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Various Artists
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5099962179522 is the Universal Product Code (UPC barcode) for the release “Klara's Top 100” by Various Artists, released 2012-01-01 on Klara. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 127 tracks, each with its own ISRC. Tracks include GBAYC9100019, GBAYC0003329, GBAYC9100900.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Cello Suite no. 1 in G major, BWV 1007: I. Prélude | Mstislav Rostropovich | — | |
| 2 | Matthäus-Passion, BWV 244: Erbarme dich, mein Gott | Stephanie Blythe, Emmanuelle Haïm, Ensemble Orchestral de Paris, John Nelson | — | |
| 3 | Mattheuspassie, BWV 244: Wir setzen uns mit Tränen nieder | — | ||
| 4 | Requiem, KV. 626: IIIf. Sequenz: Lacrimosa | The Schütz Choir of London, The London Classical Players, Sir Roger Norrington | — | |
| 5 | Clarinet Concerto in A major, K. 622: II. Adagio | Sabine Meyer, Staatskapelle Dresden, Hans Vonk | — | |
| 6 | Miserere | — | ||
| 7 | Stabat mater pour soprano, contralto, cordes et basse continue: Stabat Mater dolorosa | Véronique Gens, Gérard Lesne, Il Seminario Musicale | T-905.680.072-7 | |
| 8 | Symphony no. 6 in F major, op. 68 “Pastoral”: I. Allegro ma non troppo: Awakening of happy feelings on arriving in the country | Wiener Philharmoniker, Sir Simon Rattle | — | |
| 9 | Dido & Aeneas: When I Am Laid in Earth | Susan Graham, Le Concert d'Astrée, Emmanuelle Haïm | — | |
| 10 | Pianoconcerto "Keizersconcerto" nr. 5 in Es, op. 73: Rondo | — | ||
| 2-1 | Symphonie no.5 en ut dièse mineur : Adagietto (extr.) | Berliner Philharmoniker, Simon Rattle | T-800.652.468-2 | |
| 2-2 | Goldbergvariaties, BWV 988: Aria | — | ||
| 2-3 | Goldbergvariaties, BWV 988: Variatie 1 | — | ||
| 2-4 | Goldbergvariaties, BWV 988: Variatie 2 | — | ||
| 2-5 | Adagio voor strijkers | — | ||
| 2-6 | Spiegel im Spiegel | Tasmin Little, Martin Roscoe | T-800.638.693-3 | |
| 2-7 | Piano Concerto no. 3 in D Minor op. 30: Allegro ma non tanto | Leif Ove Andsnes, London Symphony Orchestra, Antonio Pappano | — | |
| 2-8 | Gymnopédie no. 1 | Aldo Ciccolini | T-920.980.498-8 | |
| 2-9 | Symfonie "Uit de Nieuwe Wereld" nr. 9 in E, op. 95: Largo | — | ||
| 2-10 | Requiem, op. 48: IV. Pie Jesus | Magali Dami, Peter Harvey, Ensemble Vocal de Lausanne, Philippe Corboz, Ensemble Instrumental de Lausanne, Michel Corboz | T-315.824.737-7 | |
| 3-1 | Toccata & Fugue in D minor, BWV 565: I. Toccata | Werner Jacob | — | |
| 3-2 | Toccata & Fugue in D minor, BWV 565: II. Fugue | Werner Jacob | — | |
| 3-3 | Peer Gynt, op. 23: Act 4: No. 13. Prelude. Morning Mood | Eesti Riiklik Sümfooniaorkester, Paavo Järvi | — | |
| 3-4 | Peer Gynt, op. 23: XII. Åses død (Forspill til Akt III) | Estonian National Symphony Orchestra, Paavo Järvi | — | |
| 3-5 | Peer Gynt, op. 23: XVI. Anitras dans | Eesti Riiklik Sümfooniaorkester, Paavo Järvi | T-312.438.405-6 | |
| 3-6 | Peer Gynt, op. 23: VIII. I Dovregubbens hall | Ellerhein Girls’ Choir, Estonian National Male Choir, Estonian National Symphony Orchestra, Paavo Järvi | — | |
| 3-7 | Vioolconcerto in D, op. 61: Rondo: Allegro | — | ||
| 3-8 | Bist du bei mir, BWV 508 | — | ||
| 3-9 | III. FINALE. ALLEGRO ENERGICO | Sarah Chang, Dresdner Philharmonie, Kurt Masur | — | |
| 3-10 | Fantasie voor piano nr. 3, op. 18 | — | ||
| 3-11 | Mariavespers: Nisi Dominus, Psalm 126 | — | ||
| 3-12 | Strijkkwintet in C, D 956, op. 163: Adagio | — | ||
| 4-1 | Rinaldo, HWV 7a: Lascia ch'io pianga | — | ||
| 4-2 | Concerto, RV 293 “L’autunno”: I. Allegro | Fabio Biondi, Europa Galante | — | |
| 4-3 | Concerto, RV 293 “L’autunno”: II. Adagio – Presto | Fabio Biondi, Europa Galante | — | |
| 4-4 | Concerto, RV 293 “L’autunno”: III. Allegro | Fabio Biondi, Europa Galante | — | |
| 4-5 | Dahomeese rapsodie | — | ||
| 4-6 | Enigma Variations: IX. Nimrod (A.J. Jaeger) | City of Birmingham Symphony Orchestra, Simon Rattle | T-010.115.427-1 | |
| 4-7 | Weihnachts-Oratorium, Am ersten Weihnachtsfeiertage: 1. Coro "Jauchzet, frohlocket, auf, preiset die Tage" | Chorus of Collegium Vocale, Ghent, Philippe Herreweghe | T-070.024.961-1 | |
| 4-8 | Vier letzte Lieder, op. posth.: Beim Schlafengehen | — | ||
| 4-9 | Carmina Burana: Fortuna Imperatrix Mundi: 1. O Fortuna | London Philharmonic Chorus, London Philharmonic Orchestra, Franz Welser-Möst | T-800.639.771-4 | |
| 4-10 | Carmina Burana: Fortuna imperatrix mundi: Fortune plango vulnera | Orfeón Donostiarra, Orchestre national du Capitole de Toulouse, Michel Plasson | — | |
| 4-11 | Rückertlieder: Ich bin der Welt abhanden gekommen | — | ||
| 4-12 | Serse: Act 1, Scene I: No 1b Arioso - Ombra mai fu (Serse) | Anne Sofie von Otter, Les Arts Florissants, William Christie | — | |
| 4-13 | Wachet auf ruft uns die Stimme, BWV 645 | — | ||
| 4-14 | Piano Concerto no. 21 in C major, K. 467: II. Andante | Piotr Anderszewski, Sinfonia Varsovia | T-010.194.871-3 | |
| 4-15 | Canon in D | Taverner Players, Andrew Parrott | T-041.726.043-5 | |
| 5-1 | Adagio for Strings and Organ in G minor | Scottish Ensemble, Jonathan Rees | T-916.008.010-4 | |
| 5-2 | De parelvissers: Au fond du temple saint | — | ||
| 5-3 | Symfonie "Koorsymfonie" nr. 9 in D, op. 125: Freude Schöner Götterfunken | — | ||
| 5-4 | Nocturnes, op. 9: Nr. 1 in Bes | — | ||
| 5-5 | Nocturnes, op. 9: Nr. 2 in Es | — | ||
| 5-6 | Requiem: Pie Jesu | — | ||
| 5-7 | Vlaamse dansen: I | — | ||
| 5-8 | Vlaamse dansen: II | — | ||
| 5-9 | Vlaamse dansen: III | — | ||
| 5-10 | Vlaamse dansen: IV | — | ||
| 5-11 | Vlaamse dansen: V | — | ||
| 5-12 | Schindler’s List Theme | Iain Sutherland, Tasmin Little, New World Philharmonic Orchestr | T-070.248.886-5 | |
| 5-13 | Piano Sonata No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto | Stephen Kovacevich | — | |
| 6-1 | Cantata “Herz und Mund und Tat und Leben” BWV 147: Choral “Jesu bleibet meine Freude” (Jesu, joy of man’s desiring) | Taverner Consort, Taverner Players, Andrew Parrott | T-905.387.081-8 | |
| 6-2 | Brandenburgs concerto nr. 3 in G, BWV 1048: Allegro moderato | — | ||
| 6-3 | Brandenburgs concerto nr. 3 in G, BWV 1048: Allegro | — | ||
| 6-4 | Deo gratias | Huelgas Ensemble, Paul Van Nevel | — | |
| 6-5 | Norma: Casta diva | — | ||
| 6-6 | Piano Concerto no. 2 in C minor, op. 18: I. Moderato | Leif Ove Andsnes, Berliner Philharmoniker, Antonio Pappano | — | |
| 6-7 | Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto | Alison Bury, Elizabeth Wallfisch, Orchestra of the Age of Enlightenment | — | |
| 6-8 | Klarinetkwintet in A, KV 581: Larghetto | — | ||
| 6-9 | Magnificat in D, BWV 243: Coro | — | ||
| 6-10 | Magnificat in D, BWV 243: Et exultavit spiritus meus | — | ||
| 6-11 | Magnificat in D, BWV 243: Quia respexit humilitatem | — | ||
| 6-12 | Magnificat in D, BWV 243: Omnes generationes | — | ||
| 6-13 | Die Zauberflöte, KV 620: Der Hölle Rache | — | ||
| 6-14 | Rhapsody in Blue | — | ||
| 7-1 | Cello Concerto, op. 104: II. Adagio ma non troppo | Truls Mørk, Oslo Philharmonic Orchestra, Mariss Jansons | — | |
| 7-2 | Boléro | City of Birmingham Symphony Orchestra, Simon Rattle | T-304.358.483-0 | |
| 7-3 | Tristan und Isolde: Isoldes Liebestod | — | ||
| 7-4 | Strijkkwartet "Der Tod und das Mädchen" in D, D 810: Andante con moto | — | ||
| 7-5 | Gloria, RV 589: I. Gloria in excelsis | Taverner Choir, Taverner Consort, Taverner Players, Andrew Parrott | T-905.452.179-8 | |
| 7-6 | Kol Nidrei | Han-Na Chang, London Symphony Orchestra, Mstislav Rostropovich | — | |
| 8-1 | Winterreise, D 911: Gute Nacht | — | ||
| 8-2 | Concerto pour violon et orchestre en mi mineur, op. 64 : Allegro molto appassionato (extr.) | Renaud Capuçon, Mahler Chamber Orchestra, Daniel Harding | — | |
| 8-3 | Violin Concerto, op. 35: I. Allegro moderato | Valeriy Sokolov, Tonhalle-Orchester Zürich, David Zinman | — | |
| 8-4 | Le Sacre du printemps: Première Partie: L'adoration de la terre. Introduction - Les augures printaniers - Danses des adolescentes - Jeu du rapt | City of Birmingham Symphony Orchestra, Simon Rattle | T-070.257.887-7 | |
| 8-5 | Messiah, HWV 56: For Unto Us a Child Is Born | — | ||
| 8-6 | Messiah: Part II: Hallelujah! | Taverner Choir, Taverner Players, Andrew Parrott | — | |
| 8-7 | Suite for Jazz Orchestra no. 2, op. 50b: VI. Waltz: Tempo di valse | The Philadelphia Orchestra, Mariss Jansons | — | |
| 8-8 | Stabat Mater, RV 621: Stabat Mater dolorosa | David Daniels, Europa Galante, Fabio Biondi | T-003.016.535-5 | |
| 8-9 | Stabat mater voor alt, strijkers en basso continuo, RV 621: Cujus animam | — | ||
| 8-10 | Stabat mater voor alt, strijkers en basso continuo, RV 621: O quam tristis | — | ||
| 8-11 | Vioolconcerto in D, op. 77: Adagio | — | ||
| 9-1 | Das wohltemperierte Klavier: Prelude en Fuga in C, BWV 846 | — | ||
| 9-2 | Orchestral Suite no. 3 in D major, BWV 1068: II. Air | English Chamber Orchestra, Philip Ledger | T-914.248.874-2 | |
| 9-3 | Rusalka: Song to the Moon | Kate Royal, English National Opera Orchestra, David Gardener | T-922.610.201-8 | |
| 9-4 | Concerto voor 2 mandolines in G, RV 532: Allegro | — | ||
| 9-5 | Concerto for 2 Mandolins in G Major, RV 532 II. Andante | Sonia Maurer, Giovanni Scaramuzzino, Europa Galante, Fabio Biondi | — | |
| 9-6 | Concerto for Two Mandolins in G, RV 532: III. Allegro | Giovanni Scaramuzzino, Sonia Maurer, Europa Galante, Fabio Biondi | — | |
| 9-7 | Het wielewaalt en leeuwerkt | — | ||
| 9-8 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | Wiener Philharmoniker, Sir Simon Rattle | — | |
| 9-9 | Ein deutsches Requiem: V. Ihr habt nun Traurigkeit | Christoffer Holgersson, Natalie Dessay, Radiokören, hr-Sinfonieorchester, Paavo Järvi | T-070.248.722-6 | |
| 9-10 | Danse macabre | — | ||
| 9-11 | Romance in F voor viool en orkest, op. 50 | — | ||
| 9-12 | L'Orfeo: Toccata | Le Concert d'Astrée, Emmanuelle Haïm | T-702.928.999-6 | |
| 9-13 | Pianoconcerto nr. 1 in E, op. 11: Romance | — | ||
| 10-1 | Violin Concerto no. 5 in A major, K. 219: III. Rondeau: Tempo di Menuetto | Christian Tetzlaff, Deutsche Kammerphilharmonie Bremen | — | |
| 10-2 | Nabucco: “Va Pensiero” (Chorus of the Hebrew Slaves) | Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Riccardo Muti | T-902.574.141-7 | |
| 10-3 | Water Music: Suite in D: Andante - Allegro | — | ||
| 10-4 | Water Music: Suite in D: Alla Hornpipe | — | ||
| 10-5 | Water Music: Suite in D: Minuet | — | ||
| 10-6 | Water Music: Suite in D: Lentement | — | ||
| 10-7 | Water Music: Suite in D: Bourrée | — | ||
| 10-8 | Symfonie "Songs of Sorrowful Songs" nr. 3, op. 36: Lento e largo | — | ||
| 10-9 | Violin Concerto in D minor, op. 47: I. Allegro moderato | Vilde Frang, WDR Sinfonieorchester Köln, Thomas Søndergård | — | |
| 10-10 | Stabat mater | — | ||
| 10-11 | Cello Concerto in E minor, op. 85: I. Adagio - Moderato | Truls Mørk, City of Birmingham Symphony Orchestra, Simon Rattle | T-919.860.418-1 | |
| 10-12 | Cello Concerto in E minor, op. 85: II. Lento - Allegro molto | Truls Mørk, City of Birmingham Symphony Orchestra, Simon Rattle | T-010.115.156-7 | |
| 10-13 | Lakmé : Acte I. « Dôme épais, le jasmin » (Lakmé, Mallika) | Natalie Dessay, Delphine Haidan, Orchestre du Capitole de Toulouse, Michel Plasson | T-900.142.826-8 | |
| 11-1 | Turandot: Nessun dorma | — | ||
| 11-2 | Orfeo ed Euridice: Que farò senza Euridice? | — | ||
| 11-3 | Prélude à l'après-midi d'un faune | — | ||
| 11-4 | Concierto de Aranjuez: Adagio | — | ||
| 11-5 | Mass in B minor: Osanna in excelsis | Collegium Vocale Gent, Philippe Herreweghe | — | |
| 11-6 | De zee: Matrozendans (Allegro) | — | ||
| 11-7 | Adiós Nonino | — | ||
| 11-8 | Sonate "Pathétique" voor piano nr. 8 in C, op. 13: Adagio cantabile | — | ||
| 11-9 | Pianoconcerto nr. 1 in Bes, op. 23: Allegro non troppo e molto maestoso | — | ||
| 11-10 | Het zwanenmeer, op. 20: Scène - Dans van de zwanen | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Gymnopédie no. 1 | Aldo Ciccolini | T-050.018.340-3 |
| Symphony no. 5 in C-sharp minor: IV. Adagietto: Sehr langsam | Berliner Philharmoniker, Simon Rattle | — |
| Cello Suite no. 1 in G major, BWV 1007: I. Prélude | Mstislav Rostropovich | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
5099962179522 is a Universal Product Code (UPC) assigned to Klara's Top 100 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 127 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
5099962179522 is the Universal Product Code (UPC barcode) for the release “Klara's Top 100” by Various Artists, released 2012-01-01 on Klara. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 127 tracks, each with its own ISRC. Tracks include GBAYC9100019, GBAYC0003329, GBAYC9100900.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Cello Suite no. 1 in G major, BWV 1007: I. Prélude | Mstislav Rostropovich | — | |
| 2 | Matthäus-Passion, BWV 244: Erbarme dich, mein Gott | Stephanie Blythe, Emmanuelle Haïm, Ensemble Orchestral de Paris, John Nelson | — | |
| 3 | Mattheuspassie, BWV 244: Wir setzen uns mit Tränen nieder | — | ||
| 4 | Requiem, KV. 626: IIIf. Sequenz: Lacrimosa | The Schütz Choir of London, The London Classical Players, Sir Roger Norrington | — | |
| 5 | Clarinet Concerto in A major, K. 622: II. Adagio | Sabine Meyer, Staatskapelle Dresden, Hans Vonk | — | |
| 6 | Miserere | — | ||
| 7 | Stabat mater pour soprano, contralto, cordes et basse continue: Stabat Mater dolorosa | Véronique Gens, Gérard Lesne, Il Seminario Musicale | T-905.680.072-7 | |
| 8 | Symphony no. 6 in F major, op. 68 “Pastoral”: I. Allegro ma non troppo: Awakening of happy feelings on arriving in the country | Wiener Philharmoniker, Sir Simon Rattle | — | |
| 9 | Dido & Aeneas: When I Am Laid in Earth | Susan Graham, Le Concert d'Astrée, Emmanuelle Haïm | — | |
| 10 | Pianoconcerto "Keizersconcerto" nr. 5 in Es, op. 73: Rondo | — | ||
| 2-1 | Symphonie no.5 en ut dièse mineur : Adagietto (extr.) | Berliner Philharmoniker, Simon Rattle | T-800.652.468-2 | |
| 2-2 | Goldbergvariaties, BWV 988: Aria | — | ||
| 2-3 | Goldbergvariaties, BWV 988: Variatie 1 | — | ||
| 2-4 | Goldbergvariaties, BWV 988: Variatie 2 | — | ||
| 2-5 | Adagio voor strijkers | — | ||
| 2-6 | Spiegel im Spiegel | Tasmin Little, Martin Roscoe | T-800.638.693-3 | |
| 2-7 | Piano Concerto no. 3 in D Minor op. 30: Allegro ma non tanto | Leif Ove Andsnes, London Symphony Orchestra, Antonio Pappano | — | |
| 2-8 | Gymnopédie no. 1 | Aldo Ciccolini | T-920.980.498-8 | |
| 2-9 | Symfonie "Uit de Nieuwe Wereld" nr. 9 in E, op. 95: Largo | — | ||
| 2-10 | Requiem, op. 48: IV. Pie Jesus | Magali Dami, Peter Harvey, Ensemble Vocal de Lausanne, Philippe Corboz, Ensemble Instrumental de Lausanne, Michel Corboz | T-315.824.737-7 | |
| 3-1 | Toccata & Fugue in D minor, BWV 565: I. Toccata | Werner Jacob | — | |
| 3-2 | Toccata & Fugue in D minor, BWV 565: II. Fugue | Werner Jacob | — | |
| 3-3 | Peer Gynt, op. 23: Act 4: No. 13. Prelude. Morning Mood | Eesti Riiklik Sümfooniaorkester, Paavo Järvi | — | |
| 3-4 | Peer Gynt, op. 23: XII. Åses død (Forspill til Akt III) | Estonian National Symphony Orchestra, Paavo Järvi | — | |
| 3-5 | Peer Gynt, op. 23: XVI. Anitras dans | Eesti Riiklik Sümfooniaorkester, Paavo Järvi | T-312.438.405-6 | |
| 3-6 | Peer Gynt, op. 23: VIII. I Dovregubbens hall | Ellerhein Girls’ Choir, Estonian National Male Choir, Estonian National Symphony Orchestra, Paavo Järvi | — | |
| 3-7 | Vioolconcerto in D, op. 61: Rondo: Allegro | — | ||
| 3-8 | Bist du bei mir, BWV 508 | — | ||
| 3-9 | III. FINALE. ALLEGRO ENERGICO | Sarah Chang, Dresdner Philharmonie, Kurt Masur | — | |
| 3-10 | Fantasie voor piano nr. 3, op. 18 | — | ||
| 3-11 | Mariavespers: Nisi Dominus, Psalm 126 | — | ||
| 3-12 | Strijkkwintet in C, D 956, op. 163: Adagio | — | ||
| 4-1 | Rinaldo, HWV 7a: Lascia ch'io pianga | — | ||
| 4-2 | Concerto, RV 293 “L’autunno”: I. Allegro | Fabio Biondi, Europa Galante | — | |
| 4-3 | Concerto, RV 293 “L’autunno”: II. Adagio – Presto | Fabio Biondi, Europa Galante | — | |
| 4-4 | Concerto, RV 293 “L’autunno”: III. Allegro | Fabio Biondi, Europa Galante | — | |
| 4-5 | Dahomeese rapsodie | — | ||
| 4-6 | Enigma Variations: IX. Nimrod (A.J. Jaeger) | City of Birmingham Symphony Orchestra, Simon Rattle | T-010.115.427-1 | |
| 4-7 | Weihnachts-Oratorium, Am ersten Weihnachtsfeiertage: 1. Coro "Jauchzet, frohlocket, auf, preiset die Tage" | Chorus of Collegium Vocale, Ghent, Philippe Herreweghe | T-070.024.961-1 | |
| 4-8 | Vier letzte Lieder, op. posth.: Beim Schlafengehen | — | ||
| 4-9 | Carmina Burana: Fortuna Imperatrix Mundi: 1. O Fortuna | London Philharmonic Chorus, London Philharmonic Orchestra, Franz Welser-Möst | T-800.639.771-4 | |
| 4-10 | Carmina Burana: Fortuna imperatrix mundi: Fortune plango vulnera | Orfeón Donostiarra, Orchestre national du Capitole de Toulouse, Michel Plasson | — | |
| 4-11 | Rückertlieder: Ich bin der Welt abhanden gekommen | — | ||
| 4-12 | Serse: Act 1, Scene I: No 1b Arioso - Ombra mai fu (Serse) | Anne Sofie von Otter, Les Arts Florissants, William Christie | — | |
| 4-13 | Wachet auf ruft uns die Stimme, BWV 645 | — | ||
| 4-14 | Piano Concerto no. 21 in C major, K. 467: II. Andante | Piotr Anderszewski, Sinfonia Varsovia | T-010.194.871-3 | |
| 4-15 | Canon in D | Taverner Players, Andrew Parrott | T-041.726.043-5 | |
| 5-1 | Adagio for Strings and Organ in G minor | Scottish Ensemble, Jonathan Rees | T-916.008.010-4 | |
| 5-2 | De parelvissers: Au fond du temple saint | — | ||
| 5-3 | Symfonie "Koorsymfonie" nr. 9 in D, op. 125: Freude Schöner Götterfunken | — | ||
| 5-4 | Nocturnes, op. 9: Nr. 1 in Bes | — | ||
| 5-5 | Nocturnes, op. 9: Nr. 2 in Es | — | ||
| 5-6 | Requiem: Pie Jesu | — | ||
| 5-7 | Vlaamse dansen: I | — | ||
| 5-8 | Vlaamse dansen: II | — | ||
| 5-9 | Vlaamse dansen: III | — | ||
| 5-10 | Vlaamse dansen: IV | — | ||
| 5-11 | Vlaamse dansen: V | — | ||
| 5-12 | Schindler’s List Theme | Iain Sutherland, Tasmin Little, New World Philharmonic Orchestr | T-070.248.886-5 | |
| 5-13 | Piano Sonata No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto | Stephen Kovacevich | — | |
| 6-1 | Cantata “Herz und Mund und Tat und Leben” BWV 147: Choral “Jesu bleibet meine Freude” (Jesu, joy of man’s desiring) | Taverner Consort, Taverner Players, Andrew Parrott | T-905.387.081-8 | |
| 6-2 | Brandenburgs concerto nr. 3 in G, BWV 1048: Allegro moderato | — | ||
| 6-3 | Brandenburgs concerto nr. 3 in G, BWV 1048: Allegro | — | ||
| 6-4 | Deo gratias | Huelgas Ensemble, Paul Van Nevel | — | |
| 6-5 | Norma: Casta diva | — | ||
| 6-6 | Piano Concerto no. 2 in C minor, op. 18: I. Moderato | Leif Ove Andsnes, Berliner Philharmoniker, Antonio Pappano | — | |
| 6-7 | Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto | Alison Bury, Elizabeth Wallfisch, Orchestra of the Age of Enlightenment | — | |
| 6-8 | Klarinetkwintet in A, KV 581: Larghetto | — | ||
| 6-9 | Magnificat in D, BWV 243: Coro | — | ||
| 6-10 | Magnificat in D, BWV 243: Et exultavit spiritus meus | — | ||
| 6-11 | Magnificat in D, BWV 243: Quia respexit humilitatem | — | ||
| 6-12 | Magnificat in D, BWV 243: Omnes generationes | — | ||
| 6-13 | Die Zauberflöte, KV 620: Der Hölle Rache | — | ||
| 6-14 | Rhapsody in Blue | — | ||
| 7-1 | Cello Concerto, op. 104: II. Adagio ma non troppo | Truls Mørk, Oslo Philharmonic Orchestra, Mariss Jansons | — | |
| 7-2 | Boléro | City of Birmingham Symphony Orchestra, Simon Rattle | T-304.358.483-0 | |
| 7-3 | Tristan und Isolde: Isoldes Liebestod | — | ||
| 7-4 | Strijkkwartet "Der Tod und das Mädchen" in D, D 810: Andante con moto | — | ||
| 7-5 | Gloria, RV 589: I. Gloria in excelsis | Taverner Choir, Taverner Consort, Taverner Players, Andrew Parrott | T-905.452.179-8 | |
| 7-6 | Kol Nidrei | Han-Na Chang, London Symphony Orchestra, Mstislav Rostropovich | — | |
| 8-1 | Winterreise, D 911: Gute Nacht | — | ||
| 8-2 | Concerto pour violon et orchestre en mi mineur, op. 64 : Allegro molto appassionato (extr.) | Renaud Capuçon, Mahler Chamber Orchestra, Daniel Harding | — | |
| 8-3 | Violin Concerto, op. 35: I. Allegro moderato | Valeriy Sokolov, Tonhalle-Orchester Zürich, David Zinman | — | |
| 8-4 | Le Sacre du printemps: Première Partie: L'adoration de la terre. Introduction - Les augures printaniers - Danses des adolescentes - Jeu du rapt | City of Birmingham Symphony Orchestra, Simon Rattle | T-070.257.887-7 | |
| 8-5 | Messiah, HWV 56: For Unto Us a Child Is Born | — | ||
| 8-6 | Messiah: Part II: Hallelujah! | Taverner Choir, Taverner Players, Andrew Parrott | — | |
| 8-7 | Suite for Jazz Orchestra no. 2, op. 50b: VI. Waltz: Tempo di valse | The Philadelphia Orchestra, Mariss Jansons | — | |
| 8-8 | Stabat Mater, RV 621: Stabat Mater dolorosa | David Daniels, Europa Galante, Fabio Biondi | T-003.016.535-5 | |
| 8-9 | Stabat mater voor alt, strijkers en basso continuo, RV 621: Cujus animam | — | ||
| 8-10 | Stabat mater voor alt, strijkers en basso continuo, RV 621: O quam tristis | — | ||
| 8-11 | Vioolconcerto in D, op. 77: Adagio | — | ||
| 9-1 | Das wohltemperierte Klavier: Prelude en Fuga in C, BWV 846 | — | ||
| 9-2 | Orchestral Suite no. 3 in D major, BWV 1068: II. Air | English Chamber Orchestra, Philip Ledger | T-914.248.874-2 | |
| 9-3 | Rusalka: Song to the Moon | Kate Royal, English National Opera Orchestra, David Gardener | T-922.610.201-8 | |
| 9-4 | Concerto voor 2 mandolines in G, RV 532: Allegro | — | ||
| 9-5 | Concerto for 2 Mandolins in G Major, RV 532 II. Andante | Sonia Maurer, Giovanni Scaramuzzino, Europa Galante, Fabio Biondi | — | |
| 9-6 | Concerto for Two Mandolins in G, RV 532: III. Allegro | Giovanni Scaramuzzino, Sonia Maurer, Europa Galante, Fabio Biondi | — | |
| 9-7 | Het wielewaalt en leeuwerkt | — | ||
| 9-8 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | Wiener Philharmoniker, Sir Simon Rattle | — | |
| 9-9 | Ein deutsches Requiem: V. Ihr habt nun Traurigkeit | Christoffer Holgersson, Natalie Dessay, Radiokören, hr-Sinfonieorchester, Paavo Järvi | T-070.248.722-6 | |
| 9-10 | Danse macabre | — | ||
| 9-11 | Romance in F voor viool en orkest, op. 50 | — | ||
| 9-12 | L'Orfeo: Toccata | Le Concert d'Astrée, Emmanuelle Haïm | T-702.928.999-6 | |
| 9-13 | Pianoconcerto nr. 1 in E, op. 11: Romance | — | ||
| 10-1 | Violin Concerto no. 5 in A major, K. 219: III. Rondeau: Tempo di Menuetto | Christian Tetzlaff, Deutsche Kammerphilharmonie Bremen | — | |
| 10-2 | Nabucco: “Va Pensiero” (Chorus of the Hebrew Slaves) | Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Riccardo Muti | T-902.574.141-7 | |
| 10-3 | Water Music: Suite in D: Andante - Allegro | — | ||
| 10-4 | Water Music: Suite in D: Alla Hornpipe | — | ||
| 10-5 | Water Music: Suite in D: Minuet | — | ||
| 10-6 | Water Music: Suite in D: Lentement | — | ||
| 10-7 | Water Music: Suite in D: Bourrée | — | ||
| 10-8 | Symfonie "Songs of Sorrowful Songs" nr. 3, op. 36: Lento e largo | — | ||
| 10-9 | Violin Concerto in D minor, op. 47: I. Allegro moderato | Vilde Frang, WDR Sinfonieorchester Köln, Thomas Søndergård | — | |
| 10-10 | Stabat mater | — | ||
| 10-11 | Cello Concerto in E minor, op. 85: I. Adagio - Moderato | Truls Mørk, City of Birmingham Symphony Orchestra, Simon Rattle | T-919.860.418-1 | |
| 10-12 | Cello Concerto in E minor, op. 85: II. Lento - Allegro molto | Truls Mørk, City of Birmingham Symphony Orchestra, Simon Rattle | T-010.115.156-7 | |
| 10-13 | Lakmé : Acte I. « Dôme épais, le jasmin » (Lakmé, Mallika) | Natalie Dessay, Delphine Haidan, Orchestre du Capitole de Toulouse, Michel Plasson | T-900.142.826-8 | |
| 11-1 | Turandot: Nessun dorma | — | ||
| 11-2 | Orfeo ed Euridice: Que farò senza Euridice? | — | ||
| 11-3 | Prélude à l'après-midi d'un faune | — | ||
| 11-4 | Concierto de Aranjuez: Adagio | — | ||
| 11-5 | Mass in B minor: Osanna in excelsis | Collegium Vocale Gent, Philippe Herreweghe | — | |
| 11-6 | De zee: Matrozendans (Allegro) | — | ||
| 11-7 | Adiós Nonino | — | ||
| 11-8 | Sonate "Pathétique" voor piano nr. 8 in C, op. 13: Adagio cantabile | — | ||
| 11-9 | Pianoconcerto nr. 1 in Bes, op. 23: Allegro non troppo e molto maestoso | — | ||
| 11-10 | Het zwanenmeer, op. 20: Scène - Dans van de zwanen | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Gymnopédie no. 1 | Aldo Ciccolini | T-050.018.340-3 |
| Symphony no. 5 in C-sharp minor: IV. Adagietto: Sehr langsam | Berliner Philharmoniker, Simon Rattle | — |
| Cello Suite no. 1 in G major, BWV 1007: I. Prélude | Mstislav Rostropovich | — |
