The Very Best of David Oistrakh

UPC · Release

The Very Best of David Oistrakh

David Oistrakh

5099967898725
21 tracks

Last verified:

5099967898725 is the Universal Product Code (UPC barcode) for the release The Very Best of David Oistrakh by David Oistrakh. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 21 tracks, each with its own ISRC. Tracks include GBAYC0300163, GBAYC0300164, GBAYC0300165.

Format

509GS1 prefix
9967Company prefix
89872Product
5Check digit
GS1 prefix:
Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
Company prefix:
Label/distributor identifier assigned by the local GS1 office.
Product:
Unique product number assigned by the company.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCThe Very Best of David Oistrakh
ISRC13 recordings

Track List (21)

Violin Concerto in D op.77: I. Allegro non troppo
Violin Concerto in D op.77: I. Allegro non troppo
David Oistrakh, Cleveland Orchestra, George Szell
Violin Concerto in D op.77: II. Adagio
Violin Concerto in D op.77: II. Adagio
David Oistrakh, The Cleveland Orchestra, George Szell
Violin Concerto in D op.77: III. Allegro giocoso, ma non troppo vivace
Violin Concerto in D op.77: III. Allegro giocoso, ma non troppo vivace
David Oistrakh, Cleveland Orchestra, George Szell
Triple Concerto in C major, op. 56: II. Largo
Triple Concerto in C major, op. 56: II. Largo
David Oistrakh, Sviatoslav Richter, Mstislav Rostropovich, Herbert von Karajan
Violin Concerto no. 2, op. 63: I. Allegro moderato
Violin Concerto no. 2, op. 63: I. Allegro moderato
Violin Concerto no. 2 in G minor, op. 63: II. Andante assai
Violin Concerto no. 2 in G minor, op. 63: II. Andante assai
David Oistrakh, Philharmonia Orchestra, Alceo Galliera
Violin Concerto no. 2 in G minor, op. 63: III. Allegro, ben marcato
Violin Concerto no. 2 in G minor, op. 63: III. Allegro, ben marcato
David Oistrakh, Philharmonia Orchestra, Alceo Galliera
Piano Trio no. 1 in B-flat major, op. 99 D 898: I. Allegro moderato
Piano Trio no. 1 in B-flat major, op. 99 D 898: I. Allegro moderato
Sviatoslav Knuchevitsky, Lev Oborin, David Oistrakh
Sonata in G minor "The Devil's Trill" (arr. Kreisler): I. Larghetto affettuoso
Sonata in G minor "The Devil's Trill" (arr. Kreisler): I. Larghetto affettuoso
David Oistrakh, Vladimir Yampolsky
Sonata in G minor "The Devil's Trill" (arr. Kreisler): II. Allegro (Tempo giusto della Scuola Tartinista)
Sonata in G minor "The Devil's Trill" (arr. Kreisler): II. Allegro (Tempo giusto della Scuola Tartinista)
David Oistrakh, Vladimir Yampolsky
Sonata in G minor "The Devil's Trill" (arr. Kreisler): III. Andante - Allegro assai - Andante - Allegro assai - Andante - Allegro assai
Sonata in G minor "The Devil's Trill" (arr. Kreisler): III. Andante - Allegro assai - Andante - Allegro assai - Andante - Allegro assai
David Oistrakh, Vladimir Yampolsky
Sonata in G minor "The Devil's Trill" (arr. Kreisler): IV. Cadenza - Adagio
Sonata in G minor "The Devil's Trill" (arr. Kreisler): IV. Cadenza - Adagio
David Oistrakh, Vladimir Yampolsky
Three Hungarian Folk Dances
Three Hungarian Folk Dances
Légende, op. 17
Légende, op. 17
Mazurka in G, op. 26
Mazurka in G, op. 26
Clair de lune (Suite bergamasque)
Clair de lune (Suite bergamasque)
Jota (Suite populaire espagnole)
Jota (Suite populaire espagnole)
Valse-Scherzo, op. 34
Valse-Scherzo, op. 34
Extase, op. 21
Extase, op. 21
Concerto pour violon et orchestre no. 1 en La mineur, op. 99: II. Scherzo: Allegro
Concerto pour violon et orchestre no. 1 en La mineur, op. 99: II. Scherzo: Allegro
David Oistrakh, Philharmonia Orchestra, Maxime Chostakovich
Suite de concert, op. 28: V. Tarantella (Presto)
Suite de concert, op. 28: V. Tarantella (Presto)
David Oistrakh, Philharmonia Orchestra, Nicolai Malko

Additional database matches (5)

Violin Concerto in D op.77: I. Allegro non troppo
David Oistrakh, Cleveland Orchestra, George Szell
Violin Concerto in D op.77: II. Adagio
David Oistrakh, The Cleveland Orchestra, George Szell
Violin Concerto in D op.77: III. Allegro giocoso, ma non troppo vivace
David Oistrakh, Cleveland Orchestra, George Szell
Triple Concerto in C major, op. 56: II. Largo
David Oistrakh, Sviatoslav Richter, Mstislav Rostropovich, Herbert von Karajan
Triple Concerto in C major, op. 56: II. Largo
David Oistrakh, Sviatoslav Richter, Mstislav Rostropovich, Herbert von Karajan
SourcesMusicBrainzMLCMusicBrainzNotes4 sources

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Identifier Graph

UPCThe Very Best o…ISRCViolin Concerto…ISRCViolin Concerto…ISRCViolin Concerto…ISRCTriple Concerto…ISRCViolin Concerto…

People also ask

What is UPC 5099967898725?
UPC 5099967898725 is the Universal Product Code (barcode) for "The Very Best of David Oistrakh" by David Oistrakh.
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 5099967898725?
UPC 5099967898725 contains 21 tracks, each with its own ISRC.

What is UPC 5099967898725?

5099967898725 is a Universal Product Code (UPC) assigned to The Very Best of David Oistrakh by David Oistrakh. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 21 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

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