UPC · Release
Various Artists
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5099960257925 is the Universal Product Code (UPC barcode) for the release “Baroque Treasures” by Various Artists, released 2012-01-01 on Erato. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 63 tracks, each with its own ISRC. Tracks include GBAYC0302630, GBAYC9800727, GBAYC8702056.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | L'Orfeo: Toccata | Le Concert d'Astrée, Emmanuelle Haïm | T-702.928.999-6 | |
| 2 | Serse: Larghetto “Ombra mai fù” | David Daniels, Orchestra of the Age of Enlightenment, Sir Roger Norrington | T-061.791.488-1 | |
| 3 | Canon in D | Taverner Players, Andrew Parrott | T-041.726.043-5 | |
| 4 | Canon and Gigue in D major: Gigue | Taverner Players, Andrew Parrott | — | |
| 5 | Gloria, RV 589: I. Gloria in excelsis | Taverner Choir, Taverner Consort, Taverner Players, Andrew Parrott | T-905.452.179-8 | |
| 6 | Three Parts Upon a Ground, Z. 731 | Taverner Players, Andrew Parrott | — | |
| 7 | Abdelazer, or The Moor's Revenge: Rondeau | Taverner Players, Andrew Parrott | — | |
| 8 | Laetatus sum, RV 607 | Taverner Choir, Taverner Players, Andrew Parrott | T-050.071.693-7 | |
| 9 | The Four Seasons – Concerto no. 1 in E major RV269, “Spring”: I. Allegro | Chiara Banchini, Taverner Players, Andrew Parrott | — | |
| 10 | The Four Seasons – Concerto no. 1 in E major RV269, “Spring”: II. Largo e pianissimo | Chiara Banchini, Taverner Players, Andrew Parrott | — | |
| 11 | The Four Seasons – Concerto no. 1 in E major RV269, “Spring”: III. Danza pastorale (Allegro) | Chiara Banchini, Taverner Players, Andrew Parrott | — | |
| 12 | Concerto in G minor for Flute and Strings, op. 10 no. 2, RV 439 “La notte”: I. Largo | Janet See, Taverner Players, Andrew Parrott | — | |
| 13 | Concerto in G minor for Flute and Strings, op. 10 no. 2, RV 439 “La notte”: II. Presto (Fantasmi) / III. Largo | Janet See, Taverner Players, Andrew Parrott | — | |
| 14 | Concerto in G minor for Flute and Strings, op. 10 no. 2, RV 439 “La notte”: IV. Presto | Janet See, Taverner Players, Andrew Parrott | — | |
| 15 | Concerto in G minor for Flute and Strings, op. 10 no. 2, RV439 “La notte”: V. Largo (Il sonno) | Janet See, Taverner Players, Andrew Parrott | — | |
| 16 | Concerto in G minor for Flute and Strings, op. 10 no. 2, RV439 “La notte”: VI. Allegro | Janet See, Taverner Players, Andrew Parrott | — | |
| 17 | Cantata no. 29, 'Wir danken dir, Gott, wir danken dir' BWV29: Sinfonia | Taverner Players, Andrew Parrott | — | |
| 18 | Cantata “Herz und Mund und Tat und Leben” BWV 147: Choral “Jesu bleibet meine Freude” (Jesu, joy of man’s desiring) | Taverner Consort, Taverner Players, Andrew Parrott | T-905.387.081-8 | |
| 19 | Orchestral Suite no. 3 in D, BWV 1068: II. Air | Boston Early Music Festival Orchestra, Andrew Parrott | T-914.248.874-2 | |
| 20 | Suite no. 2 n B minor, BWV 1067: VI. Menuet | Christopher Krueger, Boston Early Music Festival Orchestra, Andrew Parrott | — | |
| 21 | Suite no. 2 n B minor, BWV 1067: VII. Badinerie | Christopher Krueger, Boston Early Music Festival Orchestra, Andrew Parrott | — | |
| 22 | Brandenburg Concerto no. 2 in F major, BWV 1047: I. [Allegro] | Paul Goodwin, John Holloway, David Staff, Marion Verbruggen, Taverner Players, Andrew Parrott | — | |
| 23 | Brandenburg Concerto no. 2 in F major, BWV 1047: II. Andante | Paul Goodwin, John Holloway, David Staff, Marion Verbruggen, Taverner Players, Andrew Parrott | — | |
| 24 | Brandenburg Concerto no. 2 in F major, BWV 1047: III. Allegro assai | Paul Goodwin, John Holloway, David Staff, Marion Verbruggen, Taverner Players, Andrew Parrott | — | |
| 25 | Solomon HWV 67: Act III. Sinfonia: The Arrival of the Queen of Sheba | Taverner Players, Andrew Parrott | — | |
| 26 | Messiah: Part I: Sinfony: Grave – Allegro moderato | Taverner Players, Andrew Parrott | T-011.354.204-3 | |
| 27 | Messiah: Part II: Hallelujah! | Taverner Choir, Taverner Players, Andrew Parrott | — | |
| 2-1 | The Four Seasons – Concerto no. 2 in G minor RV315, “Summer”: I. Allegro non molto | Alison Bury, Taverner Players, Andrew Parrott | — | |
| 2-2 | The Four Seasons – Concerto no. 2 in G minor RV315, “Summer”: II. Adagio | Alison Bury, Taverner Players, Andrew Parrott | — | |
| 2-3 | The Four Seasons – Concerto no. 2 in G minor RV315, “Summer”: III. Presto (Tempo impetuso d'Estate) | Alison Bury, Taverner Players, Andrew Parrott | — | |
| 2-4 | Carmelite Vespers: Psalm I: Dixit Dominus: Dixit Dominus Domino meo | Taverner Choir, Taverner Players, Andrew Parrott | T-071.000.879-9 | |
| 2-5 | Sacrae symphoniae: Sonata pian e forte alla quarta bassa, a 8 | Taverner Players, Andrew Parrott | — | |
| 2-6 | Harp Concerto in B-flat major, op. 4 no. 6: I. Andante – Allegro | Andrew Lawrence-King, Taverner Players, Andrew Parrott | — | |
| 2-7 | Harp Concerto in B-flat major, op. 4 no. 6: II. Larghetto | Andrew Lawrence-King, Taverner Players, Andrew Parrott | — | |
| 2-8 | Harp Concerto in B-flat major, op. 4 no. 6: III. Allegro moderato | Andrew Lawrence-King, Taverner Players, Andrew Parrott | — | |
| 2-9 | Miserere a 9 | Taverner Choir, Taverner Consort, Andrew Parrott | T-900.079.512-0 | |
| 2-10 | Funeral Sentences for the Death of Queen Mary II: March, Z. 860i | The Taverner Choir, Consort & Players, Andrew Parrott | — | |
| 2-11 | Funeral Sentences for the death of Queen Mary: Thou know'st Lord | Taverner Choir, Taverner Consort, Taverner Players, Andrew Parrott | — | |
| 2-12 | Funeral Sentences for the death of Queen Mary: Canzona | Taverner Choir, Taverner Consort, Taverner Players, Andrew Parrott | T-910.760.582-3 | |
| 2-13 | L’incoronazione di Poppea: Atto III, scena 8. “Pur ti miro” | Arleen Augér, Della Jones, City of London Baroque Sinfonia, Richard Hickox | — | |
| 2-14 | Orchestral Suite no. 3 in D, BWV 1068: III. Gavottes I & II | Boston Early Music Festival Orchestra, Andrew Parrott | — | |
| 2-15 | Orchestral Suite no. 3 in D, BWV 1068: IV. Bourrée | Boston Early Music Festival Orchestra, Andrew Parrott | — | |
| 2-16 | Orchestral Suite no. 3 in D, BWV 1068: V. Gigue | Boston Early Music Festival Orchestra, Andrew Parrott | — | |
| 2-17 | Water Music Suite no. 2 in D major: Overture – Hornpipe | The London Classical Players, Sir Roger Norrington | — | |
| 3-1 | Marche de triomphe avec des trompettes et des timbales | La Simphonie du Marais, Hugo Reyne | — | |
| 3-2 | Marche des mousquetaires | La Simphonie du Marais, Hugo Reyne | — | |
| 3-3 | Symphonies pour le Festin Royal du Comte d'Artois: Contredanse | La Simphonie du Marais, Hugo Reyne | — | |
| 3-4 | Quatrième Concert de simphonies in A major op. 4 no. 2: Chaconne | Concerto Köln | — | |
| 3-5 | Te Deum H.146: II. Prélude | Les Arts Florissants, William Christie | — | |
| 3-6 | Messe propre pour les Convents de Religieux et Religieuses: Offertoire sur les grands jeux | Jean-Patrice Brosse | — | |
| 3-7 | Regina coeli H32 | Les Demoiselles de Saint-Cyr, Emmanuel Mandrin | — | |
| 3-8 | Panis angelicus, motet du Saint Sacrement, C. 131 | Gérard Lesne, Mark Padmore, Josep-Miquel Ramon i Monzó, Il Seminario Musicale | — | |
| 3-9 | Requiem: Introit | Jean-Claude Malgoire, La Grande Écurie et la Chambre du Roy, Les Pages de la Chapelle | — | |
| 3-10 | In convertendo: Tunc repletum est gaudio nostrum | Le Concert Spirituel, Hervé Niquet | — | |
| 3-11 | Suite in C minor: La Plainte, ou Tombeau de Mesdemoiselles de Visée, filles de l'auteur | Pascal Monteilhet | — | |
| 3-12 | Plainte sur la mort de Monsieur Lambert | Gérard Lesne, Il Seminario Musicale | — | |
| 3-13 | Troisième Concert: III. Tambourins I et II | Trio Sonnerie | — | |
| 3-14 | Suite en Sol mineur du Troisième livre : IV. Plainte (lentement) | Jérôme Hantaï, Pierre Hantaï, Alix Verzier | — | |
| 3-15 | Le Canal de Versailles: Ouverture | La Simphonie du Marais, Hugo Reyne | — | |
| 3-16 | Isis: Air des trembleurs “L'hiver qui nous tourmente s'obstine à nous geler” | Bernard Deletré, Isabelle Desrochers, La Simphonie du Marais, Hugo Reyne | — | |
| 3-17 | Les Indes Galantes: "Régnez, plaisirs et jeux" | Patricia Petibon, Les Folies Françoises, Patrick Cohën-Akenine | — | |
| 3-18 | Les Indes Galantes: Chaconne | Patricia Petibon, Les Folies Françoises, Patrick Cohën-Akenine | — | |
| 3-19 | Symphonies pour les soupers du Roi: Caprice ou Caprice de Villers-Cotterêts | Maurice André, Thierry Caens, Jean-Pierre Leroy, Bernard Soustrot, Guy Touvron, Ensemble Orchestral de Paris, Jean-Pierre Wallez | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Te Deum H.146: II. Prélude | Les Arts Florissants, William Christie | — |
| Suite no. 2 n B minor, BWV 1067: VI. Menuet | Christopher Krueger, Boston Early Music Festival Orchestra, Andrew Parrott | — |
| Suite no. 2 n B minor, BWV 1067: VII. Badinerie | Christopher Krueger, Boston Early Music Festival Orchestra, Andrew Parrott | — |
| Orchestral Suite no. 3 in D, BWV 1068: III. Gavottes I & II | Boston Early Music Festival Orchestra, Andrew Parrott | — |
| Orchestral Suite no. 3 in D, BWV 1068: IV. Bourrée | Boston Early Music Festival Orchestra, Andrew Parrott | — |
| Orchestral Suite no. 3 in D, BWV 1068: V. Gigue | Boston Early Music Festival Orchestra, Andrew Parrott | — |
| Water Music Suite no. 2 in D major: Overture – Hornpipe | The London Classical Players, Sir Roger Norrington | — |
| Plainte sur la mort de Monsieur Lambert | Gérard Lesne, Il Seminario Musicale | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
5099960257925 is a Universal Product Code (UPC) assigned to Baroque Treasures by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 63 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
5099960257925 is the Universal Product Code (UPC barcode) for the release “Baroque Treasures” by Various Artists, released 2012-01-01 on Erato. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 63 tracks, each with its own ISRC. Tracks include GBAYC0302630, GBAYC9800727, GBAYC8702056.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | L'Orfeo: Toccata | Le Concert d'Astrée, Emmanuelle Haïm | T-702.928.999-6 | |
| 2 | Serse: Larghetto “Ombra mai fù” | David Daniels, Orchestra of the Age of Enlightenment, Sir Roger Norrington | T-061.791.488-1 | |
| 3 | Canon in D | Taverner Players, Andrew Parrott | T-041.726.043-5 | |
| 4 | Canon and Gigue in D major: Gigue | Taverner Players, Andrew Parrott | — | |
| 5 | Gloria, RV 589: I. Gloria in excelsis | Taverner Choir, Taverner Consort, Taverner Players, Andrew Parrott | T-905.452.179-8 | |
| 6 | Three Parts Upon a Ground, Z. 731 | Taverner Players, Andrew Parrott | — | |
| 7 | Abdelazer, or The Moor's Revenge: Rondeau | Taverner Players, Andrew Parrott | — | |
| 8 | Laetatus sum, RV 607 | Taverner Choir, Taverner Players, Andrew Parrott | T-050.071.693-7 | |
| 9 | The Four Seasons – Concerto no. 1 in E major RV269, “Spring”: I. Allegro | Chiara Banchini, Taverner Players, Andrew Parrott | — | |
| 10 | The Four Seasons – Concerto no. 1 in E major RV269, “Spring”: II. Largo e pianissimo | Chiara Banchini, Taverner Players, Andrew Parrott | — | |
| 11 | The Four Seasons – Concerto no. 1 in E major RV269, “Spring”: III. Danza pastorale (Allegro) | Chiara Banchini, Taverner Players, Andrew Parrott | — | |
| 12 | Concerto in G minor for Flute and Strings, op. 10 no. 2, RV 439 “La notte”: I. Largo | Janet See, Taverner Players, Andrew Parrott | — | |
| 13 | Concerto in G minor for Flute and Strings, op. 10 no. 2, RV 439 “La notte”: II. Presto (Fantasmi) / III. Largo | Janet See, Taverner Players, Andrew Parrott | — | |
| 14 | Concerto in G minor for Flute and Strings, op. 10 no. 2, RV 439 “La notte”: IV. Presto | Janet See, Taverner Players, Andrew Parrott | — | |
| 15 | Concerto in G minor for Flute and Strings, op. 10 no. 2, RV439 “La notte”: V. Largo (Il sonno) | Janet See, Taverner Players, Andrew Parrott | — | |
| 16 | Concerto in G minor for Flute and Strings, op. 10 no. 2, RV439 “La notte”: VI. Allegro | Janet See, Taverner Players, Andrew Parrott | — | |
| 17 | Cantata no. 29, 'Wir danken dir, Gott, wir danken dir' BWV29: Sinfonia | Taverner Players, Andrew Parrott | — | |
| 18 | Cantata “Herz und Mund und Tat und Leben” BWV 147: Choral “Jesu bleibet meine Freude” (Jesu, joy of man’s desiring) | Taverner Consort, Taverner Players, Andrew Parrott | T-905.387.081-8 | |
| 19 | Orchestral Suite no. 3 in D, BWV 1068: II. Air | Boston Early Music Festival Orchestra, Andrew Parrott | T-914.248.874-2 | |
| 20 | Suite no. 2 n B minor, BWV 1067: VI. Menuet | Christopher Krueger, Boston Early Music Festival Orchestra, Andrew Parrott | — | |
| 21 | Suite no. 2 n B minor, BWV 1067: VII. Badinerie | Christopher Krueger, Boston Early Music Festival Orchestra, Andrew Parrott | — | |
| 22 | Brandenburg Concerto no. 2 in F major, BWV 1047: I. [Allegro] | Paul Goodwin, John Holloway, David Staff, Marion Verbruggen, Taverner Players, Andrew Parrott | — | |
| 23 | Brandenburg Concerto no. 2 in F major, BWV 1047: II. Andante | Paul Goodwin, John Holloway, David Staff, Marion Verbruggen, Taverner Players, Andrew Parrott | — | |
| 24 | Brandenburg Concerto no. 2 in F major, BWV 1047: III. Allegro assai | Paul Goodwin, John Holloway, David Staff, Marion Verbruggen, Taverner Players, Andrew Parrott | — | |
| 25 | Solomon HWV 67: Act III. Sinfonia: The Arrival of the Queen of Sheba | Taverner Players, Andrew Parrott | — | |
| 26 | Messiah: Part I: Sinfony: Grave – Allegro moderato | Taverner Players, Andrew Parrott | T-011.354.204-3 | |
| 27 | Messiah: Part II: Hallelujah! | Taverner Choir, Taverner Players, Andrew Parrott | — | |
| 2-1 | The Four Seasons – Concerto no. 2 in G minor RV315, “Summer”: I. Allegro non molto | Alison Bury, Taverner Players, Andrew Parrott | — | |
| 2-2 | The Four Seasons – Concerto no. 2 in G minor RV315, “Summer”: II. Adagio | Alison Bury, Taverner Players, Andrew Parrott | — | |
| 2-3 | The Four Seasons – Concerto no. 2 in G minor RV315, “Summer”: III. Presto (Tempo impetuso d'Estate) | Alison Bury, Taverner Players, Andrew Parrott | — | |
| 2-4 | Carmelite Vespers: Psalm I: Dixit Dominus: Dixit Dominus Domino meo | Taverner Choir, Taverner Players, Andrew Parrott | T-071.000.879-9 | |
| 2-5 | Sacrae symphoniae: Sonata pian e forte alla quarta bassa, a 8 | Taverner Players, Andrew Parrott | — | |
| 2-6 | Harp Concerto in B-flat major, op. 4 no. 6: I. Andante – Allegro | Andrew Lawrence-King, Taverner Players, Andrew Parrott | — | |
| 2-7 | Harp Concerto in B-flat major, op. 4 no. 6: II. Larghetto | Andrew Lawrence-King, Taverner Players, Andrew Parrott | — | |
| 2-8 | Harp Concerto in B-flat major, op. 4 no. 6: III. Allegro moderato | Andrew Lawrence-King, Taverner Players, Andrew Parrott | — | |
| 2-9 | Miserere a 9 | Taverner Choir, Taverner Consort, Andrew Parrott | T-900.079.512-0 | |
| 2-10 | Funeral Sentences for the Death of Queen Mary II: March, Z. 860i | The Taverner Choir, Consort & Players, Andrew Parrott | — | |
| 2-11 | Funeral Sentences for the death of Queen Mary: Thou know'st Lord | Taverner Choir, Taverner Consort, Taverner Players, Andrew Parrott | — | |
| 2-12 | Funeral Sentences for the death of Queen Mary: Canzona | Taverner Choir, Taverner Consort, Taverner Players, Andrew Parrott | T-910.760.582-3 | |
| 2-13 | L’incoronazione di Poppea: Atto III, scena 8. “Pur ti miro” | Arleen Augér, Della Jones, City of London Baroque Sinfonia, Richard Hickox | — | |
| 2-14 | Orchestral Suite no. 3 in D, BWV 1068: III. Gavottes I & II | Boston Early Music Festival Orchestra, Andrew Parrott | — | |
| 2-15 | Orchestral Suite no. 3 in D, BWV 1068: IV. Bourrée | Boston Early Music Festival Orchestra, Andrew Parrott | — | |
| 2-16 | Orchestral Suite no. 3 in D, BWV 1068: V. Gigue | Boston Early Music Festival Orchestra, Andrew Parrott | — | |
| 2-17 | Water Music Suite no. 2 in D major: Overture – Hornpipe | The London Classical Players, Sir Roger Norrington | — | |
| 3-1 | Marche de triomphe avec des trompettes et des timbales | La Simphonie du Marais, Hugo Reyne | — | |
| 3-2 | Marche des mousquetaires | La Simphonie du Marais, Hugo Reyne | — | |
| 3-3 | Symphonies pour le Festin Royal du Comte d'Artois: Contredanse | La Simphonie du Marais, Hugo Reyne | — | |
| 3-4 | Quatrième Concert de simphonies in A major op. 4 no. 2: Chaconne | Concerto Köln | — | |
| 3-5 | Te Deum H.146: II. Prélude | Les Arts Florissants, William Christie | — | |
| 3-6 | Messe propre pour les Convents de Religieux et Religieuses: Offertoire sur les grands jeux | Jean-Patrice Brosse | — | |
| 3-7 | Regina coeli H32 | Les Demoiselles de Saint-Cyr, Emmanuel Mandrin | — | |
| 3-8 | Panis angelicus, motet du Saint Sacrement, C. 131 | Gérard Lesne, Mark Padmore, Josep-Miquel Ramon i Monzó, Il Seminario Musicale | — | |
| 3-9 | Requiem: Introit | Jean-Claude Malgoire, La Grande Écurie et la Chambre du Roy, Les Pages de la Chapelle | — | |
| 3-10 | In convertendo: Tunc repletum est gaudio nostrum | Le Concert Spirituel, Hervé Niquet | — | |
| 3-11 | Suite in C minor: La Plainte, ou Tombeau de Mesdemoiselles de Visée, filles de l'auteur | Pascal Monteilhet | — | |
| 3-12 | Plainte sur la mort de Monsieur Lambert | Gérard Lesne, Il Seminario Musicale | — | |
| 3-13 | Troisième Concert: III. Tambourins I et II | Trio Sonnerie | — | |
| 3-14 | Suite en Sol mineur du Troisième livre : IV. Plainte (lentement) | Jérôme Hantaï, Pierre Hantaï, Alix Verzier | — | |
| 3-15 | Le Canal de Versailles: Ouverture | La Simphonie du Marais, Hugo Reyne | — | |
| 3-16 | Isis: Air des trembleurs “L'hiver qui nous tourmente s'obstine à nous geler” | Bernard Deletré, Isabelle Desrochers, La Simphonie du Marais, Hugo Reyne | — | |
| 3-17 | Les Indes Galantes: "Régnez, plaisirs et jeux" | Patricia Petibon, Les Folies Françoises, Patrick Cohën-Akenine | — | |
| 3-18 | Les Indes Galantes: Chaconne | Patricia Petibon, Les Folies Françoises, Patrick Cohën-Akenine | — | |
| 3-19 | Symphonies pour les soupers du Roi: Caprice ou Caprice de Villers-Cotterêts | Maurice André, Thierry Caens, Jean-Pierre Leroy, Bernard Soustrot, Guy Touvron, Ensemble Orchestral de Paris, Jean-Pierre Wallez | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Te Deum H.146: II. Prélude | Les Arts Florissants, William Christie | — |
| Suite no. 2 n B minor, BWV 1067: VI. Menuet | Christopher Krueger, Boston Early Music Festival Orchestra, Andrew Parrott | — |
| Suite no. 2 n B minor, BWV 1067: VII. Badinerie | Christopher Krueger, Boston Early Music Festival Orchestra, Andrew Parrott | — |
| Orchestral Suite no. 3 in D, BWV 1068: III. Gavottes I & II | Boston Early Music Festival Orchestra, Andrew Parrott | — |
| Orchestral Suite no. 3 in D, BWV 1068: IV. Bourrée | Boston Early Music Festival Orchestra, Andrew Parrott | — |
| Orchestral Suite no. 3 in D, BWV 1068: V. Gigue | Boston Early Music Festival Orchestra, Andrew Parrott | — |
| Water Music Suite no. 2 in D major: Overture – Hornpipe | The London Classical Players, Sir Roger Norrington | — |
| Plainte sur la mort de Monsieur Lambert | Gérard Lesne, Il Seminario Musicale | — |
