UPC · Release
Complete EMI Recordings
Alicia de Larrocha
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5099962948623 is the Universal Product Code (UPC barcode) for the release “Complete EMI Recordings” by Alicia de Larrocha, released 2010-01-01 on EMI Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 123 tracks, each with its own ISRC. Tracks include ES5086700252, ES5086700253, ES5086700254.
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- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
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Credit Chain
Track List (123)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Keyboard sonata no. 24 in D minor (Andantino cantabile) | Alicia de Larrocha | — | |
| 2 | Keyboard sonata no. 84 in D major (Allegro) | Alicia de Larrocha | — | |
| 3 | Keyboard sonata no. 85 in F-sharp minor | Alicia de Larrocha | — | |
| 4 | Keyboard sonata no. 89 in F major | Alicia de Larrocha | — | |
| 5 | Keyboard sonata no. 90 in F-sharp major | Alicia de Larrocha | T-900.089.424-6 | |
| 6 | Keyboard sonata no. 21 in C-sharp minor (Allegro) | Alicia de Larrocha | — | |
| 7 | Keyboard sonata no. 87 in G minor | Alicia de Larrocha | — | |
| 8 | Keyboard sonata no. 88 in D-flat major | Alicia de Larrocha | — | |
| 9 | 6 pieces on Spanish folksongs, for piano, H. 125, DLR 5: Preludio | Alicia de Larrocha | T-041.434.779-7 | |
| 10 | 6 pieces on Spanish folksongs, for piano, H. 125, DLR 5: I. Añoranza | Alicia de Larrocha | — | |
| 11 | 6 pieces on Spanish folksongs, for piano, H. 125, DLR 5: II. Ecos de la parranda | Alicia de Larrocha | — | |
| 12 | 6 pieces on Spanish folksongs, for piano, H. 125, DLR 5: III. Vascongada | Alicia de Larrocha | — | |
| 13 | 6 pieces on Spanish folksongs, for piano, H. 125, DLR 5: IV. Marcha oriental | Alicia de Larrocha | — | |
| 14 | 6 pieces on Spanish folksongs, for piano, H. 125, DLR 5: V. Zambra | Alicia de Larrocha | — | |
| 15 | 6 pieces on Spanish folksongs, for piano, H. 125, DLR 5: VI. Zapateado | Alicia de Larrocha | — | |
| 2-1 | Goyescas (Dandies in love), 6 pieces in 2 books for piano, H. 64, DLR 2: Primera parte: I. Los requiebros | Alicia de Larrocha | T-041.541.556-3 | |
| 2-2 | Goyescas (Dandies in love), 6 pieces in 2 books for piano, H. 64, DLR 2: Primera parte: II. Coloquio en la reja | Alicia de Larrocha | T-041.541.557-4 | |
| 2-3 | Goyescas (Dandies in love), 6 pieces in 2 books for piano, H. 64, DLR 2: Primera parte: III. El fandango de candil | Alicia de Larrocha | — | |
| 2-4 | Goyescas, Book 2: IV. Quejas o la maja y el ruiseñor | Alicia de Larrocha | T-041.541.559-6 | |
| 2-5 | Goyescas (Dandies in love), 6 pieces in 2 books for piano, H. 64, DLR 2: Segunda parte: V. El amor y la muerte (Balada) | Alicia de Larrocha | T-002.875.108-7 | |
| 2-6 | Goyescas (Dandies in love), 6 pieces in 2 books for piano, H. 64, DLR 2: Segunda parte: VI. Epílogo (Serenata del espectro) | Alicia de Larrocha | — | |
| 2-7 | El pelele, for piano, H. 106, DLR 2:5 | Alicia de Larrocha | T-041.651.951-1 | |
| 2-8 | Iberia suite, for piano, B. 47: Primer cuaderno: I. Evocación | Alicia de Larrocha | T-041.538.731-3 | |
| 2-9 | Iberia suite, for piano, B. 47: Primer cuaderno: II. El puerto | Alicia de Larrocha | T-041.538.731-3 | |
| 2-10 | Iberia suite, for piano, B. 47: Primer cuaderno: III. Corpus Christi en Sevilla | Alicia de Larrocha | T-041.538.731-3 | |
| 3-1 | Iberia suite, for piano, B. 47: Segundo cuaderno: I. Rondeña | Alicia de Larrocha | T-041.538.731-3 | |
| 3-2 | Iberia suite, for piano, B. 47: Segundo cuaderno: II. Almería | Alicia de Larrocha | T-041.538.731-3 | |
| 3-3 | Iberia suite, for piano, B. 47: Segundo cuaderno: III. Triana | Alicia de Larrocha | T-041.538.731-3 | |
| 3-4 | Iberia suite, for piano, B. 47: Tercer cuaderno: I. El Albaicín | Alicia de Larrocha | T-041.538.731-3 | |
| 3-5 | Iberia suite, for piano, B. 47: Tercer cuaderno: II. El polo | Alicia de Larrocha | T-041.538.731-3 | |
| 3-6 | Iberia suite, for piano, B. 47: Tercer cuaderno: III. Lavapiés | Alicia de Larrocha | T-041.538.731-3 | |
| 3-7 | Iberia suite, for piano, B. 47: Cuarto cuaderno: I. Málaga | Alicia de Larrocha | T-041.538.731-3 | |
| 3-8 | Iberia suite, for piano, B. 47: Cuarto cuaderno: II. Jérez | Alicia de Larrocha | T-041.538.731-3 | |
| 3-9 | Iberia suite, for piano, B. 47: Cuarto cuaderno: III. Eritaña | Alicia de Larrocha | T-041.538.731-3 | |
| 3-10 | Navarra, for piano in A-flat major, B. 49 | Alicia de Larrocha | — | |
| 3-11 | Azulejos, for piano, B. 50 | Alicia de Larrocha | T-041.830.412-7 | |
| 4-1 | Suite española, No. 1, for piano, Op. 47, B. 7: I. Granada | Alicia de Larrocha | — | |
| 4-2 | Suite española, No. 1, for piano, Op. 47, B. 7: II. Cataluña | Alicia de Larrocha | — | |
| 4-3 | Suite española, No. 1, for piano, Op. 47, B. 7: III. Sevilla | Alicia de Larrocha | — | |
| 4-4 | Suite española, No. 1, for piano, Op. 47, B. 7: IV. Cádiz | Alicia de Larrocha | — | |
| 4-5 | Suite española, No. 1, for piano, Op. 47, B. 7: V. Aragón | Alicia de Larrocha | — | |
| 4-6 | Pavana capricho, for piano in E minor, Op. 12, B.1 | Alicia de Larrocha | — | |
| 4-7 | España, 6 album leaves for piano, Op. 165, B. 37: Tango | Alicia de Larrocha | T-800.396.716-7 | |
| 4-8 | Recuerdos de viaje, 7 pieces for piano, Op. 71, B. 18: VIII. Rumores de la caleta | Alicia de Larrocha | — | |
| 4-9 | Recuerdos de viaje, 7 pieces for piano, Op. 71, B. 18: VI. Puerta de tierra | Alicia de Larrocha | — | |
| 4-10 | Cantos de España, op. 232: I. Preludio (Asturias) | Alicia de Larrocha | — | |
| 4-11 | Cantos de España: 2. Oriental | Alicia de Larrocha | T-910.760.578-7 | |
| 4-12 | Cantos de España: 3. Bajo la palmera (Cuba) | Alicia de Larrocha | T-910.760.576-5 | |
| 4-13 | Cantos de España: 4. Córdoba | Alicia de Larrocha | T-910.760.577-6 | |
| 4-14 | Cantos de España: 5. Seguidillas (Castilla) | Alicia de Larrocha | T-910.760.579-8 | |
| 4-15 | Zaragoza | Alicia de Larrocha | — | |
| 4-16 | Malagueña | Alicia de Larrocha | — | |
| 4-17 | Mallorca (Barcarola) | Alicia de Larrocha | — | |
| 4-18 | Zambra granadina | Alicia de Larrocha | — | |
| 5-1 | Doce danzas españolas: no. 1 in G | — | ||
| 5-2 | Doce danzas españolas: no. 2 in C minor (Oriental) | — | ||
| 5-3 | Doce danzas españolas: no. 3 in D | — | ||
| 5-4 | Doce danzas españolas: no. 4 in C (Villanesca) | — | ||
| 5-5 | Doce danzas españolas: no. 5 in E minor (Andaluza) | — | ||
| 5-6 | Doce danzas españolas: no. 6 in D (Aragonesa) | — | ||
| 5-7 | Doce danzas españolas: no. 7 in G (Valenciana) | — | ||
| 5-8 | Doce danzas españolas: no. 8 in C | — | ||
| 5-9 | Doce danzas españolas: no. 9 in B-flat | — | ||
| 5-10 | Doce danzas españolas: no. 10 in G | — | ||
| 5-11 | Doce danzas españolas: no. 11 in G minor | — | ||
| 5-12 | Doce danzas españolas: no. 12 in A minor | — | ||
| 5-13 | Danza lenta | — | ||
| 5-14 | Allegro de concierto | — | ||
| 5-15 | Valses poéticos: Introduction - no. 1: melódico | — | ||
| 5-16 | Valses poéticos: no. 2: tempo di vals noble | — | ||
| 5-17 | Valses poéticos: no. 3: tempo di vals lento | — | ||
| 5-18 | Valses poéticos: no. 4: allegro humorístico - no. 5 allegretto (Elegante) | — | ||
| 5-19 | Valses poéticos: no. 6: quasi ad libitum (Sentimental) | — | ||
| 5-20 | Valses poéticos: no. 7: vivo | — | ||
| 5-21 | Valses poéticos: no. 8: coda (Presto y tempo del premier vals) | — | ||
| 6-1 | Escenas románticas: I. Mazurca | — | ||
| 6-2 | Escenas románticas: II. Recitativo - berceuse | — | ||
| 6-3 | Escenas románticas: III. *** (El poeta y el ruiseñor) | — | ||
| 6-4 | Escenas románticas: IV. Allegretto (Pequeña danza) | — | ||
| 6-5 | Escenas románticas: V. Epílogo (Allegro appassionato - andantino spianato) | — | ||
| 6-6 | Piezas españolas: Aragonesa | — | ||
| 6-7 | Piezas españolas: Cubana | — | ||
| 6-8 | Piezas españolas: Montañesa | — | ||
| 6-9 | Piezas españolas: Andaluza | — | ||
| 6-10 | La vida breve : Danza no. 2 | — | ||
| 6-11 | El sombrero de tres picos: Danza de los vecinos | — | ||
| 6-12 | El sombrero de tres picos: Danza de la molinara | — | ||
| 6-13 | El amor brujo: Danza del terror | — | ||
| 6-14 | Fantasía bética | — | ||
| 6-15 | La vega | — | ||
| 7-1 | Sanlúcar de Barrameda: I. En la torre del castillo | — | ||
| 7-2 | Sanlúcar de Barrameda: II. Siluetas de la calzada | — | ||
| 7-3 | Sanlúcar de Barrameda: III. La playa - IV. Los pescadores en bajo de guía | — | ||
| 7-4 | Danzas fantásticas: I. Exaltación | — | ||
| 7-5 | Danzas fantásticas: II. Ensueño | — | ||
| 7-6 | Danzas fantásticas: III. Orgía | — | ||
| 7-7 | Danzas andaluzas: Zapateado | — | ||
| 7-8 | Danzas gitanas: Sacromonte | — | ||
| 8-1 | Acis y Galatea, zarzuela: Confiado jilguerillo | Victoria de los Ángeles, Alicia de Larrocha | — | |
| 8-2 | El trípili, for voice & piano | Victoria de los Ángeles, Alicia de Larrocha | T-041.030.782-2 | |
| 8-3 | Nueve tonadillas: La maja de goya | — | ||
| 8-4 | Nueve tonadillas: Amor y odio | — | ||
| 8-5 | Nueve tonadillas: El majo tímido | — | ||
| 8-6 | Nueve tonadillas: El mirar de la maja | — | ||
| 8-7 | Nueve tonadillas: Callajeo | — | ||
| 8-8 | Nueve tonadillas: El tra-la-la y el punteado | — | ||
| 8-9 | Nueve tonadillas: Las currutacas modestas | — | ||
| 8-10 | Nueve tonadillas: El majo olvidado | — | ||
| 8-11 | Nueve tonadillas: El majo discreto | — | ||
| 8-12 | Canciones amatorias, 7 songs for voice & piano, H. 24: Llorad, corazón | Victoria de los Ángeles, Alicia de Larrocha | — | |
| 8-13 | Canciones amatorias, 7 songs for voice & piano, H. 24: Iban al pinar | Victoria de los Ángeles, Alicia de Larrocha | — | |
| 8-14 | Canciones amatorias, 7 songs for voice & piano, H. 24: No lloréis, ojuelos | Victoria de los Ángeles, Alicia de Larrocha | — | |
| 8-15 | Canciones amatorias, 7 songs for voice & piano, H. 24: Mañanica era | Victoria de los Ángeles, Alicia de Larrocha | — | |
| 8-16 | Canciones amatorias, 7 songs for voice & piano, H. 24: Mira que soy niña | Victoria de los Ángeles, Alicia de Larrocha | — | |
| 8-17 | Canciones amatorias, 7 songs for voice & piano, H. 24: Gracia mía | Victoria de los Ángeles, Alicia de Larrocha | — | |
| 8-18 | 7 popular Spanish songs, for voice & Piano, g. 40: I. El paño moruno | Victoria de los Ángeles, Alicia de Larrocha | T-042.645.034-1 | |
| 8-19 | 7 popular Spanish songs, for voice & Piano, g. 40: II. Seguidilla murciana | Victoria de los Ángeles, Alicia de Larrocha | — | |
| 8-20 | 7 popular Spanish songs, for voice & piano, G. 40: III. Asturiana | Victoria de los Ángeles, Alicia de Larrocha | T-042.645.034-1 | |
| 8-21 | 7 popular Spanish songs, for voice & piano, G. 40: IV. Jota | Victoria de los Ángeles, Alicia de Larrocha | — | |
| 8-22 | 7 popular Spanish songs, for voice & piano, G. 40: V. Nana | Victoria de los Ángeles, Alicia de Larrocha | T-042.645.034-1 | |
| 8-23 | 7 popular Spanish songs, for voice & piano, G. 40: VI. Canción | Victoria de los Ángeles, Alicia de Larrocha | T-042.645.034-1 | |
| 8-24 | 7 popular Spanish songs, for voice & piano, G. 40: VII. Polo | Victoria de los Ángeles, Alicia de Larrocha | — | |
| 8-25 | La tempranica, zarzuela: Zapateado (La tarántula é un bicho mú malo) | Victoria de los Ángeles, Alicia de Larrocha | — |
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What is UPC 5099962948623?
5099962948623 is a Universal Product Code (UPC) assigned to Complete EMI Recordings by Alicia de Larrocha. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 123 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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