UPC · Release
The Rape of Lucretia
Britten, Kirchschlager, Bostridge, Gritton, Purves, Russell, Coleman-Wright, Summers, Booth, Aldeburgh Festival Ensemble, Knussen
Last verified:
5099960267221 is the Universal Product Code (UPC barcode) for the release “The Rape of Lucretia” by Britten, Kirchschlager, Bostridge, Gritton, Purves, Russell, Coleman-Wright, Summers, Booth, Aldeburgh Festival Ensemble, Knussen, released 2013-01-01 on Virgin Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 28 tracks, each with its own ISRC. Tracks include GBPFW1200224, GBPFW1200225, GBPFW1200226.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (28)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The Rape of Lucretia, op. 37: Act I, Scene I. "Rome is now ruled by the Etruscan upstart" (Male Chorus) | Ian Bostridge, Aldeburgh Festival Ensemble, Oliver Knussen | — | |
| 2 | The Rape of Lucretia, op. 37: Act I, Scene I. "It is an axiom among kings" (Female Chorus, Male Chorus) | Susan Gritton, Ian Bostridge, Aldeburgh Festival Ensemble, Oliver Knussen | — | |
| 3 | The Rape of Lucretia, op. 37: Act I, Scene I. "Here the thirsty ev'ning has drunk the wine of light" (Male Chorus) | Ian Bostridge, Aldeburgh Festival Ensemble, Oliver Knussen | — | |
| 4 | The Rape of Lucretia, op. 37: Act I, Scene I. "Who reaches heaven first is the best philosopher" (Collatinus, Male Chorus, Junius, Tarquinius) | Ian Bostridge, Benjamin Russell, Peter Coleman-Wright, Christopher Purves, Aldeburgh Festival Ensemble, Oliver Knussen | — | |
| 5 | The Rape of Lucretia, op. 37: Act I, Scene I. "Maria was unmasked at a masked ball" (Junius, Tarquinius, Collatinus, Male Chorus) | Ian Bostridge, Benjamin Russell, Peter Coleman-Wright, Christopher Purves, Aldeburgh Festival Ensemble, Oliver Knussen | — | |
| 6 | The Rape of Lucretia, op. 37: Act I, Scene I. "Collatinus is politically astute" (Male Chorus, Junius, Collatinus, Tarquinius) | Ian Bostridge, Benjamin Russell, Peter Coleman-Wright, Christopher Purves, Aldeburgh Festival Ensemble, Oliver Knussen | — | |
| 7 | The Rape of Lucretia, op. 37: Act I, Scene I. "Goodnight!....There goes a happy man!" (Collatinus, Tarquinius, Junius) | Benjamin Russell, Peter Coleman-Wright, Christopher Purves, Aldeburgh Festival Ensemble, Oliver Knussen | — | |
| 8 | The Rape of Lucretia, op. 37: Act I, Scene I. "Tarquinius does not dare" (Male Chorus) | Peter Coleman-Wright, Aldeburgh Festival Ensemble, Oliver Knussen | — | |
| 9 | The Rape of Lucretia, op. 37: Act I, Scene I. "My horse! My horse!" (Tarquinius, Male Chorus) | Ian Bostridge, Peter Coleman-Wright, Aldeburgh Festival Ensemble, Oliver Knussen | — | |
| 10 | The Rape of Lucretia, op. 37: Act I, Scene II. "Their spinning wheel unwinds" (Female Chorus, Lucretia, Bianca, Lucia) | Claire Booth, Susan Gritton, Angelika Kirchschlager, Hilary Summers, Aldeburgh Festival Ensemble, Oliver Knussen | — | |
| 11 | The Rape of Lucretia, op. 37: Act I, Scene II. "Listen! I heard a knock" (Lucretia, Bianca, Lucia) | Claire Booth, Angelika Kirchschlager, Hilary Summers, Aldeburgh Festival Ensemble, Oliver Knussen | — | |
| 12 | The Rape of Lucretia, op. 37: Act I, Scene II. "Time treads upon the hands of women" (Lucia, Bianca, Female Chorus, Lucretia) | Claire Booth, Susan Gritton, Angelika Kirchschlager, Hilary Summers, Aldeburgh Festival Ensemble, Oliver Knussen | — | |
| 13 | The Rape of Lucretia, op. 37: Act I, Scene II. "The oatmeal slippers of sleep" (Female Chorus, Male Chorus) | Susan Gritton, Ian Bostridge, Aldeburgh Festival Ensemble, Oliver Knussen | — | |
| 14 | The Rape of Lucretia, op. 37: Act I, Scene II. "Lucia runs to the door" (Female Chorus, Tarquinius, Male Chorus, Bianca, Lucia, Lucretia) | Claire Booth, Susan Gritton, Hilary Summers, Ian Bostridge, Peter Coleman-Wright, Angelika Kirchschlager, Aldeburgh Festival Ensemble, Oliver Knussen | — | |
| 2-1 | The Rape of Lucretia, op. 37: Act II, Scene I. "The prosperity of the Etruscans" (Female Chorus, Male Chorus, Collatinus, Lucia, Junius, Bianca) | Claire Booth, Susan Gritton, Hilary Summers, Ian Bostridge, Benjamin Russell, Benjamin Russell, Aldeburgh Festival Ensemble, Oliver Knussen | — | |
| 2-2 | The Rape of Lucretia, op. 37: Act II, Scene I. "She sleeps as a rose" (Female Chorus) | Susan Gritton, Aldeburgh Festival Ensemble, Oliver Knussen | — | |
| 2-3 | The Rape of Lucretia, op. 37: Act II, Scene I. "When Tarquinius desires" (Male Chorus) | Ian Bostridge, Aldeburgh Festival Ensemble, Oliver Knussen | — | |
| 2-4 | The Rape of Lucretia, op. 37: Act II, Scene I. "Within this frail crucible of light" (Tarquinius, Female Chorus) | Peter Coleman-Wright, Susan Gritton, Aldeburgh Festival Ensemble, Oliver Knussen | — | |
| 2-5 | The Rape of Lucretia, op. 37: Act II, Scene I. "Lucretia!...What do you want?" (Tarquinius, Lucretia, Male Chorus, Female Chorus) | Susan Gritton, Angelika Kirchschlager, Ian Bostridge, Peter Coleman-Wright, Aldeburgh Festival Ensemble, Oliver Knussen | — | |
| 2-6 | The Rape of Lucretia, op. 37: Act II, Scene I. "Interlude: Here in this scene you see virtue" (Female Chorus, Male Chorus) | Susan Gritton, Ian Bostridge, Aldeburgh Festival Ensemble, Oliver Knussen | — | |
| 2-7 | The Rape of Lucretia, op. 37: Act II, Scene II. "Oh! What a lovely day!" (Lucia, Bianca) | Claire Booth, Hilary Summers, Aldeburgh Festival Ensemble, Oliver Knussen | — | |
| 2-8 | The Rape of Lucretia, op. 37: Act II, Scene II. "Good morning my Lady" (Bianca, Lucia, Lucretia) | Claire Booth, Angelika Kirchschlager, Hilary Summers, Aldeburgh Festival Ensemble, Oliver Knussen | — | |
| 2-9 | The Rape of Lucretia, op. 37: Act II, Scene II. "Flowers bring to every year" (Lucretia, Bianca) | Angelika Kirchschlager, Hilary Summers, Aldeburgh Festival Ensemble, Oliver Knussen | — | |
| 2-10 | The Rape of Lucretia, op. 37: Act II, Scene II. "You were right. Tarquinius took one of the horses" (Lucia, Bianca, Collatinus, Junius) | Claire Booth, Hilary Summers, Benjamin Russell, Benjamin Russell, Aldeburgh Festival Ensemble, Oliver Knussen | — | |
| 2-11 | The Rape of Lucretia, op. 37: Act II, Scene II. "Never again must we two dare to part" (Collatinus, Lucretia) | Angelika Kirchschlager, Christopher Purves, Aldeburgh Festival Ensemble, Oliver Knussen | — | |
| 2-12 | The Rape of Lucretia, op. 37: Act II, Scene II. "Last night Tarquinius ravished me" (Lucretia, Collatinus) | Angelika Kirchschlager, Christopher Purves, Aldeburgh Festival Ensemble, Oliver Knussen | — | |
| 2-13 | The Rape of Lucretia, op. 37: Act II, Scene II. "This dead hand lets fall" (Collatinus, Junius, Bianca, Lucia, Female Chorus, Male Chorus) | Claire Booth, Susan Gritton, Hilary Summers, Ian Bostridge, Benjamin Russell, Christopher Purves, Aldeburgh Festival Ensemble, Oliver Knussen | — | |
| 2-14 | The Rape of Lucretia, op. 37: Act II, Scene II. "Epilogue: Is it all?" (Female Chorus, Male Chorus) | Susan Gritton, Oliver Knussen, Aldeburgh Festival Ensemble, Oliver Knussen | — |
What other identifiers does this connect to?
Identifier Graph
People also ask
Verified on
What is UPC 5099960267221?
5099960267221 is a Universal Product Code (UPC) assigned to The Rape of Lucretia by Britten, Kirchschlager, Bostridge, Gritton, Purves, Russell, Coleman-Wright, Summers, Booth, Aldeburgh Festival Ensemble, Knussen. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 28 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm