UPC · Release
Baroque Treasures
Various Artists
5099960257925
27 tracksReleased 2012-01-01Erato
Last verified:
5099960257925 is the Universal Product Code (UPC barcode) for the release “Baroque Treasures” by Various Artists, released 2012-01-01 on Erato. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 27 tracks, each with its own ISRC. Tracks include GBAYC0302630, GBAYC9800727, GBAYC8702056.
Format
509GS1 prefix
9960Company prefix
25792Product
5Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
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Credit Chain
UPCBaroque Treasures
ISRC27 recordings
ISWC14 works
IPI1 songwriter
Track List (27)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | L'Orfeo: Toccata | Le Concert d'Astrée, Emmanuelle Haïm | T7029289996 | |
| 2 | Serse: Larghetto “Ombra mai fù” | David Daniels, Orchestra of the Age of Enlightenment, Sir Roger Norrington | T0617914881 | |
| 3 | Canon in D | Taverner Players, Andrew Parrott | T0417260435 | |
| 4 | Canon and Gigue in D major: Gigue | Taverner Players, Andrew Parrott | — | |
| 5 | Gloria, RV 589: I. Gloria in excelsis | Taverner Choir, Taverner Consort, Taverner Players, Andrew Parrott | T9054521798 | |
| 6 | Three Parts Upon a Ground, Z. 731 | Taverner Players, Andrew Parrott | — | |
| 7 | Abdelazer, or The Moor's Revenge: Rondeau | Taverner Players, Andrew Parrott | — | |
| 8 | Laetatus sum, RV 607 | Taverner Choir, Taverner Players, Andrew Parrott | T0500716937 | |
| 9 | The Four Seasons – Concerto no. 1 in E major RV269, “Spring”: I. Allegro | Chiara Banchini, Taverner Players, Andrew Parrott | — | |
| 10 | The Four Seasons – Concerto no. 1 in E major RV269, “Spring”: II. Largo e pianissimo | Chiara Banchini, Taverner Players, Andrew Parrott | — | |
| 11 | The Four Seasons – Concerto no. 1 in E major RV269, “Spring”: III. Danza pastorale (Allegro) | Chiara Banchini, Taverner Players, Andrew Parrott | — | |
| 12 | Concerto in G minor for Flute and Strings, op. 10 no. 2, RV 439 “La notte”: I. Largo | Janet See, Taverner Players, Andrew Parrott | — | |
| 13 | Concerto in G minor for Flute and Strings, op. 10 no. 2, RV 439 “La notte”: II. Presto (Fantasmi) / III. Largo | Janet See, Taverner Players, Andrew Parrott | — | |
| 14 | Concerto in G minor for Flute and Strings, op. 10 no. 2, RV 439 “La notte”: IV. Presto | Janet See, Taverner Players, Andrew Parrott | — | |
| 15 | Concerto in G minor for Flute and Strings, op. 10 no. 2, RV439 “La notte”: V. Largo (Il sonno) | Janet See, Taverner Players, Andrew Parrott | — | |
| 16 | Concerto in G minor for Flute and Strings, op. 10 no. 2, RV439 “La notte”: VI. Allegro | Janet See, Taverner Players, Andrew Parrott | — | |
| 17 | Cantata no. 29, 'Wir danken dir, Gott, wir danken dir' BWV29: Sinfonia | Taverner Players, Andrew Parrott | — | |
| 18 | Cantata “Herz und Mund und Tat und Leben” BWV 147: Choral “Jesu bleibet meine Freude” (Jesu, joy of man’s desiring) | Taverner Consort, Taverner Players, Andrew Parrott | T-905.387.081-8 | |
| 19 | Orchestral Suite no. 3 in D, BWV 1068: II. Air | Boston Early Music Festival Orchestra, Andrew Parrott | T-914.248.874-2 | |
| 20 | Suite no. 2 n B minor, BWV 1067: VI. Menuet | Christopher Krueger, Boston Early Music Festival Orchestra, Andrew Parrott | — | |
| 21 | Suite no. 2 n B minor, BWV 1067: VII. Badinerie | Christopher Krueger, Boston Early Music Festival Orchestra, Andrew Parrott | — | |
| 22 | Brandenburg Concerto no. 2 in F major, BWV 1047: I. [Allegro] | Paul Goodwin, John Holloway, David Staff, Marion Verbruggen, Taverner Players, Andrew Parrott | — | |
| 23 | Brandenburg Concerto no. 2 in F major, BWV 1047: II. Andante | Paul Goodwin, John Holloway, David Staff, Marion Verbruggen, Taverner Players, Andrew Parrott | — | |
| 24 | Brandenburg Concerto no. 2 in F major, BWV 1047: III. Allegro assai | Paul Goodwin, John Holloway, David Staff, Marion Verbruggen, Taverner Players, Andrew Parrott | — | |
| 25 | Solomon HWV 67: Act III. Sinfonia: The Arrival of the Queen of Sheba | Taverner Players, Andrew Parrott | — | |
| 26 | Messiah: Part I: Sinfony: Grave – Allegro moderato | Taverner Players, Andrew Parrott | T0113542043 | |
| 27 | Messiah: Part II: Hallelujah! | Taverner Choir, Taverner Players, Andrew Parrott | — |
David Daniels, Orchestra of the Age of Enlightenment, Sir Roger Norrington
Canon and Gigue in D major: Gigue
Taverner Players, Andrew Parrott
—
Taverner Choir, Taverner Consort, Taverner Players, Andrew Parrott
Three Parts Upon a Ground, Z. 731
Taverner Players, Andrew Parrott
—
Abdelazer, or The Moor's Revenge: Rondeau
Taverner Players, Andrew Parrott
—
The Four Seasons – Concerto no. 1 in E major RV269, “Spring”: I. Allegro
Chiara Banchini, Taverner Players, Andrew Parrott
—
The Four Seasons – Concerto no. 1 in E major RV269, “Spring”: II. Largo e pianissimo
Chiara Banchini, Taverner Players, Andrew Parrott
—
The Four Seasons – Concerto no. 1 in E major RV269, “Spring”: III. Danza pastorale (Allegro)
Chiara Banchini, Taverner Players, Andrew Parrott
—
Concerto in G minor for Flute and Strings, op. 10 no. 2, RV 439 “La notte”: I. Largo
Janet See, Taverner Players, Andrew Parrott
—
Concerto in G minor for Flute and Strings, op. 10 no. 2, RV 439 “La notte”: II. Presto (Fantasmi) / III. Largo
Janet See, Taverner Players, Andrew Parrott
—
Concerto in G minor for Flute and Strings, op. 10 no. 2, RV 439 “La notte”: IV. Presto
Janet See, Taverner Players, Andrew Parrott
—
Concerto in G minor for Flute and Strings, op. 10 no. 2, RV439 “La notte”: V. Largo (Il sonno)
Janet See, Taverner Players, Andrew Parrott
—
Concerto in G minor for Flute and Strings, op. 10 no. 2, RV439 “La notte”: VI. Allegro
Janet See, Taverner Players, Andrew Parrott
—
Cantata no. 29, 'Wir danken dir, Gott, wir danken dir' BWV29: Sinfonia
Taverner Players, Andrew Parrott
—
Taverner Consort, Taverner Players, Andrew Parrott
Boston Early Music Festival Orchestra, Andrew Parrott
Suite no. 2 n B minor, BWV 1067: VI. Menuet
Christopher Krueger, Boston Early Music Festival Orchestra, Andrew Parrott
—
Suite no. 2 n B minor, BWV 1067: VII. Badinerie
Christopher Krueger, Boston Early Music Festival Orchestra, Andrew Parrott
—
Brandenburg Concerto no. 2 in F major, BWV 1047: I. [Allegro]
Paul Goodwin, John Holloway, David Staff, Marion Verbruggen, Taverner Players, Andrew Parrott
—
Brandenburg Concerto no. 2 in F major, BWV 1047: II. Andante
Paul Goodwin, John Holloway, David Staff, Marion Verbruggen, Taverner Players, Andrew Parrott
—
Brandenburg Concerto no. 2 in F major, BWV 1047: III. Allegro assai
Paul Goodwin, John Holloway, David Staff, Marion Verbruggen, Taverner Players, Andrew Parrott
—
Solomon HWV 67: Act III. Sinfonia: The Arrival of the Queen of Sheba
Taverner Players, Andrew Parrott
—
Messiah: Part II: Hallelujah!
Taverner Choir, Taverner Players, Andrew Parrott
—
Additional database matches (44)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Suite in C minor: La Plainte, ou Tombeau de Mesdemoiselles de Visée, filles de l'auteur | Pascal Monteilhet | — |
| In convertendo: Tunc repletum est gaudio nostrum | Le Concert Spirituel, Hervé Niquet | — |
| Requiem: Introit | Jean-Claude Malgoire, La Grande Écurie et la Chambre du Roy, Les Pages de la Chapelle | — |
| Symphonies pour le Festin Royal du Comte d'Artois: Contredanse | La Simphonie du Marais, Hugo Reyne | — |
| Quatrième Concert de simphonies in A major op. 4 no. 2: Chaconne | Concerto Köln | — |
| Marche des mousquetaires | La Simphonie du Marais, Hugo Reyne | — |
| Marche de triomphe avec des trompettes et des timbales | La Simphonie du Marais, Hugo Reyne | — |
| Le Canal de Versailles: Ouverture | La Simphonie du Marais, Hugo Reyne | — |
| Regina coeli H32 | Les Demoiselles de Saint-Cyr, Emmanuel Mandrin | — |
| Plainte sur la mort de Monsieur Lambert | Gérard Lesne, Il Seminario Musicale | — |
| Messe propre pour les Convents de Religieux et Religieuses: Offertoire sur les grands jeux | Jean-Patrice Brosse | — |
| Isis: Air des trembleurs “L'hiver qui nous tourmente s'obstine à nous geler” | Bernard Deletré, Isabelle Desrochers, La Simphonie du Marais, Hugo Reyne | — |
| Suite en Sol mineur du Troisième livre : IV. Plainte (lentement) | Jérôme Hantaï, Pierre Hantaï, Alix Verzier | — |
| Les Indes Galantes: "Régnez, plaisirs et jeux" | Patricia Petibon, Les Folies Françoises, Patrick Cohën-Akenine | — |
| Les Indes Galantes: Chaconne | Patricia Petibon, Les Folies Françoises, Patrick Cohën-Akenine | — |
| Te Deum H.146: II. Prélude | Les Arts Florissants, William Christie | — |
| Symphonies pour les soupers du Roi: Caprice ou Caprice de Villers-Cotterêts | Maurice André, Thierry Caens, Jean-Pierre Leroy, Bernard Soustrot, Guy Touvron, Ensemble Orchestral de Paris, Jean-Pierre Wallez | — |
| Te Deum H.146: II. Prélude | Les Arts Florissants, William Christie | — |
| Orchestral Suite no. 3 in D, BWV 1068: III. Gavottes I & II | Boston Early Music Festival Orchestra, Andrew Parrott | — |
| Orchestral Suite no. 3 in D, BWV 1068: IV. Bourrée | Boston Early Music Festival Orchestra, Andrew Parrott | — |
| Orchestral Suite no. 3 in D, BWV 1068: V. Gigue | Boston Early Music Festival Orchestra, Andrew Parrott | — |
| Miserere a 9 | Taverner Choir, Taverner Consort, Andrew Parrott | T9000795120 |
| Troisième Concert: III. Tambourins I et II | Trio Sonnerie | — |
| Carmelite Vespers: Psalm I: Dixit Dominus: Dixit Dominus Domino meo | Taverner Choir, Taverner Players, Andrew Parrott | T0710008799 |
| Harp Concerto in B-flat major, op. 4 no. 6: I. Andante – Allegro | Andrew Lawrence-King, Taverner Players, Andrew Parrott | — |
| Harp Concerto in B-flat major, op. 4 no. 6: II. Larghetto | Andrew Lawrence-King, Taverner Players, Andrew Parrott | — |
| Harp Concerto in B-flat major, op. 4 no. 6: III. Allegro moderato | Andrew Lawrence-King, Taverner Players, Andrew Parrott | — |
| Funeral Sentences for the Death of Queen Mary II: March, Z. 860i | The Taverner Choir, Consort & Players, Andrew Parrott | — |
| Funeral Sentences for the death of Queen Mary: Thou know'st Lord | Taverner Choir, Taverner Consort, Taverner Players, Andrew Parrott | — |
| Funeral Sentences for the death of Queen Mary: Canzona | Taverner Choir, Taverner Consort, Taverner Players, Andrew Parrott | T9107605823 |
| L’incoronazione di Poppea: Atto III, scena 8. “Pur ti miro” | Arleen Augér, Della Jones, City of London Baroque Sinfonia, Richard Hickox | — |
| Sacrae symphoniae: Sonata pian e forte alla quarta bassa, a 8 | Taverner Players, Andrew Parrott | — |
| The Four Seasons – Concerto no. 2 in G minor RV315, “Summer”: I. Allegro non molto | Alison Bury, Taverner Players, Andrew Parrott | — |
| The Four Seasons – Concerto no. 2 in G minor RV315, “Summer”: II. Adagio | Alison Bury, Taverner Players, Andrew Parrott | — |
| The Four Seasons – Concerto no. 2 in G minor RV315, “Summer”: III. Presto (Tempo impetuso d'Estate) | Alison Bury, Taverner Players, Andrew Parrott | — |
| Suite no. 2 n B minor, BWV 1067: VI. Menuet | Christopher Krueger, Boston Early Music Festival Orchestra, Andrew Parrott | — |
| Suite no. 2 n B minor, BWV 1067: VII. Badinerie | Christopher Krueger, Boston Early Music Festival Orchestra, Andrew Parrott | — |
| Orchestral Suite no. 3 in D, BWV 1068: III. Gavottes I & II | Boston Early Music Festival Orchestra, Andrew Parrott | — |
| Orchestral Suite no. 3 in D, BWV 1068: IV. Bourrée | Boston Early Music Festival Orchestra, Andrew Parrott | — |
| Orchestral Suite no. 3 in D, BWV 1068: V. Gigue | Boston Early Music Festival Orchestra, Andrew Parrott | — |
| Water Music Suite no. 2 in D major: Overture – Hornpipe | The London Classical Players, Sir Roger Norrington | — |
| Water Music Suite no. 2 in D major: Overture – Hornpipe | The London Classical Players, Sir Roger Norrington | — |
| Plainte sur la mort de Monsieur Lambert | Gérard Lesne, Il Seminario Musicale | — |
| Panis angelicus, motet du Saint Sacrement, C. 131 | Gérard Lesne, Mark Padmore, Josep-Miquel Ramon i Monzó, Il Seminario Musicale | — |
Suite in C minor: La Plainte, ou Tombeau de Mesdemoiselles de Visée, filles de l'auteur
Pascal Monteilhet
—
In convertendo: Tunc repletum est gaudio nostrum
Le Concert Spirituel, Hervé Niquet
—
Requiem: Introit
Jean-Claude Malgoire, La Grande Écurie et la Chambre du Roy, Les Pages de la Chapelle
—
Symphonies pour le Festin Royal du Comte d'Artois: Contredanse
La Simphonie du Marais, Hugo Reyne
—
Quatrième Concert de simphonies in A major op. 4 no. 2: Chaconne
Concerto Köln
—
Marche des mousquetaires
La Simphonie du Marais, Hugo Reyne
—
Marche de triomphe avec des trompettes et des timbales
La Simphonie du Marais, Hugo Reyne
—
Le Canal de Versailles: Ouverture
La Simphonie du Marais, Hugo Reyne
—
Regina coeli H32
Les Demoiselles de Saint-Cyr, Emmanuel Mandrin
—
Plainte sur la mort de Monsieur Lambert
Gérard Lesne, Il Seminario Musicale
—
Messe propre pour les Convents de Religieux et Religieuses: Offertoire sur les grands jeux
Jean-Patrice Brosse
—
Isis: Air des trembleurs “L'hiver qui nous tourmente s'obstine à nous geler”
Bernard Deletré, Isabelle Desrochers, La Simphonie du Marais, Hugo Reyne
—
Suite en Sol mineur du Troisième livre : IV. Plainte (lentement)
Jérôme Hantaï, Pierre Hantaï, Alix Verzier
—
Les Indes Galantes: "Régnez, plaisirs et jeux"
Patricia Petibon, Les Folies Françoises, Patrick Cohën-Akenine
—
Les Indes Galantes: Chaconne
Patricia Petibon, Les Folies Françoises, Patrick Cohën-Akenine
—
Te Deum H.146: II. Prélude
Les Arts Florissants, William Christie
—
Symphonies pour les soupers du Roi: Caprice ou Caprice de Villers-Cotterêts
Maurice André, Thierry Caens, Jean-Pierre Leroy, Bernard Soustrot, Guy Touvron, Ensemble Orchestral de Paris, Jean-Pierre Wallez
—
Te Deum H.146: II. Prélude
Les Arts Florissants, William Christie
—
Orchestral Suite no. 3 in D, BWV 1068: III. Gavottes I & II
Boston Early Music Festival Orchestra, Andrew Parrott
—
Orchestral Suite no. 3 in D, BWV 1068: IV. Bourrée
Boston Early Music Festival Orchestra, Andrew Parrott
—
Orchestral Suite no. 3 in D, BWV 1068: V. Gigue
Boston Early Music Festival Orchestra, Andrew Parrott
—
Taverner Choir, Taverner Consort, Andrew Parrott
Troisième Concert: III. Tambourins I et II
Trio Sonnerie
—
Taverner Choir, Taverner Players, Andrew Parrott
Harp Concerto in B-flat major, op. 4 no. 6: I. Andante – Allegro
Andrew Lawrence-King, Taverner Players, Andrew Parrott
—
Harp Concerto in B-flat major, op. 4 no. 6: II. Larghetto
Andrew Lawrence-King, Taverner Players, Andrew Parrott
—
Harp Concerto in B-flat major, op. 4 no. 6: III. Allegro moderato
Andrew Lawrence-King, Taverner Players, Andrew Parrott
—
Funeral Sentences for the Death of Queen Mary II: March, Z. 860i
The Taverner Choir, Consort & Players, Andrew Parrott
—
Funeral Sentences for the death of Queen Mary: Thou know'st Lord
Taverner Choir, Taverner Consort, Taverner Players, Andrew Parrott
—
Taverner Choir, Taverner Consort, Taverner Players, Andrew Parrott
L’incoronazione di Poppea: Atto III, scena 8. “Pur ti miro”
Arleen Augér, Della Jones, City of London Baroque Sinfonia, Richard Hickox
—
Sacrae symphoniae: Sonata pian e forte alla quarta bassa, a 8
Taverner Players, Andrew Parrott
—
The Four Seasons – Concerto no. 2 in G minor RV315, “Summer”: I. Allegro non molto
Alison Bury, Taverner Players, Andrew Parrott
—
The Four Seasons – Concerto no. 2 in G minor RV315, “Summer”: II. Adagio
Alison Bury, Taverner Players, Andrew Parrott
—
The Four Seasons – Concerto no. 2 in G minor RV315, “Summer”: III. Presto (Tempo impetuso d'Estate)
Alison Bury, Taverner Players, Andrew Parrott
—
Suite no. 2 n B minor, BWV 1067: VI. Menuet
Christopher Krueger, Boston Early Music Festival Orchestra, Andrew Parrott
—
Suite no. 2 n B minor, BWV 1067: VII. Badinerie
Christopher Krueger, Boston Early Music Festival Orchestra, Andrew Parrott
—
Orchestral Suite no. 3 in D, BWV 1068: III. Gavottes I & II
Boston Early Music Festival Orchestra, Andrew Parrott
—
Orchestral Suite no. 3 in D, BWV 1068: IV. Bourrée
Boston Early Music Festival Orchestra, Andrew Parrott
—
Orchestral Suite no. 3 in D, BWV 1068: V. Gigue
Boston Early Music Festival Orchestra, Andrew Parrott
—
Water Music Suite no. 2 in D major: Overture – Hornpipe
The London Classical Players, Sir Roger Norrington
—
Water Music Suite no. 2 in D major: Overture – Hornpipe
The London Classical Players, Sir Roger Norrington
—
Plainte sur la mort de Monsieur Lambert
Gérard Lesne, Il Seminario Musicale
—
Panis angelicus, motet du Saint Sacrement, C. 131
Gérard Lesne, Mark Padmore, Josep-Miquel Ramon i Monzó, Il Seminario Musicale
—
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000026174958000000005514424800000000551700240000000055170147000000005517264400000000551828180000000055183482000000005518373000000000594909490000000063085022
+40 more
00000000783932200000000078396368000000007839755500000000809202610000000083714527000000008396653X000000008398109400000000873945590000000092764278000000010133537X000000010673757000000001092172710000000109384141000000010945021700000001098785200000000110093499000000011010503100000001103401700000000110496079000000011064091500000001109288710000000110934841000000011450623800000001145557500000000114705405000000011476761400000001148026430000000114947463000000011581249900000001168141540000000119453534000000012037159500000001213128960000000121453592000000012148394300000001217398060000000122427302000000012271379800000001228426370000000122958058
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What is UPC 5099960257925?
5099960257925 is a Universal Product Code (UPC) assigned to Baroque Treasures by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 27 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm