UPC · Release
Live From The Lugano Festival 2009
Martha Argerich
Last verified:
5099960736727 is the Universal Product Code (UPC barcode) for the release “Live From The Lugano Festival 2009” by Martha Argerich, released 2010-01-01 on EMI Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 13 tracks, each with its own ISRC. Tracks include GBAYC0903307, GBAYC0903308, GBAYC0903337.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (13)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 2-1 | Violin Sonata no. 2, Sz. 76: I. Molto moderato | Béla Bartók, Khatia Buniatishvili, Renaud Capuçon | — | |
| 2-2 | Violin Sonata no. 2, Sz. 76: II. Allegretto | Béla Bartók, Khatia Buniatishvili, Renaud Capuçon | — | |
| 2-3 | Réminiscences de Don Juan for Two Pianos, S 656: I. Grave | Martha Argerich, Mauricio Vallina | — | |
| 2-4 | Réminiscences de Don Juan for Two Pianos, S 656: II. Duetto: Andantino | Martha Argerich, Mauricio Vallina | — | |
| 2-5 | Réminiscences de Don Juan for Two Pianos, S 656: III. Allegretto | Martha Argerich, Mauricio Vallina | — | |
| 2-6 | Réminiscences de Don Juan for Two Pianos, S 656: IV. Presto | Martha Argerich, Mauricio Vallina | — | |
| 2-7 | Sestetto in mi bem. magg.: Allegro | Mikhail Glinka, Polina Leschenko, Alissa Margulis, Géza Hosszu-Legocky, Lyda Chen, Mark Drobinsky, Enrico Fagone | — | |
| 2-8 | Sestetto in mi bem. magg.: Andante | Mikhail Glinka, Polina Leschenko, Alissa Margulis, Géza Hosszu-Legocky, Lyda Chen, Mark Drobinsky, Enrico Fagone | — | |
| 2-9 | Sestetto in mi bem. magg.: Finale (Allegro con spirito) | Mikhail Glinka, Polina Leschenko, Alissa Margulis, Géza Hosszu-Legocky, Lyda Chen, Mark Drobinsky, Enrico Fagone | — | |
| 2-10 | Romance in A | Daniel Gerzenberg, Anton Gerzenberg, Lilya Zilberstein | — | |
| 2-11 | Waltz in A | Daniel Gerzenberg, Anton Gerzenberg, Lilya Zilberstein | — | |
| 2-12 | Russian Rhapsody: I. Moderato - Meno mosso | Lilya Zilberstein, Alexander Mogilevsky | — | |
| 2-13 | Russian Rhapsody in E minor: II. Andante - con moto - Tempo I (meno mosso) | Lilya Zilberstein, Alexander Mogilevsky | — |
Additional database matches (22)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Fantasiestücke, Op. 88: I. Romanze: Nicht schnell, mit innigem Ausdruck | Martha Argerich, Gautier Capuçon, Renaud Capuçon | — |
| Fantasiestücke, Op. 88: II. Humoreske: Lebhaft | Martha Argerich, Gautier Capuçon, Renaud Capuçon | — |
| Fantasiestücke, Op. 88: III. Duett: Langsam und mit Ausdruck | Martha Argerich, Gautier Capuçon, Renaud Capuçon | — |
| Fantasiestücke, Op. 88: IV. Finale: Im Marsch-Tempo | Martha Argerich, Gautier Capuçon, Renaud Capuçon | — |
| A Midsummer Night's Dream, op. 21 (Incidental Music): Overture | Martha Argerich, Cristina Marton | — |
| A Midsummer Night's Dream, op. 21 (Incidental Music): Scherzo | Martha Argerich, Cristina Marton | — |
| Introduction et polonaise brillante in C Major, op. 3: I. Introductions | Martha Argerich, Gautier Capuçon | — |
| Introduction et polonaise brillante in C Major, op. 3: II. Alla polacca - Allegro con spirito | Martha Argerich, Gautier Capuçon | — |
| Piano Sextet in D Major, op. 110, MWV Q16: I. Allegro vivace (Live) | Felix Mendelssohn, Martha Argerich, Dora Schwarzberg, Enrico Fagone, Jorge Andres Bosso, Lyda Chen, Nora Romanoff-Schwarzberg | — |
| Piano Sextet in D Major, op. 110, MWV Q16: II. Adagio (Live) | Felix Mendelssohn, Martha Argerich, Dora Schwarzberg, Enrico Fagone, Jorge Andres Bosso, Lyda Chen, Nora Romanoff-Schwarzberg | — |
| Piano Sextet in D Major, op. 110, MWV Q16: III. Menuetto (Live) | Felix Mendelssohn, Martha Argerich, Dora Schwarzberg, Enrico Fagone, Jorge Andres Bosso, Lyda Chen, Nora Romanoff-Schwarzberg | — |
| Piano Sextet in D Major, op. 110, MWV Q16: IV. Allegro vivace (Live) | Felix Mendelssohn, Martha Argerich, Dora Schwarzberg, Enrico Fagone, Jorge Andres Bosso, Lyda Chen, Nora Romanoff-Schwarzberg | — |
| Noches en los jardines de España: I. En el Generalife | Martha Argerich | — |
| Noches en los jardines de España: II. Danza lejana | Martha Argerich | — |
| Noches en los jardines de España: III. En los jardines de la Sierra de Córdoba | Martha Argerich | T-041489075-7 |
| Rapsodie espagnole, M. 54: I. Prélude à la nuit (Version for Piano 4-Hands) [Live] | Maurice Ravel, Sergio Tiempo, Karin Lechner | T0030151279 |
| Rapsodie espagnole, M. 54: II. Malagueña (Version for Piano 4-Hands) [Live] | Maurice Ravel, Sergio Tiempo, Karin Lechner | — |
| Rapsodie espagnole, M. 54: III. Habanera (Version for Piano 4-Hands) [Live] | Maurice Ravel, Sergio Tiempo, Karin Lechner | T0030151279 |
| Rapsodie espagnole, M. 54: IV. Feria (Version for Piano 4-Hands) [Live] | Maurice Ravel, Sergio Tiempo, Karin Lechner | T0030151279 |
| Piano Quintet no. 1: Agitato | Ernest Bloch, Lilya Zilberstein, Alissa Margulis, Lucia Hall, Nora Romanoff-Schwarzberg, Mark Drobinsky | — |
| Piano Quintet no. 1: Andante mistico | Ernest Bloch, Lilya Zilberstein, Alissa Margulis, Lucia Hall, Nora Romanoff-Schwarzberg, Mark Drobinsky | — |
| Piano Quintet no. 1: Allegro energico | Ernest Bloch, Lilya Zilberstein, Alissa Margulis, Lucia Hall, Nora Romanoff-Schwarzberg, Mark Drobinsky | — |
What other identifiers does this connect to?
Musical Works (ISWC)
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What is UPC 5099960736727?
5099960736727 is a Universal Product Code (UPC) assigned to Live From The Lugano Festival 2009 by Martha Argerich. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 13 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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