 1, op. 47: Granada | — | ||
| 2-5 | Suite española no. 1, op. 47: Sevilla | — | ||
| 2-6 | Capricho árabe (Serenata) | — | ||
| 2-7 | Lágrima (Preludio) | — | ||
| 2-8 | Maria (Gavota) | — | ||
| 2-9 | Mazurken | — | ||
| 2-10 | Recuerdos de la Alhambra | — | ||
| 2-11 | Recuerdos de viaje, op. 71: I. En el mar | — | ||
| 2-12 | Recuerdos de viaje, op. 71: II. Asturias | — | ||
| 2-13 | Recuerdos de viaje, op. 71: V. Puerta de tierra (Bolero) | — | ||
| 2-14 | Recuerdos de viaje, op. 71: VI. Rumores de la caleta (Malagueña) | — | ||
| 2-15 | Serenata española | — | ||
| 2-16 | Canciones populares catalanas | Wulfin Lieske | T-042.645.034-1 | |
| 3-1 | Romance from 'Jeux Interdits' | Pierre Laniau | T-929.588.678-1 | |
| 3-2 | Four Movements from the ballet "El sombrero de tres picos": Die Nacht - Tanz des Müllers | — | ||
| 3-3 | Four Movements from the ballet "El sombrero de tres picos": Tanz des Corregidors - Tanz der Müllerin | — | ||
| 3-4 | Sonata a la española: I. Allegro assai - II. Adagio - III. Allegro moderato | — | ||
| 3-5 | 12 tonadillas en estilo antiguo, H. 136: VIII. La maja de Goya | — | ||
| 3-6 | Andaluza, danse espagnole no.5 | Eliot Fisk | — | |
| 3-7 | Homenaje a Tárrega, op. 69: I. Garrotín - II. Soleares | — | ||
| 3-8 | 8 Valses poeticos: No. 1 Vivace molto and Melodico - no. 6.Quasi ad libitum (sentimental) - no. 8 Presto | — | ||
| 3-9 | Homenaje pour "Le Tombeau de Debussy", G. 56 | — | ||
| 3-10 | Invocación y danza "Homenaje a Manuel de Falla" | — | ||
| 3-11 | Tres piezas españolas: I. Fandango (Allegretto) | — | ||
| 3-12 | Tres piezas españolas: II. Passacaglia (Andante) | — | ||
| 3-13 | Tres piezas españolas: III. Zapateado (Allegro) | — | ||
| 4-1 | Concierto de Aranjuez: I. Allegro con spirito | — | ||
| 4-2 | Concierto de Aranjuez: II. Adagio | — | ||
| 4-3 | Concierto de Aranjuez: III. Allegro gentile | — | ||
| 4-4 | Concierto madrigal: I. Fanfarria (Allegro marziale) | — | ||
| 4-5 | Concierto madrigal: VI. Pastoral (Allegretto) | — | ||
| 4-6 | Concierto madrigal: VII. Fandango (Molto rítmico) | — | ||
| 4-7 | Concierto madrigal: VIII. Arieta (Andante nostalgico) | — | ||
| 4-8 | Concierto madrigal: IX. Zapateado (Allegro vivace) | — | ||
| 4-9 | Concierto andaluz: I. Tiempo de bolero (Allegro vivace) | — | ||
| 4-10 | Fantasía para un gentilhombre: I. Adagietto - Andante (Villano y ricercare) | — | ||
| 4-11 | Fantasía para un gentilhombre: II. Adagio (Españoleta y fanfare de la Caballeria de Nápoles) | — | ||
| 4-12 | Fantasía para un gentilhombre: III. Allegro con brio (Danza de las hachas) | — | ||
| 4-13 | Fantasía para un gentilhombre: IV. Allegro ma non troppo (Canario) | — | ||
| 5-1 | Aconquija | Eliot Fisk | — | |
| 5-2 | Las abejas | Eliot Fisk | T-305.445.636-5 | |
| 5-3 | Choros no. 1 in E minor | Manuel Barrueco | T-910.266.187-0 | |
| 5-4 | Etude no. 1 in E minor | Oscar Ghiglia | T-910.266.132-5 | |
| 5-5 | Cueca (Danza chilena) | — | ||
| 5-6 | La catedral: Preludio - Andante religioso - Allegro solemne | — | ||
| 5-7 | Triste no. 4 | Eliot Fisk | — | |
| 5-8 | Vals, op. 8 no. 4 | — | ||
| 5-9 | Mazurka Apasionata | — | ||
| 5-10 | Five Preludes: No. 1 in E minor | — | ||
| 5-11 | Five Preludes: No. 3 in A minor | — | ||
| 5-12 | Five Preludes: No. 5 in D | — | ||
| 5-13 | 3 Mexican Songs (Allegro-Andante-Allegro) | — | ||
| 5-14 | Estrellita | — | ||
| 5-15 | La muerte del ángel | — | ||
| 5-16 | Suite venezolana: Danza negra | — | ||
| 5-17 | Suite venezolana: Valse | — | ||
| 5-18 | Vals venezolano no. 3 ('Vals criollo') | — | ||
| 6-1 | Concierto de Aranjuez: I. Allegro con spirito | — | ||
| 6-2 | Homenaje a la guitarra | — | ||
| 6-3 | Penny Lane | — | ||
| 6-4 | Concerto for Guitar & Orchestra for Two Christophers: III. Celebration | — | ||
| 6-5 | Yesterday | — | ||
| 6-6 | Bookends | — | ||
| 6-7 | Eleanor Rigby | — | ||
| 6-8 | Koln Concert: Pt IIc | — | ||
| 6-9 | Ojos brujos (Les Yeux sorciers) | — | ||
| 6-10 | Guajira criolla | — | ||
| 6-11 | Estudio sin luz | — | ||
| 6-12 | Madroños | — | ||
| 6-13 | Sonata (Dedicated to Ernesto Bitetti): III. Bárbaro | — | ||
| 6-14 | Sonatina in A: I. Allegretto | — | ||
| 6-15 | 3 Gymnopédies: No. 1. Lent et douloureux | — | ||
| 6-16 | Nocturnal after John Dowland, op. 70: V. March-like (Quasi una marcia) | — | ||
| 6-17 | Five Bagatelles for guitar: IV. [Lento] | — | ||
| 6-18 | Suite Compostelana: Canción (extract)) | — | ||
| 6-19 | Tarentella | — |
